Download or read book Fictions of Art History written by Mark Ledbury and published by Yale University Press. This book was released on 2013-10-28 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIV Fictions of Art History, the most recent addition to the Clark Studies in the Visual Arts series, addresses art history’s complex relationships with fiction, poetry, and creative writing. Inspired by a 2010 conference, the volume examines art historians’ viewing practices and modes of writing. How, the contributors ask, are we to unravel the supposed facts of history from the fictions constructed in works of art? How do art historians employ or resist devices of fiction, and what are the effects of those choices on the reader? In styles by turns witty, elliptical, and plain-speaking, the essays in Fictions of Art History are fascinating and provocative critical interventions in art history. /div

Download or read book Stories of Art written by James Elkins and published by Psychology Press. This book was released on 2002 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this intimate history, James Elkins demonstrates that there is - and can never be - only one story of art. He opens up the questions that traditional art history usually avoids.

Download or read book Fictions of the Pose written by Harry Berger and published by Stanford University Press. This book was released on 2000 with total page 694 pages. Available in PDF, EPUB and Kindle. Book excerpt: This lavishly illustrated reading of the structure and meaning of portraiture asks what happens when portraits are interpreted as imitations or likenesses not only of individuals but also of their acts of posing. Includes 84 illustrations, 40 in color.

Download or read book Archive Stories written by Antoinette Burton and published by Duke University Press. This book was released on 2006-01-25 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the importance of archives to the profession of history, there is very little written about actual encounters with them—about the effect that the researcher’s race, gender, or class may have on her experience within them or about the impact that archival surveillance, architecture, or bureaucracy might have on the histories that are ultimately written. This provocative collection initiates a vital conversation about how archives around the world are constructed, policed, manipulated, and experienced. It challenges the claims to objectivity associated with the traditional archive by telling stories that illuminate its power to shape the narratives that are “found” there. Archive Stories brings together ethnographies of the archival world, most of which are written by historians. Some contributors recount their own experiences. One offers a moving reflection on how the relative wealth and prestige of Western researchers can gain them entry to collections such as Uzbekistan’s newly formed Central State Archive, which severely limits the access of Uzbek researchers. Others explore the genealogies of specific archives, from one of the most influential archival institutions in the modern West, the Archives nationales in Paris, to the significant archives of the Bakunin family in Russia, which were saved largely through the efforts of one family member. Still others explore the impact of current events on the analysis of particular archives. A contributor tells of researching the 1976 Soweto riots in the politically charged atmosphere of the early 1990s, just as apartheid in South Africa was coming to an end. A number of the essays question what counts as an archive—and what counts as history—as they consider oral histories, cyberspace, fiction, and plans for streets and buildings that were never built, for histories that never materialized. Contributors. Tony Ballantyne, Marilyn Booth, Antoinette Burton, Ann Curthoys, Peter Fritzsche, Durba Ghosh, Laura Mayhall, Jennifer S. Milligan, Kathryn J. Oberdeck, Adele Perry, Helena Pohlandt-McCormick, John Randolph, Craig Robertson, Horacio N. Roque Ramírez, Jeff Sahadeo, Reneé Sentilles

Download or read book The Books that Shaped Art History From Gombrich and Greenberg to Alpers and Krauss written by Richard Shone and published by Thames & Hudson. This book was released on 2013-04-05 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.

Download or read book Futures and Fictions written by Simon O'Sullivan and published by Watkins Media Limited. This book was released on 2017-11-21 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: Futures and Fictions is a book of essays and conversations that explore possibilities for a different ‘political imaginary’ or, more simply, the imagining and imaging of alternate narratives and image-worlds that might be pitched against the impasses of our neoliberal present. In particular, the book contributes to prescient discussions around decolonization, post-capitalism and new kinds of social movements – exploring the intersections of these with contemporary art practice and visual culture. Contributions range from work on science, sonic and financial fictions and alternative space-time plots to myths and images generated by marginalized and ‘minor’ communities, queer-feminist strategies of fictioning, and the production of new Afro- and other futurisms. Contributors to thsi volume include Ursula K. Le Guin, Theo Reeves-Evisson, Bridget Crone, Kodwo Eshun, Louis Moreno, Laboria Cuboniks, Luciana Parisi, Stefan Helmreich, Mark Fisher, Judy Thorne, Annett Busch, Harold Offeh, Robin Mackay, Elvira Dyangani Ose, Kemang Wa Lehulere, and Oreet Ashery.

Download or read book On Histories and Stories written by A. S. Byatt and published by Harvard University Press. This book was released on 2002 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a series of essays on the complicated relations between reading, writing and remembering, gifted novelist and critic Byatt sorts the modish from the merely interesting and the truly good to arrive at a new view of British writing in our time.

Download or read book Fictions of Emancipation Carpeaux s Why Born Enslaved Reconsidered written by Elyse Nelson and published by Metropolitan Museum of Art. This book was released on 2022-03-07 with total page 175 pages. Available in PDF, EPUB and Kindle. Book excerpt: A critical reexamination of Jean-Baptiste Carpeaux's bust Why Born Enslaved!, this book unpacks the sculpture's engagement with—and defiance of—an antislavery discourse. In this clear-eyed look at the Black figure in nineteenth-century sculpture, noted art historians and writers discuss how emerging categories of racial difference propagated by the scientific field of ethnography grew in popularity alongside a crescendo in cultural production in France during the Second Empire. By comparing Carpeaux's bust Why Born Enslaved! to works by his contemporaries on both sides of the Atlantic, as well as to objects by twenty‑first‑century artists Kara Walker and Kehinde Wiley, the authors touch on such key themes as the portrayal of Black enslavement and emancipation; the commodification of images of Black figures; the role of sculpture in generating the sympathies of its audiences; and the relevance of Carpeaux's sculpture to legacies of empire in the postcolonial present. The book also provides a chronology of events central to the histories of transatlantic slavery, abolition, colonialism, and empire.

Download or read book Art History written by Michael Hatt and published by Manchester University Press. This book was released on 2006-04-30 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book provides a lively and stimulating introduction to methodological debates within art history. Offering a lucid account of approaches from Hegel to post-colonialism, the book provides a sense of art history's own history as a discipline from its emergence in the late-eighteenth century to contemporary debates.

Download or read book How History Gets Things Wrong written by Alex Rosenberg and published by MIT Press. This book was released on 2018-10-09 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why we learn the wrong things from narrative history, and how our love for stories is hard-wired. To understand something, you need to know its history. Right? Wrong, says Alex Rosenberg in How History Gets Things Wrong. Feeling especially well-informed after reading a book of popular history on the best-seller list? Don't. Narrative history is always, always wrong. It's not just incomplete or inaccurate but deeply wrong, as wrong as Ptolemaic astronomy. We no longer believe that the earth is the center of the universe. Why do we still believe in historical narrative? Our attachment to history as a vehicle for understanding has a long Darwinian pedigree and a genetic basis. Our love of stories is hard-wired. Neuroscience reveals that human evolution shaped a tool useful for survival into a defective theory of human nature. Stories historians tell, Rosenberg continues, are not only wrong but harmful. Israel and Palestine, for example, have dueling narratives of dispossession that prevent one side from compromising with the other. Henry Kissinger applied lessons drawn from the Congress of Vienna to American foreign policy with disastrous results. Human evolution improved primate mind reading—the ability to anticipate the behavior of others, whether predators, prey, or cooperators—to get us to the top of the African food chain. Now, however, this hard-wired capacity makes us think we can understand history—what the Kaiser was thinking in 1914, why Hitler declared war on the United States—by uncovering the narratives of what happened and why. In fact, Rosenberg argues, we will only understand history if we don't make it into a story.

Download or read book The Last Painting of Sara de Vos written by Dominic Smith and published by Sarah Crichton Books. This book was released on 2016-04-05 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night — first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” —Boston Globe A New York Times Bestseller A New York Times Book Review Editor's Choice A RARE SEVENTEENTH-CENTURY PAINTING LINKS THREE LIVES, ON THREE CONTINENTS, OVER THREE CENTURIES IN THE LAST PAINTING OF SARA DE VOS, AN EXHILARATING NEW NOVEL FROM DOMINIC SMITH. Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city’s Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it. New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer’s marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict. Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.

Download or read book The Art of Love written by Kate Bryan and published by White Lion Publishing. This book was released on 2019-07-02 with total page 187 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Art of Love tells the stories of the most fascinating couples of the art world, exploring the passionate, challenging and loving relationships behind some of the world’s greatest works of art. From Frida Kahlo and Diego Rivera to Joseph Cornell and Yayoi Kusama, Josef and Anni Albers to Gilbert & George – Kate Bryan delves into the formation, and sometimes breakdown, of each romance, documenting their highs and lows and revealing just how powerful love can be in the creative process. Whether long-lasting, peaceful collaborations, or short-lived tumultuous affairs, The Art of Love opens the door on some of the greatest love stories of the twentieth century. The relationships: Francoise Gilot & Pablo Picasso; Frida Kahlo & Diego Rivera; Carl Andre & Ana Mendieta; Christo & Jeanne-Claude; Robert Delaunay & Sonia Delaunay; Lee Krasner & Jackson Pollock; Barbara Hepworth & Ben Nicholson; Georgia O’Keeffe & Alfred Stieglitz; Lee Miller & Man Ray; Max Ernst & Dorothea Tanning; Jasper Johns & Robert Rauschenberg; Elaine de Kooning & William de Kooning; Maria Martins & Marcel Duchamp; Hans Arp & Sophie Taeuber-Arp; Raoul Hausmann & Hannah Hoch; Josef Albers & Anni Albers; Gwendolyn Knight & Jacob Lawrence; Kay Sage & Yves Tanguy; Nancy Holt & Robert Smithson; Marina Abramovic & Ulay; Gilbert & George; Joseph Cornell & Yayoi Kusama; Carroll Dunham & Laurie Simmons; Camille Claudel & Auguste Rodin; Maud Hunt Squire & Ethel Mars; Frances Loring & Florence Wyle; Alexander Rodchenko & Varvara Stepanova; Niki de Saint Phalle & Jean Tinguely; Leon Golub & Nancy Spero; Lili Elbe & Gerda Wegener; Bernd Becher & Hilla Becher; Emilia Kabakov & Ilya Kabakov; Tim Noble & Sue Webster; Idris Khan & Annie Morris

Download or read book Cupid and the Silent Goddess written by Alan Fisk and published by Twenty First Century Publishers Ltd. This book was released on 2003-12 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Creative Writing and Art History written by Catherine Grant and published by John Wiley & Sons. This book was released on 2012-03-19 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis of historical examples of art historical writing that have a creative element to examinations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writing Covers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by Flaubert The collection both contains essays that survey the topic as well as more specialist articles Brings together specialist contributors from both sides of the Atlantic

Download or read book Postcolonial Paris written by Laila Amine and published by University of Wisconsin Pres. This book was released on 2018-06-12 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expanding the narrow script of what it means to be Parisian, Laila Amine explores the novels, films, and street art made by Maghrebis, Franco-Arabs, and African Americans, including fiction by Charef, Chraïbi, Sebbar, Baldwin, Smith, and Wright, and such films as La haine, Made in France, Chouchou, and A Son.

Download or read book Licentious Fictions written by Daniel Poch and published by Columbia University Press. This book was released on 2019-12-24 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century Japanese literary discourse and narrative developed a striking preoccupation with ninjō—literally “human emotion,” but often used in reference to amorous feeling and erotic desire. For many writers and critics, fiction’s capacity to foster both licentiousness and didactic values stood out as a crucial source of ambivalence. Simultaneously capable of inspiring exemplary behavior and a dangerous force transgressing social norms, ninjō became a focal point for debates about the role of the novel and a key motor propelling narrative plots. In Licentious Fictions, Daniel Poch investigates the significance of ninjō in defining the literary modernity of nineteenth-century Japan. He explores how cultural anxieties about the power of literature in mediating emotions and desire shaped Japanese narrative from the late Edo through the Meiji period. Poch argues that the Meiji novel, instead of superseding earlier discourses and narrative practices surrounding ninjō, complicated them by integrating them into new cultural and literary concepts. He offers close readings of a broad array of late Edo- and Meiji-period narrative and critical sources, examining how they shed light on the great intensification of the concern surrounding ninjō. In addition to proposing a new theoretical outlook on emotion, Licentious Fictions challenges the divide between early modern and modern Japanese literary studies by conceptualizing the nineteenth century as a continuous literary-historical space.

Download or read book Gospel Fictions written by Randel Helms and published by Prometheus Books. This book was released on 2009-12-02 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are the four canonical Gospels actual historical accounts or are they imaginative literature produced by influential literary artists to serve a theological vision? In this study of the Gospels based upon a demonstrable literary theory, Randel Helms presents the work of the four evangelists as the "supreme fictions" of our culture, self-conscious works of art deliberately composed as the culmination of a long literary and oral tradition.Helms analyzes the best-known and the most powerful of these fictions: the stories of Christ's birth, his agony in the Garden of Gethsemane, his betrayal by Judas, his crucifixion, death and resurrection. In Helms' exegesis of the Gospel miracle stories, he traces the greatest of these - the resurrection of Lazarus four days after his death - to the Egyptian myth of the resurrection of Osiris by the god Horus.Helms maintains that the Gospels are self-reflexive; they are not about Jesus so much as they are about the writers' attitudes concerning Jesus. Helms examines each of the narratives - the language, the sources, the similarities and differences - and shows that their purpose was not so much to describe the past as to affect the present.This scholarly yet readable work demonstrates how the Gospels surpassed the expectations of their authors, influencing countless generations by creating a life-enhancing understanding of the nature of Jesus of Nazareth.