Download or read book English Plays of the Nineteenth Century Comedies written by Michael R. Booth and published by . This book was released on 1973 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book English Plays of the Nineteenth Century written by Michael R. Booth and published by . This book was released on 1969 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nineteenth Century British Theatre written by Kenneth Richards and published by Routledge. This book was released on 2015-07-24 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1971. Nineteenth-century theatre in England has been greatly neglected, although serious study would reveal that the roots of much modern drama are to be found in the experiments and extravagancies of the nineteenth-century stage. The essays collected here cover a range of topics within the world of Victorian theatre, from particular actors to particular theatres; from farce to Byron’s tragedies, plus a separate section about Shakespearean productions.
Download or read book Prefaces to English Nineteenth century Theatre written by Michael R. Booth and published by Manchester University Press. This book was released on 1980 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This compilation of the prefaces from the author's "English plays of the nineteenth century" (5 vols. ; London : Oxford Univ. Press, 1969-1976) provides an introduction to the critical interpretations of most genres of English drama.
Download or read book English Stage Comedy 1490 1990 written by Alexander Leggatt and published by Routledge. This book was released on 2002-01-31 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.
Download or read book British Plays of the Nineteenth Century written by James Osler Bailey and published by . This book was released on 1966 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Playwrights 1880 1956 written by William W. Demastes and published by Bloomsbury Publishing USA. This book was released on 1996-12-09 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: From 1880 to 1956, when John Osborne transformed the British theater world with Look Back in Anger, British playwrights made numerous lasting contributions and provided a foundation for the innovations of dramatists during the latter half of the 20th century. This reference profiles the life and work of some 40 British playwrights active during the late 19th and early 20th centuries, many of whom are also known for their work as novelists and poets. Included are figures such as W. H. Auden, Max Beerbohm, Noel Coward, T. S. Eliot, John Galsworthy, Graham Greene, D. H. Lawrence, W. Somerset Maugham, George Bernard Shaw, and Oscar Wilde. Each entry provides a biographical overview; a list of major plays and summaries of their critical reception; a list of minor plays, adaptations, and productions; an assessment of the playwright's career; and archival and bibliographical information. Included in this reference book are alphabetically arranged entries for some 40 British playwrights active from 1880 through 1956. Entries are written by expert contributors, with each entry providing a biographical overview; a list of major plays, premieres, and significant revivals, along with a summary of the critical reception of these works; a listing of additional plays, adaptations, and productions; an assessment of the playwright's career and contributions, with reference to published evaluations in magazines, journals, dissertations, and books; a listing of locations housing unpublished archival material, if available; a selected bibliography of the dramatist's published plays and of essays and articles by the playwright on aspects of the theater; a selected bibliography of secondary sources; and, when available, a listing of previously published bibliographies on the playwright.
Download or read book English Plays of the Nineteenth Century written by Michael R. Booth and published by . This book was released on 1973 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Ottemiller s Index to Plays in Collections written by Denise L. Montgomery and published by Scarecrow Press. This book was released on 2011-08-11 with total page 834 pages. Available in PDF, EPUB and Kindle. Book excerpt: Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Download or read book A History of English Laughter written by Manfred Pfister and published by Rodopi. This book was released on 2002 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Is there a 'history' of laughter? Or isn't laughter an anthropological constant rather and thus beyond history, a human feature that has defined humanity as homo ridens from cave man and cave woman to us? The contributors to this collection of essays believe that laughter does have a history and try to identify continuities and turning points of this history by studying a series of English texts, both canonical and non-canonical, from Anglosaxon to contemporary. As this is not another book on the history of the comic or of comedy it does not restrict itself to comic genres; some of the essays actually go out of their way to discover laughter at the margins of texts where one would not have expected it all - in Beowulf, or Paradise Lost or the Gothic Novel. Laughter at the margins of texts, which often coincides with laughter from the margins of society and its orthodoxies, is one of the special concerns of this book. This goes together with an interest in 'impure' forms of laughter - in laughter that is not the serene and intellectually or emotionally distanced response to a comic stimulus which is at the heart of many philosophical theories of the comic, but emotionally disturbed and troubled, aggressive and transgressive, satanic and sardonic laughter. We do not ask, then, what is comic, but: who laughs at and with whom where, when, why, and how?
Download or read book Music for the Melodramatic Theatre in Nineteenth Century London and New York written by Michael V. Pisani and published by University of Iowa Press. This book was released on 2014-06-01 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Download or read book World Encyclopedia of Contemporary Theatre written by Irving Brown (Consulting Bibliographer) and published by Routledge. This book was released on 2013-10-11 with total page 546 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Download or read book The Broadview Anthology of Nineteenth Century British Performance written by Tracy C. Davis and published by Broadview Press. This book was released on 2011-12-20 with total page 685 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.
Download or read book Constructing the Canon of Early Modern Drama written by Jeremy Lopez and published by Cambridge University Press. This book was released on 2014-01-16 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through short, provocative readings of unfamiliar plays, this book provides the first ever history of the canon of Renaissance drama.
Download or read book Romantic and Revolutionary Theatre 1789 1860 written by Donald Roy and published by Cambridge University Press. This book was released on 2003-06-05 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking as notional parameters the upheaval of the French Revolution and the events leading up to the Unification of Italy, this volume charts a period of political and social turbulence in Europe and its reflection in theatrical life. Apart from considering external factors like censorship and legal sanctions on theatrical activity, the volume examines the effects of prevailing operational conditions on the internal organization of companies, their repertoire, acting, stage presentation, playhouse architecture and the relationship with audiences. Also covered are technical advances in stage machinery, scenography and lighting, the changing position of the playwright and the continuing importance of various street entertainments, particularly in Italy, where dramatic theatre remained the poor relation of the operatic, and itinerant acting troupes still constituted the norm. The 460 documents, many of them illustrated, have been drawn from sources in Britain, France and Italy and have been annotated, and translated where appropriate.
Download or read book English Comedy written by Ashley H. Thorndike and published by Rowman & Littlefield. This book was released on 1932 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Shakespeare and the Traditions of Comedy written by Leo Salingar and published by Cambridge University Press. This book was released on 1974 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: For students of English and European literature, renaissance studies, comparative literature, drama and classics.
