Download or read book Florentine Drawing at the Time of Lorenzo the Magnificent written by Elizabeth Cropper and published by Nuova Alfa. This book was released on 1994 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Papers from a colloquium held at the Villa Spelman, Florence, Italy, 1992--22 in all, about half in English, the others in Italian--presented to complement a 1992 Uffizi exhibition dedicated to commemorating the 500th anniversary of the death of Lorenzo de Medici. The contributing art historians and curators discuss the technique, function, meaning, and attribution of the exhibited drawings as well as works in other collections and other media. Includes 86 pages of small bandw reproductions. No index. Annotation copyright by Book News, Inc., Portland, OR

Download or read book Florentine Drawing at the Time of Lorenzo the Magnificent written by Elizabeth Cropper and published by . This book was released on 1992 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Renaissance Florence written by Patricia Lee Rubin and published by National Gallery Publications Limited. This book was released on 1999 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The 1470s - the decade of Lorenzo de'Medici's rise to power - was a remarkable moment in Florence's history. It was a time of intense activity for the city's creative workforce. Beauty had long been an intrinsic part of the city's identity and prestige, and rich and powerful Florentine families saw cultivation of the visual arts as an essential way to assert their influence, commissioning artists and craftsmen to create impressive paintings, objects and monuments to enhance their status." "Published to accompany a major exhibition at the National Gallery, London, this illustrated volume offers an introduction to the principal patrons, projects and artistic personalities within Florence during this period. It concentrates on the activities of the leading artists - Andrea del Verrocchio, Antonio and Piero del Pollaiuolo, Sandro Botticelli, Filippino Lippi and the young Leonardo da Vinci - illustrating their special contributions and highlighting their differences, common sources, ambitions and responses to each other."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Download or read book Lorenzo De Medici at Home written by Richard Stapleford and published by Penn State Press. This book was released on 2013 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An inventory of the private possessions of Lorenzo il Magnifico de' Medici, head of the ruling Medici family during the apogee of the Florentine Renaissance"--Provided by publisher.

Download or read book Florentine Drawings of the Sixteenth Century written by Nicholas Turner and published by . This book was released on 1986 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a catalogue of drawings from the British Museums collection and adds to the previously published catalogues of Italian drawings. The Catalogue covers the period form the High Renascence through Early, High and Late Mannerism to the Early Baroque.

Download or read book Painting in Renaissance Florence 1500 1550 written by David Franklin and published by Yale University Press. This book was released on 2001-01-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Franklin's unprecedented examination of Vasari's work as a painter in relation to his vastly better-known writings fully illuminates these dual strands in Florentine art and offers us a clearer understanding of sixteenth-century painting in Florence than ever before." "The volume focuses on twelve painters: Perugino, Leonardo de Vinci, Piero di Cosimo, Michelangelo, Fra Bartolomeo, Ridolfo Ghirlandaio, Andrea del Sarto, Franciabigio, Rosso Fiorentino, Jacopo da Pontormo, Francesco Salviati and Giorgio Vasari."--BOOK JACKET.

Download or read book Verrocchio written by John K. Delaney and published by Princeton University Press. This book was released on 2021-09-28 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC

Download or read book Lorenzo de Medici and the Art of Magnificence written by F. W. Kent and published by JHU Press. This book was released on 2007-02-01 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the past half century scholars have downplayed the significance of Lorenzo de' Medici (1449–1492), called "the Magnificent," as a patron of the arts. Less wealthy than his grandfather Cosimo, the argument goes, Lorenzo was far more interested in collecting ancient objects of art than in commissioning contemporary art or architecture. His earlier reputation as a patron was said to be largely a construct of humanist exaggeration and partisan deference. Although some recent studies have taken issue with this view, no synthesis of Lorenzo as art patron and art lover has yet emerged. In Lorenzo de' Medici and the Art of Magnificence historian F. W. Kent offers a new look at Lorenzo's relationship to the arts, aesthetics, collecting, and building—especially in the context of his role as the political boss (maestro della bottega) of republican Florence and a leading player in Renaissance Italian diplomacy. As a result of this approach, which pays careful attention to the events of his short but dramatic life, a radically new chronology of Lorenzo's activities as an art patron emerges, revealing them to have been more extensive and creative than previously thought. Kent's Lorenzo was broadly interested in the arts and supported efforts to beautify Florence and the many Medici lands and palaces. His expertise was well regarded by guildsmen and artists, who often turned to him for advice as well as for patronage. Lorenzo himself was educated in the arts by such men, and Kent explores his aesthetic education and taste, taking into account what is known of Lorenzo's patronage of music and manuscripts, and of his own creative work as a major Quattrocento poet. Richly illustrated with photographs of Medici landmarks by Ralph Lieberman, Lorenzo de' Medici and the Art of Magnificence offers a masterful portrait of Lorenzo as a man whose achievements might have rivaled his grandfather's had he not died so young.

Download or read book Changing Patrons Social Identity and the Visual Arts in Renaissance Florence written by and published by Penn State Press. This book was released on with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.

Download or read book The Art of Florentine Drawings written by Edmund Swinglehurst and published by Parragon Publishing. This book was released on 1996 with total page 79 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In Renaissance Florence the art of drawing developed from the stiff medieval art of the 13th century into the superbly confident and three dimensional work of Leonardo and Michelangelo. Most artists of the time regarded their drawings as of no importance: they were simply sketches for paintings and other works. However, Giorgio Vasari, artist and biographer of the great artists of his time, collected many of their drawings, saving them for future generations. This book contains a selection of the finest of them, including the unique work of Fra Filippo Lippo Lippi, Paolo Uccello, Sandro Botticelli and, of course, the great masters Leonardo da Vinci and Michelangelo." - back cover.

Download or read book Magnifico written by Miles Unger and published by Simon and Schuster. This book was released on 2008 with total page 530 pages. Available in PDF, EPUB and Kindle. Book excerpt: Miles Unger's biography of this complex figure draws on primary research in Italian sources and on his intimate knowledge of Florence, where he lived for several years."--BOOK JACKET.

Download or read book A Critical and Historical Corpus of Florentine Painting written by Richard Offner and published by Giunti Editore. This book was released on 2000 with total page 426 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filled with full-colour and black & white illustrations, this book is a comprehensive guide to pre-Renaissance Florentine painting. It offers researchers, students, scholars, and fine-art enthusiasts an unrivalled scientific, historical, and critical exploration of pre-Renaissance Florentine art.

Download or read book The Drawings of the Florentine Painters written by Bernard Berenson and published by . This book was released on 1969 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Renaissance Portrait written by Patricia Lee Rubin and published by Metropolitan Museum of Art. This book was released on 2011 with total page 434 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with an exhibition held at the Bode-Museum, Berlin, Aug. 25-Nov. 20, 2011, and at the Metropolitan Museum of Art, New York, Dec. 21, 2011-Mar. 18, 2012.

Download or read book Images and Identity in Fifteenth century Florence written by Patricia Lee Rubin and published by Yale University Press. This book was released on 2007-01-01 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.

Download or read book Inventing the Renaissance Putto written by Charles Dempsey and published by UNC Press Books. This book was released on 2001 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: The figure of the putto (often portrayed as a mischievous baby) made frequent appearances in the art and literature of Renaissance Italy. Commonly called spiritelli, or sprites, putti embodied a minor species of demon, in their nature neither good

Download or read book Drawing 1400 1600 Invention and Innovation written by Stuart Currie and published by Routledge. This book was released on 2018-10-26 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, this volume twelve scholars explore ways in which drawings were employed and appreciated in various European Cities form late medieval times, through the Renaissance and Reformation periods and into the early seventeenth century. The essayists examine the relationship between preparatory sketches and finished artworks in more durable and expensive materials, and consider the roles played by various drawing types, such as studies from different kinds of model and student copies from a master’s exemplar. They also investigate how drawings and their mechanically- reproduced equivalents- engravings, etchings and other forms of print – came to be collected for both practical and connoisseurial purposes, and how iconographical and stylistic inventiveness were linked to imaginative artistic interpretations of traditional subjects and to technical innovations in drawing and printmaking. Through diverse approaches to the study of artists’ attitudes and ambitions, the essays in Drawing 1400-1600 offer ways of appreciating the complex and fascinating history of the practice and theory of drawing over two centuries during which the expressive potential of the medium was realized in some of the greatest artistic statements of all time.