Download or read book Domine clamavi ad te exaudi me University Music Editions written by Franz Xaver Haberl and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Exaudi Domine vocem meam qua clamavi ad te University Music Editions written by Franz Xaver Haberl and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Exaudi Domine clamantem University Music Editions written by and published by . This book was released on 1961 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book De profundis clamavi ad te Domine University Music Editions written by Max Seiffert and published by . This book was released on 1901 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Hearing the Motet written by Dolores Pesce and published by Oxford University Press. This book was released on 1998-12-10 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet was unquestionably one of the most important vocal genres from its inception in late twelfth-century Paris through the Counter-Reformation and beyond. Heard in both sacred and secular contexts, the motet of the Middle Ages and Renaissance incorporated a striking wealth of meaning, its verbal textures dense with literary, social, philosophic, and religious reference. In Hearing the Motet, top scholars in the field provide the fullest picture yet of the motet's "music-poetic" nature, investigating the virtuosic interplay of music and text that distinguished some of the genre's finest work and reading individual motets and motet repertories in ways that illuminate their historical and cultural backgrounds. How were motets heard in their own time? Did the same motet mean different things to different audiences? To explore these questions, the contributors go beyond traditional musicological methods, at times invoking approaches used in recent literary criticism. Providing as well a cutting-edge look at performance questions and works by composers such as Josquin, Willaert, Obrecht, Byrd, and Palestrina, the book draws a valuable new portrait of the motet composer. Here, intriguingly, the motet composer emerges as a "reader" of the surrounding culture--a musician who knew liturgical practice as well as biblical literature and its exegetical traditions, who moved in social contexts such as humanist gatherings, who understood numerical symbolism and classical allusion, who wrote subtle memorie for patrons, and who found musical models to emulate and distort. Fresh, broad-ranging, and unique, Hearing the Motet makes vital reading for scholars, performers, and students of medieval and Renaissance music, and anyone else with an interest in the musical culture of these periods. Contributors include Rebecca A. Baltzer, Margaret Bent, M. Jennifer Bloxam, David Crook, James Haar, Paula Higgins, Joseph Kerman, Patrick Macey, Craig Monson, Robert Nosow, Jessie Ann Owens, Dolores Pesce, Joshua Rifkin, Anne Walters Robertson, Richard Sherr, and Rob C. Wegman.

Download or read book Exaudi Domine Vocem Meam Qua Clamavi Ad Te written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Exaudi me Domine quoniam benigna est University Music Editions written by and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Domine ad adjuvandum me festina University Music Editions written by Franz Xaver Haberl and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Quoniam ad te clamabo University Music Editions written by and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book O Domine adjuva me University Music Editions written by William Byrd and published by . This book was released on 1848 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Domine ad adjuvardum me festina University Music Editions written by Felipe Pedrell and published by . This book was released on 1913 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Exaltabo te Domine University Music Editions written by and published by . This book was released on 1927 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Shape of the Liturgy written by William Peter Mahrt and published by . This book was released on 2012 with total page 455 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Professor William Mahrt of Santford Univeristy and the Church Music Association of America has written a sweeping book--one that it is at once scholarly and practical--on that most controversial topic of music and the liturgy. He provides an over-whelming argument that every parish must have high standrads for liturgical music and he makes the full case for Gregorian chant as the model and the ideal of that liturgical music." - back cover

Download or read book The Chants of the Vatican Gradual written by Dominic Johner and published by Createspace Independent Publishing Platform. This book was released on 2016-11-15 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt: In response to many requests for a book descriptive and explanatory of the Gregorian Mass chants, the monks of St. John's Abbey, Collegeville, Minn., undertook the translation from the German of Dom Johner's work under the above title. In the foreword the author indicates the scope of his work. He writes: "The present work is intended chiefly to serve as an aid to the prayerful rendition of the variable chanted parts of the Mass. At the same time it aims to be a guide for the worthy and artistic rendition of those chants which have been handed down to us from an age of strong faith and noble taste." Chant is essentially a form of worship offered by the faithful and as such is an integral part of the liturgy. It is intimately connected with the very source of all Liturgy, the Eucharistic Sacrifice, and attempts to interpret and express in music the sentiments which the text expresses in words. Individual consideration is given to the texts of the Introit, Gradual, Alleluia-verse, Tract, Sequence, Offertory, and Communion. These texts are given in Latin and in English, and are arranged in parallel columns. They are studied in their historical and liturgical setting, and their sentiments of joy and sorrow, hope and fear, gratitude and penance, are pointed out and developed. In this sense also the intimate relationship existing between these various texts is indicated; all are integrated into a unified whole and referred to the life of Christ and His Church. Following this short meditation, the author analyses the musical score accompanying the text, and attempts to show how Gregorian Chant interprets these various sentiments and gives adequate expression to them in short, how Gregorian Chant is the prefect yet simple medium of translating religious emotion into the language of music. An indispensable condition for the intelligent use of this book as a guide Jor interpretation is the simultaneous use of the Vatican Gradual, since musical notation has not been included in the present work. However, only a minimum and very elementary knowledge of Gregorian Chant is necessary for the fruitful use and understanding of the book. Further knowledge is given in a very significant Introduction, which describes the structure and expressiveness of the variable Mass Chants. The original German, as also the English manuscript, have been made the basis for a very successful summer school course in the study of Gregorian Chant. The book might adequately be described as "a study in the appreciation of Gregorian Chant."

Download or read book Ambrosiana at Harvard written by Thomas Forrest Kelly and published by Harvard University Press. This book was released on 2010 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: Houghton Library Studies Series Editor: William P Stoneman --

Download or read book Life of St Francis of Assisi written by Paul Sabatier and published by . This book was released on 1894 with total page 562 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Cambridge History of Medieval Music written by Mark Everist and published by Cambridge University Press. This book was released on 2018-08-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.