Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1926 with total page 1206 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Bibliography of the Japanese Empire 1906 1926 written by and published by . This book was released on 1928 with total page 460 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogues of Sale written by Sotheby & Co. (London, England) and published by . This book was released on 1980-10-28 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogues of Sales written by Sotheby Parke Bernet & Co and published by . This book was released on 1975 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogues of Japanese Works of Art and Colour Prints written by Sotheby & Co. (London, England) and published by . This book was released on 1973 with total page 662 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Tr bner s Bibliographical Catalogues written by Kegan Paul, Trench, Trubner & Co and published by . This book was released on 1925 with total page 1236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogues written by Bernard Quaritch (Firm) and published by . This book was released on 1949 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogues of Sales written by Sotheby's (Firm) and published by . This book was released on 1997-10-30 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Estampes japonaises written by Collections Baur and published by . This book was released on 1994 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ehon written by Roger S. Keyes and published by . This book was released on 2006 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ehon - or "picture books"- are part of an incomparable 1,200-year-old Japanese tradition. Created by artists and craftsmen, most ehon also feature essays, poems, or other texts written in beautiful, distinctive calligraphy. They are by nature collaborations: visual artists, calligraphers, writers, and designers join forces with papermakers, binders, block cutters, and printers. The books they create are strikingly beautiful, highly charged microcosms of deep feeling, sharp intensity, and extraordinary intelligence. In the elegant, richly illustrated Ehon: The Artist and the Book in Japan, renowned scholar Roger S. Keyes traces the history and evolution of these remarkable books through seventy key works, including many great rarities and unique masterpieces, from the Spencer Collection of the New York Public Library, one of the foremost collections of Japanese illustrated books in the West. The earliest ehon were made as religious offerings or talismans, but their great flowering began in the early modern period (1600-1868) and has continued, with new media and new styles and subjects, to the present. Shiohi no tsuto (Gifts of the Ebb Tide, 1789; often called The Shell Book) by Kitagawa Utamaro, one of the supreme achievements of the ehon tradition, is reproduced in full. Michimori (ca. 1604), a luxuriously produced libretto for a No play is also featured, as are Saito- Shu-ho's cheerful Kishi empu (Mr. Ginger's Book of Love, 1803), Kamisaka Sekka's brilliant Momoyogusa (Flowers of a Hundred Worlds, 1910), and many more. Ehon: The Artist and the Book in Japan ends with ehon by some of the most innovative practitioners of the twentieth century. Among these are Chizu (The Map, 1965), Kawada Kikuji's profound photographic requiem for Hiroshima; Yoko Tawada's and Stephan Kohler's affecting Ein Gedicht für ein Buch (A Poem for a Book, 1996); and Vija Celmins's and Eliot Weinberger's Hoshi (The Stars, 2005). The magnificent ehon tradition originated in Japan and developed there under very specific conditions, but it has long since burst its bounds, like any living tradition. Ehon: The Artist and the Book in Japan suggests that when artists meet readers in these contrived, protected, focused, sacred book "worlds," the possibilities for pleasure, insight, and inspiration are limitless. Ehon: The Artist and the Book in Japan was praised as "illuminating" in The New York Times' review of the New York Public Library's exhibit. http://travel2.nytimes.com/2006/10/21/arts/design/21ehon.html
Download or read book written by 国立国会図書館 (Japan) and published by . This book was released on 1977 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Collection of Catalogues in Vols written by Bernard Quaritch (Firm) and published by . This book was released on 1949 with total page 1360 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Art of Surimono written by Roger S. Keyes and published by . This book was released on 1985 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Harvard University Fine Arts Library the Fogg Art Museum written by Harvard University. Fine Arts Library and published by . This book was released on 1971 with total page 856 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Literature In and the City written by Buford Norman and published by Rodopi. This book was released on 1997 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Collecting Asian Art written by Markéta Hánová and published by Leuven University Press. This book was released on 2024-02-29 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rather than centering on the well-known collections in Western European and North American museums, Collecting Asian Art turns to museum collections of Asian art in Central Europe which emerged from the late 19th century onwards. Highlighting the dimensions of Central European connectedness, this volume explores how these collections evolved and changed under changing cultural and political conditions from the pre-World War I to the post-World War II periods. With a primary focus on collections of East Asian, South Asian, and West Asian art in Vienna, Prague, Berlin, Warsaw, Kraków, Budapest, and Ljubljana, it outlines the transregional connections and networks that gradually developed. Collecting Asian Art locates Asian art across the twentieth-century in Central Europe via discourse and ideology, and discusses key collections and the way individual collectors built their networks. It thus explores transregional connections that developed through collecting activities and strategies in the prewar, interwar and postwar eras. Contributors also examine the personal connections between a group of Indologists from postwar Prague and modernist Indian artists from the early 1950s to the 1980s and also discuss the systematic archiving of East Asian art collections in Slovenia. A concluding conversation looks at colonisation and decolonisation from a broader perspective by approaching it through recent art historical discussions on the global dimensions of modernism. By defining the region through its external relationships and its entanglements with regions across Asia rather than as a self-contained unit, the contributions in this volume outline how these transregional connections and networks evolved and changed over time, thus highlighting their singularity in comparison to developments in Western Europe. Based on recent research, Collecting Asian Art reveals neglected sources while reinterpreting well-known ones.
