Download or read book Dramaturgy of Form written by Kasia Lech and published by Routledge. This book was released on 2021-03-01 with total page 110 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy of Form examines verse in twenty-first-century theatre practice across different languages, cultures, and media. Through interdisciplinary engagement, Kasia Lech offers a new method for verse analysis in the performance context. The book traces the dramaturgical operation of verse in new writings, musicals, devised performances, multilingual dramas, Hip Hop theatre, films, digital projects, and gig theatre, as well as translations and adaptations of classics and new theatre forms created by Irish, Spanish, Nigerian, Polish, American, Canadian, Australian, British, Russian, and multinational artists. Their verse dramaturgies explore timely issues such as global identities, agency and precarity, global and local politics, and generational and class stories. The development of dramaturgy is discussed with the focus turning to the new stylized approach to theatre, whose arrival Hans-Thies Lehmann foretold in his Postdramatic Theatre, documenting a turning point for contemporary Western theatre. Serving theatre-makers, scholars, and students working with classical and contemporary verse and poetry in performance contexts; practitioners and academics of aural and oral dramaturgies; voice and verse-speaking coaches; and actors seeking the creative opportunities that verse offers, Dramaturgy of Form reveals verse as a tool for innovation and transformation that is at the forefront of contemporary practices and experiences.

Download or read book Principles of Dramaturgy written by Robert Scanlan and published by Routledge. This book was released on 2019-07-09 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Principles of Dramaturgy, Robert Scanlan explains the invariant principles behind the construction of stage and performance events of any style or modality. This book contains all that is essential for training a professional stage director and/or dramaturg, including the "plot-bead" technique for analyzing play scripts developed by Scanlan. It details all the steps for the full implementation of "Production Dramaturgy" as it is practiced in professional theatres, and treats form and action as foundational cornerstones of all performance, rather than "story" elements – a frequent and debilitating misprision in theatre practice. Scanlan’s unique approach offers practical training that is supported by detailed diagrams and contextualized instructions, making this the missing text for classes in dramaturgy. Serving stage directors, dramaturgs, actors, designers, and playwrights, Principles of Dramaturgy is a comprehensive guide that puts the training of capable practitioners above all else.

Download or read book The Routledge Companion to Dramaturgy written by Magda Romanska and published by Routledge. This book was released on 2014-08-07 with total page 730 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist. This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach. Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).

Download or read book Diversity Inclusion and Representation in Contemporary Dramaturgy written by Philippa Kelly and published by Routledge. This book was released on 2020-03-25 with total page 169 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diversity, Inclusion, and Representation in Contemporary Dramaturgy offers fresh perspectives on how dramaturgs can support a production beyond rigid disciplinary expectations about what information and ideas are useful and how they should be shared. The sixteen contributors to this volume offer personal windows into dramaturgy practice, encouraging theater practitioners, students, and general theater-lovers to imagine themselves as dramaturgs newly inspired by the encounters and enquiries that are the juice of contemporary theater. Each case study is written by a dramaturg whose body of work explores important issues of race, cultural equity, and culturally-specific practices within a wide range of conventions, venues, and communities. The contributors demonstrate the unique capacity of their craft to straddle the ravine between stage and stalls, intention and impact. By unpacking, in the most up-to-date ways, the central question of “Why this play, at this time, for this audience?,” this collection provides valuable insights and dramaturgy tools for scholars and students of Dramaturgy, Directing, and Theater Studies.

Download or read book The Theatre of Form and the Production of Meaning written by Richard Paul Knowles and published by . This book was released on 1999 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do dramatic forms shape social formations? This study of Canadian dramatic structures asks this question of an extraordinarily wide range of contemporary plays. Knowles begins with a look at inherited naturalistic and modernist forms based, respectively, on time and space. He then uses this division to extend his inquiry first into post-naturalist forms of collective and collaborative creations, community plays, and historical metadramas, and then into postmodernist structures of environmental theatre and “dialogic monologue.” The book ends with a brief epilogue on the structures of “spacetime,” as Canadian theatre moves “towards a quantum dramaturgy.” From Michael Cook and David French through George F. Walker, Judith Thompson, and Sally Clark, to Monique Mojica, John Mighton, and feminist performance art, this book revolutionizes the study of contemporary Canadian drama. It’s a thoughtful and timely advance in our ways of thinking about dramaturgical form and meaning in Canadian theatrical production, and in Canadian society.

Download or read book Aural Oral Dramaturgies written by Duška Radosavljević and published by Taylor & Francis. This book was released on 2022-10-26 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.

Download or read book Dramaturgy of Migration written by Yana Meerzon and published by Routledge. This book was released on 2019-09-24 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy of Migration: Staging Multilingual Encounters in Contemporary Theatre examines the function of dramaturgy and the role of the dramaturg in making a theatre performance situated at the crossroads of multiple theatre forms and performative devices. This book explores how these forms and devices are employed, challenged, experimented with, and reflected upon in the work of migrant theatre by performance and dance artists. Meerzon and Pewny ask: What impact do peoples’ movement between continents, countries, cultures, and languages have on the process of meaning production in plays about migration created by migrant artists? What dramaturgical devices do migrant artists employ when they work in the context of multilingual production, with the texts written in many languages, and when staging performances that target multicultural and multilingual theatregoers? And, finally, how do the new multilingual practices of theatre writing and performance meet and transform the existing practices of postdramatic dramaturgies? By considering these questions in a global context, the editors explore the overlapping complexities of migratory performances with both range and depth. Ideal for scholars, students, and practitioners of theatre, dramaturgy, and devising, Dramaturgy of Migration expresses not only the practicalities of migratory performances but also the emotional responses of the artists who stage them.

Download or read book Words at Play written by Londre, Felicia Hardison and published by SIU Press. This book was released on 2005 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dramaturgy The Basics written by Anne M. Hamilton and published by Taylor & Francis. This book was released on 2022-12-30 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy: The Basics introduces the art of dramaturgy, explaining how dramaturgy works, what a dramaturg is, and how to appreciate their unique contribution to theatre-making. A wide-ranging account of the role of this vital element of theatre helps students and aspiring performance makers to apply dramaturgy to a full spectrum of theatrical disciplines. This guidebook teaches dramatic theories and script analysis as essential skills for aspiring dramaturgs and illustrates the various methods of reading for specific functions of dramaturgy. Dramaturgy: The Basics offers practical step-by-step instructions on how to practice production dramaturgy, dramaturgy of new work, translation, adaptation, devised theatre, site-specific theatre, literary management, criticism, editing, producing, and dramaturgical innovation, with detailed questions to consider at each stage of the process. This book aims to help students develop a dramaturgical mindset, enabling them to build a critical, inquisitive, and socially conscious perspective that is beneficial in all professions and relationships. Resource lists, further reading guides, and chapter summaries make this an outstanding guidebook. An essential read for anyone hoping to make, understand, or discuss theatre, Dramaturgy: The Basics provides a clear, accessible resource for approaching this integral but often misunderstood facet of theatre-making.

Download or read book Theatre of the Unimpressed written by Jordan Tannahill and published by Coach House Books. This book was released on 2015-05-11 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: How dull plays are killing theatre and what we can do about it. Had I become disenchanted with the form I had once fallen so madly in love with as a pubescent, pimple-faced suburban homo with braces? Maybe theatre was like an all-consuming high school infatuation that now, ten years later, I saw as the closeted balding guy with a beer gut he’d become. There were of course those rare moments of transcendencethat kept me coming back. But why did they come so few and far between? A lot of plays are dull. And one dull play, it seems, can turn us off theatre for good. Playwright and theatre director Jordan Tannahill takes in the spectrum of English-language drama – from the flashiest of Broadway spectacles to productions mounted in scrappy storefront theatres – to consider where lifeless plays come from and why they persist. Having travelled the globe talking to theatre artists, critics, passionate patrons and the theatrically disillusioned, Tannahill addresses what he considers the culture of ‘risk aversion’ paralyzing the form. Theatre of the Unimpressed is Tannahill’s wry and revelatory personal reckoning with the discipline he’s dedicated his life to, and a roadmap for a vital twenty-first-century theatre – one that apprehends the value of ‘liveness’ in our mediated age and the necessity for artistic risk and its attendant failures. In considering dramaturgy, programming and alternative models for producing, Tannahill aims to turn theatre from an obligation to a destination. ‘[Tannahill is] the poster child of a new generation of (theatre? film? dance?) artists for whom "interdisciplinary" is not a buzzword, but a way of life.’ —J. Kelly Nestruck, Globe and Mail ‘Jordan is one of the most talented and exciting playwrights in the country, and he will be a force to be reckoned with for years to come.’ —Nicolas Billon, Governor General's Award–winning playwright (Fault Lines)

Download or read book Strategies of Drama written by Oscar L. Brownstein and published by Praeger. This book was released on 1991-11-30 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work takes a phenomenological approach to analyzing the dramatic form, focusing not on the interpretation of plays, but rather on Brownstein's perceptions and their sources. The distinct aspects of the dramatic art form are discussed using a wide variety of well-known plays, from ancient Greece to the present day. Brownstein offers a theoretical survey of the "perception shift" that infuses even the smallest element of a play, the forces that are expressed through major dramatic strategies, and the ways in which a single narrative sequence may serve both prospective and retrospective strategies.

Download or read book Teaching and Learning through Dramaturgy written by Anna-Lena Østern and published by Routledge. This book was released on 2021-05-30 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: The aim of this book is to contribute a dramaturgical perspective to education. The authors write from a dramaturgical perspective about the planning of teaching, leadership in the classroom, the teacher-body, the teacher’s oral skills and ethics, communication, and about the spaces in which teaching takes place. The book is written with the pre-understanding that the ways in which art creates knowledge need to be illuminated and articulated more clearly in educational thinking, thereby enhancing artful engagement in education. Dramaturgical perspectives are presented as such a way – a form of knowledge that the artform of drama/theatre can contribute to teaching and learning in general. Through examples and analyses of empirical material, as well as through theoretical perspectives, the authors show chapter by chapter how dramaturgy and a dramaturgically inspired language and concepts create more possibilities of choice for teachers in planning and carrying out their teaching. Teaching and Learning through Dramaturgy brings to the forefront what will be enabled in teaching and planning of teaching, by making use of a dramaturgically inspired language and action, what in principle is possible in every subject.

Download or read book Dramaturgy and Performance written by Cathy Turner and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Outlining different perspectives, this classic and field-defining text introduces 'dramaturgy' as a critical concept and a practical process in an accessible and engaging style. The revised edition includes a new introduction and afterword which provides insight into contemporary developments and future directions of scholarship.

Download or read book Physical Dramaturgy written by Rachel Bowditch and published by Routledge. This book was released on 2018-06-13 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is physical dramaturgy? While the traditional dramaturg shares research intellectually, the physical dramaturg does so viscerally and somatically. By combining elements of text, history, dramatic structure, and the author’s intent with movement analysis and physical theatre pedagogies, the physical dramaturg gives actors the opportunity to manifest their work in a connected and intuitive manner and creates a field that is as varied and rich as the theatre itself. Physical Dramaturgy: Perspectives from the Field explores the ways in which this unique role can benefit the production team during the design and rehearsal phases of both traditional and devised productions. Individual chapters look at new ways of approaching a wealth of physical worlds, from the works of Shakespeare and other period playwrights to the processes of Grotowski, Williamson, Schechner, Michael Chekhov, and devising original works in a variety of contexts from Pig Iron, Dell’arte Players, Bill Bowers and mime, Tectonic, and Liz Lerman’s Dance Exchange. This anthology gives dramaturgs, actors, and directors, new ways of looking at existing methods and provides examples of how to translate, combine, and adapt them into new explorations for training, rehearsal, or research.

Download or read book Do It Yourself Dramaturgy written by Caroline Russell-King and published by FriesenPress. This book was released on 2024-03-12 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: “The secret of life may be found in the questions you ask, and the same goes for the secrets of playwriting. In Do It Yourself Dramaturgy, Caroline Russell-King asks just the right questions or, rather, she exhorts playwrights to ask them before launching their work into the world. Comprehensive and concise, this eminently usable guide offers lesson after lesson in dramaturgical inquiry—craft-based, artistic, practical, professional, and even profound. It comes packing answers, too, from a writer who clearly knows her stuff, including how to entertain as she teaches. Russell-King’s cheeky, smart examples are worth the price of admission. Her parentheticals—where she stows personal stories and biases—are priceless. “ —Todd London, Artistic Director, Writer, Dramatist Guild of America, NYC. “What a terrific resource for playwrights: sound advice and provocative questions peppered with relevant (and entertaining) anecdotes.” —Conni Massing, Playwright, screenwriter, story consultant, Edmonton. “Full of really valuable advice and questions to ask yourself. Read it then WRITE.” —George F. Walker, Playwright, Toronto. “Caroline Russell-King's Do It Yourself Dramaturgy guides you like a lighthouse beacon through the frequent fog of the creative process of writing, or more likely, rewriting a stage play. Phrased as a series of practical questions the playwright might ask of their work before revising and submitting it to a potential producer, this concise, practical and lively guide renders complex concepts accessible and useful to a playwright at any level of experience, or for that matter anyone engaged in the creation of that fundamental conveyor of human experience: story.“ —Gerry Potter, Writer, Director, Dramaturg, Edmonton. “Russell-King knows what she’s talking about. And she knows how to tell it with frankness, humour and clarity.” —Bill Lane, Producer, Director, Stratford.

Download or read book Dramaturgy written by Mary Luckhurst and published by Cambridge University Press. This book was released on 2006-01-19 with total page 19 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy: A Revolution in Theatre is a substantial history of the origins of dramaturgs and literary managers. It frames the explosion of professional appointments in England within a wider continental map reaching back to the Enlightenment and eighteenth-century Germany, examining the work of the major theorists and practitioners of dramaturgy, from Granville Barker and Gotthold Lessing to Brecht and Tynan. This study positions Brecht's model of dramaturgy as central to the worldwide revolution in theatre-making practices, and it also makes a substantial argument for Granville Barker's and Tynan's contributions to the development of literary management. With the territories of play and performance-making being increasingly hotly contested, and the public's appetite for new plays showing no sign of diminishing, Mary Luckhurst investigates the dramaturg as a cultural and political phenomenon.

Download or read book Playwriting Dramaturgy and Space written by Sara Freeman and published by . This book was released on 2024-01-10 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theatre has come back to text, but with perspectives shifted by the experimental practices of the twentieth century across performance forms. Contemporary playwriting brings its scenographic engagement to the foreground of the text, reflecting the spatial turn in theory and practice. In production, this spatiality has renewed and enlivened the status and impact of text-based theatre. Theatre studies needs to better describe the artfulness of contemporary text-based theatre, bringing to it the same sophisticated lenses scholars and critics have used for performance-based theatre and other experimental theatre practices. This Element does that by presenting the work of Caryl Churchill, Naomi Iizuka, and Sarah Ruhl as exemplary of the way text-based theatre, both its scripts and productions, now creates and expects a spatialized imaginary and demonstrates the potentials of text-based theatre in an increasingly visual and spatial field of cultural production.