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Download or read book The Theatre of Alexandre Dumas Fils written by Frank Alwyn Taylor and published by . This book was released on 1937 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Th atre Complet de Al Dumas Fils written by Alexandre Dumas and published by . This book was released on 1868 with total page 402 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Discours de r ception de M Alexandre Dumas fils written by Alexandre Dumas (syn).) and published by . This book was released on 1875 with total page 86 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Creole Medievalism written by Michelle R. Warren and published by U of Minnesota Press. This book was released on 2011 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: How a scholar's multilingual, multiracial background created a French medieval ideal.

Download or read book Manual of the History of French Literature written by Ferdinand Brunetière and published by . This book was released on 1898 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Discours de M Alexandre Dumas fils prononc l Acad mie fran aise written by Haussonville-J-O-B and published by . This book was released on 2018-02-28 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1965 with total page 638 pages. Available in PDF, EPUB and Kindle. Book excerpt:

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Download or read book Gustave Dor and the Modern Biblical Imagination written by Sarah C. Schaefer and published by Oxford University Press. This book was released on 2021-09-14 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gustave Doré and the Modern Biblical Imagination explores the role of biblical imagery in modernity through the lens of Gustave Doré (1832-83), whose work is among the most reproduced and adapted scriptural imagery in the history of Judeo-Christianity. First published in France in late 1865, Doré's Bible illustrations received widespread critical acclaim among both religious and lay audiences, and the next several decades saw unprecedented dissemination of the images on an international scale. In 1868, the Doré Gallery opened in London, featuring monumental religious paintings that drew 2.5 million visitors over the course of a quarter-century; when the gallery's holdings travelled to the United States in 1892, exhibitions at venues like the Art Institute of Chicago drew record crowds. The United States saw the most creative appropriations of Doré's images among a plethora of media, from prayer cards and magic lantern slides to massive stained-glass windows and the spectacular epic films of Cecile B. DeMille. This book repositions biblical imagery at the center of modernity, an era that has often been defined through a process of secularization, and argues that Doré's biblical imagery negotiated the challenges of visualizing the Bible for modern audiences in both sacred and secular contexts. A set of texts whose veracity and authority were under unprecedented scrutiny in this period, the Bible was at the center of a range of historical, theological, and cultural debates. Gustave Doré is at the nexus of these narratives, as his work established the most pervasive visual language for biblical imagery in the past two and a half centuries, and constitutes the means by which the Bible has persistently been translated visually.

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