Download or read book Die Schau des Fremden written by Cordula Grewe and published by Franz Steiner Verlag Wiesbaden GmbH. This book was released on 2006 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: Im Zeichen postkolonialer Kritik sind Museen der Volks- und V�lkerkunde heute eine umstrittene Gattung. Museen werden aufgel�st, Sammlungen umorganisiert, neue Institutionen gegruendet. Dieses Buch nimmt die Entwicklungen in Frankreich, Deutschland, Belgien und USA von der Mitte des 19. Jahrhunderts bis zur Gegenwart in den Blick. Es bringt Kuratoren, Kunsthistoriker, Anthropologen, Soziologen und Historiker in einen inter- und multidisziplin�ren Austausch ueber neue Wege der Visualisierung des �Eigenen� wie �Fremden�. In light of postcolonial criticism, the museum of ethnology, anthropology and folklore has become a contested territory. Some museums are being dissolved, collections reorganized, and new institutions created. Focusing on France, Germany, Belgium and the United States in the period between the mid-nineteenth century and the present, this essay collection creates an interdisciplinary dialogue between curators, sociologists, anthropologists, historians and art historians. It sheds new light on the manner in which a modern museology negotiates the problematic heritage of the field and finds new ways to exhibit �self� and �other�. Inhalt Vorwort I. Einleitung: Cordula Grewe: Between Art, Artifact, and Attraction: The Ethnographic Object and its Appropriation in Western Culture II. �sthetik der Attraktionen: Weltausstellungen und V�lkerschauen: Alice von Plato: Zwischen Hochkultur und Folklore: Geschichte und Ethnologie auf den franz�sischen Weltausstellungen im 19. Jahrhundert Gabriele Duerbeck: Samoa als inszeniertes Paradies: V�lkerausstellungen um 1900 und die Tradition der popul�ren Suedseeliteratur B�rbel Kuester: Zwischen �sthetik, Politik und Ethnographie: Die Pr�sentation des Belgischen Kongo auf der Weltausstellung Bruessel-Tervuren 1897 III. Das ethnologische Museum heute: Probleme - Projekte - Perspektiven: Reform als Praxis: Modelle der Neugestaltung: Enid Schildkrout: The Beauty of Science and the Truth of Art: Museum Anthropology at the Crossroads Elisabeth Tietmeyer: Das �Andere� und das �Eigene�: Geschichte, Profil und Perspektiven des Museums Europ�ischer Kulturen in Berlin Michel Colardelle: Mus�es de Soci�t� im 21. Jahrhundert - Was soll mit ihnen geschehen? Fallbeispiel Paris: Vom Louvre zum Mus�e du Quai Branly: N�lia Dias: �What's in a Name?� Anthropology, Museums, and Values, 1827-2006 Nina Gorgus: Georges-Henri Rivi�re: �Lehrjahre� am Pariser Mus�e d'Ethnographie, 1928-1937 Germain Viatte: Das Konzept: Ein Essay zum Mus�e du Quai Branly als projet mus�ologique Maurice Godelier: Die Vision: Einheit von Kunst und Wissenschaft im Mus�e du Quai Branly Lorenzo Brutti: Die Kritik: Ethnographische Betrachtungen des Mus�e du Quai Branly aus der Perspektive eines teilnehmenden Beobachters IV. Kuenstlerische Aneignungen: Ethnologie im Zeichen der Avantgarden: Marsha Morton: The Ethnographic Vision of Max Klinger Andrew Zimmermann: From Natural Science to Primitive Art: German New Guinea in Emil Nolde Uwe Fleckner: The Death of the Work of Art: Carl Einstein and the Berlin Museum of Ethnology Wendy Grossman: Photography at the Crossroads: African Art in the Age of Mechanical Reproduction Till F�rster: Negotiating the Contemporary: Local African Artists in a Globalizing Art World V. Nachwort: Barbara Kirshenblatt-Gimblett: Reconfiguring Museums: An Afterword.
Download or read book The Fuzzy Logic of Encounter written by Sünne Juterczenka and published by Waxmann Verlag. This book was released on 2009 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book To the Collector Belong the Spoils written by Annie Pfeifer and published by Cornell University Press. This book was released on 2023-02-15 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: To the Collector Belong the Spoils rethinks collecting as an artistic, revolutionary, and appropriative modernist practice, which flourishes beyond institutions like museums or archives. Through a constellation of three author-collectors—Henry James, Walter Benjamin, and Carl Einstein—Annie Pfeifer examines the relationship between literary modernism and twentieth-century practices of collecting objects. From James's paper hoarding to Einstein's mania for African art and Benjamin's obsession with old Russian toys, she shows how these authors' literary techniques of compiling, gleaning, and reassembling constitute a modernist style of collecting that reimagines the relationship between author and text, source and medium. Placing Benjamin and Einstein in surprising conversation with James sharpens the contours of collecting as aesthetic and political praxis underpinned by dangerous passions. An apt figure for modernity, the collector is caught between preservation and transformation, order and chaos, the past and the future. Positing a shadow history of modernism rooted in collection, citation, and paraphrase, To the Collector Belong the Spoils traces the movement's artistic innovation to its preoccupation with appropriating and rewriting the past. By despoiling and decontextualizing the work of others, these three authors engaged in a form of creative plunder that evokes collecting's long history in the spoils of war and conquest. As Pfeifer demonstrates, more than an archive or taxonomy, modernist collecting practices became a radical, creative endeavor—the artist as collector, the collector as artist.
Download or read book Germany in the World A Global History 1500 2000 written by David Blackbourn and published by Liveright Publishing. This book was released on 2023-06-06 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brilliantly conceived and majestically written, this monumental work of European history recasts the five-hundred-year history of Germany. With Germany in the World, award-winning historian David Blackbourn radically revises conventional narratives of German history, demonstrating the existence of a distinctly German presence in the world centuries before its unification—and revealing a national identity far more complicated than previously imagined. Blackbourn traces Germany’s evolution from the loosely bound Holy Roman Empire of 1500 to a sprawling colonial power to a twenty-first-century beacon of democracy. Viewed through a global lens, familiar landmarks of German history—the Reformation, the Revolution of 1848, the Nazi regime—are transformed, while others are unearthed and explored, as Blackbourn reveals Germany’s leading role in creating modern universities and its sinister involvement in slave-trade economies. A global history for a global age, Germany in the World is a bold and original account that upends the idea that a nation’s history should be written as though it took place entirely within that nation’s borders.
Download or read book Max Pechstein The Rise and Fall of Expressionism written by Bernhard Fulda and published by Walter de Gruyter. This book was released on 2012-10-30 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Max Pechstein (1881–1955) is one of the most prominent German artists of the twentieth century, not least because of his crucial role in the breakthrough of German Expressionism. This long overdue biography combines the portrayal of an outstanding artistic personality with the story of an individual German who struggled through the political upheavals of his time. Pechstein's work is presented in the cultural context of museum politics and art associations, art dealers and critics, market forces and cultural trends.
Download or read book Coconut Colonialism written by Holger Droessler and published by Harvard University Press. This book was released on 2022-01-11 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new history of globalization and empire at the crossroads of the Pacific. Located halfway between Hawai‘i and Australia, the islands of Samoa have long been a center of Oceanian cultural and economic exchange. Accustomed to exercising agency in trade and diplomacy, Samoans found themselves enmeshed in a new form of globalization after missionaries and traders arrived in the middle of the nineteenth century. As the great powers of Europe and America competed to bring Samoa into their orbits, Germany and the United States eventually agreed to divide the islands for their burgeoning colonial holdings. In Coconut Colonialism, Holger Droessler examines the Samoan response through the lives of its workers. Ordinary Samoans—some on large plantations, others on their own small holdings—picked and processed coconuts and cocoa, tapped rubber trees, and built roads and ports that brought cash crops to Europe and North America. At the same time, Samoans redefined their own way of being in the world—what Droessler terms “Oceanian globality”—to challenge German and American visions of a global economy that in fact served only the needs of Western capitalism. Through cooperative farming, Samoans contested the exploitative wage-labor system introduced by colonial powers. The islanders also participated in ethnographic shows around the world, turning them into diplomatic missions and making friends with fellow colonized peoples. Samoans thereby found ways to press their own agendas and regain a degree of independence. Based on research in multiple languages and countries, Coconut Colonialism offers new insights into the global history of labor and empire at the dawn of the twentieth century.
Download or read book Images of the Art Museum written by Eva-Maria Troelenberg and published by Walter de Gruyter GmbH & Co KG. This book was released on 2017-02-06 with total page 382 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent years, the emerging field of museum studies has seen rapid expansion in the critical study of museums and scholars started to question the institution and its functions. To contribute differentiated viewpoints to the currently evolving meta-discourse on the museum, this volume aims to investigate how the institution of the museum has been visualized and translated into different kinds of images and how these images have affected our perception of these institutions. In this interdisciplinary collection, scholars from a variety of academic backgrounds, including art history, heritage, museums studies and architectural history, explore a broad range of case studies stretching across the globe. The volume opens up debate about the epistemological and historiographical significance of a variety of different images and representations of the Art Museum, including the transformation or adaptation of the image of the art museum across periods and cultures. In this context, this volume aims to develop a new theoretical framework while proposing new methodological tools and resources for the analysis of museological representations on a global scale.
Download or read book How Folklore Shaped Modern Art written by Wes Hill and published by Routledge. This book was released on 2015-11-19 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the 1990s, artists and art writers around the world have increasingly undermined the essentialism associated with notions of "critical practice." We can see this manifesting in the renewed relevance of what were previously considered "outsider" art practices, the emphasis on first-person accounts of identity over critical theory, and the proliferation of exhibitions that refuse to distinguish between art and the productions of culture more generally. How Folklore Shaped Modern Art: A Post-Critical History of Aesthetics underscores how the cultural traditions, belief systems and performed exchanges that were once integral to the folklore discipline are now central to contemporary art’s "post-critical turn." This shift is considered here as less a direct confrontation of critical procedures than a symptom of art’s inclusive ideals, overturning the historical separation of fine art from those "uncritical" forms located in material and commercial culture. In a global context, aesthetics is now just one of numerous traditions informing our encounters with visual culture today, symptomatic of the pull towards an impossibly pluralistic image of art that reflects the irreducible conditions of identity.
Download or read book Max Liebermann written by Dr Marion Deshmukh and published by Ashgate Publishing, Ltd.. This book was released on 2015-10-28 with total page 481 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first English-language examination of the German impressionist painter Max Liebermann, whose long life and career spanned nine decades. Through a close reading of key paintings and a discussion of his many cultural networks across Germany and throughout Europe, this study by Marion F. Deshmukh illuminates Liebermann’s importance as a pioneer of German modernism.
Download or read book Elective Affinities written by Catriona MacLeod and published by Rodopi. This book was released on 2009 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preliminary Material -- Introduction /Catriona MacLeod -- Summaries -- Consulting the Manual: Word and Image in Marcel Duchamp's Étant donnés /Michael R. Taylor -- Living and Dying in the Limelight: Performing the Self in Frida Kahlo's Diary and Paintings /Adriana Dragomir -- Imbrication de l'image, du texte et de la musique dans un corpus de prières énigmatiques à la Vierge /Laurence Wuidar -- The Künstlerroman as Romantic Arabesque: Parody, Collaboration, and the Making of The Modern Vasari (1854) /Cordula Grewe -- The “Inscapes” of Louis le Brocquy /Karen E. Brown -- American Scenery/Canadian Scenery: Conflicting Views of Indigenes in Mid-Nineteenth-Century British Portrayals of the American Continent /Robert Grant -- Cartoonists as Matchmakers: The Vibrant Relationship of Text and Image in the Work of Lynda Barry /Miriam Harris -- The Truth of the Word, the Falsity of the Image: Transmetropolitan's Critique of the Society of the Spectacle /Steen Christiansen -- Le magazine français Vu (1928-40): Naissance de l'information visuelle et utopie de la substitution de l'image photographique au texte écrit /Danielle Leenaerts -- From Ekphrasis to History: Verbal Transformations of the Display of Picture Galleries--Wilhelm Heinse and Friedrich Schlegel /Hubert Locher -- Modernizing History and Historicizing Modernity: Baudelaire and Baudelairean Representations of Contemporaneity /Lauren S. Weingarden -- Serial Künstler: Portrait of the Artist as a Malefactor /Valentin Nussbaum -- Hypnotic Performance and the Falsity of Appearances: The Aesthetics of Medical Spectatorship and Axel Munthe's Critique of Jean-Martin Charcot /Jonathan Marshall -- New Light and Old Shadows: Industrial Illumination and its Imaginaire /Susana Oliveira -- Illustrating the Shadow of Doubt: Henry James, Blindness, and “The Real Thing” /Jennifer A. Greenhill -- Picturing Paradise: Baudelaire's “L'Invitation au voyage” /Eric T. Haskell -- The Writing-Drawing Continuum of Alexei Remizov /Julia Friedman -- Aby Warburg as Reader of Gottfried Semper: Reflections on the Cosmic Character of Ornament /Spyros Papapetros -- John Heartfield's Insects and the “Idea” of Natural History /Cristina Cuevas-Wolf -- The Photographic Thought of Latina/o Literature and Cultural Critique /María DeGuzmán -- Diderot, Brecht, Eisenstein, Fassbinder: Découpage Aesthetics on the Divide /Susan Nurmi-Schomers -- (Ideo-)Logical Alliances between Image and Script: Calligraphic Reconfigurations in Contemporary Chinese Art /Birgit Mersmann -- Contributors -- Index.
Download or read book The Handbook of Contemporary Indigenous Architecture written by Elizabeth Grant and published by Springer. This book was released on 2018-06-26 with total page 1001 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Handbook provides the first comprehensive international overview of significant contemporary Indigenous architecture, practice, and discourse, showcasing established and emerging Indigenous authors and practitioners from Australia, Aotearoa New Zealand, the Pacific Islands, Canada, USA and other countries. It captures the breadth and depth of contemporary work in the field, establishes the historical and present context of the work, and highlights important future directions for research and practice. The topics covered include Indigenous placemaking, identity, cultural regeneration and Indigenous knowledges. The book brings together eminent and emerging scholars and practitioners to discuss and compare major projects and design approaches, to reflect on the main issues and debates, while enhancing theoretical understandings of contemporary Indigenous architecture.The book is an indispensable resource for scholars, students, policy makers, and other professionals seeking to understand the ways in which Indigenous people have a built tradition or aspire to translate their cultures into the built environment. It is also an essential reference for academics and practitioners working in the field of the built environment, who need up-to-date knowledge of current practices and discourse on Indigenous peoples and their architecture.
Download or read book French Primitivism and the Ends of Empire 1945 1975 written by Daniel J. Sherman and published by University of Chicago Press. This book was released on 2011-11-15 with total page 307 pages. Available in PDF, EPUB and Kindle. Book excerpt: For over a century, the idea of primitivism has motivated artistic modernism. Focusing on the three decades after World War II, known in France as “les trentes glorieuses” despite the loss of most of the country’s colonial empire, this probing and expansive book argues that primitivism played a key role in a French society marked by both economic growth and political turmoil. In a series of chapters that consider significant aspects of French culture—including the creation of new museums of French folklore and of African and Oceanic arts and the development of tourism against the backdrop of nuclear testing in French Polynesia—Daniel J. Sherman shows how primitivism, a collective fantasy born of the colonial encounter, proved adaptable to a postcolonial, inward-looking age of mass consumption. Following the likes of Claude Lévi-Strauss, Andrée Putman, and Jean Dubuffet through decorating magazines, museum galleries, and Tahiti’s pristine lagoons, this interdisciplinary study provides a new perspective on primitivism as a cultural phenomenon and offers fresh insights into the eccentric edges of contemporary French history.
Download or read book Can Art History be Made Global written by Monica Juneja and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-03-20 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book responds to the challenge of the global turn in the humanities from the perspective of art history. A global art history, it argues, need not follow the logic of economic globalization nor seek to bring the entire world into its fold. Instead, it draws on a theory of transculturation to explore key moments of an art history that can no longer be approached through a facile globalism. How can art historical analysis theorize relationships of connectivity that have characterized cultures and regions across distances? How can it meaningfully handle issues of commensurability or its absence among cultures? By shifting the focus of enquiry to South Asia, the five meditations that make up this book seek to translate intellectual insights of experiences beyond Euro–America into globally intelligible analyses.
Download or read book Postcolonial Studies Across the Disciplines written by Jana Gohrisch and published by Rodopi. This book was released on 2013-11-15 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together contributions from various disciplines and academic fields, this collection engages in interdisciplinary dialogue on postcolonial issues. Covering African, anglophone, Romance, and New-World themes, linguistic, literary, and cultural studies, and historiography, music, art history, and textile studies, the volume raises questions of (inter)disciplinarity, methodology, and entangled histories. The essays focus on the representation of slavery in the transatlantic world (the USA, Jamaica, Haiti, and the wider Caribbean, West Africa, and the UK). Drawing on a range of historical sources, material objects, and representations, they study Jamaican Creole, African masks, knitted objects, patchwork sculpture, newspapers, films, popular music, and literature of different genres from the Caribbean, West and South Africa, India, and Britain. At the same time, they reflect on theoretical problems such as intertextuality, intermediality, and cultural exchange, and explore intersections – postcolonial literature and transatlantic history; postcolonial and African-American studies; postcolonial literary and cultural studies. The final section keys in with the overall aim of challenging established disciplinary modes of knowledge production: exploring schools and universities as locations of postcolonial studies. Teachers investigate the possibilities and limits of their respective institutions and probe new ways of engaging with postcolonial concerns. With its integrative, interdisciplinary focus, this collection addresses readers interested in understanding how colonization and globalization have influenced societies and cultures around the world. Contributors: Anja Bandau, Sabine Broeck, Sarah Fekadu, Matthias Galler, Janou Glencross, Jana Gohrisch, Ellen Grünkemeier, Jessica Hemmings, Jan Hüsgen, Johannes Salim Ismaiel–Wendt, Ursula Kluwick, Henning Marquardt, Dennis Mischke, Timo Müller, Mala Pandurang, Carl Plasa, Elinor Jane Pohl, Brigitte Reinwald, Steffen Runkel, Andrea Sand, Cecile Sandten, Frank Schulze–Engler, Melanie Ulz, Reinhold Wandel, Tim Watson Jana Gohrisch and Ellen Grünkemeier are based in the English Department of Leibniz University, Hannover (Germany), where they research and lecture in British studies with a focus on (postcolonial) literatures and cultures.
Download or read book Curious Exotica Ink on Paper written by Andrea Zittlau and published by Cambridge Scholars Publishing. This book was released on 2016-01-14 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ethnographic museums have been fundamentally reshaped during recent decades, acknowledging contemporary cultural practices, recognising aesthetic expressions and encouraging the active involvement of indigenous participants in all processes of museum creation and administration. Despite these efforts, however, this book reveals how the institution of the museum as such continues to be haunted by its previous, restrictive ideas of the other while talking about the self. It investigates the ethnographic object and its performance in museum displays, departing from notions of haunting as expressed by Jacques Derrida and Avery Gordon to think about presence and absence and the tension between object and text. The book argues that the tension between satisfying and dissatisfying informational needs is essential to the museum context, and that the objects on display have to be arranged in familiar patterns to be recognisable as material knowledge. As such, the ethnographic museum can be nothing else but a monument to its own history, and the ethnographic object remains trapped by the limitations of its category that is inseparable from the museum setting.
Download or read book Vladimir Markov and Russian Primitivism written by Jeremy Howard and published by Routledge. This book was released on 2016-02-11 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Hailed as a brilliant theoretician, Voldemārs Matvejs (best known by his pen name Vladimir Markov) was a Latvian artist who spearheaded the Union of Youth, a dynamic group championing artistic change in Russia, 1910-14. His work had a formative impact on Malevich, Tatlin, and the Constructivists before it was censored during the era of Soviet realism. This volume introduces Markov as an innovative and pioneering art photographer and assembles, for the first time, five of his most important essays. The translations of these hard-to-find texts are fresh, unabridged, and authentically poetic. Critical essays by Jeremy Howard and Irena Buzinska situate his work in the larger phenomenon of Russian ’primitivism’, i.e. the search for the primal. This book challenges hardening narratives of primitivism by reexamining the enthusiasm for world art in the early modern period from the perspective of Russia rather than Western Europe. Markov composed what may be the first book on African art and Z.S. Strother analyzes both the text and its photographs for their unique interpretation of West African sculpture as a Kantian ’play of masses and weights’. The book will appeal to students of modernism, orientalism, ’primitivism’, historiography, African art, and the history of the photography of sculpture.
Download or read book The Museum of Other People written by Adam Kuper and published by Pantheon. This book was released on 2024-04-16 with total page 433 pages. Available in PDF, EPUB and Kindle. Book excerpt: A MOST ANTICIPATED BOOK • From one of the world’s most distinguished anthropologists, an important and timely work of cultural history that looks at the origins and much debated future of anthropology museums “A provocative look at questions of ethnography, ownership and restitution . . . the argument [Kuper] makes in The Museum of Other People is important precisely because just about no one else is making it. He asks the questions that others are too shy to pose. . . . Required reading.” –Financial Times (UK) In this deeply researched, immersive history, Adam Kuper tells the story of how foreign and prehistoric peoples and cultures were represented in Western museums of anthropology. Originally created as colonial enterprises, their halls were populated by displays of plundered art, artifacts, dioramas, bones, and relics. Kuper reveals the politics and struggles of trying to build these museums in Germany, France, and England in the mid-19th century, and the dramatic encounters between the very colorful and eccentric collectors, curators, political figures, and high members of the church who founded them. He also details the creation of contemporary museums and exhibitions, including the Smithsonian, the Harvard’s Peabody Museum of American Archaeology and Ethnology, and the famous 1893 World’s Columbian Exposition in Chicago which was inspired by the Paris World Fair of 1889. Despite the widespread popularity and cultural importance of these institutions, there also lies a murky legacy of imperialism, colonialism, and scientific racism in their creation. Kuper tackles difficult questions of repatriation and justice, and how best to ensure that the future of these museums is an ethical, appreciative one that promotes learning and cultural exchange. A stunning, unique, accessible work based on a lifetime of research, The Museum of Other People reckons with the painfully fraught history of museums of natural history, and how curators, anthropologists, and museumgoers alike can move forward alongside these time-honored institutions.
