Download or read book Film and Counterculture in the 2011 Egyptian Uprising written by Amir Taha and published by Springer Nature. This book was released on 2021-04-15 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?

Download or read book Egyptian Cinema and the 2011 Revolution written by Ahmed Ghazal and published by . This book was released on 2018 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thesis examines the relationship between the 2011 Egyptian Revolution and Egyptian cinema,by focusing on the period from 2006 to the present. During this period, Egyptian films and the film industry have demonstrated a complex, yet reciprocal relationship with the revolution. The impact of the uprising on the industry and films and the engagement of films with politics revealed continuities and discontinuities in the relationship between cinema and the revolution. The thesis engages with scholarship on cinema and revolution in other national contexts such as Latin America, Iran, China and the Soviet Union. These studies reveal the use of film as a form of political expression and documentation of historical moments.Film movements have employed ‘revolutionary’ film techniques and constructed new cultures during postrevolution periods. I also examine Egyptian film literature to explain the continuity of political practices during the 2011 Revolution period. Films continue to engage with socio-political issues and Censorship of Artistic Works continues to curb films that criticise current regimes. The thesis situates itself in studies on film, media and revolution, particularly in relation to the so-called ‘Arab Spring’. It is a historical study of Egyptian filmmaking during the 2011 Revolution.The thesis draws on interviews with key Egyptian filmmakers that I conducted in Cairo from December 2014 to January 2016. The interviews explore the political economy of Egyptian cinema,including the production, distribution and exhibition of films, and issues of state censorship and regulation during the revolution. I also use archival research into speeches, state announcements, policies and legislation and press discourse. Since the 2011 Revolution, the Egyptian film industry has been facing a serious crisis due to reasons such as security and film piracy. In contrast to the support for cinemas by post-revolution governments, the Egyptian state has intervened inconsistently in issues regarding the film industry.I explore film content through textual analysis of the themes, ideologies and discourses in pre- and post-revolution films. Popular drama, political satire and independent productions contributed to the growing political activism during Mubarak’s fifth presidential term (starting in 2005). These films depicted themes of dictatorship, poverty, corruption and police brutality during the pre-revolution period and anticipated an upcoming revolution through images of dissent. Fiction and documentary films that subsequently represented the uprising historicised events and processed the collectively experienced struggle. These films contribute to the cultural memory of the 2011 Egyptian Revolution, which the counterrevolution aims to suppress. The conjunction of technological developments and the revolution expanded the wave of āl-āflām āl-mustaqilla (Independent Films), which started in 2005. These films disregard the commercial considerations of film production and use new actors, digital cameras and reallocations. While film continues to contribute to political activism before revolutions and documents the revolutionary moment, the crisis of the film industry and the lack of a ‘revolutionary’ film movement characterise Egyptian cinema during the post-revolution period.

Download or read book Egyptian Cinema and the 2011 Revolution written by Ahmed Ghazal and published by Bloomsbury Publishing. This book was released on 2020-11-26 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention. Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.

Download or read book Revolution as a Process written by Adham Hamed and published by BoD – Books on Demand. This book was released on 2014-06-16 with total page 394 pages. Available in PDF, EPUB and Kindle. Book excerpt: As Egyptian society stands at a point of extreme polarization, this book about the Egyptian Revolution makes an important contribution to current debates about the Arab uprisings by bringing together theoretical and practitioner’s perspectives. The clear aim of this edited volume of the series Contemporary Studies on the MENA Region is not to construct a singular narrative about the revolution but rather to highlight the multiplicity and complexity of perspectives and theoretical lenses. Consequently, this book brings together authors from diverse academic and cultural backgrounds, from the Middle East and the Global North, to raise their voices. This publication addresses scholars of the social sciences, peace and conflict research as well as anyone interested indeveloping a better understanding of the political situation in Egypt. “It is rather easy to say no to a dictator, a ruler or a political system, but it is exhausting to build a new society. This requires the constant effort of dedicated generations. [...] This book embraces not a master plan for a better future but it reflects from where this splendid young generation has to start anyway, the thorny challenges that are waiting for them on their path, the uncertainty of social or political reward.” – Professor DDr. Wolfgang Dietrich, Director, UNESCO Chair for Peace Studies, University of Innsbruck Adham Hamed is a Cairo-based peace and conflict researcher. In his work he focuses on transrational peace philosophy and elicitive conflict transformation as it has been developed at the Innsbruck School of Peace Studies.

Download or read book Egyptian Cinema and the 2011 Revolution written by Ahmed Ghazal and published by Bloomsbury Publishing. This book was released on 2020-11-26 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Egypt's film industry is the largest in the Middle East, with an output that spreads across the region and the world. In the run-up to and throughout the 2011 Revolution, a complex relationship formed between the industry and the people's uprising. Both a form of political expression and a documentation of historical events, 'revolutionary' film techniques have contributed to the cultural memory of 2011. At the same time, these films and their makers have been the target of increasing state control and intervention. Ahmed Ghazal, drawing upon his own background in film-making, looks at the way in which Egyptian film has shaped, and been shaped by, the events leading up to and beyond Egypt's 2011 revolution. Drawing on interviews with protagonists in the industry, analysis of films, and archival research, he analyses the critical issues affecting the political economy of the industry. He also explores the technological developments of independent productions and the cinematic themes of dictatorship, poverty, corruption and police brutality that have accompanied the people's calls for freedom - and the counterrevolution that has tried to suppress them.

Download or read book Cinemas of the Global South written by Dilip M Menon and published by Taylor & Francis. This book was released on 2024-03-19 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book engages with the idea of the Global South through cinema as a concept of resistance; as a space of decolonialisation; and as an arena of virtuality, creativity and change. It opens up a dialogue amongst scholars and filmmakers from the Global South: India, Nigeria, Colombia, Brazil, South Africa, and Egypt. The essays in the volume approach cinema as an intertwined process of both production and perception not divorced from the economic, social, political and cultural. They emphasise film as a visual medium where form, structure and content are not separable. Through a wide array of film-readings, the authors explore the concept of a southern cinematic esthetics, in particular, and the concept of the Global South in general. The volume will be of interest to scholars, students and researchers of film and media studies, critical theory, cultural studies and Global South studies.

Download or read book Mediascapes of Ruined Geographies in the Global South written by Diego Granja do Amaral and published by Springer Nature. This book was released on 2023-09-16 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book undertakes an interdisciplinary and cross-cultural interrogation of the Global South through the prisms of media and cultural studies. It closely explores the quotidian (re)territorialization, and brazen ruination of the material geographies of this vast expanse of the world by forces and proxies of (neo)colonialism and global capitalism of resource extraction. We cite the ongoing expulsion of Palestinians from their homelands by occupational forces, the emerging detritus dump across Mexico City and Lagos, the infrastructural precariousness of the favelas of Brazil, the unending resource-war in the Democratic Republic of Congo (DRC), and the flagrant operation of the oil industry in the Niger Delta region of Nigeria as examples of this geographic cataclysm. The centripetal forces of neo-colonialism and resource extraction at full-flight in the Global South, aided by toxic hegemonic forces, have overtly tossed some of the population to the peripheries of existence and the society at large. As such, this book, additionally, explores the resistance of the subalterns from the margins to this socio-political malaise, and further unmasks the knowledge production from these margins of the Global South. This project is divided into five (5) parts of three essays each. The first part examines the territorial contestation in the Middle East framed and expressed through films and literary lenses. The second part examines the environmental burden of modern consumerism and urbanization on metropolis across Mexico, Brazil, and Nigeria, while the third part explores the attritional violence of resource extraction in the DRC, Brazil, and Nigeria via filmic and journalistic lenses. The fourth part offers a swift response from the margins through ethnographic and journalistic interrogation of the subjectivity of the subalterns of Brazilian favelas, and street artists. The fifth part offers an engaging critique of the political climates of South Africa and Brazil that reinforce the environmental catastrophe of the regions of the world. ​

Download or read book Anatomy of a Revolution written by Mustafa Bal and published by . This book was released on 2014 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This dissertation offers a diachronic analysis of the 2011 Egyptian Revolution. This study holds that, regardless of its sui generis nature, the January 2011 Egyptian Revolution became possible as a combined result of a sociopolitical transformation in the Egyptian society in roughly the last decade of Mubarak's rule and several contingent events that took place right before and during the January 25 events. Sociopolitical transformations in Egyptian society were conceptualized along two dimensions: 1) Gradual changes in Egyptian sociopolitical life that occurred particularly on the last decade of Mubarak regime, and 2) Paradigmatic changes that took place during the 18 days of protests. This ethnographic account of the 2011 Egyptian Revolution -with involved political processes and mechanisms; and human agency that transformed and was transformed by those mechanisms and processes- aspires to contribute to our understanding of 2011 Egyptian Revolution, and possibly revolutions in general, and the ensuing political crises that arise in transition periods after major political transformations.

Download or read book Arts and the Uprising in Egypt written by Samia Mehrez and published by . This book was released on 2018-03 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: The January 2011 Egyptian uprising had dramatic, far-reaching effects on cultural production in Egypt. It sparked new developments and transformations in content and genre and laid open challenge to the powerful role traditionally played by the country's ministry of culture in the field of artistic expression. The eight chapters in Arts and the Uprising in Egypt offer a timely and much-needed survey of key realms of cultural production in Egypt since January 2011. They show how this explosion of cultural expression was of a piece with the change in people's relationship to power and authority that took place after the uprising and yet how this cultural resurgence had its roots in political struggles that predated 2011. Editors Samia Mehrez and Mona Abaza argue that a binary discourse of utopian success and failure is inadequate to the task of describing the paradoxes, complexities, and irreversible processes that are the true driving force of revolutionary change. The chapters in this book detail the main areas where cultures of dissent are forming-cultural policy, photography, education, film, satire, music, the visual arts, and literature-providing rich insight into the artists and initiatives that have played an integral role in the transformation of Egypt's public sphere since the fall of Mubarak. Arts and the Uprising in Egypt will be of interest to scholars of cultural production, revolution, and mass media in the Middle East, as well as art curators and critics, and music and cinema scholars.

Download or read book Women and the Egyptian Revolution written by Nermin Allam and published by Cambridge University Press. This book was released on 2018 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: An examination of women′s political participation and engagement during and after the 2011 uprising in Egypt.

Download or read book The 2011 Revolution in Egypt in US Print Media written by Annika Witzel and published by GRIN Verlag. This book was released on 2012-05-08 with total page 71 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bachelor Thesis from the year 2011 in the subject Communications - Media and Politics, Politic Communications, grade: 2,0, University of Bonn (Anglistik), language: English, abstract: “Lotus Revolution” (Egypt State Information Service1), “18-Day Revolution” (Armbruster 2011), “Nile Revolution” (Murdock February 8, 2011), “Facebook Revolution” (Herrera February 12, 2011) – what happened in Egypt at the beginning of 2011 was given many different titles. Some even call it “the most unexpected development in modern Egyptian history” (Sharp 2011b: 2). After 18 days of protests in Cairo and other cities all over Egypt, the Egyptian people made their President Hosni Mubarak resign. He had been ruling the country for almost 30 years and his people wanted to get rid of him and his regime. That was their goal and that is what they achieved. Of course there were international reactions to the uprisings from all over the world. “Numerous press reports [...] have recounted feelings of popular empowerment and pride inspired by the exploits of Egypt’s young protesters” (Sharp 2011b: 5). During the revolution, European leaders urged “Egypt’s transition to a new government” at the beginning of February (Murdock February 4), while China blocked the word “Egypt” from a twitter-like micro blogging website, according to Associated Press (quoted by Al Jazeera 2011).Further, when considering recent developments in Libya and Syria, other Middle Eastern countries seem to be inspired by the revolutions in both Tunisia and Egypt. After Mubarak had stood down on February 11, the reactions were even stronger – “Today, we are all Egyptians”, stated Norwegian Prime Minister Jens Stoltenberg and David Cameron suggested “We should teach the Egyptian revolution in our schools” (ESIS 2011). However, the United States seem to keep a particularly eager eye on the most populous country of the Middle East. Souad Mekhennet, New York Times and ZDF correspondent, states in an interview with the German medium magazine that “curiously, the American media reacted much faster than the European” when it comes to reporting about the Egyptian revolution (Milz 2011: 20). Moreover, she adds that the large US media outlets’ reporting on the topic is “much more continuous and broader” (ibid.), giving a lot more background information on the region. This special attention is most likely due to the fact that for the United States, Egypt is a highly important actor when it comes to foreign policy in the region. [...]

Download or read book Political Social and Economic Drivers of the 2011 Egyptian Uprising written by Pamela Abbott and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Why Occupy a Square written by Jeroen Gunning and published by Oxford University Press. This book was released on 2014-01-10 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: On 25 January 2011, tens of thousands of Egyptians came out on the streets to protest against emergency rule and police brutality. Eighteen days later, Mubarak, one of the longest sitting dictators in the region, had gone. How are we to make sense of these events? Was this a revolution, a revolutionary moment? How did the protests come about? How were they able to outmaneuver the police? Was this really a 'leaderless revolution,' as so many pundits claimed, or were the demonstrations an outgrowth of the protest networks that had developed over the past decade? Why did so many people with no history of activism participate? What role did economic and systemic crises play in creating the conditions for these protests to occur? Was this really a Facebook revolution? Why Occupy a Square? is a dynamic exploration of the shape and timing of these extraordinary events, the players behind them, and the tactics and protest frames they developed. Drawing on social movement theory, it traces the interaction between protest cycles, regime responses and broader structural changes over the past decade. Using theories of urban politics, space and power, it reflects on the exceptional state of non-sovereign politics that developed during the occupation of Tahrir Square.

Download or read book The 2011 Egyptian Revolution and Social Change written by Hannah Schmidl and published by . This book was released on 2014 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt: This thesis explores some of the ways in which Egyptian men and women changed certain aspects of their reality through collective actions in public spaces during and after the 2011 revolution. This thesis argues that the power of collective action which Egyptian men and women successfully employed in 2011 to bring down the thirty year regime of Hosni Mubarak carried over into the post-Revolutionary era to express itself in three unique ways: the combatting of women's sexual harassment in public spaces, the creation of graffiti with distinct revolutionary themes, and the creation of protest music which drew from historical precedent while also creating new songs. The methodology of this study of the 2011 Egyptian revolution lies is the use of newspaper reporting and online sources as primary source material. These sources include Egyptian newspapers such as Egypt independent and Al ahram, as well as scholarly websites like Jadaliyya, and also personal blogs. These accounts provide topical and up to the minute accounts of history as it unfolded. Primary source material is also drawn from oral interviews done during the summer of 2012 by the author and others in Egypt. The theoretical grounding lies in social movement theories that are centered on the Middle Eastern context in particular. Drawing from newspaper accounts and social movement theories this thesis is built around a notion of collective action expressed in unique ways in post-2011 revolution Egypt. This thesis is also solidly grounded in the history of Egypt as relevant to each of the topics which it explores: combatting sexual harassment and the creation of graffiti and music. Relevant scholarly books help to inform the historical material presented here as context. This thesis is situated within the existing literature on the 2011 Egyptian revolution and public history while also contributing something new to this area of study by examining the actions of ordinary men and women acting in public spaces in new ways during and after the revolution. The existing literature on the 2011 revolution generally neglects micro-level changes of the sort discussed in the topical areas to follow. The ordinary men and women who contributed to the revolution are now part of the historical record, an example of the public making history par excellence.

Download or read book International Leveraging and Civil Society written by Rebeka Gluhbegovic and published by . This book was released on 2015 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abstract in English.

Download or read book The Egyptian Military in Popular Culture written by Dalia Said Mostafa and published by Springer. This book was released on 2016-11-23 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines a key question through the lens of popular culture: Why did the Egyptian people opt to elect in June 2014 a new president (Abdel Fattah al-Sisi), who hails from the military establishment, after toppling a previous military dictator (Hosni Mubarak) with the breakout of the 25 January 2011 Revolution? In order to dissect this question, the author considers the complexity of the relationship between the Egyptian people and their national army, and how popular cultural products play a pivotal role in reinforcing or subverting this relationship. The author takes the reader on a ‘journey’ through crucial historical and political events in Egypt whilst focusing on multi-layered representations of the ‘military figure’ (the military leader, the heroic soldier, the freedom fighter, the conscript, the martyred soldier, and the Intelligence officer) in a wide range of popular works in literature, film, song, TV drama series, and graffiti art. Mostafa argues that the realm of popular culture in Egypt serves as the ‘blood veins’ which feed the nation’s perception of its Armed Forces.

Download or read book The Battle for Egypt written by Yasmine El Rashidi and published by New York Review of Books. This book was released on 2011-05-17 with total page 83 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a series of riveting dispatches, Cairo native Yasmine El Rashidi provides an eyewitness account of the entire 2011 Egyptian Revolution as it unfolded, from its origins in the days leading up to the first January 25 protest in Tahrir Square through the violent confrontations with the regime and the fall of Egyptian President Hosni Mubarak, to the subsequent military takeover and the March 2011 constitutional referendum. Drawing on her deep knowledge of the Egyptian capital and its underlying social divisions, El Rashidi brings together a vivid story of the uprising itself with subtle insights about the strengths—and limits—of the protest movement and the prospects for large-scale political change in the September 2011 parliamentary elections. With a preface by the Oxford scholar of revolutions Timothy Garton Ash. The Battle for Egypt is available as an e-book only. There is no print edition of this book.