Download or read book Trendy Fascism written by Nancy S. Love and published by State University of New York Press. This book was released on 2016-05-31 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular music plays a major role in mobilizing citizens, especially youth, to fight for political causes. Yet the presence of music in politics receives relatively little attention from scholars, politicians, and citizens. White power music is no exception, despite its role in recent high-profile hate crimes.Trendy Fascism is the first book to explore how contemporary white supremacists use popular music to teach hate and promote violence. Nancy S. Love focuses on how white power music supports "trendy fascism," a neo-fascist aesthetic politics. Unlike classical fascism, trendy fascism involves a hyper-modern cultural politics that exploits social media to create a global white supremacist community. Three case studies examine different facets of the white power music scene: racist skinhead, neo-Nazi folk, and goth/metal. Together these cases illustrate how music has replaced traditional forms of public discourse to become the primary medium for conveying white supremacist ideology today. Written from the interdisciplinary perspective on culture, economics, and politics best described as critical theory, this book is crucial reading for everyone concerned about the future of democracy.
Download or read book Italian Jewish Musicians and Composers under Fascism written by Alessandro Carrieri and published by Springer Nature. This book was released on 2021-05-13 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.
Download or read book Jazz Italian Style written by Anna Harwell Celenza and published by Cambridge University Press. This book was released on 2017-03-06 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.
Download or read book Music in Fascist Italy written by Harvey Sachs and published by New York : W.W. Norton. This book was released on 1988 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the ways Mussolini's government attempted to control music, describes the reactions of individual composers and musicians, and examines Mussolini's own musical pretenstions
Download or read book Music Youth and International Links in Post War British Fascism written by Ryan Shaffer and published by Springer. This book was released on 2017-09-18 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the domestic evolution and international connections of post-war fascists in the UK. It argues that post-war British fascism became transnational as the radicals increasingly exchanged ideas, money and culture with like-minded foreigners. Using interviews with key figures in several countries, this book traces the history of the National Front (NF) and British National Party (BNP), focusing on the political parties’ youth, music and international outreach. It explores how British fascism grew into an international movement, how fascist youth developed skinhead music as a conduit for their ideas, and how some of those key figures made international connections with people in Iraq, Libya, Syria and the United States. Moreover, it also draws from rare internal party documents, law enforcement records and membership lists to track foreign funding and the parties’ domestic electoral growth. For the first time, this book gained access to both the leadership and rank-and-file of the BNP and NF to explore its culture and international connections. In doing so, it shows the successes, failures and changes that have made British fascism a force in the international extremist subculture.
Download or read book Luigi Dallapiccola and Musical Modernism in Fascist Italy written by Ben Earle and published by Cambridge University Press. This book was released on 2013-08-15 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Download or read book Italian Music During the Fascist Period written by Roberto Illiano and published by Brepols Publishers. This book was released on 2004 with total page 766 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the present volume 23 specialists investigate a number of significant aspects of Italian music history during the Fascist period. Included are also unpublished documents and fresh information on composers like Ferruccio Busoni, Alfredo Casella, Aldo Finzi, Adriano Lualdi, Gian Francesco Malipiero and Ottorino Respighi. The last section of the book commemorates the centenary of the birth of Luigi Dallapiccola (Pisino dIstria 1904 - Firenze 1975) by collecting the most recent research on his music. The authors featured are: Vincenzo Alaimo, Chiara Bianchi, Eleonora Carapella, Ermanno Comuzio, Mila De Santis, Benjamin Earle, Christoph Flamm, Roberto Illiano, Erik Levi, Charles Maier, Fiamma Nicolodi, Carlo Piccardi, Luca Sala, Massimiliano Sala, Michela Niccolai, Giovanella Pacini, Karen Painter, Gemma Perez-Zalduondo, Luigi Pestalozza, Graham Phipps, Laureto Rodoni, Michael Walter and Martina Weindel.
Download or read book Fascist Directive Ezra Pound and Italian Cultural Nationalism written by Catherine E. Paul and published by Liverpool University Press. This book was released on 2016-06-21 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Ezra Pound’s prose work, this book shows how Pound’s modernism changed as a result of involvement in Italian politics and culture.
Download or read book Babylon s Burning written by Rick Blackman and published by . This book was released on 2021-04-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: Three times in the last sixty years musical movements have played a vital role in confronting the rise of fascist organisations in Britain - The Stars Campaign for Interracial Friendship in the 1950s, Rock Against Racism in the late 1970s and Love Music Hate Racism in the first two decades of the 21st century. This book is a tribute to those three musical movements and the musicians, activists and youth subcultures that surrounded them, and an in-depth study of the rise of modern fascist movements and the political strategies needed to defeat them.
Download or read book How Fascism Works written by Jason Stanley and published by Random House. This book was released on 2018-09-04 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: “No single book is as relevant to the present moment.”—Claudia Rankine, author of Citizen “One of the defining books of the decade.”—Elizabeth Hinton, author of From the War on Poverty to the War on Crime NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • With a new preface • Fascist politics are running rampant in America today—and spreading around the world. A Yale philosopher identifies the ten pillars of fascist politics, and charts their horrifying rise and deep history. As the child of refugees of World War II Europe and a renowned philosopher and scholar of propaganda, Jason Stanley has a deep understanding of how democratic societies can be vulnerable to fascism: Nations don’t have to be fascist to suffer from fascist politics. In fact, fascism’s roots have been present in the United States for more than a century. Alarmed by the pervasive rise of fascist tactics both at home and around the globe, Stanley focuses here on the structures that unite them, laying out and analyzing the ten pillars of fascist politics—the language and beliefs that separate people into an “us” and a “them.” He knits together reflections on history, philosophy, sociology, and critical race theory with stories from contemporary Hungary, Poland, India, Myanmar, and the United States, among other nations. He makes clear the immense danger of underestimating the cumulative power of these tactics, which include exploiting a mythic version of a nation’s past; propaganda that twists the language of democratic ideals against themselves; anti-intellectualism directed against universities and experts; law and order politics predicated on the assumption that members of minority groups are criminals; and fierce attacks on labor groups and welfare. These mechanisms all build on one another, creating and reinforcing divisions and shaping a society vulnerable to the appeals of authoritarian leadership. By uncovering disturbing patterns that are as prevalent today as ever, Stanley reveals that the stuff of politics—charged by rhetoric and myth—can quickly become policy and reality. Only by recognizing fascists politics, he argues, may we resist its most harmful effects and return to democratic ideals. “With unsettling insight and disturbing clarity, How Fascism Works is an essential guidebook to our current national dilemma of democracy vs. authoritarianism.”—William Jelani Cobb, author of The Substance of Hope
Download or read book The Fascist Turn in the Dance of Serge Lifar written by Mark Franko and published by Oxford University Press, USA. This book was released on 2020 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905-1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses I analyze indulge in flights of poetic fancy I distinguish in my discussion of this material between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called Baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947-1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar's collaborationism during the Occupation confirms this analysis. My discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; I then track the Baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s. "--
Download or read book The Pope and Mussolini written by David I. Kertzer and published by . This book was released on 2014 with total page 587 pages. Available in PDF, EPUB and Kindle. Book excerpt: The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.
Download or read book Forbidden Music written by Michael Haas and published by Yale University Press. This book was released on 2013-04-15 with total page 505 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIV With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany’s historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. /div
Download or read book Fascism Anti Fascism and the Resistance in Italy written by Stanislao G. Pugliese and published by Rowman & Littlefield Publishers. This book was released on 2004-01-13 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the historical significance of fascism and anti-fascism is still being hotly debated in Europe and around the world, this anthology offers a new look at the many faces of repression and resistance. Stanislao G. Pugliese brings together a wide range of voices that illuminate more than eighty years of fascism and anti-fascism in Italy. Many of the pieces, including letters from women to Mussolini and anti-fascist graffiti from a Nazi prison in Rome, are available in English for the first time. The selections include historical documents, political analysis, stories, songs, and memoirs from a variety of perspectives. Taken together, the documents provide a compelling account of the political, historical, economic, and social impact of fascism and the resistance. Touching on fields as far ranging as political science, history, women's studies, and religion, Fascism, Anti-Fascism, and the Resistance in Italy is immediate, human, and eminently readable.
Download or read book Composing for the State written by Esteban Buch and published by Routledge. This book was released on 2016-01-27 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under the dictatorships of the twentieth century, music never ceased to sound. Even when they did not impose aesthetic standards, these regimes tended to favour certain kinds of art music such as occasional works for commemorations or celebrations, symphonic poems, cantatas and choral settings. In the same way, composers who were more or less ideologically close to the regime wrote pieces of music on their own initiative, which amounted to a support of the political order. This book presents ten studies focusing on music inspired and promoted by regimes such as Nazi Germany, Fascist Italy, France under Vichy, the USSR and its satellites, Franco's Spain, Salazar's Portugal, Maoist China, and Latin-American dictatorships. By discussing the musical works themselves, whether they were conceived as ways to provide "music for the people", to personally honour the dictator, or to participate in State commemorations of glorious historical events, the book examines the relationship between the composers and the State. This important volume, therefore, addresses theoretical issues long neglected by both musicologists and historians: What is the relationship between art music and propaganda? How did composers participate in musical life under the control of an authoritarian State? What was specifically political in the works produced in these contexts? How did audiences react to them? Can we speak confidently about "State music"? In this way, Composing for the State: Music in Twentieth Century Dictatorships is an essential contribution to our understanding of musical cultures of the twentieth century, as well as the symbolic policies of dictatorial regimes.
Download or read book Music and Institutions in Fascist Italy written by Roberto Illiano and published by . This book was released on 2024-07 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: "Fascism is a great orchestra, where everyone plays a different instrument". A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world.
Download or read book How to Stop Fascism written by Paul Mason and published by Penguin UK. This book was released on 2021-08-26 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'For its historical depth, analytical vigour and mobilizational potential, this book is unparalleled ... every page is an urgent invitation to resist' David Lammy MP The bestselling author of PostCapitalism offers a guide to resisting the far right The far right is on the rise across the world. From Modi's India to Bolsonaro's Brazil and Erdogan's Turkey, fascism is not a horror that we have left in the past; it is a recurring nightmare that is happening again - and we need to find a better way to fight it. In How to Stop Fascism, Paul Mason offers a radical, hopeful blueprint for resisting and defeating the new far right. The book is both a chilling portrait of contemporary fascism, and a compelling history of the fascist phenomenon: its psychological roots, political theories and genocidal logic. Fascism, Mason powerfully argues, is a symptom of capitalist failure, and it has haunted us throughout the twentieth century. History shows us the conditions that breed fascism, and how it can be successfully overcome. But it is up to us in the present to challenge it, and time is running out. From the ashes of COVID-19, we have an opportunity to create a fairer, more equal society. To do so, we must ask ourselves: what kind of world do we want to live in? And what are we going to do about it?
