Download or read book English Historical Drama 1500 1660 written by Barbara Ravelhofer and published by Springer. This book was released on 2007-12-04 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many readers today associate the early modern history play with Shakespeare. While not wishing to ignore the influence of Shakespeare, this collection of essays explores other historical drama between 1500 and 1660, covering a wide range of different formats. An introduction provides a survey of current criticism, exploring both early modern and contemporary definitions of the 'history play'. Individual essays in chronological order discuss a wide variety of possible sources for historical drama, ranging from oral traditions to chronicles. They also explore genres outside the canon which think of 'history' in different ways, such as shows, moralities and closet drama.
Download or read book English Historical Drama 1500 1660 written by Barbara Ravelhofer and published by . This book was released on 2008 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book An Index of Characters in Early Modern English Drama written by Thomas L. Berger and published by Cambridge University Press. This book was released on 1998 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: A reference book which indexes all the characters who appear in English drama from 1500 to 1660.
Download or read book Staging Power in Tudor and Stuart English History Plays written by Dr Kristin M. S. Bezio and published by Ashgate Publishing, Ltd.. This book was released on 2015-11-28 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580–1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
Download or read book Women Players in England 1500 1660 written by Pamela Allen Brown and published by Ashgate Publishing, Ltd.. This book was released on 2008 with total page 356 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering evidence of women's extensive contributions to the theatrical landscape, this volume sharply challenges the assumption that the stage was all male in early modern England. The editors and contributors argue that the pervasiveness of female performance affected cultural production, even on the professional London stages that used men and boys for women's parts. In short, Women Players in England 1500-1660 shows that women were dynamic cultural players in the early modern world.
Download or read book Staging Power in Tudor and Stuart English History Plays written by Kristin M.S. Bezio and published by Routledge. This book was released on 2016-03-09 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Staging Power in Tudor and Stuart English History Plays examines the changing ideological conceptions of sovereignty and their on-stage representations in the public theaters during the Elizabethan and early Stuart periods (1580-1642). The study examines the way in which the early modern stage presented a critical dialogue concerning the nature of sovereignty through the lens of specifically English history, focusing in particular on the presentation and representation of monarchy. It presents the subgenre of the English history play as a specific reaction to the surrounding political context capable of engaging with and influencing popular and elite conceptions of monarchy and government. This project is the first of its kind to specifically situate the early modern debate on sovereignty within a 'popular culture' dramatic context; its purpose is not only to provide an historical timeline of English political theory pertaining to monarchy, but to situate the drama as a significant influence on the production and dissemination thereof during the Tudor and Stuart periods. Some of the plays considered here, notably those by Shakespeare and Marlowe, have been extensively and thoroughly studied. But others-such as Edmund Ironside, Sir Thomas Wyatt, and King John and Matilda-have not previously been the focus of much critical attention.
Download or read book Local Negotiations of English Nationhood 1570 1680 written by John M. Adrian and published by Springer. This book was released on 2011-04-28 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Even in an age of emerging nationhood, English men and women still thought very much in terms of their parishes, towns, and counties. This book examines the vitality of early modern local consciousness and its deployment by writers to mediate the larger political, religious, and cultural changes of the sixteenth and seventeenth centuries.
Download or read book Library of Congress Subject Headings written by Library of Congress. Cataloging Policy and Support Office and published by . This book was released on 2009 with total page 1688 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Staging the Blazon in Early Modern English Theater written by Sara Morrison and published by Routledge. This book was released on 2016-04-01 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering the first sustained and comprehensive scholarly consideration of the dramatic potential of the blazon, this volume complicates what has become a standard reading of the Petrarchan convention of dismembering the beloved through poetic description. At the same time, it contributes to a growing understanding of the relationship between the material conditions of theater and interpretations of plays by Shakespeare and his contemporaries. The chapters in this collection are organized into five thematic parts emphasizing the conventions of theater that compel us to consider bodies as both literally present and figuratively represented through languge. The first part addresses the dramatic blazon as used within the conventions of courtly love. Examining the classical roots of the Petrarchan blazon, the next part explores the violent eroticism of a poetic technique rooted in Ovidian notions of metamorphosis. With similar attention paid to brutality, the third part analyzes the representation of blazonic dismemberment on stage and screen. Figurative battles become real in the fourth part, which addresses the frequent blazons surfacing in historical and political plays. The final part moves to the role of audience, analyzing the role of the observer in containing the identity of the blazoned woman as well as her attempts to resist becoming an objectified spectacle.
Download or read book Narrating the Past through Theatre written by M. Bennett and published by Springer. This book was released on 2012-10-30 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: This cutting-edge title explores how narrating the past both conflicts and creates an interesting relationship with drama's 'continuing present' that arcs towards an unpredictable future. Theatre both brings the past alive and also fixes it, but through the performance process, allowing the past to be molded for future (not-yet-existent) audiences.
Download or read book The Language of Space in Court Performance 1400 1625 written by Janette Dillon and published by Cambridge University Press. This book was released on 2010-09-16 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Using a set of detailed case studies, this book analyses medieval and early modern court culture as inherently performative.
Download or read book Foreign and Native on the English Stage 1588 1611 written by Jane Pettegree and published by Springer. This book was released on 2011-04-28 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This original and scholarly work uses three detailed case studies of plays – Shakespeare's Antony and Cleopatra , King Lear and Cymbeline – to cast light on the ways in which early modern writers used metaphor to explore how identities emerge from the interaction of competing regional and spiritual topographies.
Download or read book John Bale s The Image of Both Churches written by Gretchen E. Minton and published by Springer Science & Business Media. This book was released on 2014-01-26 with total page 503 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a critical edition of John Bale's The Image of Both Churches (c. 1545). The Introduction provides a thorough overview of this sixteenth century work, explaining its relationship to the apocalyptic tradition and to Bale's important inspirations, from Augustine to Erasmus and Luther. Topics such as Bale's language, the place of the Image in his oeuvre, his use of medieval chronicles, and the influence of his exegesis are also discussed. The Image has often been called Bale's most important work; it articulated and developed the English Protestant view of the Apocalypse, influencing other Reformers both in England and on the continent. This book offers the first critical edition of the Image, including fully modernized spelling and punctuation as well as extensive explanatory notes. The five sixteenth-century printed editions of the Image are collated here, with textual notes that illustrate the relationship between variant readings and provide information on the choices made in this particular edition. This book also reproduces the striking woodcut illustrations from the Image in their original placements; examples from two different woodcut series are offered, as well as an overview of the history and importance of these images in the early printed texts. Five appendices, including a glossary of unfamiliar terms and a chart outlining Bale's periodization of history, also provide a wealth of information that enables readers to understand and use this edition. The largest appendix, on historical names and terminology, gives biographical information for 450 individuals and explains their importance, both to Bale and to the sixteenth-century Reformers in a broader context. This critical edition of the Image offers the most thorough study of the work to date, opening up the opportunity for a deeper understanding of this monumental text and for many further avenues of research.
Download or read book Gender and Song in Early Modern England written by Leslie C. Dunn and published by Routledge. This book was released on 2016-04-15 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Download or read book Turks Repertories and the Early Modern English Stage written by Mark Hutchings and published by Springer. This book was released on 2018-02-01 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking. The sheer visibility of 'the Turk' in plays staged between 1567 and 1642 has tended to be interpreted as registering English attitudes to Islam, as articulating popular perceptions of Anglo-Ottoman relations, and as part of a broader interest in the wider world brought home by travellers, writers, adventurers, merchants, and diplomats. Such reports furnished playwrights with raw material which, fashioned into drama, established ‘the Turk’ as a fixture in the playhouse. But it was the demand for plays to replenish company repertories to attract London audiences that underpinned playmaking in this period. Thus this remarkable fascination for the Ottoman Empire is best understood as a product of theatre economics and the repertory system, rather than taken directly as a measure of cultural and historical engagement.
Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 2009 with total page 1704 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Unsettled Toleration written by Brian Walsh and published by Oxford University Press. This book was released on 2016-05-03 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: Unsettled Toleration: Religious Difference on the Shakespearean Stage historicizes and scrutinizes the unstable concept of toleration as it emerges in drama performed on the Elizabethan and Jacobean stages. Brian Walsh examines plays by Shakespeare and his contemporaries that represent intra-Christian conflict between mainstream believers and various minorities, analyzing the sometimes explicit, sometimes indirect, occasionally smooth, but more often halting and equivocal forms of dealing with difference that these plays imagine can result from such exchanges. Through innovative and in some cases unprecedented readings of a diverse collection of plays, from Chapman's An Humorous Day's Mirth, Middleton's The Puritan Widow, Shakespeare's Twelfth Night, Measure for Measure, and Pericles, and Rowley's When You See Me You Know Me, Walsh shows how the English stage in the first decade of the seventeenth century, as a social barometer, registered the basic condition of religious "unsettlement " of the post-Reformation era; and concurrently that the stage, as a social incubator, brooded over imagined scenarios of confessional conflict that could end variously in irresolution, accommodation, or even religious syncretism. It thus helped to create, sustain and enlarge an open-ended public conversation on the vicissitudes of getting along in a sectarian world. Attending to this conversation is vital to our present understanding of the state of religious toleration the early modern period, for it gives a fuller picture of the ways religious difference was experienced than the limited and inert pronouncements on the topic that officials of the church and state offered.
