Download or read book Italian Culture in the Drama of Shakespeare His Contemporaries written by Michele Marrapodi and published by Ashgate Publishing, Ltd.. This book was released on 2007 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Applying recent developments in new historicism and cultural materialism-along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text-the essays collected here reconsider the pervasive infl
Download or read book Italian Playwrights from the Twentieth Century written by Michael Vena and published by Xlibris Corporation. This book was released on 2013-10-03 with total page 319 pages. Available in PDF, EPUB and Kindle. Book excerpt: Italian theater brings early on stage some of the most signifi cant productions of the 20th century, with major playwrights holding a pivotal role in the renewal of the European stage: Gabriele DAnnunzio, Eduardo De Filippo, Dario Fo, Luigi Chiarelli, Luigi Antonelli, Rosso di San Secondo, Enrico Cavacchioli, Massimo Bontempelli, Dacia Maraini, Ugo Betti, Diego Fabbri, thanks to such innovative movements from the early century called grotteschi and futuristi. If the early Pirandellian plays are added, we will have a comprehensive view of twentieth century theater, and the weight it will carry upon the coming generations.
Download or read book Italian Culture in the Drama of Shakespeare and His Contemporaries written by Michele Marrapodi and published by Routledge. This book was released on 2016-12-05 with total page 491 pages. Available in PDF, EPUB and Kindle. Book excerpt: Applying recent developments in new historicism and cultural materialism - along with the new perspectives opened up by the current debate on intertextuality and the construction of the theatrical text - the essays collected here reconsider the pervasive influence of Italian culture, literature, and traditions on early modern English drama. The volume focuses strongly on Shakespeare but also includes contributions on Marston, Middleton, Ford, Brome, Aretino, and other early modern dramatists. The pervasive influence of Italian culture, literature, and traditions on the European Renaissance, it is argued here, offers a valuable opportunity to study the intertextual dynamics that contributed to the construction of the Elizabethan and Jacobean theatrical canon. In the specific area of theatrical discourse, the drama of the early modern period is characterized by the systematic appropriation of a complex Italian iconology, exploited both as the origin of poetry and art and as the site of intrigue, vice, and political corruption. Focusing on the construction and the political implications of the dramatic text, this collection analyses early modern English drama within the context of three categories of cultural and ideological appropriation: the rewriting, remaking, and refashioning of the English theatrical tradition in its iconic, thematic, historical, and literary aspects.
Download or read book Twentieth century Italian Drama The first fifty years written by Jane House and published by Columbia University Press. This book was released on 1995 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.
Download or read book Pastoral Drama in Early Modern Italy written by Lisa Sampson and published by Routledge. This book was released on 2017-12-02 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Emerging in Italy in the mid-sixteenth century, pastoral drama is one of the most characteristic genres of its time. Sampson traces its uneven development into the following century by exploring masterpieces by Tasso and Guarini, and many lesser known works, some by women writers. She examines the treatment of key themes of love, the Golden Age, and Nature and Art against the background of the textual and stage production of the plays. An investigation of critical writings associated with the genre further reveals its significance to the contemporary literary scene, by stimulating 'modernizing' attitudes towards the canon, as well as new enquiries into the function and possibilities of art."
Download or read book Plays of the Italian Theatre written by Giavanni Verga and published by CreateSpace. This book was released on 2014-01 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: From The Bookseller and Stationer, Volume 56: FIVE Italian plays, showing the work of dramatists who wrote between the years 1860 and 1900. Each play is adapted for production in the small theatre, each is typically Italian, and each is a beautifully balanced unit. There is a tragedy of love, a comedy of childhood embedded in yet another and greater tragedy, while in each play we get a sense of dramatic power that gives to each distinction. * * * * An excerpt from the Introduction: AMONG the features that make the study of Italian drama so interesting are the diversity of the types, the numerous differences that divide the critics and the more or less diffuse state in which the institution still finds itself. We are prepared for the cry of decadence that has filled half of the nineteenth century and not a little of the twentieth; to be a dramatic critic is almost synonymous, in all tongues, with bewailing the low state into which the drama has fallen. In Italy the matter has gone much farther; there have not been lacking scholars who deny the existence of a genuinely national stage, and since Tullio Fornioni, in 1885, started the ball a-rolling it has been given powerful shoves by such writers as Mario Pilo, Salvatore Barzilai and V. Morello. Only this year Signor Guido Ruberti, in his closely packed two-volume book upon "Il Teatro Contemporaneo in Europa," renews the discussion and in his section upon the realistic Italian drama (1,211) declares bluntly, "The truth is that Italy has never had a truly national theatre." He goes on to state, in the ensuing commentary, that there is, in the very nature of the Italian people, a certain quality that is anti-dramatic in effect; the spiritual and material difficulties experienced by the nation while other countries were conquering a greater or less degree of liberty caused it to turn in upon itself, accustoming it perforce to a "singular mental habit of adaptation and conciliation; a remarkable equilibrium that succeeds in fusing within itself the most diverse tendencies, harmonizing them in a supreme ideal which is neither skepticism nor austere faith, neither absolute indifferentism nor unreflecting passion, yet feeds upon and communicates all these." The Italian conscience, moreover, unlike the Anglo-Saxon and the Slav, finds its great problems settled in advance by its creed, thus removing, or at least greatly modifying, one of the mainsprings of dramatic action. In the powerful scenes of passionate crime the critic sees but added proof of the primitiveness of his people; upon them, he tells us, the currents of modern thought make little impression. For much of the delay in the achieving of a national theatre the influence of France is blamed, the same France in whom Spanish-American critics fear a similar denationalizing influence and who, according to Brazilian writers, is Gallicizing the immense Portuguese-speaking republic to our south. Again, the presence of so many well defined regions, each with its own psychology, its own pride, its own determination to preserve its spiritual autonomy, acts as a hindrance to the formation of a distinctly recognizable national drama. The Italian dialect stage is an important institution; Rome, Sicily, Milan, Bologna, Venice, Naples — these are, from the dramatic standpoint, fairly nations within a nation, and even the better known Italian dramatists are proud to write for them. Of the writers represented in this collection, for example, Verga and Pirandello are intimately related to their native Sicily, as is Sabatino Lopez to his Tuscan birthplace.
Download or read book The Contemporary Drama of Italy written by Lander MacClintock and published by . This book was released on 1920 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Seventeenth century Italian Poets and Dramatists written by Albert N. Mancini and published by Dictionary of Literary Biograp. This book was released on 2008 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on poets and dramatists of the seicento, the seventeenth-century period of Italian literature and art. Examines the challenge that the Baroque movement posed to the neo-Aristotelian aesthetics of the Renaissance and to the notions of decorum and morality in art.
Download or read book Women Rhetoric and Drama in Early Modern Italy written by Alexandra Coller and published by Taylor & Francis. This book was released on 2017-07-06 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction: Women, Rhetoric, and Drama in Early Modern Italy -- PART I: Women as Protagonists in Male-Authored Drama: Comedy and tragedy -- 1 Fathers, Daughters, Crossdressing, and Names: Women, Rhetoric, and Education in Commedia Erudita -- Coda: "Margherita Costa's Li buffoni (1641): The First (Extant) Female-Authored Scripted Comedy"--2 Fashioning a Genealogy: The Rhetoric of Friendship and Female Virtue in Italian Renaissance tragedy -- Coda: Valeria Miani's Celinda (1611) among Fin de Siècle Italian Tragedies -- PART II: Women as Authors/Women as Protagonists: Pastoral Tragicomedy -- 3 Women Writers and the Canon: Satyr Scenes and Female-Authored Pastoral Drama -- 4 Isabetta Coreglia's Dori (1634): Writing Pastoral Drama Against the Backdrop of the Male Canon and an Incipient Female-Authored Tradition -- 5 Isabetta Coreglia's Erindo il fido (1650) and Isabella Andreini's Mirtilla (1588): Using a Female-Authored Classic as Paradigm -- Appendix -- Bibliography -- Index
Download or read book The Italian World of English Renaissance Drama written by A. J. Hoenselaars and published by University of Delaware Press. This book was released on 1998 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is widely accepted that English Renaissance drama owes its extraordinary richness and variety to the blending of elements originating from the medieval heritage and classical and Italian dramatic traditions. This grafting of the "Italian world" onto the English Renaissance goes far beyond the conventional research of the literary sources. The articles in this collection explore English Renaissance drama through new and challenging aspects of influence and through investigations into classical and Italian theater. The volume moves from early Elizabethan to late Jacobean drama. The area of research ranges from New Classical Comedy to commedia erudita, from the Renaissance theory of tragedy and tragicomedy to the birth of pastoral drama and beyond.
Download or read book Italian Women s Theatre 1930 1960 written by Daniela Cavallaro and published by Intellect Books. This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Between 1930 and 1960, popular female dramatists Paola Riccora, Anna Bonacci, Clotilde Masci and Gici Ganzini Granata set the stage for a new generation of Italian women playwrights and the development of feminist theatre. Now largely forgotten, the lives and works of these dramatists are reintroduced into the scholarly conversation in Italian women's theatre, 1930-1960. Following a general introduction, the book presents a selection of dramatic works, rounded out by commentary, performance histories, critical analyses, and biographical information."--Page 4 of cover.
Download or read book A History of Italian Theatre written by Joseph Farrell and published by Cambridge University Press. This book was released on 2006-11-16 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of Italian theatre from its origins to the the time of this book's publication in 2006. The text discusses the impact of all the elements and figures integral to the collaborative process of theatre-making. The distinctive nature of Italian theatre is expressed in the individual chapters by highly regarded international scholars.
Download or read book Shakespeare s Italy written by Michele Marrapodi and published by . This book was released on 1993 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Introduction The sacrifice The Italy of the Elizabethan dramatists The out door poetry Symmetria prisca written by Vernon Lee and published by . This book was released on 1884 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Chief European Dramatists written by Brander Matthews and published by . This book was released on 1916 with total page 808 pages. Available in PDF, EPUB and Kindle. Book excerpt: Twenty one plays from the drama of Greece, Rome, Spain, France, Italy, Germany, Denmark, and Norway from 500 B.C. to 1879 A.D.
Download or read book Memoirs of Carlo Goldoni written by Carlo Goldoni and published by . This book was released on 1877 with total page 442 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Poetics of Imitation in the Italian Theatre of the Renaissance written by Salvatore Di Maria and published by University of Toronto Press. This book was released on 2013-10-28 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: The theatre of the Italian Renaissance was directly inspired by the classical stage of Greece and Rome, and many have argued that the former imitated the latter without developing a new theatre tradition. In this book, Salvatore DiMaria investigates aspects of innovation that made Italian Renaissance stage a modern, original theatre in its own right. He provides important evidence for creative imitation at work by comparing sources and imitations – incuding Machiavelli’s Mandragola and Clizia, Cecchi’s Assiuolo, Groto’s Emilia, and Dolce’s Marianna – and highlighting source elements that these playwrights chose to adopt, modify, or omit entirely. DiMaria delves into how playwrights not only brought inventive new dramaturgical methods to the genre, but also incorporated significant aspects of the morals and aesthetic preferences familiar to contemporary spectators into their works. By proposing the theatre of the Italian Renaissance as a poetic window into the living realities of sixteenth-century Italy, he provides a fresh approach to reading the works of this period.
