Download or read book Flemish Illuminated Manuscripts 1400 1550 written by Scot McKendrick and published by . This book was released on 2003 with total page 159 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Flemish Illuminated Manuscripts 1400 1550 written by Scot McKendrick and published by . This book was released on 2003 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The remarkable and distinctive art of early Netherlandish painters such as Jan van Eyck and Rogier van der Weyden is well known to visitors of art galleries and museums. Yet illuminated manuscripts, rarely seen except by scholars and curators, offer some of the best evidence for our understanding of early Netherlandish painting through a remarkable period of 150 years. Unlike paintings, which have been varnished, cleaned, repainted and exposed to light, the illuminations kept secure within the bindings of a book retain their original colour and clarity of definition."--Book Flap.
Download or read book Flemish Illuminated Manuscripts 1475 1550 written by Museo Bardini and published by Abrams. This book was released on 1996 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1475 and 1550 the master illuminators of Flanders produced an array of manuscripts of unparalleled splendour, and this volume offers an opportunity to discover these sumptuous, relatively unknown works of art.
Download or read book Flemish Illuminated Manuscripts 1475 1550 written by Maurits Smeyers and published by . This book was released on 1996 with total page 223 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Flemish Manuscript Painting in Context written by Elizabeth Morrison and published by Getty Publications. This book was released on 2007-01-08 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: A companion to the Getty’s prize-winning exhibition catalogue Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe, this volume contains thirteen selected papers presented at two conferences held in conjunction with that exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art under the sponsorship of the Courtauld Institute and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress during the reign of Charles the Bold. Texts include Lorne Campbell’s research into Rogier van der Weyden’s work as an illuminator, Nancy Turner’s investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. A recurring theme is the structure of collaboration in manuscript production. The essays also reveal an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court. A series of biographies of Burgundian scribes is featured.
Download or read book Flowers in Medieval Manuscripts written by Celia Fisher and published by University of Toronto Press. This book was released on 2004-01-01 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each section of Flowers in Medieval Manuscripts includes relevant details of the manuscripts from which the illustrations are taken, and the concluding section discusses manuscript production in relation to these margins.
Download or read book The Grove Encyclopedia of Medieval Art and Architecture written by Colum Hourihane and published by . This book was released on 2012 with total page 4064 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers unparalleled coverage of all aspects of art and architecture from medieval Western Europe, from the 6th century to the early 16th century. Drawing upon the expansive scholarship in the celebrated 'Grove Dictionary of Art' and adding hundreds of new entries, it offers students, researchers and the general public a reliable, up-to-date, and convenient resource covering this field of major importance in the development of Western history and international art and architecture.
Download or read book Flemish and Dutch Artists in Early Modern England written by MaryBryanH. Curd and published by Routledge. This book was released on 2017-07-05 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: By examining their production practices in a variety of genres?including manuscript illustration, glass painting and staining, tapestry manufacture, portrait painting, and engraving?this book explores how Netherlandish artists migrating to England in the early modern period overcame difficulties raised by their outsider status. This study examines, for the first time in this context, the challenges of alien status to artistic production and the effectiveness of cooperation as a countermeasure. The author demonstrates that collaboration was chief among the strategies that these foreigners chose to secure a position in London's changing art market. Curd's exploration of these collaborations primarily follows Pierre Bourdieu's model of "establishment and challenger" in which dominance in a field of cultural production depends upon how much cultural, political, and economic capital can be accumulated and the effectiveness of the strategies used to confront competition. The analysis presented here challenges received opinion that a collaborative work is only a joint effort of artists working together on a single monument by demonstrating that the participation of patrons and middlemen can also shape the final appearance of a work of art. Furthermore, this book shows that the strategic use of collaboration served the goal of competition by helping to establish foreign artists in the London art market and suggests that their coping strategies have implications for the study of immigrant behaviors today.
Download or read book Piety in Pieces written by Kathryn M. Rudy and published by Open Book Publishers. This book was released on 2016-09-26 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval manuscripts resisted obsolescence. Made by highly specialised craftspeople (scribes, illuminators, book binders) with labour-intensive processes using exclusive and sometimes exotic materials (parchment made from dozens or hundreds of skins, inks and paints made from prized minerals, animals and plants), books were expensive and built to last. They usually outlived their owners. Rather than discard them when they were superseded, book owners found ways to update, amend and upcycle books or book parts. These activities accelerated in the fifteenth century. Most manuscripts made before 1390 were bespoke and made for a particular client, but those made after 1390 (especially books of hours) were increasingly made for an open market, in which the producer was not in direct contact with the buyer. Increased efficiency led to more generic products, which owners were motivated to personalise. It also led to more blank parchment in the book, for example, the backs of inserted miniatures and the blanks ends of textual components. Book buyers of the late fourteenth and throughout the fifteenth century still held onto the old connotations of manuscripts—that they were custom-made luxury items—even when the production had become impersonal. Owners consequently purchased books made for an open market and then personalised them, filling in the blank spaces, and even adding more components later. This would give them an affordable product, but one that still smacked of luxury and met their individual needs. They kept older books in circulation by amending them, attached items to generic books to make them more relevant and valuable, and added new prayers with escalating indulgences as the culture of salvation shifted. Rudy considers ways in which book owners adjusted the contents of their books from the simplest (add a marginal note, sew in a curtain) to the most complex (take the book apart, embellish the components with painted decoration, add more quires of parchment). By making sometimes extreme adjustments, book owners kept their books fashionable and emotionally relevant. This study explores the intersection of codicology and human desire. Rudy shows how increased modularisation of book making led to more standardisation but also to more opportunities for personalisation. She asks: What properties did parchment manuscripts have that printed books lacked? What are the interrelationships among technology, efficiency, skill loss and standardisation?
Download or read book Faces of Power Piety written by Erik Inglis and published by Getty Publications. This book was released on 2008 with total page 104 pages. Available in PDF, EPUB and Kindle. Book excerpt: Faces of Power and Piety is the second in the Medieval Imagination series of small, affordable books that draw on manuscript illuminations in the collections of the J. Paul Getty Museum and the British Library. Each volume focuses on a particular theme to provide an accessible and delightful introduction to the imagination of the medieval world. The vivid and charming faces featured in this volume include portraits of both illustrious historical figures and celebrated contemporaries. They reveal that medieval artists often disregarded physical appearance in favor of emphasizing qualities such as power and piety, capturing how their subjects wished to be remembered for the ages. Faces of Power and Piety also looks at the development of portraiture in the modern sense during the Renaissance, when likeness became an important component of portrait painting. An exhibition of the same name will be on view at the J. Paul Getty Museum from August 12 through October 26, 2008.
Download or read book Beasts written by Elizabeth Morrison and published by Getty Publications. This book was released on 2007 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Download or read book Pathos in Late Medieval Religious Drama and Art written by Gabriella Mazzon and published by BRILL. This book was released on 2018-05-23 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pathos in Late-Medieval Religious Drama and Art explores the connections between the language of European late-medieval drama and co-temporary themes and motifs in visual communication, focussing on the triggering of emotional reactions in the viewers as a persuasive device.
Download or read book Flanders in a European Perspective written by Maurits Smeyers and published by . This book was released on 1995 with total page 826 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Peeters 1995)
Download or read book Pictorial Invention in the Netherlandish Manuscript Illumination of the Late Middle Ages written by James H. Marrow and published by Peeters. This book was released on 2005 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hand-painted books produced in the Low Countries during the late Middle Ages are dazzingly inventive and widely admired, both in their own time and today. The makers of Flemish illuminated manuscripts experimented, sometimes flamboyantly, with all aspects of their design, manipulating elements of their format, layout, script, decoration and illustration in radically new and challenging ways. In this book, James H. Marrow discusses prominent features of many of the most exuberant illuminated manuscripts created by leading Flemish illuminators of the 15th and the 16th centuries, considering both the playful ways in which the makers of these books reconfigured their design and the ways they exploited these innovations to define and convey the meaning of their contents more effectively. Marrow considers how the designers of these manuscripts broke down the barriers between the different components of the book; how the shapes of some manuscripts became a kind of image; how script sometimes became decoration or one of several illusionistically treated elements or fields on the page; and how decoration and illustration were intermixed in diverse, witty, and provocative fashions. In this final stage in the evolution of the medieval book, leading Flemish illuminators fundamentally changed the structural dynamics of the page, enlarging its fields of visual and pictorial interest and exploiting novel juxtapositions of subject matter and scale, of viewpoint and different kinds of illusionism, to guide viewers beyond the here-and-now, to evoke multiple and alternative levels of truth, and to effect profound transformations of understanding. This is an incisive study of the course of these developments in the Low Countries and of some of the important ways in which they engaged issues central to the function of the visual arts.
Download or read book Christian Art written by Michelle P. Brown and published by Lion Hudson Ltd. This book was released on 2021-01-22 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explore the rich history and influence of Christian art from Antiquity to the present day. Michelle Brown traces the rich history of Christian art, crossing boundaries to explore how art has reflected and stimulated a response to the teachings of Christ, and to Christian thought and experience across the ages. Embracing much of the history of art in the West and parts of the Middle East, Africa, Asia, the Americas and Australasia, Michelle considers art of the earliest Christians to the modern day. Featuring articles by invited contributors on subjects including Icons; Renaissance Florence; Rubens and the Counter-Reformation; Religious Folk Art; Jewish Artists; Christian Themes; Making the St Johnâs Bible, and Christianity and Contemporary Art in North America, Christian Art is an ideal survey of the subject for all those interested in the worldâs artistic heritage. â¢â Comprehensive and authoritative text from the Early Christian period to the modern day â¢â Wide international coverage â¢â Feature articles on special subjects by a team of experts from around the world
Download or read book Construction as Depicted in Western Art written by Michael Tutton and published by Amsterdam University Press. This book was released on 2021-01-30 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art of Building has captured the interest of artists from the Roman period to today. The process of construction appears in western art in all its details, trades, and operations. Michael Tutton investigates the representation of building processes and materials through an examination of paintings, illuminated manuscripts, watercolours, prints, drawings and sculpture. Technical terms are explained and detailed interpretations of each work are provided, with insights into the artists' inspiration and themes. Even paintings not wholly or principally devoted to construction sites may give tantalising glimpses of building activity. How do these images convey meaning? How much is imagined; how much is authentic? Fully referenced endnotes, bibliography, and glossary complement the text and captions, informing not only the architectural and construction historian, but also those simply interested in art.
Download or read book The Absent Image written by Elina Gertsman and published by Penn State Press. This book was released on 2021-06-24 with total page 599 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the 2022 Charles Rufus Morey Award from the College Art Association Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unrepresentability of the invisible, actively engages emptiness, voids, gaps, holes, and erasures. Exploring complex conversations among medieval philosophy, physics, mathematics, piety, and image-making, Gertsman considers the concept of nothingness in concert with the imaginary, revealing profoundly inventive approaches to emptiness in late medieval visual culture, from ingenious images of the world’s creation ex nihilo to figurations of absence as a replacement for the invisible forces of conception and death. Innovative and challenging, this book will find its primary audience with students and scholars of art, religion, physics, philosophy, and mathematics. It will be particularly welcomed by those interested in phenomenological and cross-disciplinary approaches to the visual culture of the later Middle Ages.
