Download or read book Drama and Ideenschmuggel written by K. Scott Baker and published by Peter Lang. This book was released on 2008 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph details Gutzkow's recurring use of performance-within-the-play as a means of encouraging an active, political response by the audience. He incorporates an internal audience viewing a performance on stage in order to model an ideal of dramatic reception for the audiences of his own play. Gutzkow structures the narrative contextualization of these performances as reflections of specific issues in the German states of the Vormärz. Beginning with an overview of theoretical and literary texts from the 1830s, this study traces Gutzkow's transferral of self-reflexive structures from his novels of this decade into his first staged play, Richard Savage (1839), and on through Das Urbild des Tartüffe (1844) and Uriel Acosta (1845). It concludes by portraying Der Königsleutnant (1849) as a transitional work that shows Gutzkow's decision to return to the novel as a consequence of the failure of his plays to attain the reception he intended. By using the coherency of the communicated message instead of fealty to aesthetic norms as the evaluative criteria for discussing Gutzkow's plays, the book exposes an innovative mode of specifically literary social criticism in these works that complements their traditional assessment as documentation of the cultural history of Liberalism in this period.
Download or read book Public Voices written by Karin Baumgartner and published by Peter Lang. This book was released on 2009 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the possibilities of political theorizing in the writings of early nineteenth-century German women and develops a new theory of reading women's domestic fiction. Drawing on feminism, new historicism, and hermeneutics for its theoretical framework, the study suggests significant changes to Jürgen Habermas's concept of the public sphere and women's role within it. The book re-evaluates the genre of domestic fiction and traces its use by women writers for political symbolism. Through novels, educational treatises, conduct manuals, poetry, and history books for women and children Caroline Fouqué, the principal voice in this study, and other authors of the period participated in the key debates of the early nineteenth century, among them the anguished discussions about the crisis in masculinity after the defeat of the Prussian army in 1806, the discourses of national identity, the construction of a national past, and the reorganization of the feudal state.
Download or read book The Intersection of Material and Poetic Economy written by Anna Helm and published by Peter Lang. This book was released on 2009 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work explores the intersection of the material and poetic economies in Soll und Haben and Der Nachsommer. It demonstrates how the main poetical strategies of the two novels, dichotomization (Soll und Haben) and total economization (Der Nachsommer), are defined by economic themes, structures, and forms. The «economopoetics» of the novels, i.e. the multitude of connections between economics and aesthetics, pervades the texts on three different levels: as content, as representational model, and as literary strategy. Although very different in their treatment of topics relating to business and economics, both novels are driven by narratives parsed with economic expression. The diverging patterns of economopoetics support central commentaries on their underlying realist aesthetics. One important finding is that, in spite of money's apparent absence from the core content of some literary texts, economic relations are inherent in the narrative structure of those texts. The book shows that economopoetics is relevant not only to any extant literature which attempts explicitly to thematize business and economics (such as Soll und Haben), but also to that which does not (such as Der Nachsommer). Economic organizing principles are pervasive signatures of the novel's aesthetic.
Download or read book Nexus written by William C. Donahue and published by Boydell & Brewer. This book was released on 2017 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Biennial volume of new and innovative essays on German Jewish Studies, featuring forum sections on Heinrich Heine and Karl Kraus. Nexus is the official publication of the biennial German Jewish Studies Workshop, which was inaugurated at Duke University in 2009 and is now held at the University of Notre Dame. Together, Nexus and the Workshop constitute the first ongoing forum in North America for German Jewish Studies. Nexus publishes innovative research in German Jewish Studies, introducing new directions, analyzing the development and definition of the field, and considering its place vis-à-vis both German Studies and Jewish Studies. Additionally, it examines issues of pedagogy and programming at the undergraduate, graduate, and community levels. Nexus 3 features special forum sections on Heinrich Heine and Karl Kraus. Renowned Heine scholar Jeffrey Sammons offers a magisterial critical retrospective on this towering "German Jewish" author, followed by a response from Ritchie Robertson, while the deanof Kraus scholarship, Edward Timms, reflects on the challenges and rewards of translating German Jewish dialect into English. Paul Reitter provides a thoughtful response. Contributors: Angela Botelho, Jay Geller, Abigail Gillman, Jeffrey A. Grossman, Leo Lensing, Georg Mein, Paul Reitter, Ritchie Robertson, Jeffrey L. Sammons, Egon Schwarz, Edward Timms, Liliane Weissberg, Emma Woelk. William Collins Donahue is the John J. CavanaughProfessor of the Humanities at the University of Notre Dame, where he chairs the Department of German and Russian. Martha B. Helfer is Professor of German and an affiliate member of the Department of Jewish Studies at Rutgers, TheState University of New Jersey.
Download or read book Literature and Censorship in Restoration Germany written by Katy Heady and published by Camden House. This book was released on 2009 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: The effects -- both inhibitory and creative -- of the 1819-1848 censorship on German-language literary writing. In 1819, the German Confederation promulgated the infamous "Carlsbad Decrees," establishing censorship standards aimed at thwarting the political aspirations of post-Napoleonic Germany's rapidly emerging public sphere. This most comprehensive system of state censorship to that point in German lands remained in place until the revolutions of 1848, and is widely acknowledged to have had a profound influence on public discourse. However, although censorship during the period has been the object of much scholarly interest, little is known about its precise effects on literary writing. This book redresses that situation through detailed studies of six works composed and published in different parts of the Confederation by three prominent writers: Christian Dietrich Grabbe, Heinrich Heine, and Franz Grillparzer. By analyzing successive versions of these works, the study illustrates the thematic, linguistic, and aesthetic constraints censorship placed upon their writing, as well as the variety of literary evasion strategies that it stimulated. It demonstrates that while censorship inhibited and distorted German literary writing, it also led to the emergence of distinctively complex and inventive modes of literary expression that came to mark the epoch. Katy Heady received her PhD in German from the University of Sheffield in 2007.
Download or read book The Art of Comedy and Social Critique in Nineteenth century Germany written by Rinske Van Stipriaan Pritchett and published by Peter Lang. This book was released on 2005 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the mid-nineteenth century, Charlotte Birch-Pfeiffer pursued a fifty-year career as a playwright and theater manager in Germany, Austria, and Switzerland at a time of the transformation of court theaters and itinerant troupes into commercial establishments staffed by middle-class professionals and subject to market forces. Although she has been undervalued by some critics past and present who considered her mainly as an adapter of contemporary novels, this study shows that with her thorough knowledge of the European dramatic tradition, her skill as a playwright, and above all her professionalism she overcame institutional and gender bias to develop a form of drama that integrated the social and economic changes of her time. The analysis focuses on her use of the subversive genre of comedy, the strategies she used to evade the censor, and her employment of assertive female and working-class characters. She revived commedia dell'arte techniques of the past while devising innovations that anticipated the subsequent course of drama as well as the film techniques of today.
Download or read book Robert Schumann and Richard Wagner as Music Critics written by Tobias Taddeo Hermans and published by Walter de Gruyter GmbH & Co KG. This book was released on 2024-01-29 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music reviews of Robert Schumann and Richard Wagner are central documents of 19th-century German musical culture. This book takes a closer look at the way these texts were written and explores the significant contributions Schumann and Wagner made to the discourse of musical appraisal. To that effect, the author raises fundamental questions that have thus far remained unaddressed: What textual features characterize the critical writings? How do Schumann and Wagner understand their roles as critics of music? And in what way do they reach out to the reader? Rather than understanding these critical writings exclusively as a gateway to the compositions and musical aesthetics of Schumann and Wagner, this book analyzes the texts through the lens of pragmatics, narratology and discourse analysis. Using this interdisciplinary perspective, the author proposes to understand Schumann and Wagner within the broader medial and discursive context of German ‘Kritik’. He challenges the dominant narrative that brands Schumann and Wagner as elitist Romantic critics, demonstrating instead that they actively encourage their readers to form their own judgements. This volume is an indispensable resource for scholars of German literature, periodicals and music alike.
Download or read book Banned in Berlin written by Gary D. Stark and published by Berghahn Books. This book was released on 2012 with total page 345 pages. Available in PDF, EPUB and Kindle. Book excerpt: Imperial Germany's governing elite frequently sought to censor literature that threatened established political, social, religious, and moral norms in the name of public peace, order, and security. It claimed and exercised a prerogative to intervene in literary life that was broader than that of its Western neighbors, but still not broad enough to prevent the literary community from challenging and subverting many of the social norms the state was most determined to defend. This study is the first systematic analysis in any language of state censorship of literature and theater in imperial Germany (1871-1918). To assess the role that formal state controls played in German literary and political life during this period, it examines the intent, function, contested legal basis, institutions, and everyday operations of literary censorship as well as its effectiveness and its impact on authors, publishers, and theater directors.
Download or read book Censorship written by Derek Jones and published by Routledge. This book was released on 2001-12-01 with total page 2950 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Print Markets and Political Dissent in Central Europe written by James M. Brophy and published by Oxford University Press. This book was released on 2024-06-13 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: Moving book history in a new direction, this study examines publishers as brokers of Central Europe's political public sphere. They created international print markets, translated new texts, launched new journals, supported outspoken authors, and experimented with popular formats. Most of all, they contested censorship with finesse and resolve, thereby undermining the aim of Prussia and Austria to criminalize democratic thought. By packaging dissent through popular media, publishers cultivated broad readerships, promoted political literacy, and refashioned citizenship ideals. As political actors, intellectual midwives, and cultural mediators, publishers speak to a broad range of scholarly interests. Their outsize personalities, their entrepreneurial zeal, and their publishing achievements portray how print markets shaped the political world.The narrow perimeters of political communication in the late-absolutist states of Prussia and Austria curtailed the open market of ideas. The publishing industry contested this information order, working both within and outside legal parameters to create a modern public sphere. Their expansion of print markets, their cat-and-mouse game with censors, and their ingenuity in packaging political commentary sheds light on the production and reception of dissent. Against the backdrop of censorship and police surveillance, the successes and failures of these citizens of print tell us much about nineteenth-century civil society and Central Europe's tortuous pathway to political modernization. Cutting across a range of disciplines, this study will engage social and political historians as well as scholars of publishing, literary criticism, cultural studies, translation, and the public sphere. The history of Central Europe's print markets between Napoleon and the era of unification doubles as a political tale. It sheds important new light on political communication and how publishers exposed German-language readers to the Age of Democratic Revolution.
Download or read book 1848 the Sociology of Literature written by Francis Barker and published by . This book was released on 1978 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Forbidden Laughter written by Mary Lee Townsend and published by . This book was released on 1992 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Describes the integral role of humor in the sociopolitical climate of nineteenth-century Prussia.
Download or read book Reallexikon der Assyriologie written by Erich Ebeling and published by . This book was released on 1928 with total page 778 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book IASL written by and published by . This book was released on 1999 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Austria Great Britain and the Crimean War written by Paul W. Schroeder and published by Ithaca [N.Y.] : Cornell University Press. This book was released on 1972 with total page 594 pages. Available in PDF, EPUB and Kindle. Book excerpt: Centering on the relations between Austria and the Western powers, this study is a major reappraisal of the diplomacy of the Crimean War. It also proposes a view of the nineteenth-century European international system that differs sharply from the prevalent Anglo-centered view. The author argues that the war was the result of a clash between two conflicting diplomatic approaches -- Austria's traditional diplomacy and Great Britain's new tactics of confrontation. -- Taken from book jacket.
Download or read book The Ultimate Spectacle written by Ulrich Keller and published by Routledge. This book was released on 2013-10-18 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Chloroform, telegraphy, steamships and rifles were distinctly modern features of the Crimean War. Covered by a large corps of reporters, illustrators and cameramen, it also became the first media war in history. For the benefit of the ubiquitous artists and correspondents, both the domestic events were carefully staged, giving the Crimean War an aesthetically alluring, even spectacular character. With their exclusive focus on written sources, historians have consistently overlooked this visual dimension of the Crimean War. Photo-historian Ulrich Keller challenges the traditional literary bias by drawing on a wealth of pictorial materials from scientific diagrams to photographs, press illustration and academic painting. The result is a new and different historical account which emphasizes the careful aesthetic scripting of the war for popular mass consumption at home.
Download or read book Popularizing the Nation written by Kirsten Belgum and published by U of Nebraska Press. This book was released on 1998-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: In countless articles on culture, politics, landscape, industry, history, and other topics, the Gartenlaube played an influential role in nineteenth-century Germany's larger effort to forge a national identity for itself. In fact, Belgum argues that the search for, and development of, national identity in Germany was inextricably linked to the writings of the Gartenlaube and other popular magazines. Such publications served both as a public repository of mythic memory for the nation and as a source of new national images for a self-consciously modern Germany.
