Download or read book Early Netherlandish Painting Plates written by Erwin Panofsky and published by . This book was released on 1971 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Netherlandish Painting written by National Gallery of Art (U.S.) and published by Cambridge University Press. This book was released on 1986 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume contains entries for paintings in the National gallery that were produced in the fifteenth and sixteenth centuries by artists from the Netherlands. The entries are arranged alphabetically by artist; a short biography and bibliography for each artist is followed by individual entries on the paintings, each in order of acquisition. The authors address traditional questions of attributes and iconography; in addition, they examine the social, economic, and religious context in which the individual work of art functioned. The volume is also probable the first museum catalogue to include the results of examination by infrared reflectography and dendrochronological analysis.
Download or read book Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting written by Ingrid Falque and published by BRILL. This book was released on 2019-09-16 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Devotional Portraiture and Spiritual Experience Ingrid Falque analyses the meditative functions of early Netherlandish paintings including devotional portraits, that is portraits of people kneeling in prayer. Such paintings have been mainly studied in the context of commemorative and social practices, but as Ingrid Falque shows, they also served as devotional instruments. By drawing parallels between the visual strategies of these paintings and texts of the major spiritual writers of the medieval Low Countries, she demonstrates that paintings with devotional portraits functioned as a visualisation of the spiritual process of the sitters. The book is accompanied by the first exhaustive catalogue of paintings with devotional portraits produced in the Low Countries between c. 1400 and 1550. This catalogue is available at no costs in e-format (HERE) and can also be purchased as a printed hardcover book (HERE).
Download or read book The Flemish Primitives written by Dirk de Vos and published by . This book was released on 2002 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: A treasury of Northern Renaissance masterpieces focuses on key works by the "Flemish Primatives" and reflects their perspectives of the Burgundian realm's classes and culture, their use of transparent layer painting, use of symbolism, and experimentations with light. (Fine Arts)
Download or read book Images and Indulgences in Early Netherlandish Painting written by M. Sugiyama and published by . This book was released on 2021-06-30 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book demonstrates the relationships between images and indulgences in fifteenth- and early sixteenth-century Netherlandish art. In the Roman Catholic Church, indulgences served as a way to reduce temporal punishment in purgatory for one's sins. Indulgences could be obtained by reciting prayers and performing devotional practices. Penitents could earn this type of devotional indulgence with the aid of paintings and other artifacts that possessed theological, historical, and aesthetic values as well as performative and promissory ones. In this study, we explore not only the power of indulgenced images but also the power of their audiences, creating a way to communicate with the divine.
Download or read book The Books that Shaped Art History From Gombrich and Greenberg to Alpers and Krauss written by Richard Shone and published by Thames & Hudson. This book was released on 2013-04-05 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exemplary survey that reassesses the impact of the most important books to have shaped art history through the twentieth century Written by some of today’s leading art historians and curators, this new collection provides an invaluable road map of the field by comparing and reexamining canonical works of art history. From Émile Mâle’s magisterial study of thirteenth-century French art, first published in 1898, to Hans Belting’s provocative Likeness and Presence: A History of the Image before the Era of Art, the book provides a concise and insightful overview of the history of art, told through its most enduring literature. Each of the essays looks at the impact of a single major book of art history, mapping the intellectual development of the writer under review, setting out the premises and argument of the book, considering its position within the broader field of art history, and analyzing its significance in the context of both its initial reception and its afterlife. An introduction by John-Paul Stonard explores how art history has been forged by outstanding contributions to scholarship, and by the dialogues and ruptures between them.
Download or read book Early Netherlandish Paintings written by Bernhard Ridderbos and published by Amsterdam University Press. This book was released on 2005 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated scholarly analysis of the art and the cultural interpretations of the Flemish Primitives.
Download or read book Early Netherlandish Painting at the Crossroads written by Maryan W. Ainsworth and published by Metropolitan Museum of Art. This book was released on 2001 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nine papers collected in this publication- which comprises the third and latest edition to the symposium volumes by the Metropolitan Museum of Art - were first presented in conjunction with the Museum's exhibition of Early Netherlandish painting culled from its own holdings in 1998. The essays, by an international roster of leading specialists, together uncover the circumstances underlying the creation of works of art and shed new light on their meaning, in the context of the growing interdisciplinary activity and burgeoning scholarship in the field. The importance of archival research into the socio-economic factors that existed in the late fifteenth and early sixteenth centuries is emphasized- especially, the impact of art markets on the production of paintings as well as sculpture. Much new material has surfaced as a result of advances in the technical investigation of works of art, underscoring the premise that the clues to the meaning of a work are often found not only in its method of manufacture but also in the specific audience for which it was intended and in the function that it originally served for that audience. -- Publisher description.
Download or read book Petrus Christus in Renaissance Bruges written by Metropolitan Museum of Art (New York, N.Y.) and published by Brepols Publishers. This book was released on 1995 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the past few decades, admirers of Petrus Christus have been astonishingly fortunate. Unknown or forgotten paintings in the style of Christus have turned up with surprising regularity: in the 1950s, the wonderful Kansas City Holy Family; in the 1960s the Birmingham Christ and the Bruges Isabella of Portugal Presented by Saint Elisabeth in the 1980s, the Cleveland Baptist and the problematic Bruges panels of the Annunciation and the Nativity. Nothing, of course, can compensate for the loss, during World War II, of the Dessau Crucifixion, and the Berlin wing panels of the Baptist and Saint Catherine. We had to wait until 1974 for the first monograph devoted to Christus, but since then two more books on Christus have been published and important discoveries have been made about his career in Bruges. Thanks to Maryan Ainsworth and her colleagues, we had a truly marvellous exhibition, where we had the privilige of studying more of Chrsitus' paintings than he himself can ever have seen gathered in one place. The exhibition itself initiated a new phase in Christus studies and it is the ideal beginning. If problems of attribution and chronology are ever to be settled, they had to be settled during the exhibition. This publication offers the papers of the 1994 Petrus Christus Symposium at The Metropolitan Museum in New York. L. Campbell, Approaches to Petrus Christus, W. Blockmans, The Creative Environment: Inventions and Functions of Bruges Art Production, C. Harbison, Fact, Symbol, Ideal, Roles for Realism in Early Netherlandish Painting, G.B. Canfield, The Reception of Flemish Art in Renaissance Florence and Naples, M.P.J. Martens, Discussion, J. Upton, PETRUS.XPI.ME.FECIT, The Transformation of a Legacy, S. Buck, Petrus Christus' Berlin Wings and the Metropolitan Museum's Eyckian Diptych, S. Jones, The Virgin of Nicholas van Maelbeke and the Followers of Jan Van Eyck, C. Eisler, Discussion, L. Gellman, Two Lost Portraits by Petrus Christus.
Download or read book Dictionary Of Modern Art written by Matthew Baigell and published by Taylor & Francis. This book was released on 2021-12-13 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alphabetically arranged and crossreferenced entries provide background information on major American painters, sculptors, printmakers, and photographers, plus important topics and movements central to American art from the sixteenth century to the present.
Download or read book Sight and Spirituality in Early Netherlandish Painting written by Bret L. Rothstein and published by Cambridge University Press. This book was released on 2005-06-08 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher Description
Download or read book The Body of the Artisan written by Pamela H. Smith and published by University of Chicago Press. This book was released on 2018-01-16 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the time of Aristotle, the making of knowledge and the making of objects have generally been considered separate enterprises. Yet during the late sixteenth and early seventeenth centuries, the two became linked through a "new" philosophy known as science. In The Body of the Artisan, Pamela H. Smith demonstrates how much early modern science owed to an unlikely source-artists and artisans. From goldsmiths to locksmiths and from carpenters to painters, artists and artisans were much sought after by the new scientists for their intimate, hands-on knowledge of natural materials and the ability to manipulate them. Drawing on a fascinating array of new evidence from northern Europe including artisans' objects and their writings, Smith shows how artisans saw all knowledge as rooted in matter and nature. With nearly two hundred images, The Body of the Artisan provides astonishingly vivid examples of this Renaissance synergy among art, craft, and science, and recovers a forgotten episode of the Scientific Revolution-an episode that forever altered the way we see the natural world.
Download or read book Imago Musicae written by Tilman Seebass and published by Duke University Press. This book was released on 1985-06-30 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: Each volume in this series for the study of pictorial documents on musical subjects contains articles, a catalog (published in installments) devoted to the complete documentation of specific sources, and an annual bibliography that bridges the gap between the bibliographies in art history and musicology.
Download or read book Painting in Spain written by Jonathan Brown and published by Yale University Press. This book was released on 1998-01-01 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: El Greco, Ribera, Velázquez, Murillo--these are but a few of the great sixteenth- and seventeenth-century artists of Spain's golden age of painting. In this authoritative and handsome book, an enlarged, extended, and revised version of his Golden Age of Painting in Spain, eminent Spanish art scholar Jonathan Brown surveys the development of painting in Spain during this fascinating period. Focusing on the interaction between art and the socioeconomic and political conditions that prevailed in Spain's golden age, this book offers information about religious beliefs, social attitudes, the activities of patrons and collectors, and how these were absorbed and interpreted by painters. The author sets the history of Spanish paintings within a European context and explores Spain's contact with artistic centers in Italy and the Netherlands. He discusses not only Spanish artists but also such non-Spanish painters as Titian, Ruben, and Luca Giordano, who either worked in Spain or influenced other artists there. Brown also examines the collections of foreign paintings that Spanish noblemen and prelates assembled and how these collections affected the production of art and the social status of the Spanish artist. In this up-to-date and innovative analysis of two hundred years of Spanish painting, Brown describes a country that brilliantly transformed the artistic impulses it received from abroad to fit the needs of its own society.
Download or read book Perspectives On Western Art written by Linnea Wren and published by Routledge. This book was released on 2018-02-22 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology of readings related to Western art history explains specific works of art illustrated in Janson's History of Art and De la Croix and Tansey's Gardner's Art Through the Ages in terms of the ideas, beliefs, and concerns of the people and cultures who created the art. It brings a new understanding of art because it shows the social and cultural basis of major works of art through history. The ten sections are Ancient Near East; Egyptian; Aegean; Greek; Etruscan; Roman; early Christian, Byzantine, and Islamic; early Medieval; Romanesque; and Gothic. The readings have been drawn from many areas of intellectual and social history, including religion, philosophy, literature, science, economics, and law. Each selection is preceded by an introductory note, which discusses the readings in terms of its subject and theme, its source and usage, and its relevance to the study of the work of art.
Download or read book Renaissance And Renascences In Western Art written by Erwin Panofsky and published by Routledge. This book was released on 2018-05-04 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance and Renascences in Western Art spans the period from the 10th to the 15th century, including discussion of the Carolingian renaissance and the 12th century proto-renaissance. Erwin Panofsky posits that there were "reanscences" prior to the widely known Renaissance that began in Italy in the 14th century. Whereas earlier renascences can be classified as revivals, the Renaissance was a unique instance that led to a wider cultural transformation.
Download or read book The Practice of Persuasion written by Keith P. F. Moxey and published by Cornell University Press. This book was released on 2001 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt: This sequel to The Practice of Theory stresses the continued need for self-reflective awareness in art historical writing. Offering a series of meditations on the discipline of art history in the context of contemporary critical theory, Moxey addresses such central issues as the status of the canon, the nature of aesthetic value, and the character of historical knowledge. The chapters are linked by a common interest in, even fascination with, the paradoxical power of narrative and the identity of the authorial voice. Moxey maintains that art history is a rhetoric of persuasion rather than a discourse of truth. Each chapter in The Practice of Persuasion attempts to demonstrate the paradoxes inherent in a genre that--while committed to representing the past--must inevitably bear the imprint of the present. In Moxey's view, art history as a discipline is often unable to recognize its status as a regime of truth that produces historically determined meanings and so continues to act as if based on a universal aesthetic foundation. His new book should enable art historians to engage with the past in a manner less determined by tradition and more responsive to contemporary values and aspirations.
