Download or read book Fantasies and impromptus for solo piano written by Donald Martino and published by . This book was released on 1982 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fantasies and Impromptus written by Donald Martino and published by . This book was released on 1982 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fantasies for Piano written by Georg Philipp Telemann and published by Alfred Music. This book was released on 1999-08-26 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of piano solos expertly composed by Georg Philipp Telemann.
Download or read book Complete works Fantasy impromptus and other pieces for piano solo written by Franz Schubert and published by . This book was released on 1978 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fantaisie Impromptu written by Frí©dí©ric Chopin and published by Alfred Music. This book was released on 2005-05-03 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt: Willard A. Palmer's excellent edition which includes performance suggestions in the footnotes, editorial additions to the score in gray print, and Klindworth's variant (ossia) for measure 72.
Download or read book An Analysis of Martino s Fantasies and Impromptus for Solo Piano 1981 written by Laurann Littleton and published by . This book was released on 1986 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under the influence of Ernst Bacon at Syracuse University, Donald Martino, an undergraduate clarinetist, first turned to composing music in 1949. As a result, on leaving Syracuse in 1952, Martino went on to Princeton to study composition with Roger Sessions and twelve-tone innovator Milton Babbitt. Nevertheless, Babbitt did not first interest Martino in twelve-tone music; rather, Luigi Dallapiccola's music inspired Martino to investigate the twelve-tone system when Martino went to Italy to study with Dallapiccola in 1954. Twelve-tone music "sparked" Martino's ear. To him, its use seemed to evolve naturally as a means of controlling the chromaticism which hod come to dominate his music under the influence of Bartók. One of the hallmarks of Martino's music is indeed the use of twelve-tone techniques. In addition to continuing Babbitt's practice of using musical dimensions such as register, timbre, and dynamics to project a row, Martino has continued and extended a technique actually begun by Schoenberg: using the pitch-class content of segments of the row in a "harmonic" capacity, adding a vertical dimension to the row. According to Schoenberg, the "association of tones into harmonies ... is regulated" by the order of pitch-classes in the row. Like other twelve-tone composers (such as Berg and Dallapiccola), Martino often uses the row in a purely referential capacity, generating sections of music which have no clear statement of either the row itself or its unordered segments. However, the intriguing craft with which Martino uses the row as a reference sets him apart from previous composers. Indeed, one of the goals of analyzing Martino's music is to determine the ways in which he Under the influence of Ernst Bacon at Syracuse University, Donald Martino, an undergraduate clarinetist, first turned to composing music in 1949. As a result, on leaving Syracuse in 1952, Martino went on to Princeton to study composition with Roger Sessions and twelve-tone innovator Milton Babbitt. Nevertheless, Babbitt did not first interest Martino in twelve-tone music; rather, Luigi Dallapiccola's music inspired Martino to investigate the twelve-tone system when Martino went to Italy to study with Dallapiccola in 1954. Twelve-tone music "sparked" Martino's ear. To him, its use seemed to evolve naturally as a means of controlling the chromaticism which hod come to dominate his music under the influence of Bartók. One of the hallmarks of Martino's music is indeed the use of twelve-tone techniques. In addition to continuing Babbitt's practice of using musical dimensions such as register, timbre, and dynamics to project a row, Martino has continued and extended a technique actually begun by Schoenberg: using the pitch-class content of segments of the row in a "harmonic" capacity, adding a vertical dimension to the row. According to Schoenberg, the "association of tones into harmonies ... is regulated" by the order of pitch-classes in the row. Like other twelve-tone composers (such as Berg and Dallapiccola), Martino often uses the row in a purely referential capacity, generating sections of music which have no clear statement of either the row itself or its unordered segments. However, the intriguing craft with which Martino uses the row as a reference sets him apart from previous composers. Indeed, one of the goals of analyzing Martino's music is to determine the ways in which he uses the potentials of the row in non-row passages.
Download or read book Impromptus for solo piano opp 29 36 51 66 written by Frédéric Chopin and published by . This book was released on 2006 with total page 42 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Suite in old form written by Donald Martino and published by . This book was released on 1986 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impromptus for the pianoforte written by Franz Schubert and published by G. Schirmer, Incorporated. This book was released on 1897 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Piano Collection). Contents: Impromptu in C minor, Op. 90, No. 1 * Impromptu in E-flat Major, Op. 90, No. 2 * Impromptu in G-flat Major, Op. 90, No. 3 * Impromptu in A-flat Major, Op. 90, No. 4
Download or read book Two impromptus for solo piano written by Enrique Granados and published by . This book was released on 1989 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fantasy in F minor Barcarolle Berceuse and other works for solo piano written by Frédéric Chopin and published by Courier Corporation. This book was released on 1989-01-01 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features 15 works, including one of the greatest of the Romantic period, the Fantasy in F Minor, Op. 49, reprinted from the authoritative German edition prepared by Chopin's student, Carl Mikuli.
Download or read book Impromptus 1 3 piano solo op 13 written by Ermanno Wolf-Ferrari and published by . This book was released on 1977 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impromptu written by Cyril Scott and published by . This book was released on 1994 with total page 22 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Two Impromptus for Solo Piano written by Enrique Granados and published by . This book was released on 1989 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impromptu piano solo written by David Chaitkin and published by . This book was released on 1993 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book 3 impromptus for piano solo written by Gabriel Fauré and published by . This book was released on 1970 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Impromptus No 1 5 For Solo Piano written by Gabriel Faure and published by Cope Press. This book was released on 2013-01-01 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt:
