Download or read book Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray By Louis Thies With a Portrait written by Fogg Museum of Art and published by . This book was released on 1869 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Collection of Engravings Bequeathed to Harvard College by Francis Calley Gray written by Louis Thies and published by . This book was released on 1869 with total page 590 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue written by Bernard Quaritch (Firm) and published by . This book was released on 1907 with total page 1028 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Harvard University Fine Arts Library the Fogg Art Museum written by Harvard University. Fine Arts Library and published by Macmillan Reference USA. This book was released on 1971 with total page 700 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book French Master Drawings from the Collection of Muriel Butkin written by Carter E. Foster and published by Hudson Hills. This book was released on 2001 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying an exhibition at the Cleveland Museum of Art last fall and now at the Dahesh Museum in New York, this catalog focuses upon the French drawings in Muriel Butkin's highly specialized collection which she has promised to the Cleveland Museum. To assemble her diverse yet nicely integrated set of drawings, Butkin started buying 18th-century French drawings when they were affordable. In the mid-1970s, with the guidance of art historian Gabriel Weisberg, she expanded her collection to include 19th-century French drawings. These drawings were counter to the mainstream impressionist and postimpressionist taste of the time and focused more on academic French subject matter such as life drawings, portraits, or compositional studies. In the preface, Butkin herself reinforces her taste by saying that drawings are much more personal and spontaneous than paintings, often demonstrating the artistic process. Foster, curator of drawings at the Cleveland Museum, and other scholars present a well-researched volume that contributes new information to a very specialized field of art history. It is greatly disappointing, however, that the bulk of the reproductions are in black and white, often missing the subtly colored tones in many of the drawings. Nonetheless, this is recommended for museum and academic libraries that support graduate programs in art history. 183 b/w illustrations
Download or read book Second Catalogue of the Library of the Peabody Institute of the City of Baltimore Including the Additions Made Since 1882 written by Johns Hopkins University. Peabody Institute. Library and published by . This book was released on 1897 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sale Catalogues written by American Art Association, Anderson Galleries (Firm) and published by . This book was released on 1922 with total page 1302 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Biographie Universelle Ancienne Et Moderne written by and published by . This book was released on 1856 with total page 1322 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paris and the Clich of History written by Catherine Eleanor Clark and published by Oxford University Press. This book was released on 2018 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Paris and the Cliché of History traces the changing historical meanings of photographs of this city during a century marked by urban renovation, war, occupation, liberation, and visual documentation. Challenging the idea that photographs merely document the past, it calls for new methods of reading photos as material objects with histories of their own and sheds insight on the capital's reduction to an image in the twentieth century.
Download or read book Bibliography of Eighteenth Century Art and Illustrated Books written by J. Lewine and published by . This book was released on 1898 with total page 722 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Sale written by American Art Association, Anderson Galleries (Firm) and published by . This book was released on 1922 with total page 1662 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Library of Robert Hoe of New York written by Anderson Galleries, Inc and published by . This book was released on 1912 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Art in Reproduction written by Robert Verhoogt and published by Amsterdam University Press. This book was released on 2007 with total page 718 pages. Available in PDF, EPUB and Kindle. Book excerpt: This illuminating study examines the cultural meaning of artistic reproduction in a refreshingly new context through its consideration of how three artists managed the reproduction of their work.
Download or read book Catalogue of Books on the Fine Arts written by Martinus Nijhoff and published by Springer. This book was released on 2013-11-22 with total page 101 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Artist and His Critic Stripped Bare written by Paul B. Franklin and published by Getty Publications. This book was released on 2016-06-01 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp’s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication Sur Marcel Duchamp, the first monograph and catalogue raisonné devoted to the artist. Duchamp was a willing partner in the book’s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist’s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of Sur Marcel Duchamp are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967. They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art.
Download or read book Collecting Prints and Drawings written by Sylvia Heudecker and published by Cambridge Scholars Publishing. This book was released on 2019-01-22 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cabinets of prints and drawings are found in the earliest art collections of Early Modern Europe. From the sixteenth century onwards, some of them acquired such fame that the necessity for an ordered and scientific display meant that a dedicated keeper was occasionally employed to ensure that fellow enthusiasts, as well as visiting diplomats, courtiers and artists, might have access to the print room. Often collected and displayed together with drawings, the prints formed a substantial part of princely collections which sometimes achieved astounding longevity as a specialised group of collectibles, such as the Florentine Gabinetto Disegni e Stampe at the Uffizi (GDSU). Prints and drawings, both bought and commissioned, were collected by princes and by private amateurs. Like the rest of their collections, the prints and drawings were usually preserved and displayed as part of, or near, the owner’s library in close proximity to scientific instruments, cut gems or small sculptural works of art. Both prints and drawings not only documented an encyclopaedic approach to the knowledge available at the time, but also depicted parts of the collections in the form of a paper museum. Prints and drawings also served as a guide to the collections. They spread their fame, and the renown of their owners, across Europe and into new worlds of collecting, both East and West. This volume explores issues such as: when, how and why did cabinets of prints and drawings become a specialised part of princely and private collections? How important were collections of prints and drawings for the self-representation of a prince or connoisseur among specialists and social peers? Is the presentation of a picture hanging in a gallery, for example by Charles Eisen for the Royal Galleries at Dresden, to be treated as documentary evidence? Are there notable differences in the approach to collecting, presentation and preservation of prints and drawings in diverse parts of the world? What was the afterlife of such collections up to the present day?
