Download or read book Women Artists in Interwar France written by PaulaJ. Birnbaum and published by Routledge. This book was released on 2017-07-05 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women Artists in Interwar France: Framing Femininities illuminates the importance of the Soci? des Femmes Artists Modernes, more commonly known as FAM, and returns this group to its proper place in the history of modern art. In particular, this volume explores how FAM and its most famous members?Suzanne Valadon, Marie Laurencin, and Tamara de Lempicka?brought a new approach to the most prominent themes of female embodiment: the self-portrait, motherhood, and the female nude. These women reimagined art's conventions and changed the direction of both art history and the politics of their contemporary art world. FAM has been excluded from histories of modern art despite its prominence during the interwar years. Paula Birnbaum's study redresses this omission, contextualizing the group's legacy in light of the conservative politics of 1930s France. The group's artistic response to the reactionary views and images of women at the time is shown to be a key element in the narrative of modernist formalism. Although many FAM works are missing?one reason for the lack of attention paid to their efforts?Birnbaum's extensive research, through archives, press clippings, and first-hand interviews with artists' families, reclaims FAM as an important chapter in the history of art from the interwar years.
Download or read book Women Artists and the Parisian Avant garde written by Gillian Perry and published by Manchester University Press. This book was released on 1995 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: A re-presentation of women artists whose works were widely exhibited and regularly featured in the French art press and in modern art surveys from 1900 to the 1920s, but who largely disappeared from public view after World War II. The analysis of their work unravels the cultural, aesthetic, and economic reasons for their absence, particularly the issue of "feminine" and "masculine" categories in art. The artists featured include: Emilie Charmy, Jacqueline Marval, Maria Blanchard, Alice Halicka, Marevna, Alice Bailly, Marie Vassiliev, Suzanne Roger, and Mela Muter. The text includes fine color reproductions, bibliographic appendices, and an excerpt from Marevna's writings. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR
Download or read book The Studio written by and published by . This book was released on 1901 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Women Impressionists written by Russell T. Clement and published by Bloomsbury Publishing USA. This book was released on 2000-02-28 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.
Download or read book Reconciling Art and Mothering written by RachelEpp Buller and published by Routledge. This book was released on 2017-07-05 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reconciling Art and Mothering contributes a chorus of new voices to the burgeoning body of scholarship on art and the maternal and, for the first time, focuses exclusively on maternal representations and experiences within visual art throughout the world. This innovative essay collection joins the voices of practicing artists with those of art historians, acknowledging the fluidity of those categories. The twenty-five essays of Reconciling Art and Mothering are grouped into two sections, the first written by art historians and the second by artists. Art historians reflect on the work of artists addressing motherhood-including Marguerite G?rd, Chana Orloff, and Ren?Cox-from the early nineteenth century to the present day. Contributions by contemporary artist-mothers, such as Gail Rebhan, Denise Ferris, and Myrel Chernick, point to the influence of past generations of artist-mothers, to the inspiration found in the work of maternally minded literary and cultural theorists, and to attempts to broaden definitions of maternity. Working against a hegemonic construction of motherhood, the contributors discuss complex and diverse feminist mothering experiences, from maternal ambivalence to queer mothering to quests for self-fulfillment. The essays address mothering experiences around the globe, with contributors hailing from North and South America, Europe, Asia, Africa, and Australia.
Download or read book Femmes Frauen Women written by and published by BRILL. This book was released on 2020-12-07 with total page 183 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Elles centrepompidou written by Musée national d'art moderne/Centre de création industrielle (France) and published by . This book was released on 2009 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: This exhibition brings together a selection of over 500 works by more than 200 women artists, from the beginning of the 20th century up to the present day.
Download or read book Subject index of the London Library St James s Square London written by London Library and published by . This book was released on 1923 with total page 1112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art of the Defeat written by Laurence Bertrand Dorléac and published by Getty Publications. This book was released on 2008 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Art of the Defeat offers an unflinching look at the pivotal role art played in France during the German occupation. It begins with Adolf Hitler's staging of the armistice at Rethondes and moves across the dark years - analyzing the official junket by French artists to Germany, the exhibition of Arno Breker's colossi in Paris, the looting of the state museums and Jewish collections, the glorification of Philippe P?tain and a pure national identity, the demonization of modernists and foreigners, and the range of responses by artists and artisans. The sum is a pioneering expos? of the deployment of art and ideology to hold the heart of darkness at bay"--Page 4 of cover.
Download or read book Camille Claudel written by Emerson Bowyer and published by Getty Publications. This book was released on 2023-11-07 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Abundantly illustrated, this catalogue is a fascinating and comprehensive reevaluation of the French modernist sculptor Camille Claudel. Camille Claudel (1864–1943) was among the most daring and visionary sculptors of the late nineteenth century. Although much attention has been paid to her tumultuous life—her affair with her mentor, Auguste Rodin; the premature end to her career; her thirty-year institutionalization in an asylum—her art remains little known outside of France. Memorably praised by critic Octave Mirbeau in 1895 as “a revolt of nature: a woman of genius,” Claudel was celebrated for her brilliance during a time when women sculptors were rare. Featuring more than two hundred photographs along with contributions from leading experts, this publication accompanies the first comprehensive survey of Claudel’s oeuvre in nearly forty years. With essays exploring the many facets of her life, work, and reception; a biography; commentary by American sculptor Kiki Smith; and a fascinating appendix of documents written by Claudel and her contemporaries, this volume reevaluates the artist’s work on its own merits and repositions her legacy within a more complex genealogy of modernism. This volume, copublished with The Art Institute of Chicago, accompanies an exhibition on view at The Art Institute of Chicago from October 7, 2023, to February 19, 2024 and at the J. Paul Getty Museum at the Getty Center from April 2 to July 21, 2024.
Download or read book Counterpractice written by Rakhee Balaram and published by Manchester University Press. This book was released on 2022-03-08 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.
Download or read book Essays in Honour of Eamonn Cantwell written by Warwick Gould and published by Open Book Publishers. This book was released on 2016-12-05 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: This number of Yeats Annual collects the essays resulting from the University College Cork/ESB International Annual W. B. Yeats Lectures Series (2003-2008) by Roy Foster, Warwick Gould, John Kelly, Paul Muldoon, Bernard O’Donoghue and Helen Vendler. Those that were available in pamphlet form are now collectors’ items, but here is the complete series. These revised essays cover such themes as Yeats and the Refrain, Yeats as a Love Poet, Yeats, Ireland and Europe, the puzzles he created and solved with his art of poetic sequences, and his long and crucial interaction with the emerging T. S. Eliot. The series was inaugurated by a study of Yeats and his Books, which marked the gift to the Boole Library, Cork, of Dr Eamonn Cantwell’s collection of rare editions of books by Yeats (here catalogued by Crónán Ó Doibhlin). Many of the volume’s fifty-six plates offer images of artists’ designs and resulting first editions. This bibliographical theme is continued with Colin Smythe’s census of surviving copies of Yeats’s earliest separate publication, Mosada (1886) and a resultant piece by Warwick Gould on that dramatic poem’s source in the legend of The Phantom Ship. John Kelly reveals Yeats’s ghost-writing for Sarah Allgood; Geert Lernout discovers the source for Yeats’s ‘Tulka’, Günther Schmigalle unearths his surprising connexions with American communist colonists in Virginia, while Deirdre Toomey edits some new letters to the French anarchist, Auguste Hamon—all providing new annotation for standard editions. The volume is rounded with review essays by Colin McDowell (on A Vision, and Berkeley, Hone and Yeats), shorter reviews of current studies by Michael Edwards, Jad Adams and Deirdre Toomey, and obituaries of Jon Stallworthy (Nicolas Barker) and Katharine Worth (Richard Cave).
Download or read book Edouard Vuillard written by Gloria Lynn Groom and published by Yale University Press. This book was released on 1993-01-01 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Edouard Vuillard (1868-1940), one of the most admired post-impressionist artists, is best-known for his small easel paintings and their charming portrayals of everyday life. However, a major part of his work during his early life was the painting of large decorative panels in the Parisian homes of wealthy private patrons, produced between 1892 and 1912. These panels - some fifty in total - have been little studied, due principally to the inaccessibility of many of them and the impossibility of their being included in exhibitions.
Download or read book Parent elles written by association AWARE and published by BoD - Books on Demand. This book was released on 2024-01-11 with total page 182 pages. Available in PDF, EPUB and Kindle. Book excerpt: Le statut des femmes artistes en Occident a connu de nombreuses transformations durant les périodes moderne et contemporaine, du XVIIe au XXIe siècle. Il a été largement dépendant, en un même temps et un même pays, des conditions sociales, économiques et culturelles dans lesquelles elles naissaient, se formaient et pouvaient exercer leur art. Et plus que les hommes, elles ont été tributaires de leur situation familiale et, très fréquemment, du rôle que jouaient, au plus près d'elles, des hommes. De manière ambivalente, la parentèle a longtemps produit chez les femmes des effets de relégation et de subordination, mais elle a aussi permis, dans certaines circonstances, un espace de création. Faisant suite au colloque international organise en septembre 2016 par le Musee Sainte Croix, l'université de Poitiers (Criham) et l'association Archives of Women Artists, Research and Exhibitions (AWARE), cet ouvrage met en évidence la pluralité des situations comme un certain nombre de mécanismes récurrents ou les relations de parentèle choisies, subies ou refusées agissent sur la création individuelle des femmes et émergent parfois comme sujet.
Download or read book Chasing Shadows written by Janda Gooding and published by Fine Art Publishing. This book was released on 1996 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kathleen O'Connor (1876-1968) was born in New Zealand, brought up in Perth, Western Australia, and established her professional career in Paris where she settled in 1908, embracing the bohemian lifestyle of the intellectuals and creative people who gravitated to the city from all corners of the world. She lived in the artists' quarter on the Left Bank, breakfasted at the Cafe du Dome, went to artists' balls and exhibited successfully at the Autumn Salon and the Union des Femmes Peintres. Although she made infrequent visits to her family in Australia and two World Wars forced her to flee France, Paris remained her home until she was almost eighty when she returned to live in Perth. Nevertheless her influence in Australia was considerable, particularly in the 1920s when she wrote a regular column about Parisian fashion and society for a Western Australian magazine. In the early years in Paris she embraced an impressionistic style and her paintings of Parisians at leisure in the Luxembourg Gardens charmingly capture the flavour of the period. During the First World War she lived in Bloomsbury, London, where the art world was dominated by Post-Impressionism. Her palette and style changed dramatically and the rich colours and varied textures demonstrated her commitment to the new aesthetic. At the conclusion of the war she quickly re-immersed herself in Parisian life. Still-life, often incorporating autobiographical aspects, became her favoured subject and the site for her explorations of modernism. She became involved in the decorative arts and fashion world, providing designs for leading fashion designers Paul Poiret and Maurice Dufrene. The influence of Art Deco can be seen in some of hermajor tempera paintings and hand-painted textiles from this period. During the thirties her work was constantly mentioned in Parisian reviews and in 1936 she exhibited alongside Bonnard, de Chirico and Dufy. However, the Second World War put an end to her aspirations and Paris a
