Download or read book New Essays on Performance Practice written by Frederick Neumann and published by . This book was released on 1989 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of essays, which question many orthodox beliefs of the performance practice tradition and take a critical look at the early music movement. Coverage includes Haydn's ornaments, Mozart interpretation, Handel's overtures and binary and ternary rhythms.
Download or read book Essays in Performance Practice written by Frederick Neumann and published by University of Rochester Press. This book was released on 1982 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Library of Essays on Music Performance Practice 4 Volume Set written by Mary Cyr and published by Routledge. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The revival of interest in early instruments that began over a hundred years ago has more recently led to a desire amongst scholars, performers, and listeners to understand how old instruments sounded, how music was sung and by whom, and how musical symbols were interpreted. The essays brought together in this series show how the results of research into performance practice have fundamentally changed the way that early music is performed today. The repertoire represented ranges broadly across Western art music, both secular and sacred, and each volume addresses issues that arise in both vocal and instrumental music. This collection of the most influential English-language writings about performance practice published within the past several decades is an essential reference tool for libraries. In addition, by bringing together important articles in the field from disparate journals which are often difficult to locate and of limited access, students are able to study leading articles side by side for comparison, whilst lecturers are provided with an invaluable 'one-stop' teaching resource.
Download or read book Essays on Performance Practice written by David Whitwell and published by . This book was released on 2013-07-14 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: David Whitwell is one of the most influential college band directors of the twentieth century and the author of more than forty books on music, conducting, education, history and aesthetics. In this new collection of essays, "Essays on Performance Practice," he provides information on many of the topics missing from modern music education. Band conductors will find illuminating chapters on topics such as aesthetics, seating plans, time and placement, movement, and Classical Period performance idioms. This book also includes fifteen essays on Making Band Masterpieces Musical which address performance practice issues in the most popular wind band works such as the Holst Suites and the Milhaud Suite Francaise."
Download or read book Essays in Performance Practice written by Frederick Neumann and published by . This book was released on 1982 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Text and Act written by Richard Taruskin and published by Oxford University Press. This book was released on 1995-09-07 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.
Download or read book Performing Adaptations written by Michelle MacArthur and published by Cambridge Scholars Publishing. This book was released on 2009-03-26 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Adaptations: Conversations and Essays on the Theory and Practice of Adaptation brings together scholars and artists from across North America and the United Kingdom to contribute to the growing discourse on adaptation in the arts. An ideal text for students of theatre, drama, and performance studies, this volume offers a ground-breaking set of essays, interviews, and artistic reflections that assess adaptation from the perspective of live performance, an aspect of the field that has been under-explored until now. The diverse authors and interview subjects in this anthology take a variety of approaches to both creating and analyzing adaptations, demonstrating the form’s suitability for testing and speaking back to dominant models of creation, production, and analysis. Featuring articles by pioneering adaptation scholar Linda Hutcheon and critically acclaimed writer and critic George Elliott Clarke, Performing Adaptations advances the field of adaptation studies in new and exciting ways. The authors in Performing Adaptations do not comprise a comprehensive view of adaptation studies, but represent a collection of “gutsy” voices that use adaptation to test, and speak back to dominant models of creation, production, and analysis. Some of these perspectives include a group of artists from the African Diaspora, Europe, and Canada (the AfriCan Theatre Ensemble); the voice of Chinese-Canadian playwright, Marjorie Chan; the innovative storytelling of Beth Watkins, and her adaptation of letters written by transgendered student activist, Jesse Carr; the views of vanguard Canadian queer filmmaker, John Greyson; and African-Canadian poet, novelist, and critic, George Elliott Clarke. Their adaptation of sources to other genres, mediums, and cultural contexts represent the act of a radical, dialogical reading, writ large.
Download or read book Text and Act written by Richard Taruskin and published by Oxford University Press, USA. This book was released on 1995 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays and reviews offers an evaluation of the early music movement, in an attempt to transform the debate about "early music" and "authenticity."
Download or read book Bach Performance Practice 1945 1975 written by Dorottya Fabian and published by Routledge. This book was released on 2017-07-05 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Analysing over 100 recordings from 1945-1975, this book examines twentieth-century baroque performance practice as evinced in all the commercially available recordings of J.S. Bach's Passions, Brandenburg Concertos and Goldberg Variations. Dorottya Fabian presents a qualitative, style-orientated history of the early music movement in its formative years through a comparison of the performance style heard in these recordings with the scholarly literature on Bach performance practice. Issues explored in the book include the availability of resources, balance, tempo, dynamics, ornamentation, rhythm and articulation. During the decades following the Second World War, the early music movement was more concerned with the revival of repertoire than with the revival of performance style which meant that its characteristics and achievements differed essentially from those of the later 1970s and 1980s. Period practice techniques were not practised even by ensembles using eighteenth-century instruments. Yet, as this survey reveals, several recordings of the period provide unexpectedly stylish interpretations using metre and pulse to punctuate the music. Such metric performance and appropriate articulation helped to clarify structure and texture and assisted in the creation of a musical discourse - the pre-eminent goal of baroque compositions.
Download or read book Classical and Romantic Music written by David Milsom and published by Routledge. This book was released on 2017-07-05 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together twenty-two of the most diverse and stimulating journal articles on classical and romantic performing practice, representing a rich vein of enquiry into epochs of music still very much at the forefront of current concert repertoire. In so doing, it provides a wide range of subject-based scholarship. It also reveals a fascinating window upon the historical performance debate of the last few decades in music where such matters still stimulate controversy.
Download or read book The Harvard Dictionary of Music written by Don Michael Randel and published by Harvard University Press. This book was released on 2003-11-28 with total page 1020 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Download or read book Performance Practice Music after 1600 written by Howard Mayer Brown and published by . This book was released on 1989 with total page 646 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Critical Essays on European Theatre Performance Practice written by M. A. Katritzky and published by Routledge. This book was released on 2014-03-28 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series of four volumes brings together the best and most significant scholarship published on European performance practice over the last half century. The featured articles and book chapters provide a significant introduction to many of the major past and current developments in the field and emphasise acting, performance spaces, staging and audiences, from the Middle Ages to the present day. The volume editors have selected articles that most usefully represent performance practice within their own specialist period, and have complemented their strong focus on British theatre by including European material and references. This representative cross-section of articles, book chapters and records serves as a useful reference point for those wishing to investigate or teach the many and varied facets of performance practice in Europe from medieval times up until the present day.
Download or read book Music Performance Meaning written by Nicholas Cook and published by Routledge. This book was released on 2017-07-05 with total page 679 pages. Available in PDF, EPUB and Kindle. Book excerpt: This selection of sixteen of Nicholas Cook's essays covers the period from 1987 to 2004 and brings out the development of the author's ideas over these years. In particular the two keywords of the title -Meaning and Performance- represent critical directions that expand to the point that, by the end of the book, they become coextensive: music is seen as social action and meaning as created by that action. Within this overall direction, a wide variety of topics is explored, ranging from Beethoven to Schenker, from Chinese qin music to jazz and rock, from perceptual psychology to sketch studies and analysis of record sleeves. A substantial introduction draws out the links (and differences) between the essays, sometimes critiquing them and always setting them into the developing context of the author's work as a whole.
Download or read book Reactivations written by Philip Auslander and published by University of Michigan Press. This book was released on 2018-05 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most people agree that witnessing a live performance is not the same as seeing it on screen; however, most of the performances we experience are in recorded forms. Some aver that the recorded form of a performance necessarily distorts it or betrays it, focusing on the relationship between the original event and its recorded versions. By contrast, Reactivations focuses on how the audience experiences the performance, as opposed to its documentation. How does a spectator access and experience a performance from its documentation? What is the value of performance documentation? The book treats performance documentation as a specific discursive use of media that arose in the middle of the 20th century alongside such forms of performance as the Happening and that is different, both discursively and as a practice, from traditional theater and dance photography. Philip Auslander explores the phenomenal relationship between the spectator who experiences the performance from the document and the document itself. The document is not merely a secondary iteration of the original event but a vehicle that gives us meaningful access to the performance itself as an artistic work.
Download or read book Essays on Musical Style and Performance Practice written by and published by . This book was released on 1969 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Over Under and Around written by Richard Schechner and published by Seagull Books Pvt Ltd. This book was released on 2004 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected in this book represent Schechner s lifetime in performance studies. Political theatre, the avant garde, the secular and sacred rituals of performance, the nature of belief and its suspensions in theatre, aesthetics, performance theory, and performance studies have been his recurring subjects even as his knowledge has changed and deepened from seeing performances of all kinds all over the world. So he is in a position to compare the incomparable Yaqui and Ramlila, dixi and namahage, in a manner that furthers the study of ritual and indicates the ways performance is similarly and differently imbricated in different communities. Schechner has also learned that the avant garde is more than a historical occurrence localized in, or originating in, a single culture as a particular kind of articulation of the traditional and the oral. The range and depth of Schechner s scholarly endeavour informed by his artistic practice has led him to think about the deep structure of performance and theorize its construction across cultures. This confluence of practice and scholarship, where each realm wholly informs the other, is second only to Schechner s far ranging contact with diverse types of performance in generating his exceptional thinking on the meaning and importance of performance as the paradigm for the twentieth and twenty-first centuries. Richard Schechner is a theatre director, author and teacher. He founded The Performance Group and East Coast Artists. He has directed plays, conducted performance workshops and lectured in Asia, the Americas, Australia and Europe. His books include Performance Studies An Introduction, Performance Theory, and Between Theatre and Anthropology. He is University Professor and Professor of Performance Studies at the Tisch School of the Arts, New York University.
