Download or read book English Satire and Satirists written by Hugh Walker and published by London and Toronto : J.M. Dent & sons lts ; New York : E. P. Dutton & Company. This book was released on 1925 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Satire and Satirists written by Hugh Walker and published by . This book was released on 1972 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Women Satirists in the Long Eighteenth Century written by Amanda Hiner and published by . This book was released on 2022 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of innovative essays by leading scholars on eighteenth-century British women satirists showcases women's contributions to the satiric tradition and challenges the assumption that women were largely targets, rather than practitioners, of satire during the long eighteenth century. The essays examine women's satires across diverse genres, from the fable to the periodical, and attend to women writers' appropriation of a literary style and form often viewed as exclusively masculine. The introduction features a new theory of women's satire and proposes a framework for analyzing satiric techniques employed by women writers. Organized chronologically, the contributors' essays address a wide range of authors and explore the ways in which satiric writings by women engaged in contemporary cultural conversations, influencing assumptions about gender, sociability, politics, and literary practices. This inclusive yet tightly-focused collection formulates an innovative and provocative new feminist theory of satire.
Download or read book The English Satire and Satirists written by Hugh Walker and published by . This book was released on 1925 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Historical and Theoretical Approaches to English Satire written by Juan Francisco Elices Agudo and published by . This book was released on 2004 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Satires written by William Henry Oliphant Smeaton and published by . This book was released on 1899 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Satire and Satirists written by James Hannay and published by . This book was released on 1854 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book George III and the Satirists from Hogarth to Byron written by Vincent Carretta and published by University of Georgia Press. This book was released on 2007-12-01 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: King George III inherited two legacies from the restoration of the monarchy in 1660: his crown and a tradition of regal satire. As the last British monarch who fully ruled as well as reigned and as the last king of America, George III was the target of constant satiric attacks even before he came to the throne in 1760 and for years after his death in 1820. An interdisciplinary and intercontinental study, this book examines the political satiric poetry and political graphic prints of Britain and Colonial America during the late Georgian period--a tumultuous era that witnessed the American and French revolutions, the Napoleonic wars, and the birth of the Romantic movement. Using George III as his focal point, Vincent Carretta draws on a wide range of verbal and visual sources to illuminate the development of satire from the work of Charles Churchill and William Hogarth to Lord Byron and George Cruikshank. Extending the argument from his earlier book, The Snarling Muse, which dealt with satire during the first half of the eighteenth century, Carretta demonstrates that the satiric line of descent from the early decades of the 1700s through the 1820s is much more direct than most scholars have recognized. Throughout the book, Carretta examines not only how the monarchy was reflected in satire but how satire in turn may have influenced the regal institution. In the 1790s, for example, British satirists discovered that their earlier attacks on the king for not being kingly enough had brought an unanticipated consequence: they had created the basis for the fictional commoner-king, Farmer George, which the king's supporters used with great rhetorical effectiveness against the threat of revolutionary French ideas. Enhanced by more than 160 illustrations, George III and the Satirists effectively demonstrates how a wide range of materials, verbal and visual, literary and nonliterary, can be marshaled in an interdisciplinary pursuit that crosses conventional fields and periods, repositioning artists and authors who are too often approached outside their original contexts.
Download or read book The Fictions of Satire written by Ronald Paulson and published by JHU Press. This book was released on 2019-12-01 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1967. In this study of the English Augustan satirists, and the Roman and subsequent authors who were their models, Professor Paulson shows how rhetoric relates to imitation, persuasion to presentation, and the imitation of the satirist to the imitation of the satiric object. He illustrates the tendency of the satirist to invade his own fiction and imitate not the prime object of his satire but the satiric persona, which consequently takes on a life of its own. By analyzing the satiric fictions of the precursors of the Augustans, the author reveals the elements they bequeathed to those who rode the high crest of the satiric wave in England, before the art of satire became submerged in the deepening trough of sentimental romanticism. Paulson shows the Tories Dryden, Pope, and Swift and the Whigs Addison and Steele to be the heirs of a long line of satirists ancient and modern, from Horace, Juvenal, Lucian, Apuleius, and Petronius to Rabelais, Cervantes and the English Elizabethan and Civil War poets. Taking Swift as his main example, Paulson examines the dualism of satire in its most interesting and ambiguous modes, and as the embodiment of rhetorical devices that are as complex mimetically as they are rhetorically.
Download or read book English Satire written by James Sutherland and published by Cambridge University Press. This book was released on 1958-01-02 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Professor Sutherland's Clark Lectures begin with a definition of satire, distinguishing it from comedy and emphasising the special qualities of the satirical author's motives and his participation in and enjoyment of the use of his talent. He then discusses primitive and popular forms; and there follow four chapters in satire in verse, in prose, in the novel and in the theatre. Each is historical, ranging from the beginnings of modern English literature to Shaw and Orwell. Due consideration if given to classical and medieval traditions, but the real core of the argument is an analysis of the great English satirists, their standpoint, style and method, with ample and enjoyable quotation. Dryden, Swift and Pope are given the most attention but in each chapter Professor Sutherland touches on a number of topics and authors including Fielding, Austen, Peacock, Dickens and Thackeray. A valuable unified account of the nature and resources of satire and the achievements of English satirists.
Download or read book The Birth of Modern Political Satire written by Meredith McNeill Hale and published by Oxford University Press. This book was released on 2020-09-02 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Political satire has been a primary weapon of the press since the eighteenth century and is still intimately associated with one of the most important values of western democratic society: the right of individuals to free speech. This study documents one of the most important moments in the history of printed political imagery, when political print became what we would recognise as modern political satire. Contrary to conventional historical and art historical narratives, which place the emergence of political satire in the news-driven coffee-house culture of eighteenth-century London, Meredith M. Hale locates the birth of the genre in the late seventeenth-century Netherlands in the contentious political milieu surrounding William III's invasion of England known as the 'Glorious Revolution'. The satires produced between 1688 and 1690 by the Dutch printmaker Romeyn de Hooghe on the events surrounding William III's campaigns against James II and Louis XIV establish many of the qualities that define the genre to this day: the transgression of bodily boundaries; the interdependence of text and image; the centrality of dialogic text to the generation of meaning; serialized production; and the emergence of the satirist as a primary participant in political discourse. This study, the first in-depth analysis of De Hooghe's satires since the nineteenth century, considers these prints as sites of cultural influence and negotiation, works that both reflected and helped to construct a new relationship between the government and the governed.
Download or read book The Cambridge Introduction to Satire written by Jonathan Greenberg and published by Cambridge University Press. This book was released on 2019 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.
Download or read book Teaching Modern British and American Satire written by Evan R. Davis and published by Modern Language Association. This book was released on 2019-05-01 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume addresses the teaching of satire written in English over the past three hundred years. For instructors covering current satire, it suggests ways to enrich students' understanding of voice, irony, and rhetoric and to explore the questions of how to define satire and how to determine what its ultimate aims are. For instructors teaching older satire, it demonstrates ways to help students gain knowledge of historical context, medium, and audience, while addressing more specific literary questions of technique and form. Readers will discover ways to introduce students to authors such as Swift and Twain, to techniques such as parody and verbal irony, and to the difficult subject of satire's offensiveness and elitism. This volume also helps teachers of a wide variety of courses, from composition to gateway courses and surveys, think about how to use modern satire in conceiving and structuring them.
Download or read book Satire and Secrecy in English Literature from 1650 to 1750 written by M. Rabb and published by Springer. This book was released on 2007-12-09 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book revises assumptions about satire as a public, masculine discourse derived from classical precedents, in order to develop theoretical and critical paradigms that accommodate women, popular culture, and postmodern theories of language as a potentially aggressive, injurious act. Although Habermas places satirists like Swift and Pope in the public sphere, this book investigates their participation in clandestine strategies of attack in a world understood to be harboring dangerous secrets. Authors of anonymous pamphlets as well as major figures including Behn, Dryden, Manley, Swift, and Pope, share at times what Swift called the writer's "life by stealth."
Download or read book English Satire and Satirists written by Hugh Walker and published by London and Toronto : J.M. Dent & sons lts ; New York : E. P. Dutton & Company. This book was released on 1925 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Satiric Modernism written by Kevin Rulo and published by Liverpool University Press. This book was released on 2021-04-19 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Kevin Rulo reveals the crucial linkages between satire and modernism. He shows how satire enables modernist authors to evaluate modernity critically and to explore their ambivalence about the modern. Through provocative new readings of familiar texts and the introduction of largely unknown works, Satiric Modernism exposes a larger satiric mentality at work in well-known authors like T.S. Eliot, James Joyce, Wyndham Lewis, Ezra Pound, Virginia Woolf, and Ralph Ellison and in less studied figures like G.S. Street, the Sitwells, J.J. Adams, and Herbert Read, as well as in the literature of migration of Sam Selvon and John Agard, in the films of Paolo Sorrentino, and in the drama of Sarah Kane. In so doing, Rulo remaps the last hundred years as an era marked distinctively by a new kind of satiric critique of and aesthetic engagement with the temporal fissures, logics, and regimes of modernity. This ambitious, expansive study reshapes our understanding of modernist literary history and will be of interest to scholars of twentieth century and contemporary literature as well as of satire.
Download or read book The Spectacle of the Growth of Knowledge and Swift s Satires on Science written by Beat Affentranger and published by Universal-Publishers. This book was released on 2000 with total page 194 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a revisionist study of seventeenth- and eighteenth-century satires on science with an emphasis on the writings of Jonathan Swift and, to a lesser degree, Samuel Butler and other satirists. To say, as some literary commentators do, that the satirists attacked only pseudo-scientists who failed to employ the empirical method properly is to beg a crucial question: how could the satirists possibly have distinguished the genuine scientist from the crank? By a failsafe set of Baconian principles perhaps? No, the matter is more complicated. I read the satiric literature on early modern science against a totally different understanding of what science is, how it came into being, and how it developed. Satire has a decided advantage over scientific discourse. It can rely on common sense; scientific discourse often cannot. There is always a counter-intuitive element in the genuinely new. New knowledge is in some ways always at odds with received assumptions of what is possible, reasonable, or probable. Satire on science, I suggest, can be seen as a systematic exploitation of that gap of plausibility. Natural philosophers of the late seventeenth- and early eighteenth-century were keenly aware of their discursive disadvantage and at times even hesitated to publish their material. They feared the satirists and the wits, who they knew would find it easy to debunk their work on commonsense grounds. But commonsense and laughter are unreliable yardsticks for measuring scientific merit. Ironically, the satirists and the natural philosophers shared some of the most fundamental epistemological assumptions of early English empiricism, for instance, the stereotypical Baconian assumption that knowledge about nature would come to us unambiguously once the mind was freed from preconception and bias. It is an assumption about scientific method that is decidedly hostile towards speculative hypothesising. Indeed, the motto of the day was not bold speculation and learning from error, but avoiding error at all costs. Yet in practice, error (or what appeared to be erroneous) was of course frequent; for science is an essentially speculative enterprise. Natural philosophers of the early modern period, however, were embarrassed by their failures and tried to explain them away. The satirists, on the other hand, could prey on these mistakes and conclude that the work of the natural philosophers was purely speculative. The reason for this rigid, anti-speculative epistemological stance, I argue, was a religious one, having to do with the conception of nature as a divine book that could be read like Scripture. This conflation of the epistemological and the theological is especially obvious in Swift. In both his satirical and non-satirical writings, he is obsessed with proposing proper standards of interpretation, and with criticising those whom he thought had corrupted these standards. Dissenters and religious enthusiasts are taken to task for their misreading of Scripture, for their corrupt religious doctrine which they erroneously claim to be based on Scripture and reason. The natural philosophers are accused of some similar hermeneutic sin; only, they have committed their interpretive transgressions against the proper interpretive standard of the book of nature. Where the natural philosophers claim to have found a new, more accurate way of reading the book of nature, Swift, I argue, sees only mis-readings. Rhetorically, Swift's satires on religious dissent perpetuate the typically Tory High-Church insinuation of sectarian and heretical sexual promiscuity. In his satires on science, Swift makes the same insinuation with respect to natural philosophers, most vividly so in A Tale of a Tub and the flying island of Laputa. The study concludes with a fresh look at Swift's rational horses in part four of Gulliver's Travels.
