Download or read book Form Art and the Environment written by Nathalie Blanc and published by Routledge. This book was released on 2016-10-04 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Form, Art and the Environment: Engaging in Sustainability adopts a pluralistic perspective of environmental artistic processes in order to examine the contributions of the arts in promoting sustainable development and culture at a grassroots level and its potential as a catalyst for social change and awareness. This book investigates how community arts, environmental creativity, and the changing role of artists in the Polis contribute to the goal of a sustainable future from a number of interdisciplinary perspectives. From considering the role that art works play in revealing local environmental problems such as biodiversity, public transportation and energy issues, to examining the way in which artists and art works enrich our multidimensional understanding of culture and sustainable development, Form, Art and the Environment advocates the inestimable value of art as an expressive force in promoting sustainable culture and conscious development. Utilising a broad range of case studies and analysis from a body of work collected through the international environmental COAL prize, this book examines the evolution of the relationship between culture and the environment. This book will be of interest to practitioners of the environmental arts, culture and sustainable development and students of Art, Environmental Science, and International Policy and Planning Development.
Download or read book Interactive Process Art written by Brian Lawrence Douce and published by . This book was released on 2004 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Landscape into Eco Art written by Mark Cheetham and published by Penn State Press. This book was released on 2018-02-09 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dedicated to an articulation of the earth from broadly ecological perspectives, eco art is a vibrant subset of contemporary art that addresses the widespread public concern with rapid climate change and related environmental issues. In Landscape into Eco Art, Mark Cheetham systematically examines connections and divergences between contemporary eco art, land art of the 1960s and 1970s, and the historical genre of landscape painting. Through eight thematic case studies that illuminate what eco art means in practice, reception, and history, Cheetham places the form in a longer and broader art-historical context. He considers a wide range of media—from painting, sculpture, and photography to artists’ films, video, sound work, animation, and installation—and analyzes the work of internationally prominent artists such as Olafur Eliasson, Nancy Holt, Mark Dion, and Robert Smithson. In doing so, Cheetham reveals eco art to be a dynamic extension of a long tradition of landscape depiction in the West that boldly enters into today’s debates on climate science, government policy, and our collective and individual responsibility to the planet. An ambitious intervention into eco-criticism and the environmental humanities, this volume provides original ways to understand the issues and practices of eco art in the Anthropocene. Art historians, humanities scholars, and lay readers interested in contemporary art and the environment will find Cheetham’s work valuable and invigorating.
Download or read book Infowhelm written by Heather Houser and published by Columbia University Press. This book was released on 2020-06-16 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do artists and writers engage with environmental knowledge in the face of overwhelming information about catastrophe? What kinds of knowledge do the arts produce when addressing climate change, extinction, and other environmental emergencies? What happens to scientific data when it becomes art? In Infowhelm, Heather Houser explores the ways contemporary art manages environmental knowledge in an age of climate crisis and information overload. Houser argues that the infowhelm—a state of abundant yet contested scientific information—is an unexpectedly resonant resource for environmental artists seeking to go beyond communicating stories about crises. Infowhelm analyzes how artists transform the techniques of the sciences into aesthetic material, repurposing data on everything from butterfly migration to oil spills and experimenting with data collection, classification, and remote sensing. Houser traces how artists ranging from novelist Barbara Kingsolver to digital memorialist Maya Lin rework knowledge traditions native to the sciences, entangling data with embodiment, quantification with speculation, precision with ambiguity, and observation with feeling. Their works provide new ways of understanding environmental change while also questioning traditional distinctions between types of knowledge. Bridging the environmental humanities, digital media studies, and science and technology studies, this timely book reveals the importance of artistic medium and form to understanding environmental issues and challenges our assumptions about how people arrive at and respond to environmental knowledge.
Download or read book Arts Religion and the Environment written by Sigurd Bergmann and published by BRILL. This book was released on 2018-07-03 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring Nature’s Texture brings together a collection of internationally-known group of artists, theologians, anthropologists and philosophers to look at the imaginative possibilities of using the visual arts to address the breakdown of the human relationship with the environment.
Download or read book Arts of Living on a Damaged Planet written by Anna Lowenhaupt Tsing and published by U of Minnesota Press. This book was released on 2017-05-30 with total page 709 pages. Available in PDF, EPUB and Kindle. Book excerpt: Living on a damaged planet challenges who we are and where we live. This timely anthology calls on twenty eminent humanists and scientists to revitalize curiosity, observation, and transdisciplinary conversation about life on earth. As human-induced environmental change threatens multispecies livability, Arts of Living on a Damaged Planet puts forward a bold proposal: entangled histories, situated narratives, and thick descriptions offer urgent “arts of living.” Included are essays by scholars in anthropology, ecology, science studies, art, literature, and bioinformatics who posit critical and creative tools for collaborative survival in a more-than-human Anthropocene. The essays are organized around two key figures that also serve as the publication’s two openings: Ghosts, or landscapes haunted by the violences of modernity; and Monsters, or interspecies and intraspecies sociality. Ghosts and Monsters are tentacular, windy, and arboreal arts that invite readers to encounter ants, lichen, rocks, electrons, flying foxes, salmon, chestnut trees, mud volcanoes, border zones, graves, radioactive waste—in short, the wonders and terrors of an unintended epoch. Contributors: Karen Barad, U of California, Santa Cruz; Kate Brown, U of Maryland, Baltimore; Carla Freccero, U of California, Santa Cruz; Peter Funch, Aarhus U; Scott F. Gilbert, Swarthmore College; Deborah M. Gordon, Stanford U; Donna J. Haraway, U of California, Santa Cruz; Andreas Hejnol, U of Bergen, Norway; Ursula K. Le Guin; Marianne Elisabeth Lien, U of Oslo; Andrew Mathews, U of California, Santa Cruz; Margaret McFall-Ngai, U of Hawaii, Manoa; Ingrid M. Parker, U of California, Santa Cruz; Mary Louise Pratt, NYU; Anne Pringle, U of Wisconsin, Madison; Deborah Bird Rose, U of New South Wales, Sydney; Dorion Sagan; Lesley Stern, U of California, San Diego; Jens-Christian Svenning, Aarhus U.
Download or read book Introduction to Art Design Context and Meaning written by Pamela Sachant and published by Good Press. This book was released on 2023-11-27 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Download or read book Reclamation written by San Francisco Public Library and published by . This book was released on 2021-06-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: San Francisco Center for the Book and San Francisco Public Library host Reclamation: Artists' Books on the Environment, a juried exhibition of artists books exploring our relationship to the environment at this moment on the planet.Environmental concerns demand increasing attention, from rising temperatures and dangerous weather events, to crises in water quality, to multiplying fires...the list goes on, echoed around the globe. Book artists create works that involve, educate, and inspire action. Book art takes many forms. Reclamation: Artists' Books on the Environment seeks to inspire and educate viewers to reflect on climate change and its impacts locally, nationally, and internationally. At the same time, the exhibition endeavors to avoid dualistic arguments common to today's divisive political scene.This exhibition takes place under the umbrella of The Codex Foundation's EXTRACTION: Art on the Edge of the Abyss call to action.
Download or read book Art Space Ecology written by Grande John K. Grande and published by Black Rose Books Ltd.. This book was released on 2019-10-15 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Art, Space, Ecology, internationally renowned curator and critic John K. Grande interviews twenty major contemporary artists whose works engage with the natural environment. Whether their medium is sculpture, nature interventions, performance, body art, or installation, these discussions, complemented by eighty stunning photographs, reveal the artists' diverse backgrounds and methods, expressions and realizations.Ultimately, the natural world serves as a canvas to explore the intersections of art, space, and the environment, thereby raising questions about our relationship with landscape itself. The essence of the art form is a dynamic interactivity, and the dialogues between Grande and the artists mirror the encounter of object and environment, artist and audience, society and nature. This work is rounded out with an engaging introduction by writer and curator Edward Lucie-Smith, who sets the stage for some of the most insightful and compelling discussions on art to be found.
Download or read book Art Nature Dialogues written by John K. Grande and published by State University of New York Press. This book was released on 2012-02-01 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art Nature Dialogues offers interviews with artists working with, in, and around nature and the environment. The interviews explore art practices, ecological issues, and values as they pertain to the siting of works, the use of materials, and the ethics of artmaking. John K. Grande includes interviews with Hamish Fulton, David Nash, Bob Verschueren, herman de vries, Alan Sonfist, Nils-Udo, Michael Singer, Patrick Dougherty, Ursula von Rydingsvard, and others.
Download or read book Decolonizing Science in Latin American Art written by Joanna Page and published by UCL Press. This book was released on 2021-04-15 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Projects that bring the ‘hard’ sciences into art are increasingly being exhibited in galleries and museums across the world. In a surge of publications on the subject, few focus on regions beyond Europe and the Anglophone world. Decolonizing Science in Latin American Art assembles a new corpus of art-science projects by Latin American artists, ranging from big-budget collaborations with NASA and MIT to homegrown experiments in artists’ kitchens. While they draw on recent scientific research, these art projects also ‘decolonize’ science. If increasing knowledge of the natural world has often gone hand-in-hand with our objectification and exploitation of it, the artists studied here emphasize the subjectivity and intelligence of other species, staging new forms of collaboration and co-creativity beyond the human. They design technologies that work with organic processes to promote the health of ecosystems, and seek alternatives to the logics of extractivism and monoculture farming that have caused extensive ecological damage in Latin America. They develop do-it-yourself, open-source, commons-based practices for sharing creative and intellectual property. They establish critical dialogues between Western science and indigenous thought, reconnecting a disembedded, abstracted form of knowledge with the cultural, social, spiritual, and ethical spheres of experience from which it has often been excluded. Decolonizing Science in Latin American Art interrogates how artistic practices may communicate, extend, supplement, and challenge scientific ideas. At the same time, it explores broader questions in the field of art, including the relationship between knowledge, care, and curation; nonhuman agency; art and utility; and changing approaches to participation. It also highlights important contributions by Latin American thinkers to themes of global significance, including the Anthropocene, climate change and environmental justice.
Download or read book Domesticating the Invisible written by Melissa S. Ragain and published by University of California Press. This book was released on 2021-01-12 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Domesticating the Invisible examines how postwar notions of form developed in response to newly perceived environmental threats, in turn inspiring artists to model plastic composition on natural systems often invisible to the human eye. Melissa S. Ragain focuses on the history of art education in Cambridge, Massachusetts, to understand how an environmental approach to form inspired new art programs at Harvard and MIT. As they embraced scientistic theories of composition, these institutions also cultivated young artists as environmental agents who could influence urban design and contribute to an ecologically sensitive public sphere. Ragain combines institutional and intellectual histories to map how the emergency of environmental crisis altered foundational modernist assumptions about form, transforming questions about aesthetic judgment into questions about an ethical relationship to the environment.
Download or read book Environmental Sound Artists written by Frederick W. Bianchi and published by . This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Environmental Sound Artists: In Their Own Words is an incisive and imaginative look at the international environmental sound art movement, which emerged in the late 1960s. The term environmental sound art is generally applied to the work of sound artists who incorporate processes in which the artist actively engages with the environment. While the field of environmental sound art is diverse and includes a variety of approaches, the art form diverges from traditional contemporary music by the conscious and strategic integration of environmental impulses and natural processes. This book presents a current perspective on the environmental sound art movement through a collection of personal writings by important environmental sound artists. Dismayed by the limitations and gradual breakdown of contemporary compositional strategies, environmental sound artists have sought alternate venues, genres, technologies, and delivery methods for their creative expression. Environmental sound art is especially relevant because it addresses political, social, economic, scientific, and aesthetic issues. As a result, it has attracted the participation of artists internationally. Awareness and concern for the environment has connected and unified artists across the globe and has achieved a solidarity and clarity of purpose that is singularly unique and optimistic. The environmental sound art movement is borderless and thriving.
Download or read book Land Environmental Art written by Brian Wallis and published by Phaidon Press Limited. This book was released on 1998-10-29 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book fully documents the beginning of the 1960s and 1970s land art through to contemporary environmentally-based art forms.
Download or read book Nature Artforms and the World Around Us written by Robert E. Wood and published by Springer. This book was released on 2017-08-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a comprehensive view of the aesthetic realm, placing the various major artforms within the setting of nature and the built environment as they arise within the field of experience. Each chapter displays the regional ontology of the form considered: the comprehensive set of eidetic features that limn the space of the art. It draws upon artists' statements, writings of key figures in the history of philosophy--including Plato, Hegel, Dewey, and Heidegger—and writings from various commentators on art. This volume is unique in its systematic and phenomenological approach, and in how it addresses aesthetics writ large.
Download or read book Allocations written by Jan Brand and published by Distributed Art Publishers (DAP). This book was released on 1992 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Environmental Art of Gerry Joe Weise written by Albert L Sandberg and published by Independently Published. This book was released on 2019-05-16 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gerry Joe Weise was born in 1959, on April 23rd in Sydney, Australia. He is an award winning visual artist, who has lived and worked in Australia, France, Germany, Switzerland and the United States. He has exhibited in over 80 solo and group exhibitions across the globe. He is a professional photographer and an accomplished video-maker, all for the sole purpose to further his artwork, which he has exhibited since 1980. He is also a musician, and has performed professionally at musical concerts since 1976. He is best known for the following categories: Environmental Art, Earth Art, Land Art, Installation Art, and "In Situ". His drawings, paintings, sculptures and photography; can be found in many galleries, museums, cultural centers, private and public collections, around the world. Weise often uses natural materials such as earth, sand, mineral, stone, vegetation, and pigments. Choosing to situate his work among inspiring landscapes, he transforms the way we behold and view a land site. Causing us to pay more attention to minute detail, of certain forms and perspectives that make up an environment. His aim is to be in total harmony, and serve as a compliment to the natural surroundings. Never disrupting, but forever paying tribute to this green blue planet. Weise's artwork outside, in forests, at beaches, among rocky shores, or on green grass, often fall subject to the cycle of seasons. The tides, wind, rain, sunlight, and decay, all serve to transform and erode his work. Ephemeral Art has captivated him for a very long time, as he finds it is another way of gauging time, from past to present to the future. Some of his tidal works with Sand Drawings disappear within less than 12 hours, but that does not stop the production of photography and printing. There are also the preliminary sketches and drawings before the act of creating an installation outdoors. For most of his themes and concepts, there is a body of work capturing the before, during, and after process. Weise's Environmental Art is never as fragile as we might expect. He has said his artwork can be summed up as, "expressionistic earthworks on land environments". Environmental Art branched out from Land Art during the late 1960s. Both are parallel movements that question the power and authority of museums, art institutions and galleries. Historically in the past, museums and galleries have always controlled the production, exhibitions, and sale of artworks. By creating Environmental Art at outdoor locations, in sympathy with nature while blending in with surrounding landscapes, can only lead to unique and surprising results. The artist removes the power from art dealers and the general art market. The emphasis is (always) on the process of creation, and the artist's concept. The artworks are often ephemeral (but not always), and an immediate audience is not necessary, as most artists prefer to work alone with and in nature. A one-on-one harmony and artistic experience. What survives is documentation, mainly photography of the site. Maps, videos and other media can be added too, as the Environmental artist becomes an archivist for the created outdoor installation.
