Download or read book Bulletin written by Institut national genevois and published by . This book was released on 1892 with total page 1578 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ottilie W Roederstein written by Sandra Gianfreda and published by Hatje Cantz Verlag. This book was released on 2020-01-01 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: Die 1859 als Kind deutscher Eltern in Zürich geborene Ottilie W. Roederstein gehörte zu Lebzeiten zu den führenden Malerinnen im deutschsprachigen Raum. Früh genoss sie auch Anerkennung in Paris. Wie nur wenige Frauen ihrer Zeit widmete sie ihr ganzes Leben erfolgreich der Kunst und führte zusammen mit ihrer Lebenspartnerin, der Gynäkologin Elisabeth H. Winterhalter, in Deutschland ein unkonventionelles, aber angesehenes Dasein. Während sich Roedersteins Frühwerk innerhalb der kunstakademischen Konventionen bewegte, öffnete sich die Malerin in ihrem reiferen Werk zunehmend anderen Strömungen, um in den 1920er-Jahren zu einer sachlich-nüchternen Bildsprache zu finden. Trotz ihrer einst internationalen Wertschätzung als Porträtistin und Malerin von Stillleben geriet Roederstein fast unmittelbar nach ihrem Tod 1937 in Vergessenheit. Nach mehreren Jahrzehnten widmen das Kunsthaus Zürich und das Städel Museum in Frankfurt am Main ihr die erste monografische Werkschau, die dieser umfassende Katalog begleitet.
Download or read book Dictionnaire Critique Et Documentaire Des Peintres Sculpteurs Dessinateurs Graveurs de Tous Les Temps Et de Tous Les Pays D K written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 948 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Women in the Fine Arts written by Clara Erskine Clement Waters and published by . This book was released on 1904 with total page 526 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Special Exhibition Catalogue written by and published by . This book was released on 1914 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Special Exhibition Catalogue written by City Art Museum of St. Louis and published by . This book was released on 1914 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art Index Retrospective written by and published by . This book was released on 1951 with total page 708 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book American Drawings and Watercolors in the Metropolitan Museum of Art written by Stephanie L. Herdrich and published by Metropolitan Museum of Art. This book was released on 2000 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The Museum's collection illuminates all aspects of Sargent's career. The drawings and watercolors in particular reflect his activity outside the portrait studio: his sojourns in Spain, Morocco and elsewhere in North Africa, and in the Middle East; his enduring fascination with Venice; his holidays in the Italian lake district and the Alps; his tours of North America, including Florida and the Rocky Mountains; his visit as an official war artist to the western front in 1918; and his work as a muralist at the Boston Public Library, the Museum of Fine Arts, Boston, and Harvard University's Widener Library."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book Dictionnaire Critique Et Documentaire Des Peintres Sculpteurs Dessinateurs Graveurs de Tous Les Temps Et de Tous Les Pays A C written by Emmanuel Bénézit and published by . This book was released on 1924 with total page 1200 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library Catalog written by Metropolitan Museum of Art (New York, N.Y.). Library and published by . This book was released on 1960 with total page 1064 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rivals and Conspirators written by Fae Brauer and published by Cambridge Scholars Publishing. This book was released on 2014-07-08 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Once the State-run Salon in Paris closed, an array of independent Salons mushroomed starting with the French Artists Salon and Women’s Salon in 1881 followed by the Independent Artists’ Salon, National Salon of Fine Arts and Autumn Salon. Offering an unparalleled choice of art identities and alliances, together with undreamed-of opportunities for sales, commissions, prizes and art criticism, these great Salons guaranteed the centripetal and centrifugal power of Paris as the “modern art centre”. Lured by the prospect of being exhibited annually in Salons the size of Biennales today, a huge number and national diversity of artists, from the Australian Rupert Bunny to the Spaniards Pablo Picasso and Juan Gris, flocked to Paris. Yet by no means were these Salons equal in power, nor did they work consensually to forge this “modern art centre”. Formed on the basis of their different cultural politics, constantly they rivalled one another for State acquisitions and commissions, exhibition places and spaces, awards, and every other means of enhancing their legitimacy. By no means were the avant-garde salons those that most succeeded. Instead, as this culturo-political history demonstrates, the French Artists’ and National Fine Art Salons were the most successful, with the genderist French Artists' Salon being the most powerful and “official”. Despite the renown today of Neo-Impressionism, Art Nouveau, Fauvism, Cubism and Orphism, the most powerful artists in this “modern art centre” were not Sonia Delaunay, Émile Gallé, Paul Signac, Henri Matisse or even Picasso but such Academicians as Léon Bonnat, William Bouguereau, Fernand Cormon, Edouard Detaille, Gabriel Ferrier, Jean-Paul Laurens, Luc-Oliver Merson and Aimé Morot, who exhibited at the “official” Salon supported by the machinery of the State. In its exposure of the rivalry, conflict and struggle between the Salons and their artists, this is an unprecedented history of dissension. It also exposes how, just below the welcoming internationalist veneer of this “modern art centre”, intense persecutionist paranoia lay festering. Whenever France’s “civilizing mission” seemed culturally, commercially or colonially threatened, it erupted in waves of nationalist xenophobia turning artistic rivalry into bitter enmity. In exposing how rivals became transmuted into conspirators, ultimately this book reveals a paradox resonant in histories that celebrate the international triumph of French modern art: that this magnetic “centre”, which began by welcoming international modernists, ended by attacking them for undermining its cultural supremacy, contaminating its “civilizing mission” and politically persecuting the very modernist culture for which it has received historical renown.
Download or read book Paris 1900 written by Franco Borsi and published by Rizzoli International Publications. This book was released on 1989 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reports on the Paris Universal Exhibition 1867 written by Great Britain. Committee on Education and published by . This book was released on 1868 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reports on the Paris Universal Exhibition 1867 written by and published by . This book was released on 1868 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Subject Index of the Modern Works Added to the British Museum Library written by and published by . This book was released on 1927 with total page 1586 pages. Available in PDF, EPUB and Kindle. Book excerpt:
