Download or read book Enrico Drama per musica da rappresentarsi nel Teatro di S M B Ital Eng written by Francesco VANNESCHI and published by . This book was released on 1753 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book General catalogue of printed books written by British museum. Dept. of printed books and published by . This book was released on 1931 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The National Union Catalog Pre 1956 Imprints written by and published by . This book was released on 1968 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book General Catalogue of Printed Books to 1955 written by British Museum. Dept. of Printed Books and published by . This book was released on 1967 with total page 1236 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book I libretti italiani a stampa dalle origini al 1800 E K written by Claudio Sartori and published by . This book was released on 1990 with total page 622 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book I libretti italiani a stampa dalle origini al 1800 R Z written by Claudio Sartori and published by . This book was released on 1990 with total page 658 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1964 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Enrico Drama per musica pel Teatro di S M B etc Ital Eng written by Francesco VANNESCHI and published by . This book was released on 1742 with total page 64 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Secular Commedia written by Wye Jamison Allanbrook and published by Univ of California Press. This book was released on 2014-06-07 with total page 253 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wye Jamison Allanbrook’s The Secular Commedia is a stimulating and original rethinking of the music of the late eighteenth century. Hearing the symphonies and concertos of Haydn and Mozart with an ear tuned to operatic style, as their earliest listeners did, Allanbrook shows that this familiar music is built on a set of mimetic associations drawn from conventional modes of depicting character and emotion in opera buffa. Allanbrook mines a rich trove of writings by eighteenth-century philosophers and music theorists to show that vocal music was considered aesthetically superior to instrumental music and that listeners easily perceived the theatrical tropes that underpinned the style. Tracing Enlightenment notions of character and expression back to Greek and Latin writings about comedy and drama, she strips away preoccupations with symphonic form and teleology to reveal anew the kaleidoscopic variety and gestural vitality of the musical surface. In prose as graceful and nimble as the music she discusses, Allanbrook elucidates the idiom of this period for contemporary readers. With notes, musical examples, and a foreword by editors Mary Ann Smart and Richard Taruskin.
Download or read book The Comic Intermezzo written by Charles E. Troy and published by . This book was released on 1979 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Haydn s Ingenious Jesting with Art written by Gretchen A. Wheelock and published by MacMillan Publishing Company. This book was released on 1992 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Wit, humor, and comic effects have been commonly noted in accounts of Joseph Haydn's instrumental music from his own day to ours. Haydn's Ingenious Jesting with Art is a unique critical and historical study of this celebrated aspect of the composer's music and the key role of listeners in its success. "Artful jesting" indicates a strategy that involves the listener as an active interpreter of compositional alternatives in a musical work. Wheelock discusses how Haydn, utilizing the subversive potential of wit in a variety of classical forms, genres, and venues, both challenged and affirmed the musical conventions of his day." "The book is divided into three sections, each providing a different perspective on the wit and humor of Haydn's music. Part I, "Coming to Terms," takes a multidisciplinary approach to issues of compositional intent and reception history, focusing on changing values of wit and humor in late eighteenth-century literary sources and reviews of Haydn's music. Chapter 1, "The Musical Joke: A Laughing Matter?" details the productive role of humor in heightening consciousness of play with the most basic classical conventions. Dependent on often subtle ambiguities, these musical jokes challenged listeners' understanding of how convention and invention should interact, engaging them as participants themselves in a process of completing the jest. Chapter 2 traces important distinctions between wit and humor in a broad range of eighteenth-century sources, both German and English. Chapter 3 examines the critical understanding of the composer as humorist. Such views - both favorable and unfavorable - are inextricably linked with changing attitudes toward the proper role of instrumental music, popular taste, and the role of the composer in fulfilling expectations of increasingly mixed audiences." "Part II, "Frames of Reference," establishes several models for investigating the process of jesting in Haydn's instrumental works. Chapter 4 explores incongruous manners in the composer's symphonic minuets. Wheelock argues that Haydn's fusing of strictly academic and more popular dance styles subverted the measured dignity and refinement of a "proper" minuet, and that such disturbances of the "humors" actually helped to activate the discovery of wit. Chapter 5, "Engaging Wit in the Chamber," examines the metaphor of conversation in connection with Haydn's Opus 33 string quartets, presenting a convincing case that as the voices of the quartet listen and respond to each other the audience is simultaneously engaged in actively mediating this complex dialogue. Chapter 6 explores the deceptions involved in the symphonic finales, where eccentric motives and procedures focus listeners' attention on predicting their progress. Chapter 7, "The Paradox of Distraction," takes theatrical comedy as a point of departure in locating numerous comic devices akin to fixation, memory lapses, digressions, and incongruous juxtapositions of melody and rhythm." "Part III, "The Implicated Listener," examines how Haydn transformed humorous rhetoric into a new aesthetic, and considers the broader implications of comic procedures in instrumental music of the Classic era." "Haydn's Ingenious Jesting with Art combines a historical and social perspective with strong critical analysis, appealing not only to students of Haydn's music but also to those interested in the Classic style in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Download or read book Con Che Soavit written by Iain Fenlon and published by Oxford University Press. This book was released on 1995 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays by European, British, and American musicologists seeks to consolidate the recent growth of interest in seventeenth century studies. It includes discussions of leading composers, repertories, geographical issues, institutional contexts, and iconography.
Download or read book Polymath of the Baroque written by Colin Timms and published by . This book was released on 2003 with total page 441 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book to consider all aspects of the life of Agostino Steffani (1654-1728), a composer, diplomat, and bishop. A remarkable figure of the late 17th and early 18th century Europe, Steffani began his career as a composer, musician, and courtier, but his accomplishments brought him high-level positions in the courts of Germany and the Catholic Church. Throughout his diplomatic and ecclesiatical career, Steffani continued to compose chamber music, vocal chamber music, operas, and sacred music--works which inspired Handel and other Baroque composers.
Download or read book Text and Act written by Richard Taruskin and published by Oxford University Press. This book was released on 1995-09-07 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.
Download or read book Reconstructing Contexts written by Robert D. Hume and published by Clarendon Press. This book was released on 1999 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: In particular, Hume flatly denies the intellectual legitimacy of 'literary history' as it is commonly practised and attempts to disentangle such history from the practice of historicism. The final chapter is devoted to a cogent discussion of how archaeo-historicism relates to various forms of contemporary theory. Although addressed primarily to literary critics, this wide-ranging and bold work will be of interest to historians and cultural critics as well.
Download or read book The Non Juror A Comedy Altered from Moli re s Tartuffe The Third Edition written by Colley Cibber and published by . This book was released on 1718 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ontology of the Work of Art written by Roman Ingarden and published by . This book was released on 1989 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: In these studies Roman Ingarden investigates the nature and mode of being of four kinds of art works: the musical work, the picture, the architectural work, and the film. He establishes that the work of art is a purely intentional object but considers also its connections to the real world. By analyzing a work of art in its "constitutive heterogeneous strata," Ingarden demonstrates that a work of art will reveal, when examined in the appropriate way, its own inherent structure. Further, he shows that in consequence of the art work's structure, we must distinguish between the work itself and the concretizations of it by the listener or viewer. Ingarden elaborates upon the conception of concretization which he present in The Literary Work of Art and applies it to music and visual art. He also employs the concept of aspect to clarify the ontic structure of these art works and the distinction between the concretization of the work and the work itself. The distinction between the work's concretization - effectuated in the mental experiences of the listener or viewer - and the work itself serves to help Ingarden confirm and account for the work's intersubjective identity. The problem of aesthetic value, Ingarden maintains, can be fruitfully treated only after the ontic structure of art work has been clarified. His primary concern in Ontology of the Work of Art is to ascertain and describe that structure and the mode of existence of works of art. In addition, he offers several discussions of aesthetic value, showing in the m the connections between questions of aesthetic value and the structure of the work of art.
