Download or read book El teatro en el siglo XX written by Juan Ignacio Ferreras and published by . This book was released on 1990 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book El teatro en el siglo xx written by Ricardo Domenech and published by . This book was released on 1988 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book El teatro en el siglo XX hasta 1939 written by Angel Berenguer and published by . This book was released on 1988 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book El teatro en el siglo 20 desde 1939 written by Juan Ignacio Ferreras and published by . This book was released on 1988 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book El teatro en el siglo XX written by and published by . This book was released on 1988 with total page 141 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Reception and Renewal in Modern Spanish Theatre 1939 1963 written by John London and published by MHRA. This book was released on 1997 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book constitutes the first attempt to provide an overview of the reception of foreign drama in Spain during the Franco dictatorship. John London analyses performance, stage design, translation, censorship, and critical reviews in relation to the works of many authors, including Noel Coward, Arthur Miller, Eugene Ionesco, and Samuel Beckett. He compares the original reception of these dramatists with the treatment they were given in Spain. However, his study is also a reassessment of the Spanish drama of the period. Dr London argues that only by tracing the reception of non-Spanish drama can we understand the praise lavished on playwrights such as Antonio Buero Vallejo and Alfonso Sastre, alongside the simultaneous rejection of Spanish avant-garde styles. A concluding reinterpretation of the early plays of Fernando Arrabal indicates the richness of an alternative route largely ignored in histories of Spanish theatre.

Download or read book Formas del teatro breve espa ol en el siglo XX 1892 1939 written by Emilio Peral Vega and published by . This book was released on 2001 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: En la tesis doctoral Formas del teatro breve español en el siglo XY (1892-1939) se acota una de las parcelas menos transitadas por la critica teatral: las llamadas formas breves. No ha sido nuestro propósito historiar toda la producción dramática corta de esos años, sino tan sólo un esqueje -a nuestro juicio, el más importante- de la misma: el teatro breve de impronta carnavalesca. En él nos encontramos a los autores más renovadores, desde la época modernista a las vanguardias. El recorrido se inicia en 1892. En este año un jovencísimo Jacinto Benavente publica un libro insólito: Teatro fantástico, en el que se prefiguran las sendas del posterior teatro más innovador. Bien puede considerarse así el manifiesto programático del teatro modernista, del que fueron sus mejores representantes Gregorio Martínez Sierra y Ramón del Valle-Inclán. Otros autores de la misma generación modernista que alguna vez se asomaron al teatro breve son también estudiados en el presente trabajo: Miguel de Unamuno, Pío Baroja y Emilio Carrere, entre otros. Ya dentro de otra corriente más próxima al clima de las vanguardias, se sitúa Ramón Gómez de la Serna con una interesantísima serie de pantomimas en un acto. Pero son, sin duda, los autores de la Generación del 27 los que mayor devoción manifiestan hacia las formas breves: entre ellos Rafael Alberti, Max Aub, José Bergamín, Eduardo Blanco Amor, Rafael Dieste, Alejandro Casona y, por supuesto, Federico García Lorca. La guerra civil y su teatro breve de urgencia, con su reincidente mirada a nuestro teatro clásico, marca el punto de llegada para este estudio.

Download or read book El Teatro P nico de Fernando Arrabal written by Diego Santos Sánchez and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Este libro es el primero en examinar lo radicalmente nuevo y desafiante Teatro Pánico, un grupo de obras compuestas por Arrabal entre 1957 y 1966, en el apogeo del movimiento avant-garde. ENGLISH VERSION This book is the first to examine closely the radically new and challenging Panic Theatre, a group of plays composed by Arrabal between 1957 and 1966, at the zenith of the avant-garde movement. El presente libro estudia el Teatro Pánico de Fernando Arrabal, un conjunto de textos concebidos durante los primeros años del autor en París, entre 1957 y 1966. Escritas en el momento de mayor auge de la vanguardia, las obras vehiculan una teatralidad radicalmente innovadora cuya piedra angular la constituye el lenguaje ceremonial. La ceremonia pánica que subyace a toda esa dramaturgia es objeto de un profundo análisis a la luz de Le Panique, texto programático del propio Arrabal en que el autor identifica los tres conceptos que desencadenan la creación artística: memoria, azar y confusión. El estudio se detiene en los procesos por los que la memoria determina que las obras abandonen la mímesis, y el azar articula los materiales recuperados de la memoria en tramas y estructuras hilvanadas con gran precisión. Asimismo se incide en cómo los sujetos, objetos, marcos espacio-temporales y palabras se ven sometidos a un proceso de confusión que genera una forma teatral absolutamente innovadora. El concepto de lo pánico, situado en el epicentro de esta experimentación formal, dota de coherencia y unicidad teórica a este aparentementeheterogéneo grupo de obras. Diego Santos Sánchez es Alexander von Humboldt Fellow en la Humboldt-Universität en Berlin. ENGLISH VERSION The Panic Theatre is a set of plays conceived by Fernando Arrabal between1957 and 1966, the author's first years in Paris. Composed at the zenith of the avant-garde movement, they convey a radically new and challenging theatricality whose cornerstone is their ceremonial shape. The plays' underlying panic ceremony is thoroughly studied in light of Arrabal's programmatic text Le Panique, that singles out three key concepts responsible for artistic creation: memory, chance and confusion. This study shows how memory determines the plays' departure from mimesis and how chance articulates the materials recalled from memory into precisely arranged plots. Furthermore, subjects, objects, spatial-temporal frames and words are subject to confusion, inan attempt to create an utterly innovative form of theatre. This group of seemingly heterogeneous plays is given theoretical coherence and consistency by placing the idea of panic at the centre of a great formal experimentation. Diego Santos Sánchez is an Alexander von Humboldt Fellow at Humboldt-Universität in Berlin.

Download or read book Teatro de la Espa a del siglo XX written by and published by . This book was released on 2000 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The History of World Theater written by Felicia Hardison Londré and published by A&C Black. This book was released on 1999-01-01 with total page 660 pages. Available in PDF, EPUB and Kindle. Book excerpt: Felicia Londre explores the world of theater as diverse as the Entertainments of the Stuart court and Arthur Miller directing Chinese actors at the Beijing People's Art Theater in "Death of a Salesman." Londre examines: Restoration comedies; the Comedie Francais; Italian "opera seria"; plays of the "Surm und Grand" movement; Russian, French, and Spanish Romantic dramas; American minstrel shows; Brecht and dialectical theater; Dighilev; Dada; Expressionism, Theater of the Absurd productions, and other forms of experimental theater of the late-20th century.>

Download or read book El teatro en el siglo XX written by Javier Huerta Calvo and published by . This book was released on 1985 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Francisco Nieva Coronada y el toro written by Komla Aggor and published by MHRA. This book was released on 2021-10-22 with total page 109 pages. Available in PDF, EPUB and Kindle. Book excerpt: Coronada y el toro (Coronada and the Bull) is a play written in 1974 by Francisco Morales Nieva (1924–2016), a prominent figure in the history of Spanish theatre. Even though the aesthetic quality of his drama competed with that of his contemporaries, with many of whom he interacted (Ionesco, Genet, Brecht, Grotowski, et al.), Nieva’s recognition was unduly delayed within Spain and, on the international scene, his name remains eclipsed by playwrights such as Federico García Lorca and Antonio Buero Vallejo. Traditionalist and populist yet cosmopolitan and neo-avant-garde, Nieva began writing plays in the late 1940s but never got the chance to perform any on the commercial stage until 1976, a few months after the death of General Francisco Franco, whose censorship machine forced his work underground. Hard to subject to any single classification, Nieva’s theatre is as complex as it is innovative in its combination of resources from a wide range of artistic trends, from the género chico to the Baroque to postmodernism. Coronada y el toro is a sophisticated masterpiece, rich in intertextuality, humour, and suspense.

Download or read book Teatro de la Espa a del siglo XX written by and published by . This book was released on 2000 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Theatre Censorship in Spain 19311985 written by Catherine O'Leary and published by University of Wales Press. This book was released on 2023-05-15 with total page 543 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a comprehensive study of the impact of censorship on theatre in twentieth-century Spain. It draws on extensive archival evidence, vivid personal testimonies and in-depth analysis of legislation to document the different kinds of theatre censorship practised during the Second Republic (1931–6), the civil war (1936–9), the Franco dictatorship (1939–75) and the transition to democracy (1975–85). Changes in criteria, administrative structures and personnel from these periods are traced in relation to wider political, social and cultural developments, and the responses of playwrights, directors and companies are explored. With a focus on censorship, new light is cast on particular theatremakers and their work, the conditions in which all kinds of theatre were produced, the construction of genres and canons, as well as on broader cultural history and changing ideological climate – all of which are linked to reflections on the nature of censorship and the relationship between culture and the state.

Download or read book Naturalism and Symbolism in European Theatre 1850 1918 written by Claude Schumacher and published by Cambridge University Press. This book was released on 1996-09-26 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: This fourth volume in the series Theatre in Europe charts the development of theatrical presentation at a time of great cultural and political upheaval.

Download or read book El TEATRO en el siglo XX written by Ángel Berenguer and published by . This book was released on 1999 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book El teatro en la Espa a del siglo XIX written by David Thatcher Gies and published by Ediciones AKAL. This book was released on 1996-04-23 with total page 564 pages. Available in PDF, EPUB and Kindle. Book excerpt: Este es el primer estudio exhaustivo que se hace sobre el teatro español del XIX, género de importancia capital que produjo más de 10.000 obras a lo largo del siglo. De todo este material –en su mayor parte desconocido hasta la fecha– David Gies incluye en su análisis los textos, la dimensión de las puestas en escena y la repercusión de los espectáculos. Su libro aclara aspectos sobre el drama político de la época de la invasión napoleónica, el teatro escrito por mujeres, el teatro socialista, el drama neorromántico, la relación entre parodia y corrientes teatrales dominantes, y el desafío dramático de Galdós. Este ameno estudio permitirá al fin que estudiantes y expertos puedan reconsiderar adecuadamente el canon textual.