Download or read book Film Directors and Emotion written by Darragh Greene and published by McFarland. This book was released on 2020-04-21 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema is an affective medium. Films move us to feel wonder, joy, and love as well as fear, anger, and hatred. Today, we are living through a new age of sensibility when emotion is given priority over reason. Yet, there is a counter-cultural current in contemporary American cinema that offers a more nuanced treatment of emotion. Both aesthetically and eidetically, this new cinema of affect allows viewers to make up their own minds about what they feel and think. This book focuses on key films by important auteur-directors--David Fincher, Bryan Singer, Christopher Nolan, Kathryn Bigelow, Richard Linklater, Barry Jenkins, Greta Gerwig, and Pete Docter--who are to the forefront of this new cinema. It explores how they anatomize affect and how it functions in the creation or degradation of character and society.
Download or read book Emotion Pictures written by Wim Wenders and published by . This book was released on 1991 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays discuss movies and movie directors, including Truffaut, Hitchcock, Ford, Lang, Altman, and Leone
Download or read book Passionate Views written by Carl Plantinga and published by JHU Press. This book was released on 1999-04-23 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: The movie theater has always been a place where people come together to share powerful emotional experiences, from the fear generated by horror films and the anxiety induced by thrillers to the laughter elicited by screwball comedies and the tears precipitated by melodramas. Indeed, the dependability of movies to provide such experiences lies at the center of the medium's appeal and power. Yet cinema's ability to influence, even manipulate, the emotions of the spectator is one of the least-explored topics in film theory today. In Passionate Views, thirteen internationally recognized scholars of film studies, philosophy, and psychology explore the emotional appeal of the cinema. Employing a novel cognitive perspective, the volume investigates the relationship between genre and emotion; explores how film narrative, music, and cinematic techniques such as the close-up are used to elicit emotion; and examines the spectator's identification with and response to film characters. An impressive range of films and topics is brought together by Carl Plantinga and Greg M. Smith, including: the success of Stella Dallas and An Affair to Remember as tearjerkers; the power of Night of the Living Dead to inspire fear and disgust; the sublime evoked in The Passion of Joan of Arc, Aguirre, the Wrath of God, and The Children of Paradise; the emotional basis of film comedy as seen in When Harry Met Sally; the use of cinematic cues in Raiders of the Lost Ark and Local Hero to arouse emotions; the relationship between narrative flow and emotion in Once Upon a Time in the West and E.T.; the emotive use of music in The Elephant Man and A Clockwork Orange; Stranger than Paradise's sense of timing; desire and resolution in Casablanca; audience identification with the main characters in Groundhog Day and The Crying Game; portrayal of perversity in The Silence of the Lambs, Flaming Creatures, and Shivers; and empathy elicited through closeups of actors' faces in Yankee Doodle Dandy and Blade Runner. Passionate Views offers a new approach to our understanding of film and will be of interest to anyone fascinated by the emotional power of motion pictures and their relationship to the central concerns of our lives, as well as by the techniques filmmakers use to move an audience.
Download or read book Atlas of Emotion written by Giuliana Bruno and published by Verso Books. This book was released on 2020-05-05 with total page 1133 pages. Available in PDF, EPUB and Kindle. Book excerpt: Atlas of Emotion is a highly original endeavour to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures, emphasises that "sight" and "site" but also "motion" and "emotion" are irrevocably connected. In so doing, Giuliana Bruno touches on the art of Gerhard Richter and Annette Message, the film making of Peter Greenaway and Michelangelo Antonioni, the origins of the movie palace and its precursors, and her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Download or read book Bodies in Pain written by Tarja Laine and published by Berghahn Books. This book was released on 2017-04 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: The films of Darren Aronofsky invite emotional engagement by means of affective resonance between the film and the spectator’s lived body. Aronofsky’s films, which include a rich range of production from Requiem for a Dream to Black Swan, are often considered “cerebral” because they explore topics like mathematics, madness, hallucinations, obsessions, social anxiety, addiction, psychosis, schizophrenia, and neuroscience. Yet this interest in intelligence and mental processes is deeply embedded in the operations of the body, shared with the spectator by means of a distinctively corporeal audiovisual style. Bodies in Pain looks at how Aronofsky’s films engage the spectator in an affective form of viewing that involves all the senses, ultimately engendering a process of (self) reflection through their emotional dynamics.
Download or read book Film Structure and the Emotion System written by Greg M. Smith and published by Cambridge University Press. This book was released on 2003-10-13 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: Films evoke broad moods and cue particular emotions that can be broadly shared as well as individually experienced. Although the experience of emotion is central to the viewing of movies, film studies have neglected to focus attention on the emotions, relying instead on vague psychoanalytic concepts of desire. Film Structure and the Emotion System synthesizes research on emotion in cognitive psychology and neurology in an effort to provide a more nuanced understanding of how film evokes emotion. Analysing a variety and range of films, including Casablanca and Stranger than Paradise, this book offers a grounded approach to the mechanisms through which films appeal to the human emotions, demonstrating the role of style and narration in this process.
Download or read book Moving Viewers written by Carl Plantinga and published by University of California Press. This book was released on 2009-04-08 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.
Download or read book Films and Feelings written by Raymond Durgnat and published by London : Faber. This book was released on 1967 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book On Film written by Wim Wenders and published by . This book was released on 2001 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: A volume that combines three influential works on the cinema by Wim Wenders, one of the major international filmmakers of our time Wim Wenders's body of work is among the most extraordinary in modern cinema. It includes such films as Paris, Texas; Wings of Desire; Buena Vista Social Club; and The Million Dollar Hotel. Fortunately, his passion for cinema also extends to writing about it, and in this volume all his published essays on films and filmmaking--as well as his thoughts on such disparate subjects as rock 'n' roll, architecture, questions of German identity, and the influence of America--are brought back into print. Including the essays that previously appeared in Emotion Pictures, The Logic of Images, and The Act of Seeing, On Film discusses Wenders's development as a filmmaker from the time he picked up a camera at age twelve and offers a broad analysis of his guiding passions as he analyzes the full range of his work, film by film, and reveals his views on genres ranging from the American Western to the European avant-garde, along the way answering the deceptively simple question "Why do you make films?" A volume that combines three influential works on the cinema by Wim Wenders, one of the major international filmmakers of our time Wim Wenders's body of work is among the most extraordinary in modern cinema. It includes such films as Paris, Texas; Wings of Desire; Buena Vista Social Club; and The Million Dollar Hotel. Fortunately, his passion for cinema also extends to writing about it, and in this volume all his published essays on films and filmmaking--as well as his thoughts on such disparate subjects as rock 'n' roll, architecture, questions of German identity, and the influence of America--are brought back into print. Including the essays that previously appeared in Emotion Pictures, The Logic of Images, and The Act of Seeing, On Film discusses Wenders's development as a filmmaker from the time he picked up a camera at age twelve and offers a broad analysis of his guiding passions as he analyzes the full range of his work, film by film, and reveals his views on genres ranging from the American Western to the European avant-garde, along the way answering the deceptively simple question "Why do you make films?"
Download or read book Emotion and the Structure of Narrative Film written by Ed S. Tan and published by Routledge. This book was released on 2013-10-16 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduced one hundred years ago, film has since become part of our lives. For the past century, however, the experience offered by fiction films has remained a mystery. Questions such as why adult viewers cry and shiver, and why they care at all about fictional characters -- while aware that they contemplate an entirely staged scene -- are still unresolved. In addition, it is unknown why spectators find some film experiences entertaining that have a clearly aversive nature outside the cinema. These and other questions make the psychological status of emotions allegedly induced by the fiction film highly problematic. Earlier attempts to answer these questions have been limited to a few genre studies. In recent years, film criticism and the theory of film structure have made use of psychoanalytic concepts which have proven insufficient in accounting for the diversity of film induced affect. In contrast, academic psychology -- during the century of its existence -- has made extensive study of emotional responses provoked by viewing fiction film, but has taken the role of film as a natural stimulus completely for granted. The present volume bridges the gap between critical theories of film on the one hand, and recent psychological theory and research of human emotion on the other, in an attempt to explain the emotions provoked by fiction film. This book integrates insights on the narrative structure of fiction film including its themes, plot structure, and characters with recent knowledge on the cognitive processing of natural events, and narrative and person information. It develops a theoretical framework for systematically describing emotion in the film viewer. The question whether or not film produces genuine emotion is answered by comparing affect in the viewer with emotion in the real world experienced by persons witnessing events that have personal significance to them. Current understanding of the psychology of emotions provides the basis for identifying critical features of the fiction film that trigger the general emotion system. Individual emotions are classified according to their position in the affect structure of a film -- a larger system of emotions produced by one particular film as a whole. Along the way, a series of problematic issues is dealt with, notably the reality of the emotional stimulus in film, the identification of the viewer with protagonists on screen, and the necessity of the viewer's cooperation in arriving at a genuine emotion. Finally, it is argued that film-produced emotions are genuine emotions in response to an artificial stimulus. Film can be regarded as a fine-tuned machine for a continuous stream of emotions that are entertaining after all. The work paves the way for understanding and, in principle, predicting emotions in the film viewer using existing psychological instruments of investigation. Dealing with the problems of film-induced affect and rendering them accessible to formal modeling and experimental method serves a wider interest of understanding aesthetic emotion -- the feelings that man-made products, and especially works of art, can evoke in the beholder.
Download or read book Feeling Film Affect and Authenticity in Popular Cinema written by Greg Singh and published by Routledge. This book was released on 2014-01-21 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cinema has the capacity to enflame our passions, to arouse our pity, to inspire our love. Feeling Film is a book that examines the emotional encounters found in contemporary popular cinema cultures. Examining melodrama, film noir, comic book franchises, cult indie movies and romantic comedy within the context of a Jungian-informed psychology and contemporary movements in film-philosophy, this book considers the various kinds of feelings engendered by our everyday engagements with cinema. Greg Singh questions the popular idea of what cinema is, and considers what happens during the anticipation and act of watching a movie, through to the act of sharing our feelings about them, the reviewing process and repeat-viewing practices. Feeling Film does this through a critique of purely textual approaches, instead offering a model which emphasises lived, warm (embodied and inhabited) psychological relationships between the viewer and the viewed. It extends the narrative action of cinema beyond the duration of the screening into realms of anticipation and afterlife, in particular providing insight into the tertiary and participatory practices afforded through rich media engagement. In rethinking the everyday, co-productive relationship between viewer and viewed from this perspective, Feeling Film reinstates the importance of feelings as a central concern for film theory. What emerges from this study is a re-engagement of the place of emotion, affect and feeling in film theory and criticism. In reconsidering the duration of the cinematic encounter, Feeling Film makes a significant contribution to the understanding of the inter-subjective relationship between viewer and viewed. It takes post-Jungian criticism into the realms of post-cinema technologies and reignites the dialogue between depth psychology and the study of images as they appear to, and for, us. This book will make essential reading for those interested in the relationship between film and aspects of depth psychology, film and philosophy students at advanced undergraduate and postgraduate levels, film and cinema academics and cinephiles.
Download or read book Shot Psychology written by Greg Keast and published by . This book was released on 2014-02 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shot Psychology is an introductory body of knowledge that filmmakers can use to enhance the expressive power of their work. It was written by a filmmaker for filmmakers and students. The book reviews over 300 filmmaking techniques and concepts with their associated effects and organizes them in an easy-to-access reference guide. It is meant to be an encyclopedia of meaning for filmmaking. The book is written in a clear and concise way and contains valuable and original insights on the art and craft of filmmaking. The true innovation of the book is the Master List, which could stand on its own as a separate book. It takes over 550 effects, then directly references the techniques that help create those effects. In this way, you can quickly look up the effect you are trying to create, then easily find the associated techniques. For example, if you want to create the effect of anxiety, you would look it up in the Master List and find that there are 20 techniques suggested for your possible use in creating or emphasizing anxiety. And if you have a question or do not understand how the technique relates to the effect, you can learn more about the technique in the Reference section.
Download or read book Contemporary Film Directors written by Celestino Deleyto and published by University of Illinois Press. This book was released on 2010-09-23 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study of Mexican film director Alejandro Gonzalez Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda toward a more global focus. In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, the authors trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's visual style and his use of multiple characters and a fragmented narrative structure. The book concludes with an interview of Iñárritu that touches on the themes and subject matter of his chief works.
Download or read book Film Music a Very Short Introduction written by Kathryn Kalinak and published by Oxford University Press. This book was released on 2023 with total page 177 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Film Music: A Very Short Introduction focuses on the most central issues in the practice of film music. What is film music? How is it composed? How does film music work? Why does film music work? The rich and deeply moving sounds of film music are as old as cinema. The very first projected moving images were accompanied by music around the globe as a variety of performers-from single piano players to small orchestras-brought images to life. Film music has since become its own industry, an aesthetic platform for expressing creative visions, and a commercial vehicle for generating increased revenue. The second edition updates coverage to 2022 and includes attention to recent developments in global film music, women in film music, and African -American and minority composers"--
Download or read book A Sense of Direction written by William Ball and published by New York : Drama Book Publishers. This book was released on 1984 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: "William Ball, founder and general director of the acclaimed American Conservatory Theatre, engages his audience in a wide-ranging discussion of the director's process - from first reading through opening night. Mr. Ball offers a candid, personal account of his method of working - including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques"--Cover.
Download or read book Economy Emotion and Ethics in Chinese Cinema written by David Leiwei Li and published by Routledge. This book was released on 2016-02-05 with total page 389 pages. Available in PDF, EPUB and Kindle. Book excerpt: The First and Second Comings of capitalism are conceptual shorthands used to capture the radical changes in global geopolitics from the Opium War to the end of the Cold War and beyond. Centring the role of capitalism in the Chinese everyday, the framework can be employed to comprehend contemporary Chinese culture in general and, as in this study, Chinese cinema in particular. This book investigates major Chinese-language films from mainland China, Taiwan, and Hong Kong in order to unpack a hyper-compressed capitalist modernity with distinctive Chinese characteristics. As a dialogue between the film genre as a mediation of microscopic social life, and the narrative of economic development as a macroscopic political abstraction, it engages the two otherwise remotely related worlds, illustrating how the State and the Subject are reconstituted cinematically in late capitalism. A deeply cultural, determinedly historical, and deliberately interdisciplinary study, it approaches "culture" anthropologically, as a way of life emanating from the everyday, and aesthetically, as imaginative forms and creative expressions. Economy, Emotion, and Ethics in Chinese Cinema will appeal to students and scholars of Chinese cinema, cultural studies, Asian studies, and interdisciplinary studies of politics and culture.
Download or read book Feel Bad Film written by Nikolaj Lubecker and published by Edinburgh University Press. This book was released on 2015-05-19 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: An analysis of what contemporary directors seek to attain by putting their spectators in a position of strong discomfort
