Download or read book The Theatrical programme and entr acte written by and published by . This book was released on with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Interpreting the Moving Image written by Noel Carroll and published by Cambridge University Press. This book was released on 1998-05-28 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of film essays by the well-respected critic, Noël Carroll.
Download or read book Entr acte from Rosamunde written by Franz Schubert and published by . This book was released on 1996 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Republic of Images written by Alan Williams and published by Harvard University Press. This book was released on 1992-03 with total page 478 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chronicling one of the most popular national cinemas, this book traces the evolution of French filmmaking from 1895 - the year of the debut of the Cinematographe in Paris - to the present day. Williams offers a synthesis of history, biography, aesthetics and film theory.
Download or read book Dada and Surrealist Film written by Rudolf E. Kuenzli and published by MIT Press. This book was released on 1996-07-29 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: This groundbreaking collection of thirteen original essays analyzes connections between film and two highly influential twentieth-century movements.
Download or read book Giacomo Meyerbeer Orchestral Works written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-06-09 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a collection of the orchestral works of the composer Giacomo Meyerbeer. He is remembered as one of the great figures of 19th-century opera—a master of brilliant vocalism, impassioned drama and vivid orchestral power and colour. His operas are noted for their precise construction and urgent propulsion, and never linger for long in music for its own sake. Nevertheless, the orchestral passages are integral to the dramatic logic: brief thematically pertinent preludes and precise introductions to the individual acts, always providing a sense of colour and purpose. The operas are also famous for their ballets as an integral aspect of the dramaturgy of the grand French style, but even here the music is kept within strict temporal control. Some of these dance sequences (like the Ballet of the Nuns in Robert le Diable and the Skaters’ Ballet in Le Prophète became very famous in themselves: the former was of seminal influence on the development of the Romantic Ballet, both in musical and conceptual terms; the latter is known universally as the ballet of winter joy, Les Patineurs). Other orchestral episodes from the operas also enjoyed great independent popularity—like the resplendent Coronation March in Le Prophète and the exotic Marche Indienne in L’Africaine. The former continues to be Meyerbeer’s most widely known composition. All these works have been gathered together in this volume to constitute orchestral suites from the French operas—both grand and the smaller opéras comiques. The two latter works L’Étoile du Nord and Dinorah each has an extended overture. Meyerbeer’s most substantial orchestral work, however, is the incidental music he wrote for his brother, Michael Beer’s tragedy Struensee (1846). The overture is Meyerbeer’s crowing achievement in orchestral writing, and the rest of the incidental music is enthralling in its drama, passion and pathos. The composer was also asked to write instrumental music for other public occasions, most especially for the weddings of the Prussian Royal Family. He provided four stirring Fackeltänze for the torchlight procession held at the Hohenzollern nuptial celebrations, superb works in processional polonaise style, full of grandezza, dramatic gesture and affecting lyricism. In 1861 Meyerbeer was asked to compose the music for the royal procession of King Wilhelm I of Prussia at the ancient capital of Königsberg. The result was another Coronation March, this one of more formal and stately character, that reaches its climax most appropriately in the Prussian national anthem “Ich bin ein Preusser”. In 1862 Meyerbeer was commissioned to write music for the opening of the London Exhibition in the Crystal Palace. His Overture in March Style is in the form of a Baroque suite, and provides a series of four variants on the march genre, culminating in a fantasia on “Rule Britannia”. This grandiose festive piece is full variety, surprises and subtle orchestral colours. Like all this composer’s work, this fine composition is waiting to be rediscovered.
Download or read book Masterpieces of Modernist Cinema written by Ted Perry and published by Indiana University Press. This book was released on 2006 with total page 707 pages. Available in PDF, EPUB and Kindle. Book excerpt: Noted film scholars analyze some of the most challenging films of the 20th century
Download or read book The Canadian Nightingale written by Jane Cooper and published by FriesenPress. This book was released on 2017-12-08 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: April 4, 1915, Bertha Crawford bowed to tumultuous applause before a glittering audience at the Tsar’s Imperial Mariinsky Theatre. How had a young soprano from Ontario become a darling of the Russian capital eight months into the First World War? The Canadian Nightingale vividly resurrects the forgotten life of Bertha Crawford, a determined Canadian singer who chased the celebrity dream of her time to find unprecedented success on the opera stages of Russia and Poland. Meticulous historical research and compelling dramatic vignettes restore Crawford and her era to life. After a rollercoaster ride to fame that was ultimately derailed by broken trust, one big question remains: how was a Canadian story this fascinating left untold for more than eighty years.
Download or read book Silence Music Silent Music written by Nicky Losseff and published by Ashgate Publishing, Ltd.. This book was released on 2007-01-01 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. The contributions reveal that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being.
Download or read book Mathematical Knowledge Its Growth Through Teaching written by Alan Bishop and published by Springer Science & Business Media. This book was released on 2013-11-27 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the first BACOMET volume different perspectives on issues concerning teacher education in mathematics were presented (B. Christiansen, A. G. Howson and M. Otte, Perspectives on Mathematics Education, Reidel, Dordrecht, 1986). Underlying all of them was the fundamental problem area of the relationships between mathematical knowledge and the teaching and learning processes. The subsequent project BACOMET 2, whose outcomes are presented in this book, continued this work, especially by focusing on the genesis of mathematical knowledge in the classroom. The book developed over the period 1985-9 through several meetings, much discussion and considerable writing and redrafting. Our major concern was to try to analyse what we considered to be the most significant aspects of the relationships in order to enable mathematics educators to be better able to handle the kinds of complex issues facing all mathematics educators as we approach the end of the twentieth century. With access to mathematics education widening all the time, with a multi tude of new materials and resources being available each year, with complex cultural and social interactions creating a fluctuating context of education, with all manner of technology becoming more and more significant, and with both informal education (through media of different kinds) and non formal education (courses of training etc. ) growing apace, the nature of formal mathematical education is increasingly needing analysis.
Download or read book Drawing on Art written by Dalia Judovitz and published by U of Minnesota Press. This book was released on 2010 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores the central importance of appropriation, collaboration, influence, and play in French artist Marcel Duchamp's (1887-1968) work -- and in Dada and Surrealism in general -- to show how the concept of art itself became the critical fueland springboard for questioning art's fundamental premises. Duchamp was a French artist whose work is most often associated with the Dadaist and Surrealist movements. The author maintains that rather than simply negating art, Duchamp's readymades (Duchamp's "readymades" are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art") and later works, including films and conceptual pieces, demonstrating the impossibility of defining art in the first place. Through his readymades, Duchamp explicitly critiqued the commodification of art and inaugurated a profound shift from valuing art for its visual appearance to understanding the significance of its mode of public presentation.
Download or read book The Artwork Caught by the Tail written by George Baker and published by MIT Press. This book was released on 2010-09-03 with total page 497 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new theory of the readymade via a new reading of Picabia and a new writing of Dada. The artist Francis Picabia—notorious dandy, bon vivant, painter, poet, filmmaker, and polemicist—has emerged as the Dadaist with postmodern appeal, and one of the most enigmatic forces behind the enigma that was Dada. In this first book in English to focus on Picabia's work in Paris during the Dada years, art historian and critic George Baker reimagines Dada through Picabia's eyes. Such reimagining involves a new account of the readymade—Marcel Duchamp's anti-art invention, which opened fine art to mass culture and the commodity. But in Picabia's hands, Baker argues, the Dada readymade aimed to reinvent art rather than destroy it. Picabia's readymade opened art not just to the commodity, but to the larger world from which the commodity stems: the fluid sea of capital and money that transforms all objects and experiences in its wake. The book thus tells the story of a set of newly transformed artistic practices, claiming them for art history—and naming them—for the first time: Dada Drawing, Dada Painting, Dada Photography, Dada Abstraction, Dada Cinema, Dada Montage. Along the way, Baker describes a series of nearly forgotten objects and events, from the almost lunatic range of the Paris Dada “manifestations” to Picabia's polemical writings; from a lost work by Picabia in the form of a hole (called, suggestively, The Young Girl) to his “painting” Cacodylic Eye, covered in autographs by luminaries ranging from Ezra Pound to Fatty Arbuckle. Baker ends with readymades in prose: a vast interweaving of citations and quotations that converge to create a heated conversation among Picabia, André Breton, Tristan Tzara, James Joyce, Friedrich Nietzsche, Jacques Derrida, Gilles Deleuze, and others. Art history has never looked like this before. But then again, Dada has never looked like art history.
Download or read book Framing Literary Humour written by Jeanne Mathieu-Lessard and published by Bloomsbury Publishing USA. This book was released on 2020-01-23 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contrary to what their oppressive design would lead us to believe, might structures of imprisonment actually incite humour? Starting from the most obvious areas of imprisonment (war camps, prison cells) and moving to the less obvious (masks, bodies), Framing Literary Humour demonstrates how 20th-century humour in theory and in fiction cannot be fully understood without a careful look at its connection with the notion of imprisonment. Understanding imprisonment as a concrete spatial setting or a metaphorical image, Jeanne Mathieu-Lessard analyses selected works of Romain Gary, Giovannino Guareschi, Wyndham Lewis, Vladimir Nabokov and Luigi Pirandello to reconfigure confinement as an essential structural condition for the emergence of humour.
Download or read book First Choral Symphony written by Gustav Holst and published by . This book was released on 1925 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Korean Theatre written by Oh-Kon Cho and published by Jain Publishing Company. This book was released on 2019-02-18 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Korean Theatre: From Rituals to the Avant-Garde is the most comprehensive book on Korean theatre which covers from ancient rituals to the modern theatre. It is an essential book for anyone who is interested in theatre or Korean theatre . . . The research that went in to make this book possible can only be described as phenomenal." Alyssa Kim, Ph.D. Hankuk University of Foreign Studies "The book has a clear, understandable organization. Professor Cho’s prose is succinct, readable, and void of fashionable academic jargon. I find the chapter beginning-historical context very useful, most especially those surrounding and shaping Korean theatre since the ‘50s. The early chapters on masked-dance plays and puppet theatre provide important information about Korean culture and the later chapters on Madanggŭk and North Korean proletarian drama shed light on area little known or understood by Western students of Korea. This book promises to be a singular contribution to English-language materials on Korean theatre, one written by a scholar with an encyclopedic knowledge of his subject." Richard Nichols, Ph.D. Emeritus Professor of Theatre Pennsylvania State University
Download or read book DETTINGEN TE DEUM ORGAN VOCAL SCORE written by George Frideric Handel and published by . This book was released on 1923 with total page 92 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Collected Writings of Franz Liszt written by and published by Scarecrow Press. This book was released on 2013-12-19 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Dramaturgical Leaves: Essays about Musical Works for the Stage and Queries about the Stage, Its Composers and Performers, the third volume in Janita R. Hall-Swadley’s The Collected Writings of Franz Liszt, Liszt heralds his admiration for early nineteenth-century opera and musical stage works. He honors Gluck, the musical prophet, as the cultivator of dramatic truth in the Romantic opera Orpheus, expounds on Beethoven’s harmonic inventions and innovative treatment of form in Fidelio, and argues for the latter’s incidental music to Goethe’s Egmont as the epitome of music organicism, a complete unity of words and tone. He also comments on Weber’s Euryanthe as offering the most progressive musical characterizations and declamation—even more so than his popular work Der Freischütz—and on how both works prefigure Wagner’s music dramas; awards Mendelssohn, whose genius Liszt ranks only slightly less than Beethoven’s, top honors for creating in Midsummer’s Night Dream the highest standards of music poetry; suggests how Scribe and Meyerbeer’s Robert the Devil paints a mental image of art’s eternal flames, where poet and musician share equal space in the development of music tragedy; reveals how the poetic deficiencies in the libretto to Schubert’s Alfonso and Estrella are too easily overlooked because of the music’s melodic and lyrical supremacy; and offers in contrast Auber’s Mute from Portici, a remarkable text by many historically picturesque musical motives that are universal and nationalistic at the same time. Finally Liszt offers an early gender study in music in his essay about Bellini’s Montague and Capulet (as well as its impact on nineteenth-century audiences), a look at Boieldieu’s White Lady as a sublime depiction of literary music, and Donizetti’s Favorite as colored with a special type of imagery, a laterna magica, in Liszt’s hand. The beloved soprano Pauline Viardot-Garcia receives special attention in an essay devoted entirely to her, and Liszt proffers a critique of entr’acte music as a pointless tradition that dethrones music and insults the artist and composer by making music a “palate cleanser.” This volume includes a detailed discussion about what it meant to be patronized by Liszt and how his support—financial, literary, and musical—helped shape many a music career. It also offers commentary on how gender in opera was sometimes obscured not only for dramatic interest but also as part of the process of outlining a nation’s identity,as well as a thorough study of Liszt’s concepts of Gestalt theory, the Archetype, and his musical Weltanschauung (his musical "world view"), all revealing his contribution to 19th-century music philosophy as it relates to opera. Finally, a historical review of entr’acte music is presented—how it began and how it developed—to clarify Liszt’s stance against it, making this volume a necessary read for music historians, serious musicians, and music connoisseurs alike.
