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Book Facilitating student achievement in the instrumental music performance classroom

Download or read book Facilitating student achievement in the instrumental music performance classroom written by Ann Marie Jones and published by . This book was released on 2015 with total page 57 pages. Available in PDF, EPUB and Kindle. Book excerpt: Instrumental music educators often experience that students are unable to self-regulate and be self-reliant musicians at an effective level to foster advanced musical achievement. Self-regulation and reliance are extremely important skills for music students, who must develop their abilities through regular individual practice. Students who are not able to practice effectively on their own often loose motivation and drop music studies. Research in education points toward metacognition development as a possible solution to low student achievement. This project focuses on understanding metacognition and how it can be fostered in music students through the deliberate planning, instructing, and assessments of the instrumental music teacher.

Book Reaching and Teaching All Instrumental Music Students

Download or read book Reaching and Teaching All Instrumental Music Students written by Kevin Mixon and published by R&L Education. This book was released on 2011-07-16 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reaching and Teaching All Instrumental Music Students draws from credible research and established approaches to offer practical applications for the variety of music classrooms teachers face today, many of which are not ideal. Kevin Mixon shares successful techniques for recruiting and retention, garnering program support, teaching for diverse learning styles and exceptional students, classroom management, and teaching notation, composition, and improvisation. This expanded second edition adds practical advice on reading rhythm notation, teacher feedback, home visits, community building, and establishing positive relationships_with even the most challenging students. Mixon demonstrates that fostering respect and going the extra mile are rewarding for students, parents, and teachers alike.

Book Teaching and Evaluating Music Performance at University

Download or read book Teaching and Evaluating Music Performance at University written by John Encarnacao and published by Routledge. This book was released on 2020-04-28 with total page 219 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fresh perspectives on teaching and evaluating music performance in higher education are offered in this book. One-to-one pedagogy and Western art music, once default positions of instrumental teaching, are giving way to a range of approaches that seek to engage with the challenges of the music industry and higher education sector funding models of the twenty-first century. Many of these approaches – formal, informal, semi-autonomous, notated, using improvisation or aleatory principles, incorporating new technology – are discussed here. Chapters also consider the evolution of the student, play as a medium for learning, reflective essay writing, multimodal performance, interactivity and assessment criteria. The contributors to this edited volume are lecturer-practitioners – choristers, instrumentalists, producers and technologists who ground their research in real-life situations. The perspectives extend to the challenges of professional development programs and in several chapters incorporate the experiences of students. Grounded in the latest music education research, the book surveys a contemporary landscape where all types of musical expression are valued; not just those of the conservatory model of decades past. This volume will provide ideas and spark debate for anyone teaching and evaluating music performance in higher education.

Book Teaching Instrumental Music

Download or read book Teaching Instrumental Music written by George L. Duerksen and published by . This book was released on 1972 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Learning Outcomes in Two Divergent Middle School String Orchestra Classroom Environments

Download or read book Learning Outcomes in Two Divergent Middle School String Orchestra Classroom Environments written by Bernadette Butler Scruggs and published by . This book was released on 2008 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This study investigated whether and in what ways a learner-centered instrumental music education classroom environment may nurture musical growth and independence. The mixed-methods design incorporated quantitative and qualitative measures to compare performance outcomes, musical growth, and learner and teacher dispositions in learner-centered and teacher-centered middle school orchestra classrooms. Quantitative measures included a Performance Assessment Instrument and a researcher-designed survey of student perceptions and attitudes. Qualitative measures included classroom observation, student and teacher interviews, and teacher journal entries. Research participants were four teachers, two of whom taught using a teacher-centered approach, and two of whom were oriented to learner-centered classroom strategies through a professional development program taught by the researcher. The teachers implemented learner-centered or teacher-centered environments in four intact classrooms that included 155 student participants. Learner-centered methods were based on democratic (Dewey, 1938; Woodford, 2005) and constructivist (Vygotsky, 1978; Wiggins, 2001) principles as well as research and pedagogical literature detailing the characteristics of learner-centered classrooms (McCombs & Whisler, 1997; Schuh, 2004). These included peer tutoring and collaboration; student conducting, solicitation and incorporation of student input; and facilitation of student leadership. I found no differences in music performance outcomes between learner-centered and teacher-centered ensembles. However, learner-centered students exhibited increased musical growth and greater musical independence as compared with students in the teacher-centered environment, and indicated higher perceptions than teacher-centered students of choice and leadership opportunities in their classrooms. Learner-centered teachers reported increased engagement and leadership skills from their students. Results of this study indicate that music ensemble teachers can incorporate a learner-center classroom environment that engages students musically, promotes independence and leadership, and involves students in higher order thinking while attaining performance standards at or above those expected of middle-school orchestra students.

Book Winding It Back

    Book Details:
  • Author : Alice M. Hammel
  • Publisher : Oxford University Press
  • Release : 2016-02-17
  • ISBN : 0190201630
  • Pages : 345 pages

Download or read book Winding It Back written by Alice M. Hammel and published by Oxford University Press. This book was released on 2016-02-17 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winding it Back: Teaching to Individual Differences in Music Classroom and Ensemble Settings is a collaborative effort written by practicing music educators, teacher educators, pedagogy experts, researchers, and inclusion enthusiasts with a combined one hundred plus years in the field of music education. The framework of this text is centered on three core principles: Honoring the individual learning needs of all students; providing multiple access points and learning levels; and providing adequate learning conditions for all students within the music classroom. Topics include early childhood music, creative movement, older beginners, rhythm, and tonal development as well as secondary choral and instrumental music. All chapters focus on meeting the needs of all students and all learning levels within the music classroom. This book is ideal for practicing music educators, teacher educators, and arts integration specialists and enthusiasts alike. It provides specific musical examples both within the text and on the extended companion website including musical examples, lesson ideas, videos, assessment tools and sequencing ideas that work. The aim of this book is to provide one resource that can be used by music educators for all students in the music classroom both for classroom music education and music teacher preparation. Visit the companion website at www.oup.com/us/windingitback

Book A Study of New Concepts  Procedures and Achievements in Music Learning as Developed in Selected Music Education Programs

Download or read book A Study of New Concepts Procedures and Achievements in Music Learning as Developed in Selected Music Education Programs written by Ronald B. Thomas and published by . This book was released on 1966 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Influential Factors in Achievement in Elementary Instrumental Music

Download or read book Influential Factors in Achievement in Elementary Instrumental Music written by Kenneth Lee Weichel and published by . This book was released on 1967 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Science and Psychology of Music Performance

Download or read book The Science and Psychology of Music Performance written by Richard Parncutt and published by Oxford University Press. This book was released on 2002-04-18 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: What type of practice makes a musician perfect? What sort of child is most likely to succeed on a musical instrument? What practice strategies yield the fastest improvement in skills such as sight-reading, memorization, and intonation? Scientific and psychological research can offer answers to these and other questions that musicians face every day. In The Science and Psychology of Music Performance, Richard Parncutt and Gary McPherson assemble relevant current research findings and make them accessible to musicians and music educators. This book describes new approaches to teaching music, learning music, and making music at all educational and skill levels. Each chapter represents the collaboration between a music researcher (usually a music psychologist) and a performer or music educator. This combination of expertise results in excellent practical advice. Readers will learn, for example, that they are in the majority (57%) if they experience rapid heartbeat before performances; the chapter devoted to performance anxiety will help them decide whether beta-blocker medication, hypnotherapy, or the Alexander Technique of relaxation might alleviate their stage fright. Another chapter outlines a step-by-step method for introducing children to musical notation, firmly based on research in cognitive development. Altogether, the 21 chapters cover the personal, environmental, and acoustical influences that shape the learning and performance of music.

Book An Attitude and Approach for Teaching Music to Special Learners

Download or read book An Attitude and Approach for Teaching Music to Special Learners written by Elise S. Sobol and published by Rowman & Littlefield. This book was released on 2017-05-08 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: An international handbook of inspirational wisdom for teaching music universally to enhance the learning potential in children of all ages, backgrounds, and capabilities, An Attitude and Approachfor Teaching Music to Special Learners is a most accessible relevant reference to facilitate lifelong student learning. Its usefulness is equally versatile for music educators and classroom teachers, administrators and curriculum designers, instructional leaders in higher education as well as for parents and caregivers. Backed by research and driven by author’s passionate commitment to affect a better global future for our children, text revisions include updates in educational law, criteria for designating disability categories, accommodations, standards, definitions, trends, and notice of the significant societal strides made in the visibility and educational expectations of our students with developmental disabilities including those with autism spectrum disorders. Classroom tested inclusive music teaching and critical thinking strategies impact student success across the curriculum to help students meet grade level expectations for English Language Arts, science, social studies, and mathematics.

Book Teaching Instrumental Music

Download or read book Teaching Instrumental Music written by Shelley Jagow and published by Meredith Music. This book was released on 2007-03-01 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Meredith Music Resource). This book is a unique resource for both novice and experienced band directors, gathering effective teaching tools from the best in the field. Includes more than 40 chapters on: curriculum, "then and now" of North American wind bands, the anatomy of music making, motivation, program organization and administrative leadership, and much more. "A wonderful resource for all music educators! Dr. Jagow's book is comprehensive and impressive in scope. An excellent book! Bravo!" Frank L. Battisti, Conductor Emeritus, New England Conservatory Wind Ensemble

Book Instrumental Music Teaching

Download or read book Instrumental Music Teaching written by Robert Lennon and published by . This book was released on 2021-01-03 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Playing a musical instrument is not only immensely enjoyable and satisfying but has far-reaching implications for educational achievement and personal development that can last an entire lifetime. Yet, of the thousands upon thousands of young people who begin to learn musical instruments every year, only a relatively small proportion continue playing long enough to reap the untold, undisputed benefits. 'Instrumental Music Teaching' provides experienced and inexperienced teachers alike with remedies for this no less than tragic state of affairs, based on the author's extensive experience as a music educator. This approachable but thought-provoking book proposes simple, straightforward strategies for ensuring that learners' initial motivation for taking up their instrument is nurtured and maintained from the very first lesson. While outlining accessible approaches to developing instrumental technique within a vibrant musical context, the author provides workable solutions for teachers who, more often than should be necessary, are obliged to deal with the disillusionment that results from a realisation that playing an instrument is not easy: a realisation that, all too frequently, leads to loss of interest and eventual withdrawal from an activity that could be life-enhancing if only it were continued a little longer. In addition to teaching techniques that combine the essential elements of instrumental playing with broader competencies such as improvisation, composition and aural awareness, imaginative methods of teaching musical notation together with means of ensuring effective practice, and of communicating with students in ways that are meaningful and motivating, are proposed. All are underpinned by sound rationale resulting from the author's extensive interest in, and research into, the educational value of musical activity, as well as established psychological theories and more recent discoveries in neuroscience. This eminently readable and readily comprehensible book will provide any aspiring or established instrumental music teacher, who is open to some re-evaluation of conventional dogma, with a means of approaching their critically important role with confidence, and of deriving the greatest possible satisfaction from their teaching, whether it be of beginners or more advanced players. This work is derived, in large part, from an earlier, no longer available, book by the same author entitled 'Teaching Young Instrumentalists'. In the present volume, the shared material is refined, developed and restructured, omitting the sections on group instrumental teaching which form the basis of a separate title.

Book Composing Our Future

    Book Details:
  • Author : Michele Kaschub
  • Publisher : Oxford University Press
  • Release : 2013-02-14
  • ISBN : 0199832285
  • Pages : 386 pages

Download or read book Composing Our Future written by Michele Kaschub and published by Oxford University Press. This book was released on 2013-02-14 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: Composing Our Future is the ideal book for music teacher educators seeking to learn more about composition education. It provides resources to guide the development of undergraduate and graduate curricula, specific courses, professional development workshops, and environments where composition education can flourish.

Book Community Series  Towards a Meaningful Instrumental Music Education  Methods  Perspectives  and Challenges     Volume II

Download or read book Community Series Towards a Meaningful Instrumental Music Education Methods Perspectives and Challenges Volume II written by Andrea Schiavio and published by Frontiers Media SA. This book was released on 2024-02-26 with total page 173 pages. Available in PDF, EPUB and Kindle. Book excerpt: Trying to understand the complex interplay between effective learning and personal experience is one of the main challenges for instrumental music education. Much of the research that focuses on effective learning outcomes often adopts experimental methodologies that do not allow for a thorough examination of the subjective and social processes that accompany each student's musical journey; on the contrary, contributions dedicated to the detailed analysis of the learners' lived experience often do not offer generalizable outcomes to different types of learning and teaching.

Book Studio Based Instrumental Learning

Download or read book Studio Based Instrumental Learning written by Dr Kim Burwell and published by Ashgate Publishing, Ltd.. This book was released on 2012-11-01 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kim Burwell investigates the nature of lesson interactions in studio-based instrumental teaching and learning. Focusing on a single case study of two clarinet lessons, Burwell analyses collaborative lesson activity and creates a framework to support reflection among practitioners as they continually develop their work, not only experientially - through the tradition of 'vertical transmission' from one musician to another - but collaboratively, through the 'horizontal' sharing of good practice.