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Book Music  Dance  and Drama in Early Modern English Schools

Download or read book Music Dance and Drama in Early Modern English Schools written by Amanda Eubanks Winkler and published by Cambridge University Press. This book was released on 2020-06-04 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to systematically analyze the role the performing arts played in English schools after the Reformation.

Book Dramatic Extracts in Seventeenth Century English Manuscripts

Download or read book Dramatic Extracts in Seventeenth Century English Manuscripts written by Laura Estill and published by Rutgers University Press. This book was released on 2015-01-21 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.

Book Journal of the American Musicological Society

Download or read book Journal of the American Musicological Society written by American Musicological Society and published by . This book was released on 1956 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Elizabethan Theatre History  An Annotated Bibliography of Scholarship  1664 1979

Download or read book Elizabethan Theatre History An Annotated Bibliography of Scholarship 1664 1979 written by David Stevens and published by Lulu.com. This book was released on 2011-11 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Formerly published as "English Renaissance Theatre History: A Reference Guide" by G. K. Hall in 1982, this annotated bibliography of scholarship in the field of Elizabethan theatre history has been out of print for almost 30 years. Most academic libraries have a copy in their reference departments, and this classic is now available for the personal libraries of students and scholars in the field. It has never been easier to review the academic literature in such areas as reconstructions of Shakespeare's Globe Playhouse, and other public and private playhouses of Shakespeare's London; the court masques; Inigo Jones; Richard Burbage and other actors of the time; the Lord Mayor's Shows; Puritan opposition to the stage; and other such topics. The terminal date of 1979 reflects the date of original production, but with this tool it is a simple matter for the scholar to update his or her review of the literature. The comprehensive Index is invaluable, and Stevens also provides a preface and introduction.

Book Doctoral Dissertations in Music and Music Education  1963 1967

Download or read book Doctoral Dissertations in Music and Music Education 1963 1967 written by Music Educators National Conference (U.S.) and published by . This book was released on 1968 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings

Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 1989 with total page 1480 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Manual of Music

Download or read book A Manual of Music written by Wilber M. Derthick and published by . This book was released on 1888 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Epic Performances from the Middle Ages into the Twenty First Century

Download or read book Epic Performances from the Middle Ages into the Twenty First Century written by Fiona Macintosh and published by Oxford University Press. This book was released on 2018-10-26 with total page 600 pages. Available in PDF, EPUB and Kindle. Book excerpt: Greek and Roman epic poetry has always provided creative artists in the modern world with a rich storehouse of themes. Tim Supple and Simon Reade's 1999 stage adaptation of Ted Hughes' Tales from Ovid for the RSC heralded a new lease of life for receptions of the genre, and it now routinely provides raw material for the performance repertoire of both major cultural institutions and emergent, experimental theatre companies. This volume represents the first systematic attempt to chart the afterlife of epic in modern performance traditions, with chapters covering not only a significant chronological span, but also ranging widely across both place and genre, analysing lyric, film, dance, and opera from Europe to Asia and the Americas. What emerges most clearly is how anxieties about the ability to write epic in the early modern world, together with the ancient precedent of Greek tragedy's reworking of epic material, explain its migration to the theatre. This move, though, was not without problems, as epic encountered the barriers imposed by neo-classicists, who sought to restrict serious theatre to a narrowly defined reality that precluded its broad sweeps across time and place. In many instances in recent years, the fact that the Homeric epics were composed orally has rendered reinvention not only legitimate, but also deeply appropriate, opening up a range of forms and traditions within which epic themes and structures may be explored. Drawing on the expertise of specialists from the fields of classical studies, English and comparative literature, modern languages, music, dance, and theatre and performance studies, as well as from practitioners within the creative industries, the volume is able to offer an unprecedented modern and dynamic study of 'epic' content and form across myriad diverse performance arenas.

Book The Cambridge Illustrated History of British Theatre

Download or read book The Cambridge Illustrated History of British Theatre written by Simon Trussler and published by Cambridge University Press. This book was released on 2000-09-21 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.

Book Thomas Middleton in Context

    Book Details:
  • Author : Suzanne Gossett
  • Publisher : Cambridge University Press
  • Release : 2011-04-21
  • ISBN : 0521190541
  • Pages : 417 pages

Download or read book Thomas Middleton in Context written by Suzanne Gossett and published by Cambridge University Press. This book was released on 2011-04-21 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illuminating study of all works in the newly enlarged Middleton canon, placing them in personal, national, international and theatrical contexts.

Book Dwight s Journal of Music

Download or read book Dwight s Journal of Music written by and published by . This book was released on 1877 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Library of Congress Subject Headings

Download or read book Library of Congress Subject Headings written by Library of Congress. Cataloging Policy and Support Office and published by . This book was released on 2004 with total page 1466 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Doctoral Dissertations in Musicology

Download or read book Doctoral Dissertations in Musicology written by and published by . This book was released on 1977 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Renaissance Drama in Action

Download or read book Renaissance Drama in Action written by Martin White and published by Routledge. This book was released on 2013-05-13 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Drama in Action is a fascinating exploration of Renaissance theatre practice and staging. Covering questions of contemporary playhouse design, verse and language, staging and rehearsal practices, and acting styles, Martin White relates the characteristics of Renaissance theatre to the issues involved in staging the plays today. This refreshingly accessible volume: * examines the history of the plays on the English stage from the seventeenth century to the present day * explores questions arising from reconstructions, with particular reference to the new Globe Theatre * includes interviews with, and draws on the work and experience of modern theatre practitioners including Harriet Walter, Matthew Warchus, Trevor Nunn, Stephen Jeffreys, Adrian Noble and Helen Mirren * includes discussions of familiar plays such as The Duchess of Malfi and 'Tis Pity She's A Whore, as well as many lesser known play-texts Renaissance Drama in Action offers undergraduates and A-level students an invaluable guide to the characteristics of Elizabethan and Jacobean drama, and its relationship to contemporary theatre and staging.

Book The Matter of Song in Early Modern England

Download or read book The Matter of Song in Early Modern England written by Katherine R. Larson and published by Oxford University Press. This book was released on 2019-08-29 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective, The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.

Book Performing Restoration Shakespeare

Download or read book Performing Restoration Shakespeare written by Amanda Eubanks Winkler and published by Cambridge University Press. This book was released on 2023-01-31 with total page 245 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performing Restoration Shakespeare embraces the performative and musical qualities of Restoration Shakespeare (1660–1714), drawing on the expertise of theatre historians, musicologists, literary critics, and - importantly - theatre and music practitioners. The volume advances methodological debates in theatre studies and musicology by advocating an alternative to performance practices aimed at reviving 'original' styles or conventions, adopting a dialectical process that situates past performances within their historical and aesthetic contexts, and then using that understanding to transform them into new performances for new audiences. By deploying these methodologies, the volume invites scholars from different disciplines to understand Restoration Shakespeare on its own terms, discarding inhibiting preconceptions that Restoration Shakespeare debased Shakespeare's precursor texts. It also equips scholars and practitioners in theatre and music with new - and much needed - methods for studying and reviving past performances of any kind, not just Shakespearean ones.