Download or read book Early English Organ Music from the Middle Ages to 1837 written by Francis Routh and published by . This book was released on 1973 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and Society in Early Modern England written by Christopher Marsh and published by Cambridge University Press. This book was released on 2013-05-02 with total page 625 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive, lavishly illustrated survey of English popular music during the early modern period. Accompanied by specially commissioned recordings.
Download or read book Early English Viols Instruments Makers and Music written by Michael Fleming and published by Taylor & Francis. This book was released on 2016-11-18 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Download or read book Early English Viols Instruments Makers and Music written by Michael Fleming and published by Routledge. This book was released on 2016-11-18 with total page 475 pages. Available in PDF, EPUB and Kindle. Book excerpt: Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
Download or read book Early English Chamber Music written by Ernst Hermann Meyer and published by Marion Boyars Publishers. This book was released on 1982 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Treasury of Early Music written by Carl Parrish and published by Courier Corporation. This book was released on 2012-12-06 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Features 50 compositions from early Middle Ages to mid-18th century, including a Gregorian hymn, English lute piece, operatic arias, instrumental and vocal motets; works by Vivaldi, Telemann, Scarlatti, and others. Features commentary.
Download or read book Singing Early Music written by Timothy J. McGee and published by Indiana University Press. This book was released on 1996 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accompanying CD includes readings of most of the sample texts found in the book. The CD is intended to assist in interpreting the phonetic symbols, which are truncated in IPA (International Phonetic Alphabet).
Download or read book Early English Organ Music from the Middle Ages to 1837 written by Francis Routh and published by . This book was released on 1973 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to Michael Tippett written by Kenneth Gloag and published by Cambridge University Press. This book was released on 2013-01-17 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Companion provides a wide ranging and accessible study of one of the most individual composers of the twentieth century. A team of international scholars shed new light on Tippett's major works and draw attention to those that have not yet received the attention they deserve.
Download or read book Music Myth and Story in Medieval and Early Modern Culture written by Katherine Butler and published by Boydell & Brewer. This book was released on 2019 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The complex relationship between myths and music is here investigated.
Download or read book The Story of British Music written by Frederick J. Crowest and published by . This book was released on 1896 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Aspects of Early English Keyboard Music before c 1630 written by David J. Smith and published by Routledge. This book was released on 2019-04-24 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: English keyboard music reached an unsurpassed level of sophistication in the late sixteenth and early seventeenth centuries as organists such as William Byrd and his students took a genre associated with domestic, amateur performance and treated it as seriously as vocal music. This book draws together important research on the music, its sources and the instruments on which it was played. There are two chapters on instruments: John Koster on the use of harpsichord during the period, and Dominic Gwynn on the construction of Tudor-style organs based on the surviving evidence we have for them. This leads to a section devoted to organ performance practice in a liturgical context, in which John Harper discusses what the use of organs pitched in F may imply about their use in alternation with vocal polyphony, and Magnus Williamson explores improvisational practice in the Tudor period. The next section is on sources and repertoire, beginning with Frauke Jürgensen and Rachelle Taylor’s chapter on Clarifica me Pater settings, which grows naturally out of the consideration of improvisation in the previous chapter. The next two contributions focus on two of the most important individual manuscript sources: Tihomir Popović challenges assumptions about My Ladye Nevells Booke by reflecting on what the manuscript can tell us about aristocratic culture, and David J. Smith provides a detailed study of the famous Fitzwilliam Virginal Book. The discussion then broadens out into Pieter Dirksen’s consideration of a wider selection of sources relating to John Bull, which in turn connects closely to David Leadbetter’s work on Gibbons, lute sources and questions of style.
Download or read book Noyses Sounds and Sweet Aires written by Jessie Ann Owens and published by University of Washington Press. This book was released on 2006 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Explores the noises that echoed through London's streets in the early seventeenth century
Download or read book Early English Music written by H. Orsmond Anderton and published by London : "Musical opinion". This book was released on 1920 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Dance and Drama in Early Modern English Schools written by Amanda Eubanks Winkler and published by Cambridge University Press. This book was released on 2020-06-04 with total page 261 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to systematically analyze the role the performing arts played in English schools after the Reformation.
Download or read book Tonal Structures in Early Music written by Cristle Collins Judd and published by Routledge. This book was released on 2014-04-23 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discussion of tonal structure has been one of the most problematic and controversial aspects of modern study of Medieval and Renaissance polyphony. These new essays written specifically for this volume consider the issue from historical, analytical, theoretical, perceptual and cultural perspectives.
Download or read book Manuscript Inscriptions in Early English Printed Music written by David Greer and published by Routledge. This book was released on 2016-03-03 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Who were the first owners of the music published in England in the sixteenth and early seventeenth centuries? Who went to ‘the dwelling house of ... T. East, by Paules wharfe’ and bought a copy of Byrd’s Psalmes, sonets, & songs when it appeared in 1588? Who purchased a copy of Dowland’s First booke of songes in 1597? What other books formed part of their music library? In this survey of surviving books of music published before 1640, David Greer has gleaned information about the books’ early and subsequent owners by studying the traces they left in the books themselves: handwritten inscriptions, including names and other marks of ownership - even the scribbles and drawings a child of the family might put into a book left lying about. The result is a treasure trove of information about musical culture in early modern England. From inscriptions and marks of ownership Greer has been able to re-assemble early sets of partbooks, as well as collections of books once bound together. The search has also turned up new music. At a time when paper was expensive, new pieces were copied into blank spaces in printed books. In these jottings we find a ‘hidden repertory’ of music, some of it otherwise undiscovered music by known composers. In other cases, we see owners altering the words of songs, to suit new and personal purposes: a love-song in praise of Daphne becomes a heartfelt song to ‘my Jesus’; and ‘Faire Leonilla’ becomes Ophelia (perhaps the first mention of this character in Hamlet outside the play itself). On a more practical level, the users of the music sometimes made corrections to printing errors, and there are indications that some of these were last-minute corrections made in the printing-house (a useful guide for the modern editor). The temptation to ‘scribble in books’ was as irresistible to some Elizabethans as it is to some of us today. In doing so they left us clues to their identity, how they kept their music, how they used it, and the multifarious ways in which it played a part in their lives.
