Download or read book Disunified Aesthetics written by Lynette Hunter and published by McGill-Queen's Press - MQUP. This book was released on 2014-07-15 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aesthetics is a field still rooted in an understanding of a unified process where small numbers of people produce, commodify, and consume objects called "art." Disunified Aesthetics deconstructs the literary object by invoking the critic's stance toward the written works with which they engage. Lynette Hunter's performative explorations provide a distinctly different way of understanding contemporary creative processes. Disunified Aesthetics takes up twenty-first-century aesthetics through an investigation of recent Canadian writing. The book is both a series of insights into literature and poetics of the last two decades and a story about moving from a traditional view of the relation between the artist, art, and its reception, to a more radically democratic view of aesthetics and ethics. Hunter addresses a range of Canadian women's writing, as well as close studies of the work of Robert Kroetsch, Lee Maracle, Nicole Brossard, Frank Davey, Alice Munro, Daphne Marlatt, and bpNichol. Disunified Aesthetics is a creative, challenging, and original investigation of textuality, performance, and aesthetics by a leading and innovative scholar.
Download or read book Savoring Disgust written by Carolyn Korsmeyer and published by Oxford University Press. This book was released on 2011-03-17 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Disgust is among the strongest of aversions, characterized by involuntary physical recoil and even nausea. Yet paradoxically, disgusting objects can sometimes exert a grisly allure, and this emotion can constitute a positive, appreciative aesthetic response when exploited by works of art -- a phenomenon labelled here "aesthetic disgust." While the reactive, visceral quality of disgust contributes to its misleading reputation as a relatively "primitive" response mechanism, it is this feature that also gives it a particular aesthetic power when manifest in art. Most treatments of disgust mistakenly interpret it as only an extreme response, thereby neglecting the many subtle ways that it operates aesthetically. This study calls attention to the diversity and depth of its uses, analyzing the emotion in detail and considering the enormous variety of aesthetic forms it can assume in works of art and --unexpectedly-- even in foods. In the process of articulating a positive role for disgust, this book examines the nature of aesthetic apprehension and argues for the distinctive mode of cognition that disgust affords -- an intimate apprehension of physical mortality. Despite some commonalities attached to the meaning of disgust, this emotion assumes many aesthetic forms: it can be funny, profound, witty, ironic, unsettling, sorrowful, or gross. To demonstrate this diversity, several chapters review examples of disgust as it is aroused by art. The book ends by investigating to what extent disgust can be discovered in art that is also considered beautiful.
Download or read book Politics of Practice written by Lynette Hunter and published by Springer Nature. This book was released on 2019-10-17 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses affective practices in performance through the study of four contemporary performers – Keith Hennessy, Ilya Noé, Caro Novella, and duskin drum – to suggest a tentative rhetoric of performativity generating political affect and permeating attempts at social justice that are often alterior to discourse. The first part of the book makes a case for the political work done alongside discourse by performers practising with materials that are not-known, in ways that are directly relevant to people carrying out their daily lives. In the second part of the book, four case study chapters circle around figures of irresolvable paradox – hendiadys, enthymeme, anecdote, allegory – that gesture to what is not-known, to study strategies for processes of becoming, knowing and valuing. These figures also shape some elements of these performances that make up a suggested rhetorical stance for performativity.
Download or read book Sentient Performativities of Embodiment written by Lynette Hunter and published by Rowman & Littlefield. This book was released on 2016-05-05 with total page 351 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection offers writings on the body with a focus on performance, defined as both staged performance and everyday performance. Traditionally, theorizations of the body have either analyzed its impact on its socio-historical environment or treated the body as a self-enclosed semiotic and affective system. This collection makes a conscious effort to merge these two approaches. It is interested in interactions between bodies and other bodies, bodies and environments, and bodies and objects.
Download or read book Burning Man written by Linda Noveroske-Tritten and published by Taylor & Francis. This book was released on 2024-02-06 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book centres on a philosophical analysis of creative acts in the Burning Man Festival and their roles in wider social change. With particular focus on the Ten Principles of Burning Man, Linda Noveroske posits a re-interpretation of common notions of “self” and “other” as they apply to identity, difference, and the ways that these personal impulses ripple outward from changing individuals into changing societies. Such radical re-imagination of ideology can be most powerful when it occurs in spaces of otherness, of heterotopia. This study casts Burning Man as a heterotopia to not only destabilizes what we think we know about visual art, performance, and creative encounters, but also bring these acts into an attitude of immediacy that facilitates previously unimagined behaviour and opens out artistic drive into the unknown. This book would be of value for scholars and practitioners in Performance Studies, Theatre and Dance, Art History, Psychology, Phenomenology, Architecture and Urban Studies.
Download or read book Critical and Aesthetic Research in Environmental Art written by Elizabeth Stephens and published by . This book was released on 2015 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Environmental Aesthetics critically explores the environmental art and performances of three artists, Joseph Beuys, The Harrison Studio, and my own [Elizabeth Stephens] collaborative work with Annie Sprinkle (as the Love Art Lab) to raise critical questions regarding how artistic practices might shift the ways people imagine and are in relationship with the Earth. This work asks, "can art change the way human beings understand and interact with their environment enough to help mitigate the growing possibility of extreme social and ecological catastrophe that will likely result from a failure to modify human activities that cause damage to the earth's environments?" To answer this question, three aesthetic methodologies, relational, dialogical and disunified, are explored in juxtaposition with the work of Beuys, the Harrisons and the Love Art Lab. Feminist and queer studies, science & technology studies, ecological thinking, situated knowledges and to a less developed degree (because I still have much to learn about these areas) critical race studies and indigenous standpoints are employed throughout. Together these aesthetics, artists and theoretical fields serve to help critically examine Western culture's hegemonic ideologies that support the belief in human exceptionalism, which has led to many adverse effects on the earth's ecologies. While disparate in form and execution, the shared use of performativity and its ability to captivate and inspire audiences toward affective action is found in the art of all-2-three artist-collaborators. Beuys, whose work embodied the notion of the "artist as catalyst," correlates to Bourriaud's notion of relational aesthetics. The Harrisons' call and-response practices and their extended dialogues employ Kester's dialogical aesthetic with the human and nonhuman communities where their works are situated. The actual inclusion of the viewer that occurred during the Love Art Lab weddings exemplified disunified aesthetics through open-format performances that functioned as a form of unexpected gifting instead of as a series of predetermined acts. By making the deliberate choice not to put constraints on fellow performers, and even inviting oppositional views to share the same space, these performances brought heightened attention to things that could not speak and sometimes could not be spoken about. Adopting an "alongside" position under the aegis of disunified aesthetics created space that nurtured new ideas which had hitherto been unknown and unrecognizable to hegemonic ideology. This intentional engagement with the unknown allowed new ideas to emerge and exist alongside others instead of perpetuating attempts to unify cultural practices, which would have caused difference to become absorbed, homogenized and made the same. Employing sexecology (a field that Sprinkle and I founded) and its accompanying practice of ecosexuality, we explored different approaches to the larger field of environmental art. This has been met with both acceptance and rejection in the GLBTQI community, the art world, environmental activist communities, as well as in academic settings. By beginning with the acceptance of an open-ended "conclusion," this dissertation argues for continued opportunities to develop sexecology, a field that, while-3-somewhat in its youth, is attempting to address issues that are of unquestionable significance and concern. Drawing from these artists as well as critical theory and philosophy (Haraway, Hunter, TallBear, Kester, Lakoff, Scott, Bogad, etc.) this dissertation seeks to continue expanding notions of environmental art, collaboration, community and other ways of knowing that do not fit existing ideological systems. Environmental Aesthetics provides space to nurture and envision different kinds of complex ecological futures that the artists discussed throughout have helped make possible through their creative energy and efforts.
Download or read book Performance Cultures as Epistemic Cultures Volume I written by Erika Fischer-Lichte and published by Taylor & Francis. This book was released on 2023-04-07 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates performances as situated "machineries of knowing" (Karin Knorr Cetina), exploring them as relational processes for, in and with which performers as well as spectators actively (re)generate diverse practices of knowing, knowledges and epistemologies. Performance cultures are distinct but interconnected environments of knowledge practice. Their characteristic features depend not least on historical as well as contemporary practices and processes of interweaving performance cultures. The book presents case studies from diverse locations around the globe, including Argentina, Canada, China, Greece, India, Poland, Singapore, and the United States. Authored by leading scholars in theater, performance and dance studies, its chapters probe not only what kinds of knowledges are (re)generated in performances, for example cultural, social, aesthetic and/or spiritual knowledges; the contributions investigate also how performers and spectators practice knowing (and not-knowing) in performances, paying particular attention to practices and processes of interweaving performance cultures and the ways in which they contribute to shaping performances as dynamic "machineries of knowing" today. Ideal for researchers, students and practitioners of theater, performance and dance, (Re)Generating Knowledges in Performance explores vital knowledge-serving functions of performance, investigating and emphasizing in particular the impact and potential of practices and processes of interweaving of performance cultures that enable performers and spectators to (re)generate crucial knowledges in increasingly diverse ways.
Download or read book Performance Politics and Activism written by P. Lichtenfels and published by Springer. This book was released on 2013-04-09 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considering both making political performance and making performance politically, this collection explores engagements of political resistance, public practice and performance media, on various scales of production within structures of neoliberal and liberal government and power.
Download or read book Shakespeare and Realism written by Peter Lichtenfels and published by Rowman & Littlefield. This book was released on 2020-07-08 with total page 149 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays examines the works of the most famous writer of plays in the English language within the most culturally pervasive genre in which they are performed. Though Realist productions of Shakespeare are central to the ways in which his work is produced and consumed in the 21st century-and has been for the last 100 years-scholars are divided on the socio-political, historical, and ethical effects of this marriage of content and style. The book is divided into two sections, the first of which focuses on how Realist performance style influences our understanding of Shakespeare’s characters. These chapters engage in close readings of multiple performances, interrogating the ways in which actors’ specific characterizations contribute to extremely varied interpretations of a single character. The second section then considers audiences’ experiences of Shakespearean texts in Realist performance. The essays in this section-all written by theatre directors-imagine out what might constitute Realism. Each chapter focuses on a particular production, or set of productions by a single company, and considers how the practitioners utilized critically informed notions of what constitutes “the real” to reframe what Realism looks like on stage. This is a book of arguments by both theatre practitioners and scholars. Rather than presenting a unified critical position, this collection seeks to stimulate the debate around Realist Shakespeare performance, and to attend to the political consequences of particular aesthetic choices for the audience, as well as for Shakespeare critics and theatre artists.
Download or read book Advances in Experimental Philosophy of Aesthetics written by Florian Cova and published by Bloomsbury Publishing. This book was released on 2018-11-15 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: Experimental philosophy has blossomed into a variety of philosophical fields including ethics, epistemology, metaphysics and philosophy of language. But there has been very little experimental philosophical research in the domain of philosophical aesthetics. Advances to Experimental Philosophy of Aesthetics introduces this burgeoning research field, presenting it both in its unity and diversity, and determining the nature and methods of an experimental philosophy of aesthetics. Addressing a wide variety of empirical claims that are of interest to philosophers and psychologists, a team of authors from different disciplines tackle traditional and new problems in aesthetics, including the nature of aesthetic properties and norms, the possibility of aesthetic testimony, the role of emotions and moral judgment in art appreciation, the link between art and language, and the role of intuitions in philosophical aesthetics. Interacting with other disciplines such as moral psychology and linguistics, it demonstrates how philosophical aesthetics can integrate empirical methods and discover new ways of approaching core problems. Advances to Experimental Philosophy of Aesthetics is an important contribution to understanding aesthetics in the 21st century.
Download or read book The Local Meets the Global in Performance written by Pirkko Koski and published by Cambridge Scholars Publishing. This book was released on 2010-02-19 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: This anthology explores the ways in which theatre and performance functions at the interstices of contemporary local and global networks. Theatre and performance occurs in time and space and exists between the audience and performer as a communicative event. This local world of experience and human interactivity is not easily subsumed by global networks or commercial systems and remains a potent force of expression and, at times, resistance. The volume offers a range of critical viewpoints from which to evaluate the interrelationality of the local and the global, such as philosophical cosmopolitanism, post-colonialism, feminism, class, ethnicity, gender and the experience of the diasporic or exilic artist. The anthology concludes with a reflection between Janelle Reinelt and Marvin Carlson upon the ideas put forth in the book and the broader connectivities of the local and the global. Reinelt and Carlson reveal that these concepts should not be regarded in opposition but, rather, as entangled, something which is reflected in this volume as a whole. A number of international productions and performance practices are discussed from diverse geographical and cultural perspectives, illuminating the complexity of the local and the global. As Reinelt suggests: “The global-local category as a hyphenated concept has become a slogan now, a cliché even. It first arose because the local was supposed to save the global from totalisation, but in fact the global-local concept became, in reality, so complex that this opposition was not useful anymore.” Carlson’s and Reinelt’s engagement with the essays, and with the broader issues of the global and the local, marks an important intervention into how we process experience through theatre and performance in the world today. Contributors include: Marvin Carlson, Shams Eldin, Lynette Hunter, Pirkko Koski, Yana Meerzon, Yasushi Nagata, Janelle Reinelt, Heike Roms, Nehad Selaiha, Melissa Sihra, Juha Sihvola, Joanne Tompkins, Denise Varney and Farah Yeganeh.
Download or read book Parallel Encounters written by Gillian Roberts and published by Wilfrid Laurier Univ. Press. This book was released on 2014-03-24 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays collected in iParallel Encounters The field of border studies has hitherto neglected the Canada–US border as a site of cultural interest, tending to examine only its role in transnational policy, economic cycles, and legal and political frameworks. Border studies has long been rooted in the US–Mexico divide; shifting the locus of that discussion north to the 49th parallel, the contributors ask what added complications a site-specific analysis of culture at the Canada–US border can bring to the conversation. In so doing, this collection responds to the demands of Hemispheric American Studies to broaden considerations of the significance of American culture to the Americas as a whole—bringing Canadian Studies into dialogue with the dominantly US-centric critical theory in questions of citizenship, globalization, Indigenous mobilization, hemispheric exchange, and transnationalism.
Download or read book Barking Biting written by Sina Queyras and published by Wilfrid Laurier Univ. Press. This book was released on 2016-03-31 with total page 91 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together representative work from Sina Queyras’s poetic oeuvre. Queyras is at the forefront of contemporary discussions of genre, gender, and criticism of poetry. Her influential blog-turned-literary-magazine, Lemon Hound, published up-and-coming writers as well as work by established literary figures in Canada and abroad. The title, Barking & Biting, makes reference to the tagline of Lemon Hound: “more bark than bite.” Erin Wunker’s introduction situates Queyras’s poetry within ongoing debates around genre and gender. It suggests that Queyras’s writing, be it literary critical, poetic, or prose, is precise and probing but avoids toothless critical positioning. It pays particular attention to Queyras’s poetic innovations and intertextual references to other women writers, and suggests that read together Queyras’s oeuvre embodies an engaged feminist attention—what Joan Retallack has called a “poethics,” where poetry and ethics are bound together as a mode of inquiry and aesthetics. Queyras’s poems trace a consistent concern with both poetic genealogies and the status of women. Thus far, twenty-first century poetics have been preoccupied with two ongoing conversations: the perceived divide between lyric and conceptual writing, and the underrepresentation of women and other non-dominant subjects. While these two topics may seem epistemologically and ethically separate, they are in fact irrevocably intertwined. Questions of form are, at their root, questions of visibility and recognizability. Will the reader know a poem when she sees it? And will that seeing alter her perception of the world? And how is the form of the poem altered, productively or un-, by the identity politics of its author? These are the questions that undergird Queyras’s poetry and guide the editorial selections. Queyras’s poetics pay dogged attention to questions of both representation and genre. In each of her poetry collections she inhabits tenets of the traditional lyric but leverages the genre open to let conceptualism in. This is demonstrated in her afterword, “Lyric Conceptualism, a Manifesto in Progress,” which was first published on the Poetry Foundation’s Harriet the Blog. In it Queyras puts forward a set of maxims about the possibilities of a new hybrid, the conceptual lyric poem.
Download or read book Editing Performance Texts written by Jacqueline Jenkins and published by Springer. This book was released on 2014-06-24 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this volume challenge current 'givens' in medieval and early modern research around periodization and editorial practice. They showcase cutting-edge research practices and approaches in textual editing, and in manuscript and performance studies to produce new ways of reading and working for students and scholars.
Download or read book Going Performative in Intercultural Education written by John Crutchfield and published by Multilingual Matters. This book was released on 2017-08-24 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last two decades drama pedagogy has helped to lay the foundations for a new teaching and learning culture, one that accentuates physicality and centres on performative experience. Signs of this ‘performative turn’ in education are especially strong in the field of foreign/second language teaching. This volume introduces scholars, language teachers, student teachers and drama practitioners to the concept of a performative foreign language didactics. Approaching the subject from a wide variety of contexts, the contributors explore the extent to which performative approaches, emphasising the role of the body as a learning medium, can achieve deep intercultural learning. Drama activities such as improvisation, hot seating and tableaux are shown to create rich opportunities for intercultural encounters that transport students beyond the parameters of conventional language, literature and culture education.
Download or read book William Shakespeare written by Harold Bloom and published by Infobase Publishing. This book was released on 19?? with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a collection of critical essays on the comedic works of William Shakespeare.
Download or read book Hollywood Aesthetic written by Todd Berliner and published by Oxford University Press. This book was released on 2017-03-01 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hollywood makes the most widely successful pleasure-giving artworks the world has ever known. The industry operates under the assumption that pleasurable aesthetic experiences, among huge populations, translate into box office success. With that goal in mind, Hollywood has systematized the delivery of aesthetic pleasure, packaging and selling it on a massive scale. In Hollywood Aesthetic, Todd Berliner accounts for the chief attraction of Hollywood cinema worldwide: its entertainment value. The book examines films such as City Lights and Goodfellas that have earned aesthetic appreciation from both fans and critics. But it also studies some curious outliers, cult films, and celebrated Hollywood experiments, such as The Killing and Starship Troopers. And it demonstrates that even ordinary popular films, from Tarzan and His Mate to Rocky III, as well as action blockbusters, like Die Hard and The Dark Knight, offer aesthetic pleasure to mass audiences. Hollywood Aesthetic explains how Hollywood engages viewers by satisfying their aesthetic desires. Visit the companion website at www.oup.com/us/hollywoodaesthetic
