Download or read book Five Decades of Music Transmutation in Nigeria and The Diaspora written by Godwin Sadoh and published by Lulu.com. This book was released on 2015 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt: Half a century of music making in Nigeria has indeed witnessed giant strides, development, transformation, assimilation, and acculturation. This book succinctly presents a holistic discourse of musicality in Nigeria from the 1960s through the technological age of the 21st century transmitted through European and American cultures. It examines cogent topics such as traditional and popular music, art music, church music, choral activities, composers and their works, performance practices, maintenance of musical instruments, the impact of radio and television stations, feminine quantum leaps, music publishing, music technology, archival centers, copyright society, Nollywood music, and music entrepreneurship.
Download or read book Nigerian Art Music written by Bode Omojola and published by Institut français de recherche en Afrique. This book was released on 1995 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: ART MUSIC IN NIGERIA is the most comprehensive book on the works of modem Nigerian composers who have been influenced by European classical music. Relying on over 500 scores, archival materials and interviews with many Nigerian composers, the author traces the historical developments of this new idiom in Nigeria and provides a critical and detailed analysis of certain works. Written in a refreshing and lucid style and amply illustrated with music examples, the book represents a milestone in musicological research in Nigeria. Although written essentially for students and scholars of African music, this interesting book will also be enjoyed by the général reader.
Download or read book Sounding the Cape written by Denis Martin and published by African Minds. This book was released on 2013 with total page 471 pages. Available in PDF, EPUB and Kindle. Book excerpt: For several centuries Cape Town has accommodated a great variety of musical genres which have usually been associated with specific population groups living in and around the city. Musical styles and genres produced in Cape Town have therefore been assigned an "identity" which is first and foremost social. This volume tries to question the relationship established between musical styles and genres, and social - in this case pseudo-racial - identities. In Sounding the Cape, Denis-Constant Martin recomposes and examines through the theoretical prism of creolisation the history of music in Cape Town, deploying analytical tools borrowed from the most recent studies of identity configurations. He demonstrates that musical creation in the Mother City, and in South Africa, has always been nurtured by contacts, exchanges and innovations whatever the efforts made by racist powers to separate and divide people according to their origin. Musicians interviewed at the dawn of the 21st century confirm that mixture and blending characterise all Cape Town's musics. They also emphasise the importance of a rhythmic pattern particular to Cape Town, the ghoema beat, whose origins are obviously mixed. The study of music demonstrates that the history of Cape Town, and of South Africa as a whole, undeniably fostered creole societies. Yet, twenty years after the collapse of apartheid, these societies are still divided along lines that combine economic factors and "racial" categorisations. Martin concludes that, were music given a greater importance in educational and cultural policies, it could contribute to fighting these divisions and promote the notion of a nation that, in spite of the violence of racism and apartheid, has managed to invent a unique common culture.
Download or read book A History of African Popular Culture written by Karin Barber and published by Cambridge University Press. This book was released on 2018-01-11 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: A journey through the history of African popular culture from the seventeenth century to the present day.
Download or read book Highlife Music in West Africa written by Sonny Oti and published by African Books Collective. This book was released on 2009 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: Highlife Music in West Africa is an excursion into the origins and development of an extraordinary music form. Highlife music is essentially an urban music, but unlike dance music performed using Western musical instruments, its dynamism is based less in the aesthetics of form and style than in song-texts. Critics treat highlife as a popular music genre, but this fails to acknowledge the role that the lyrics of highlife music played in the search for political, economic, and national growth and stability in Africa. Highlife musicians' messages, like drama and theater scripts, not only reflect Africa's culture but also highlight her social, economic, and political problems. The involvement of radicals and Pan-Africanists has helped elevate highlife musicians from the status of entertainers to a more serious and responsible one, as modern African town criers, whose song-texts are communal messages, warnings, and counseling.
Download or read book Representing African Music written by Kofi Agawu and published by Routledge. This book was released on 2014-04-23 with total page 289 pages. Available in PDF, EPUB and Kindle. Book excerpt: The aim of this book is to stimulate debate by offering a critique of discourse about African music. Who writes about African music, how, and why? What assumptions and prejudices influence the presentation of ethnographic data? Even the term "African music" suggests there is an agreed-upon meaning, but African music signifies differently to different people. This book also poses the question then, "What is African music?" Agawu offers a new and provocative look at the history of African music scholarship that will resonate with students of ethnomusicology and post-colonial studies. He offers an alternative "Afro-centric" means of understanding African music, and in doing so, illuminates a different mode of creativity beyond the usual provenance of Western criticism. This book will undoubtedly inspire heated debate--and new thinking--among musicologists, cultural theorists, and post-colonial thinkers. Also includes 15 musical examples.
Download or read book The Ghosts of Songs written by Kodwo Eshun and published by Changing Media, Changing Europ. This book was released on 2007 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This eagerly awaited book is the first to assess the oeuvre of the Black Audio Film Collective (BAFC), one of Britain's most influential artistic groups. It reconsiders the entire corpus of the seven-person London-based group from inception in 1982 to its disbandment in 1998.
Download or read book To Life written by Linda Weintraub and published by Univ of California Press. This book was released on 2012-09-01 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title documents the burgeoning eco art movement from A to Z, presenting a panorama of artistic responses to environmental concerns, from Ant Farms anti-consumer antics in the 1970s to Marina Zurkows 2007 animation that anticipates the havoc wreaked upon the planet by global warming.
Download or read book Vodou in Haitian Life and Culture written by C. Michel and published by Springer. This book was released on 2006-11-27 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection introduces readers to the history and practice of the Vodou religion, and corrects many misconceptions. The book focuses specifically on the role Vodou plays in Haiti, where it has its strongest following, examining its influence on spiritual beliefs, cultural practices, national identity, popular culture, writing and art.
Download or read book For Space written by Doreen Massey and published by SAGE. This book was released on 2005-03-09 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questioning the implicit assumptions that we make about space, this text considers conventional notions of social science, as well as demonstrating how a vigorous understanding of space can impact on political consequences.
Download or read book Samuel Akpabot written by Godwin Sadoh and published by iUniverse. This book was released on 2008-10-17 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: Samuel Akpabots life tells a unique story of an incredible and fascinating journey encompassing over six decades. The life, music, and scholarly effervescence of Samuel Akpabot are indeed an epitome of intercultural musicology. The odyssey reveals a motion through a tri-cultural enclave in Africa, England, and the United States. The fundamental seed sown into the young Akpabot at Kings College and the Cathedral Church of Christ Choir, Lagos, ultimately blossomed into full Professorship at the University of Uyo and international stardom. His creative experience attests to the squirm that the first and second generation of Nigerian composers had to contend with to create indigenous African art music. Akpabot was a Jack of all trade, and Master of ALL. He was a classical and dance band pianist, organist, xylophonist, vibraphonist, trumpeter, drummer, composer, ethnomusicologist, African musicologist, intercultural musicologist, poet, Professor of music, conductor, broadcaster, and sports writer. Akpabot was a genius in all these areas and he dazzled the Nigerian and American students, audiences, congregations, sports enthusiasts, and colleagues, with his God given talents. A feisty scholar, his contribution to African musicology is indeed extensive and priceless. He covered every pertinent area in the study of African musictraditional music, popular dance music, church music, modern art music, and poetry. He exerted himself and was well-respected as an authority on African musicology. The book is divided into three main parts with an epilogue: (i) the biography of Samuel Akpabotchapter 2; (ii) his compositionschapters 3 to 5; and (iii) his contributions to knowledgechapters 6 to 11. Since Akpabots books are presently out-of-print, chapters 6 to 9 and 11 present a brief summary of each book in order for everyone to have access to his contribution to African musicology and Nigerian football. Chapter 10 is a succinct summation of nine of his published articles on African music. Composers, performers, African musicologists, ethnomusicologists, intercultural musicologists, and church musicians, would be enthralled by this ethnography on tri-cultural musicality.
Download or read book The World Republic of Letters written by Pascale Casanova and published by Harvard University Press. This book was released on 2004 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts. Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.
Download or read book Our Mothers Our Powers Our Texts written by Teresa N. Washington and published by Oya's Tornado. This book was released on 2015-12-23 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Blazes a new trail in Africana literary criticism by providing an insight into the soul and spirit of Africana womanhood.” --Anthonia Kalu, The Ohio State University, author of Women, Literature, and Development in Africa This is the revised and expanded edition of Teresa N. Washington's groundbreaking book Our Mothers, Our Powers, Our Texts: Manifestations of Aje in Africana Literature. In Yoruba language and culture, Aje signifies both a phenomenal spiritual power and the human beings who exercise that power. Aje is the birthright of Africana women who are revered as the Gods of Society. While Africana men can have Aje, its owners and controllers are Africana women. Because it is an African female power, and due to its invisibility, ubiquity, and profundity, Aje is often maligned as witchcraft. However, as Teresa N. Washington reveals in Our Mothers, Our Powers, Our Texts, Aje is central to the Yoruba ethos, worldview, and cosmology. Not only is it essential to human creation and artistic creativity, but as a force of justice and retribution, Aje is vital to social harmony and balance. Washington analyzes forms, figures, and forces of Aje in the Yoruba world, in the Caribbean Islands, in Latin America, and in African America. Washington's research reveals that with the exile and enslavement of millions of Africans, Aje became a global force and an essential ally in organizing insurrections, soothing shattered souls, and reminding the dispossessed of their inherent divinity. From her in-depth exploration of Aje in Pan-African history and orature, Washington guides readers through rich analyses of the symbolic, methodological, and spiritual manifestations of Aje that are central to important works by Africana writers but are rarely elucidated by Western criticism. Our Mothers, Our Powers, Our Texts includes innovative readings of works by many Africana writers, including Zora Neale Hurston, Toni Morrison, Ben Okri, Wole Soyinka, Jamaica Kincaid, and Ntozake Shange. This revised and expanded edition of Our Mothers, Our Powers, Our Texts will appeal to scholars of Africana literature, African religion and philosophy, gender studies, and comparative literature. Devotees of Africana spiritual systems will find this book to be indispensable.
Download or read book Christopher Oyesiku written by Godwin Sadoh and published by iUniverse. This book was released on 2011-02-01 with total page 125 pages. Available in PDF, EPUB and Kindle. Book excerpt: CHRISTOPHER OYESIKU dazzled the Nigerian elitist music caucuses with his extraordinary bass voice and God-gifted talent for well over six decades. His outstanding performances brought smiles, laughter, joy, and admiration to the faces of his faithful patrons, patronesses, and audiences. Nigeria has never seen nor heard anything like Oyesikus magnifi cent voice that is best described as bel canto and basso profundo. With this sonorous voice, he always leaves an impeccable and memorable impression on his ardent afi cionados. He has performed before the cream of Nigerian society, African nations, dignitaries, and indeed, the Royal Family in Great Britain. Oyesiku is a professionally trained classical bass singer, choral conductor extraordinaire, music educator, erudite scholar, concert promoter, concert manager, concert connoisseur, and broadcaster. From a period that spanned 1963 to 1997, Oyesiku single-handedly directed four magnifi cent choirs: the Lagos Musical Society Choir, the Nigerian Broadcasting Corporation Choir, the Oyo State College of Education Choir, and the University of Ibadan Choir. He trained these choirs to perform at a very enviable lofty standard that always leaves their audiences screaming for encore at the end of every concert. Their performances were consistently eclectic, electrifying, emotive, joyful, impeccable, crisp, energetic, fl awless, and intercultural. This book succinctly introduces musicians and enthusiasts to the performance of classical music in Nigeria through the life and stunning career of Christopher Oyesiku. His repertoire, bass solo recitals, and choral performances are indeed the epitome of art music concerts in the country. In this book, we can see how art music is taught and learned, organized, directed, performed, promoted, managed, disseminated, patronized, and preserved by the elitist group in modern day Nigeria. In other words, the Christopher Oyesiku concerts are representative of art music decorum in Nigeria, with particular emphasis on the performance practices, and a mirror through which one could examine the ethos of this brand of music in twenty-fi rst century Nigeria. GODWIN SADOH is a Nigerian ethnomusicologist, intercultural musicologist, composer, church musician, organist, pianist, choral conductor, and prolifi c publishing scholar with over 90 publications. His compositions have been performed and recorded worldwide. He is the fi rst African to receive a doctoral degree in organ performance from any institution in the world. Sadoh has taught at numerous institutions including the University of Pittsburgh and the University of Nebraska-Lincoln.
Download or read book Reinventing Paulo Freire written by Antonia Darder and published by Taylor & Francis. This book was released on 2017-06-14 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the most influential critical educators of the twentieth century, Paulo Freire challenged those educational inequalities and conditions of injustice faced by oppressed populations. In this new edition of Reinventing Paulo Freire, Antonia Darder re-examines his legacy through reflections on Freirean pedagogy and the narratives of teachers who reinvent his work. The fully revised first part provides important historical, political, and economic connections between major societal concerns and educational questions raised by Freire and their link to the contemporary moment, including questions tied to neoliberalism, coloniality, and educational inequalities. At the heart of the book is a critical understanding of how Freire’s pedagogy of love can inform, in theory and practice, a humanizing approach to teaching and learning. Powerful teacher narratives offer examples of a living praxis, committed to democratic classroom life and the emancipation of subaltern communities. The narratives clearly illustrate how Freire’s ideas can be put concretely into practice in schools and communities. These reflections on Freirean praxis are sure to spark conversation and inspiration in teacher education courses. Through a close theoretical engagement of Freire’s ideas and key insights garnered from lived experiences, the book speaks to the ways Freire can still inspire contemporary educators to adopt the spirit of liberatory pedagogy, By so doing, Reinventing Paulo Freire is certain to advance his theories in new ways, both to those familiar with his work and to those studying Freire for the first time.
Download or read book A Contemporary Study of Musical Arts Vol 1 written by Meki Nzewi and published by African Minds. This book was released on 2007-12 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 1 - The Root: Foundation Modern literacy education in African music has hitherto focused more on observed context studies. The philosophical rooting and the psychological and therapeutic force that ground African indigenous musical arts have not been much discerned or integrated. Much needed in contemporary education, then, are integrative studies and literature materials that represent the intellectual base of the knowledge owners and creators, and which will ensure cognitive understanding of the indigenous musical arts systems of Africa. There is as yet no comprehensive, learner-centred book that fosters African indigenous knowledge perspectives and rationalisation about the musical arts. The concern over the years has been for the production of research-informed books for modern, systematic education in African musical arts that derive in essence from the original African intellectual perspectives about the sense and meaning of music - indigenous to contemporary. The five volumes of the musical arts study series derive from 36 years of research and analytical studies in African musical arts. The volumes address the pressing need for learning texts informed by the indigenous African musical arts systems that target tertiary education. The texts incorporate knowledge of conventional European classical music as they relate to the unique features of African musical arts thinking and theoretical content. The contemporary African musical arts specialist needs secure grounding in his/her own human-cultural knowledge authority in order to contribute with original intellectual integrity to African as well as global scholarship discourse and knowledge creation.
Download or read book In Township Tonight written by David Bellin Coplan and published by . This book was released on 2008 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: David B. Coplan's pioneering social history of black South Africa's urban music, dance, and theatre established itself as a classic soon after its publication in 1985. Now completely revised, expanded, and updated, this new edition takes account of developments over the last thirty years while reflecting on the massive changes in South African politics and society since the end of the apartheid era. In vivid detail, Coplan comprehensively explores more than three centuries of the diverse history of South Africa's black popular culture, taking readers from indigenous musical traditions into the world of slave orchestras, pennywhistlers, clergyman-composers, the gumboot dances of mineworkers, and touring minstrelsy and vaudeville acts.
