Download or read book Eighteenth Century Colour Prints written by and published by . This book was released on 1906 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Eighteenth Century Colour Prints written by Frankau Julia and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Delve into the world of 18th century colour prints with this illuminating and scholarly essay. Featuring insightful analysis and commentary, this book is an essential addition to any serious art historical library. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book Eighteenth Century Colour Prints written by Julia Frankau and published by . This book was released on 1971 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Eighteenth Century Colour Prints written by Julia Frankau and published by . This book was released on 1900 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Colorful Impressions written by National Gallery of Art (U.S.) and published by . This book was released on 2003 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: "An indispensable addition to the literature, this informative publication is not only one of very few books available in English on the subject, but it also reproduces for the first time all the featured prints in full colour. Authors examine the history, marketing, and collecting of these prints, as well as the tools, techniques, and papers used in making them."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Download or read book French Colour prints of the XVIII Century written by Malcolm Charles Salaman and published by . This book was released on 1913 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Book Illustration in the Long Eighteenth Century written by Christina Ionescu and published by Cambridge Scholars Publishing. This book was released on 2015-01-12 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hitherto relegated to the closets of art history and literary studies, book illustration has entered mainstream scholarship. The chapters of this collection offer only a glimpse of where a complete reconfiguration of the visual periphery of eighteenth-century texts might ultimately take us. The use of the gerund of the verb “to reconfigure” in the subtitle of this collection, instead of the corresponding noun, underlines the work-in-progress character of this interdisciplinary endeavour, which aims above all to discern new vistas while charting or revisiting landmarks in the rich field of eighteenth-century book illustration. The specific interpretive lenses through which contributors to this collection re-evaluate the visual periphery of the text cover an array of disciplines and areas of interest; among these, the most prominent are book history and print culture, art history and image theory, material and visual culture, word and image interaction, feminist theory and gender studies, history of medicine and technology. This spectrum could have been even less restrictive and more colourful if it were not for pragmatic and editorial considerations. Nonetheless, its plurality of vision provides a framework for an inclusive and multifaceted approach to eighteenth-century book illustration. Perhaps these essays are most valuable in the practical models they provide on how to tackle the interdisciplinary challenge that is the study of the eighteenth-century illustrated book. The collection as such is the first formal step in an effort to rethink or reconfigure the visual periphery of eighteenth-century texts. It has become clear that the study of the illustrated book of the Age of Enlightenment has the potential of yielding multiple findings, perspectives and discourses about a society immersed in visual culture, skilled in visual communication and reflected in the visual legacy it left behind.

Download or read book Laurence Sterne and the Eighteenth Century Book written by Helen Williams and published by Cambridge University Press. This book was released on 2021-04-01 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scrutinising Sterne's fiction through a book history lens, Helen Williams creates novel readings of his work based on meticulous examination of its material and bibliographical conditions. Alongside multiple editions and manuscripts of Sterne's own letters and works, a panorama of interdisciplinary sources are explored, including dance manuals, letter-writing handbooks, newspaper advertisements, medical pamphlets and disposable packaging. For the first time, this wealth of previously overlooked material is critically analysed in relation to the design history of Tristram Shandy, conceptualising the eighteenth-century novel as an artefact that developed in close conjunction with other media. In examining the complex interrelation between a period's literature and the print matter of everyday life, this study sheds new light on Sterne and eighteenth-century literature by re-defining the origins of his work and of the eighteenth-century novel more broadly, whilst introducing readers to diverse print cultural forms and their production histories.

Download or read book Colour Printing and Colour Printers written by R. M. Burch and published by New York : Baker & Taylor. This book was released on 1911 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains 23 plates, including "1 three color half-tone from nature, 1 three color halftone from an autochrome, 1 Zander Process Print, and 1 chromolithograph by the Offset method. This book is an important history of color printing and Gamble's chapter on photomechanical process is invaluable. Unfortunately, this copy does not have all of its plates." -- Hanson collection catalog, p. 140.

Download or read book Colour Printing and Colour Printers written by Robert M. Burch and published by . This book was released on 1910 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Old English Colour prints written by Malcolm Charles Salaman and published by . This book was released on 1909 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Bystander written by and published by . This book was released on 1905 with total page 706 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Old French Colour prints written by Campbell Dodgson and published by . This book was released on 1924 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book British Literature and Print Culture written by Sandro Jung and published by Boydell & Brewer Ltd. This book was released on 2013 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: The complexity of print culture in Britain between the seventeenth and nineteenth century is investigated in these wide-ranging articles. The essays collected here offer examinations of bibliographical matters, publishing practices, the illustration of texts in a variety of engraved media, little studied print culture genres, the critical and editorial fortunes of individual works, and the significance of the complex interrelationships that authors entertained with booksellers, publishers, and designers. They investigate how all these relationships affected the production of print commodities and how all the agents involved in the making of books contributed to the cultural literacy of readers and the formation of a canon of literary texts. Specific topics include a bibliographical study of Aphra Behn's Oroonoko and its editions from its first publication to the present day; the illustrations of John Bunyan's Pilgrim's Progress and the ways in which the interpretive matrices of book illustration conditioned the afterlife and reception of Bunyan's work; the almanac and the subscription edition; publishing history, collecting, reading, and textual editing, especially of Robert Burns's poems and James Thomson's The Seasons; the "printing for the author" practice; the illustrated and material existence of Sir Walter Scott's Waverley novels, and the Victorian periodical, The Athenaeum. Sandro Jung is Research Professor of Early Modern British Literature and Director of the Centre for the Study of Text and Print Culture at Ghent University. Contributors: Gerard Carruthers, Nathalie Collé-Bak, Marysa Demoor, Alan Downie, Peter Garside, Sandro Jung, Brian Maidment, Laura L. Runge.

Download or read book Old English Colour prints written by Malcolm Charles Salaman and published by . This book was released on 1909 with total page 138 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Modern Colour print of Original Design written by Malcolm Charles Salaman and published by . This book was released on 1920 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Female Printmakers Printsellers and Print Publishers in the Eighteenth Century written by Cristina S. Martinez and published by Cambridge University Press. This book was released on 2024-03-31 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Integrates the vital contributions of women as printmakers, printsellers and print publishers into the history of eighteenth-century art.