Download or read book European Music Catalog of Scores written by and published by . This book was released on 1997 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book European Music Catalog of Scores written by and published by . This book was released on 1996 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book European Music Catalogue written by and published by . This book was released on 1992 with total page 668 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical scores of Russian and European composers from the Fekula Collection held in the Slavic and Baltic Division of the New York Public Library written by and published by . This book was released on 1998 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Grove s Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1928 with total page 862 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book European Music Catalogue written by and published by . This book was released on 1972 with total page 580 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Opera Vocal Scores Catalog written by European American Retail Music and published by . This book was released on 1987 with total page 26 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ulrich s International Periodicals Directory written by and published by . This book was released on 1996 with total page 2420 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library Journal written by and published by . This book was released on 1915 with total page 1058 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Special Collections in Libraries in the United States written by William Dawson Johnston and published by . This book was released on 1912 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cataloger in His Own Defence written by Charles Martel and published by . This book was released on 1915 with total page 1082 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bulletin of the New York Public Library written by New York Public Library and published by . This book was released on 1916 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes its Report, 1896-19 .
Download or read book New Music Theatre in Europe written by Robert Adlington and published by Routledge. This book was released on 2019-04-02 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.
Download or read book Europe Empire and Spectacle in Nineteenth Century British Music written by Julian Rushton and published by Routledge. This book was released on 2017-07-05 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume illuminates musical connections between Britain and the continent of Europe, and Britain and its Empire. The seldom-recognized vitality of musical theatre and other kinds of spectacle in Britain itself, and also the flourishing concert life of the period, indicates a means of defining tradition and identity within nineteenth-century British musical culture. The objective of the volume has been to add significantly to the growing literature on these topics. It benefits not only from new archival research, but also from fresh musicological approaches and interdisciplinary methods that recognize the integral role of music within a wider culture, including religious, political and social life. The essays are by scholars from the USA, Britain, and Europe, covering a wide range of experience. Topics range from the reception of Bach, Mozart, and Liszt in England, a musical response to Shakespeare, Italian opera in Dublin, exoticism, gender, black musical identities, British musicians in Canada, and uses of music in various theatrical genres and state ceremony, and in articulating the politics of the Union and Empire.
Download or read book The Library World written by and published by . This book was released on 1899 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From 1989 or European Music and the Modernist Unconscious written by Seth Brodsky and published by Univ of California Press. This book was released on 2017-01-24 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt: What happened to musical modernism? When did it end? Did it end? In this unorthodox Lacanian account of European New Music, Seth Brodsky focuses on the unlikely year 1989, when New Music hardly takes center stage. Instead one finds Rostropovich playing Bach at Checkpoint Charlie; or Bernstein changing “Joy” to “Freedom” in Beethoven’s Ninth; or David Hasselhoff lip-synching “Looking for Freedom” to thousands on New Year’s Eve. But if such spectacles claim to master their historical moment, New Music unconsciously takes the role of analyst. In so doing, it restages earlier scenes of modernism. As world politics witnesses a turning away from the possibility of revolution, musical modernism revolves in place, performing century-old tasks of losing, failing, and beginning again, in preparation for a revolution to come.
