Download or read book Ethnic Theater in the United States written by Andrea Oberheiden and published by GRIN Verlag. This book was released on 2010-01-04 with total page 13 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2009 in the subject Theater Studies, Dance, grade: 1, University of Phoenix (AXIA College), course: Survey of the Performing Arts, language: English, abstract: The development of ethnic theater in the United States is closely connected with immigration as a social and cultural process. Ethnic theater has changed along with the immigrant generations. Despite acculturation and assimilation, ethnic theater is still of social, political, cultural, and educational importance within the American society of today. Although it constitutes an opposite to mainstream theater, there is also an interrelation between these two. This paper summarizes the historical development and evolution of ethnic theater in the United States and examines its impact on society and culture.
Download or read book Contemporary Latina o Theater written by Jon D. Rossini and published by SIU Press. This book was released on 2008-04-17 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Contemporary Latina/o Theater, Jon D. Rossini explores the complex relationship between theater and the creation of ethnicity in an unprecedented examination of six Latina/o playwrights and their works: Miguel Piñero, Luis Valdez, Guillermo Reyes, Octavio Solis, José Rivera, and Cherríe Moraga. Rossini exposes how these writers use the genre as a tool to reveal and transform existing preconceptions about their culture. Through “wrighting”—the triplicate process of writing plays, righting misconceptions about ethnic identity, and creating an entirely new way of understanding Latina/o culture—these playwrights directly intervene in current conversations regarding ethnic identity, providing the tools for audiences to reexplore their previously held perspectives outside the theater. Examining these writers and their works in both cultural and historical contexts, Rossini reveals how playwrights use the liminal space of the stage—an area on the thresholds of both theory and reality—to “wright” new insights into Latina/o identity. They use the limits of the theater itself to offer practical explorations of issues that could otherwise be discussed only in highly theoretical terms. Rossini traces playwrights’ methods as they address some of the most challenging issues facing contemporary Latinas/os in America: from the struggles for ethnic solidarity and the dangers of a community based in fear, to stereotypes of Latino masculinity and the problematic fusion of ethnicity and politics. Rossini discusses the looming specter of the border in theater, both as a conceptual device and as a literal reality—a crucial subject for modern Latinas/os, given recent legislation and other actions. Throughout, the author draws intriguing comparisons to the cultural limbo in which many Latinas/os find themselves today. An indispensable volume for anyone interested in drama and ethnic studies, Contemporary Latina/o Theater underscores the power of theatricality in exploring and rethinking ethnicity. Rossini provides the most in-depth analysis of these plays to date, offering a groundbreaking look at the ability of playwrights to correct misconceptions and create fresh perspectives on diversity, culture, and identity in Latina/o America.
Download or read book The Palgrave Handbook of Theatre and Race written by Tiziana Morosetti and published by Springer Nature. This book was released on 2021-04-20 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first comprehensive publication on the subject, this book investigates interactions between racial thinking and the stage in the modern and contemporary world, with 25 essays on case studies that will shed light on areas previously neglected by criticism while providing fresh perspectives on already-investigated contexts. Examining performances from Europe, the Americas, the Middle East, Africa, China, Australia, New Zealand, and the South Pacifi c islands, this collection ultimately frames the history of racial narratives on stage in a global context, resetting understandings of race in public discourse.
Download or read book No Safe Spaces written by Angela C. Pao and published by University of Michigan Press. This book was released on 2010-10-25 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: DIVExplores fifty years of non-traditional casting practices on the American stage and the questions of cultural identity that they have raised/div
Download or read book Unspeakable Images written by Lester D. Friedman and published by University of Illinois Press. This book was released on 1991 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Eye on Race written by John Beusterien and published by Bucknell University Press. This book was released on 2006 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Racism in the modern nation state is based on a Continental and an American model. In the Continental model, the racist differentiates the raced individual by religion. Because this raced individual is indistinguishable from the racist, a narrative is written to see that individual. In turn, in the American model the racist differentiates the raced individual based on skin color. Because the sign of difference is obvious, no story is written to justify racist thinking. By 1550, both models form part of imperial thinking in the Iberian world system. An Eye on Race: Perspectives from Theater in Imperial Spain describes these models at work in imperial Spanish theater. The study reveals how the display of blood in drama serves the Continental model and how the display of skin color serves the American model. It also elucidates how Miguel de Cervantes celebrates a subaltern aesthetic as he discards both racial paradigms. John Beusterien is Associate Professor of Spanish at Texas Tech University.
Download or read book English Ethnicity and Race in Early Modern Drama written by Mary Floyd-Wilson and published by Cambridge University Press. This book was released on 2003-02-20 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Table of contents
Download or read book Ethnic Theatre in the United States written by Maxine Seller and published by Greenwood. This book was released on 1983-09-27 with total page 634 pages. Available in PDF, EPUB and Kindle. Book excerpt: Strongly recommended for undergraduate and graduate libraries; useful in theater, American history, and ethnic studies. Choice
Download or read book The Color of Theater written by Roberta Uno and published by A&C Black. This book was released on 2002-01-01 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Color of Theater presents a range of essays, interviews and performance texts that illustrate and examine the process, evolution and dynamics of making theater in the dawning moments of the 21st century. It brings together writings by artists, intellectuals and art activists exploring contemporary practices within multicultural, intercultural and ethnically specific theaters. This provocative and dynamic resource brings forth critical issues of cultural aesthetics engaging theater as a crucial site for examining the intricate intersections of race, gender, class, sexuality and national and global politics.Contributors include: Rustom Bharucha, Thulani Davis, Harry Elam, Guillermo Gomez-Pea, Velina Hasu Huston, Cherrfe Moraga, David Romn, Sekou Sundiata, Diana Taylor, Una Chaudhuri, Alberto Sandoval-Snchez and lO thi diem thy.
Download or read book No Safe Spaces written by Dennis Prager and published by Regnery. This book was released on 2019-09-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: YOU HAVE THE RIGHT TO TO REMAIN SILENT Terrifying violence on college campuses across America. Students lashing out at any speaker brave enough to say something they disagree with. Precious snow flakes demanding “Safe Spaces” to protect them from any idea they haven’t heard from their liberal professors. In this book and the accompanying movie, Dennis Prager, Mark Joseph, and Adam Carolla expose the attack on free speech and free thought. It began in the universities, but—fair warning—it’s coming to your neighborhood and your workplace. “No Safe Spaces is a film every American should see. I could barely move when it was over. Powerful, emotional, and a call to action for anyone worried about the intellectual fascism happening in this country. A brave, timely, and important film.” —MEGYN KELLY, former FOX News anchor and host of Megyn Kelly Today “There is no free speech in America for free thinkers! You can have free speech in America but only if you say what everybody else agrees with. It’s not enough to ‘live and let live’ now. The psycho-elite believe ‘silence is violence’ and you must actively promote what THEY want no matter how vile or reprehensible it is to you. George Orwell lives! They should’ve called Orwell ‘Nostradamus’ because his most frightening prophecies have come to pass, as you will witness in No Safe Spaces!” —MANCOW MULLER, radio phenomenon “An excellent film, the best I’ve seen on the subject of free speech. I especially like Dennis’s line, ‘They have to believe we are evil; otherwise they’d have to debate us.’ Perfect!” —CAL THOMAS, America’s #1 syndicated columnist
Download or read book African American Performance and Theater History written by Harry J. Elam and published by Oxford University Press. This book was released on 2001-01-18 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: African American Performance and Theater History is an anthology of critical writings that explores the intersections of race, theater, and performance in America. Assembled by two esteemed scholars in black theater, Harry J. Elam, Jr. and David Krasner, and composed of essays from acknowledged authorities in the field, this anthology is organized into four sections representative of the ways black theater, drama, and performance interact and enact continual social, cultural, and political dialogues. Ranging from a discussion of dramatic performances of Uncle Tom's Cabin to the Black Art Movement of the 1960s and early 1970s, articles gathered in the first section, "Social Protest and the Politics of Representation," discuss the ways in which African American theater and performance have operated as social weapons and tools of protest. The second section of the volume, "Cultural Traditions, Cultural Memory and Performance," features, among other essays, Joseph Roach's chronicle of the slave performances at Congo Square in New Orleans and Henry Louis Gates, Jr.'s critique of August Wilson's cultural polemics. "Intersections of Race and Gender," the third section, includes analyses of the intersections of race and gender on the minstrel stage, the plight of black female choreographers at the inception of Modern Dance, and contemporary representations of black homosexuality by PomoAfro Homo. Using theories of performance and performativity, articles in the fourth section, "African American Performativity and the Performance of Race," probe into the ways blackness and racial identity have been constructed in and through performance. The final section is a round-table assessment of the past and present state of African American Theater and Performance Studies by some of the leading senior scholars in the field--James V. Hatch, Sandra L. Richards, and Margaret B. Wilkerson. Revealing the dynamic relationship between race and theater, this volume illustrates how the social and historical contexts of production critically affect theatrical performances of blackness and their meanings and, at the same time, how African American cultural, social, and political struggles have been profoundly affected by theatrical representations and performances. This one-volume collection is sure to become an important reference for those studying black theater and an engrossing survey for all readers of African American literature.
Download or read book Performing Asian America written by Josephine Lee and published by Temple University Press. This book was released on 2010-08-12 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her groundbreaking book, Performing Asian America, Josephine Lee meets a formidable challenge. How does one go about describing and analyzing the cultural production of Asian Americans, a group just beginning to make their complex political and social positions more visible? Lee approaches her specific subject, how Asian American playwrights depict race and ethnicity onstage, from the perspective that theatrical performances and dramatic texts can tell us much about these contemporary dynamics.
Download or read book Racial and Ethnic Diversity in the Performing Arts Workforce written by TOBIE S. STEIN and published by Routledge. This book was released on 2021-06-30 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Racial and Ethnic Diversity in the Performing Arts Workforce examines the systemic and institutional barriers and individual biases that continue to perpetuate a predominately White nonprofit performing arts workforce in the United States. Workforce diversity, for purposes of this book, is defined as racial and ethnic diversity among workforce participants and stakeholders in the performing arts, including employees, artists, board members, funders, donors, educators, audience, and community members. The research explicitly uncovers the sociological and psychological reasons for inequitable workforce policies and practices within the historically White nonprofit performing arts sector, and provides examples of the ways in which transformative leaders, sharing a multiplicity of cultural backgrounds, can collaboratively and collectively create and produce a culturally plural community-centered workforce in the performing arts.
Download or read book About Face written by Dorinne Kondo and published by Routledge. This book was released on 2014-09-03 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the runways of Paris to the casting controversies over BMiss Saigon, from a local demonstration at the Claremont Colleges in California to the gender-blending of BM. Butterfly, BAbout Face examines representations of Asia and their reverberations in both Asia and Asian American lives. Japanese high fashion and Asian American theater become points of entry into the politics of pleasure, the performance of racial identities, and the possibility of political intervention in commodity capitalism. Based on Kondo's fieldwork, this interdisciplinary work brings together essays, interviews with designer Rei Kawakubo of Comme des Garcons and playwright David Henry Hwang, and "personal" vignettes in its exploration of counter-Orientalisms.
Download or read book The Black Circuit written by Rashida Z. Shaw McMahon and published by Routledge. This book was released on 2020-03-09 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Black Circuit: Race, Performance, and Spectatorship in Black Popular Theatre presents the first book-length study of Chitlin Circuit theatre, the most popular and controversial form of Black theatre to exist outside the purview of Broadway since the 1980s. Through historical and sociological research, Rashida Z. Shaw McMahon links the fraught racial histories in American slave plantations and early African American cuisine to the performance sites of nineteenth-century minstrelsy, early-twentieth-century vaudeville, and mid-twentieth-century gospel musicals. The Black Circuit traces this rise of a Black theatrical popular culture that exemplifies W. E. B. Du Bois’s 1926 parameters of "for us, near us, by us, and about us," with critical differences that, McMahon argues, complicate our understanding of performance and spectatorship in African American theatre. McMahon shows how an integrated and evolving network of consumerism, culture, circulation, exchange, ideologies, and meaning making has emerged in the performance environments of Chitlin Circuit theatre that is reflective of the broader influences at play in acts of minority spectatorship. She labels this network the Black Circuit.
Download or read book Music Entertainment and the Negotiation of Ethnic Identity in Cleveland s Neighborhood Theaters 1914 1924 written by Peter Graff and published by . This book was released on 2018 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the late nineteenth and early twentieth centuries, Cleveland, Ohio became an increasingly important destination for European immigrants and African American migrants from the rural South. The blossoming industrial metropolis promised newcomers job opportunities, upward social and economic mobility, and a thriving arts culture. By 1920, the city was checkered with ethnic neighborhoods that tempered local and national assimilation efforts with vibrant cultural institutions, including parochial schools, churches, ethnic newspapers, and sites of entertainment. For new arrivals, the music and drama of neighborhood theaters aided in their negotiation of individual, communal, and national identities at a time when assimilatory pressures were increasingly prevalent.In this dissertation, I examine Cleveland's diasporic music theater traditions-- namely German, Yiddish, African American, and Slovenian--and their connection to issues of ethnicity and immigration. As a diverse, multi-ethnic city, Cleveland hosted a variety of theatrical traditions, but these four stand out due to their ties to prominent communities in the city and their rise in popularity in the early twentieth century. Surveying the commercial culture of these groups, their texts and practices, I offer evidence of how the theater constructed, represented, and reflected the identities of its audience. As I argue, the theater afforded immigrants and migrants the opportunity to witness and even participate in the construction of an ethnic-American identity.While the ethnic groups I study used the theater as a way to celebrate, preserve, and instruct--and, of course, entertain--they each navigated issues of identity in unique ways. For Slovenians facing the disappearance of their homeland after the 1918 formation of Yugoslavia, they sought to maintain cultural distinctiveness; peasant Jews from Eastern Europe worked to adopt American customs and adapt to their new urban environment; African Americans in the North negotiated contested definitions of racial identity during the Great Migration; and Germans shaped and expressed their divided loyalties to America and Germany throughout World War I. Despite having different languages, stagings, and meanings, all of these groups were working toward shared underlying goals and their efforts were all carried out on the musical stage.
Download or read book The Impact of Race written by Woodie King and published by Hal Leonard Corporation. This book was released on 2003 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looks at the evolution of the American black theater movement and includes coverage of the National Black Theatre Festival and the National Black Arts Festival in Atlanta.
