Download or read book Essays on Indian Art and Architecture written by Raj Kumar and published by Discovery Publishing House. This book was released on 2003 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contents: Introduction, Studies in Indian Architecture, Fort Architecture in Ancient and Medieval India, Art and Architecture: Northern India, Art and Architecture: South India, The Aspect and Orientation in Hindu Architecture, Kalinga Style of Architecture, Symbolism of the Dome, Art and Architecture, Muslim Architecture in India, A Plea for Indian Architecture.

Download or read book Indian Art Connoisseurship written by John Guy and published by Grantha Corporation. This book was released on 1995 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty-five essays written in honour of Douglas Barrett, former Keeper of Indian Art at the British Museum.

Download or read book Studies in Modern Indian Art written by Ratan Parimoo and published by . This book was released on 1975 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book When was Modernism written by Geeta Kapur and published by . This book was released on 2000 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: A commitment to modernity is the underlying theme of this volume. Through essays that are interpretive and theoretical, the author seeks to situate the modern in contemporary cultural practice. She sets up an ideological vantage point to view modernism along its multiple tracks in India and the third world.The essays divide into three sections. The first two sections, Artists and ArtWork and Film/Narratives, raise questions of authorship, genre, and contemporary features of national culture that materialize into an aesthetic in the Indian context. The last section, Frames of Reference, formalizes the polemical options developed across the book. The essays here propose resistance to the depoliticization of narratives, and affirm an open-ended engagement with the avant-garde. They explore the possibility of art practice finding its own signifying space that is still a space for radical transformation.Geeta Kapur is an independent art critic and curator living in New Delhi. Her extensive publications on modern Indian art include the book Contemporary Indian Artists (Delhi, 1978), exhibition catalogues and monographs on artists. She is currently writing a monograph on Tyeb Mehta. Her essays on cultural criticism have been widely presented in forums of art history and cultural studies. Her curatorial work includes the show Bombay/Mumbai 1992 2001 in the multi-part exhibition titled Century City: Art and Culture in the Modern Metropolis , at Tate Modern, London, in 2001. Geeta Kapur is a founder-editor of the Journal of Arts & Ideas and advisory editor to Third Text. She has held research fellowships at Indian Institute of Advanced Study, Shimla, Nehru Memorial Museum and Library, New Delhi, and Clare Hall, Cambridge University. For the past three decades, [Geeta Kapur s] has been the singular dominant presence in the field to a point that her writings alone seem to have constituted the whole field of modern Indian art theory and criticism. Tapati Guha-Thakurta, Biblio (Delhi), May June 2001. Geeta Kapur is a magisterial presence in the sphere of modern Indian art. [The] insistence on the primacy of bearing witness to creative practice has been the leitmotif of Kapur s work. . . . Kapur s contribution . . . is best understood by reflection on the radical change that her activity has brought about in Indian art criticism. Ranjit Hoskote, Art India (Mumbai), Vol. VI, 1, 2001. When Was Modernism is a book of essays: imaginative, interpretive, argumentative, polemical, political and, in the combined sense of all these, historical. . . . [It] provides an instance of passionate engagement that, at its best moments, verges on the poetic. Chaitanya Sambrani, ART AsiaPacific (Australia), Issue 30, 2001.

Download or read book Wonder of the Age written by John Guy and published by Metropolitan Museum of Art. This book was released on 2011 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.

Download or read book Essays on Indian Art Industry Education written by Ernest Binfield Havell and published by . This book was released on 1907 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Towards a New Art History written by Ratan Parimoo and published by . This book was released on 2003 with total page 524 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Essays Here, Challenging The Boundaries And Assumptions Of Mainstream Art History, Question Many Preconceived Notions About Meaning In Representations Artistic And Art Historical. Emphasizing On Specific Visual Cultures Within The Dynamics Of Historical Processes, They Raise Critical Issues Of Art Production, Circulation And Consumption And Attempt To Rescue Traditional Arts From A Past That Is Hermetically Sealed Off From The Present.

Download or read book Essays in Indian Art Religion and Society written by Krishna Mohan Shrimali and published by . This book was released on 1987 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Articles culled from the proceedings of the Indian History Congress, 1935-1986.

Download or read book Essays on Indian Art Industry Education written by E. B. Havell and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Essays on Indian Art Industry Education Classic Reprint written by E. B. Havell and published by . This book was released on 2015-07-10 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Essays on Indian Art, Industry Education The various Essays on Indian Art, Industry, and Education which are here reprinted, though mostly written some years ago, all deal with questions which continue to possess a living interest. The superstitions which they attempt to dispel still loom largely in popular imagination, and the reforms they advocate still remain to be carried out. Only last year Sir Henry Craik, M. P., in his book on India, revived the familiar Anglo-Indian legend that the Taj Mahal was the creation of a European architect. Hardly any serious attempt has been made in the last twenty-five years to make the departmental machinery of Government effective for the revival of Indian art and handicraft. Officialism in the Calcutta University has lately barred the way to further progress in art education over-riding the deliberate vote of the majority of the members of the Senate. Swadeshi politicians, with regard to India's industrial problems, have been content to follow behind commercial Europe, and multiply the evils which the factory system has already inflicted upon India. Knowing that the best artistic opinion of Europe is wholly on my side, and believing that the removal of departmental impediments to the progress of Indian art and industry are urgently called for, both for the sake of British prestige and in the interest of India herself, I offer no apology for putting my arguments before the Government and the public again and again, in season and out of season. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Download or read book Moving Focus written by K. G. Subramanyan and published by . This book was released on 1978 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Indian Painting written by B. N. Goswamy and published by . This book was released on 1995 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Festschrift in honor of Karl J. Khandalavala; comprises essays on Indian painting and sculpture.

Download or read book Indian Painting for the British 1770 1880 written by Mildred Archer and published by [London] : Oxford University Press. This book was released on 1955 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Indian Painting for the British 1770 1880 written by Mildred Archer and published by . This book was released on 1955 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Painters Patrons and Identity written by J. J. Brody and published by . This book was released on 2001 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This broad and lively anthology reveals the breadth of his influence and the vitality of the field of Native American art history.

Download or read book Three Essays on Indian Art and Architecture written by Sharad Chandra and published by . This book was released on 2016-04-27 with total page 51 pages. Available in PDF, EPUB and Kindle. Book excerpt: The art and architecture of India is rooted in its history, culture, and religion. The first two essays in the present volume bring to the fore the folk art of Kalamkari, and the architectural wonder of the stepwells--both part of the ancient heritage, and the third piece dwells on the spectacular art and peculiar habits of the most discussed and most popular contemporary Indian painter, Maqbool Fida Hussain. The first two essays have earlier been published in an online journal, Chitrolekha. Due acknowledgement has been noted at the end of each essay and they are included here with due permission of the editors. I have added a glossary to help readers understand the names of typical Indian ingredients used in the preparation of a Kalamkari painting. Kalamkari or Qalamkari is a type of hand-painted or block-printed cotton textile, produced in parts of India. The word is derived from the Persian words ghalam (pen) and kari (craftmanship), meaning drawing with a pen. Only natural dyes are used in Kalamkari and involves seventeen painstaking steps. This intricate art has been practiced by many families in Andhra Pradesh and over the generations has constituted their livelihood. Admired for its excellent craftsmanship the journey of Kalamkari curiously began with trade in Indian spices. Subsequently merchants and traders from around the world used Indian textiles, the majority of which were kalamkari, as a currency in the Spice Trade. With the passage of time Indian textiles began to be seen as luxury items in themselves, and a variety of textiles and textile-related products found an appreciative market throughout Europe, the Middle East, and Asia.Step wells are wells or ponds in which the water is reached by descending a set of steps. Rock-cut stepwells in India date from 200-400 AD. Gradually they began to be constructed. Step wells developed mainly to cope with seasonal fluctuations in water availability. Deep trenches were dug into the earth for dependable, year-round groundwater, their walls were lined with blocks of stone without mortar, and stairs were built leading down to the water. The construction of stepwells was primarily utilitarian but owing to the significant architectural embellishments on their walls they have today acquired the status of interesting monuments. In olden times stepwells also served as leisure spots, place for social gatherings and religious ceremonies where women prayed and offered gifts to the goddess of the well for her blessings.The last essay describes the spectacular art and mildly eccentric habits of the Indian painter, Maqbool Fida Hussain. With his free-flowing, silvery white beard and hair, dressed in impeccably tailored, expensive Hermes suit, an oversized paintbrush 'baton' in hand, walking barefoot M.F. Husain cut a most distinctive figure full of energy and humour. His striking ascetic looks, simple, soft-spoken manner commanded immediate attention and respect. He had a penchant for philosophy, was deeply knowledgeable of, and loved art in all its forms and had several writers and poets as his friends. He always remained in the headlines as much because of his peculiar habits as for his unique art. Hussain stopped wearing footwear in 1974 after walking in the funeral procession of his friend, Gajanan Madhav Muktibodh, the well known Hindi poet and maintained it till the very end.

Download or read book Your History Gets In The Way Of My Memory Essays On Indian Artists written by Geeti Sen and published by Collins India. This book was released on 2012-03-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lucid introduction to the greatest Indian artists of our time Enlivened by anecdotes and forty years' worth of conversations between the author and her subjects - eight artists, unknown during the 1970s and 80s but acknowledged masters today - Geeti Sen's essays bring together the best of Indian art, not so much as history or biography but as vibrantly alive memories. We travel with Sen as she explores Ganesh Pyne's Jottings as expressions of his secret, subliminal dreams; discovers that M.F. Husain's self-portraits are manifestations of his extraordinary, changing persona over seven decades; understands the rare religious icons Meera Mukherjee created in the last decade of her life; and unravels Nilima Sheikh's Firdaus scrolls, which ambitiously weave together disparate elements to comment on Kashmir. In these perceptive essays, Sen deconstructs Anupam Sud's representation of the body as beautiful and as an extension of her own identity, analyses Manjit Bawa's ingenious merging of the mythic with the present, sees in Zarina Hashmi's woodcuts the marks of migration and displacement, and accompanies S.H. Raza as he returns to his own past to reinvent the Bindu. Illustrated by the paintings of these masters, each essay is a journey both by the artist and the author to explore lesser-known dimensions of their work.