Download or read book A Complete Dictionary of Music written by Jean-Jacques Rousseau and published by . This book was released on 1779 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Harvard Dictionary of Music written by Willi Apel and published by Harvard University Press. This book was released on 1969 with total page 968 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains nearly 1000 pages of precise and accessible information on all musical subjects.
Download or read book A Dictionary of Music and Musicians written by G. Grove and published by Рипол Классик. This book was released on 1940 with total page 775 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and Musicians written by Albert Lavignac and published by . This book was released on 1903 with total page 538 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1922 with total page 882 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1879 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Organ written by John Watson Warman and published by . This book was released on 1901 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Rousseau and Freedom written by Christie McDonald and published by Cambridge University Press. This book was released on 2010-04-22 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Debates about freedom, an ideal continually contested, were first set out in their modern version by the eighteenth-century French philosopher Jean-Jacques Rousseau. His ideas and analyses were taken up during the philosophical enlightenment, often invoked during the French Revolution, and still resonate in contemporary discussions of freedom. This volume, first published in 2010, examines Rousseau's many approaches to the concept of freedom, in the context of his thought on literature, religion, music, theater, women, the body, and the arts. Its expert contributors cross disciplinary frontiers to develop thought-provoking new angles on Rousseau's thought. By taking freedom as the guiding principle of their analysis, the essays form a cohesive account of Rousseau's writings.
Download or read book Music and the French Enlightenment written by Cynthia Verba and published by Oxford University Press. This book was released on 2017 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Prompted by controversial views of the composer-theorist Jean-Philippe Rameau, the leading figures of the French Enlightenment engaged in a vigorous philosophical debate about the nature of music. Their dialogue was one of extraordinary depth and richness, and dealth with some of the most fundamental issues of the French Enlightenment. In the newly revised edition of 'Music and the French Enlightenment', Cynthia Verba updates this fascinating story with the prolific scholarship that has emerged since the book was first published." -- rear cover.
Download or read book Grove s Dictionary of Music and Musicians written by George Grove and published by . This book was released on 1911 with total page 882 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music and the French Revolution written by Malcolm Boyd and published by Cambridge University Press. This book was released on 1992-04-02 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rouget de Lisle's famous anthem, La marseillaise, admirably reflects the confidence and enthusiasm of the early years of the French Revolution. But the effects on music of the Revolution and the events that followed it in France were more far-reaching than that. Hymns, chansons and even articles of the Constitution set to music in the form of vaudevilles all played their part in disseminating Revolutionary ideas and principles; music education was reorganized to compensate for the loss of courtly institutions and the weakened maitrises of cathedrals and churches. Opera, in particular, was profoundly affected, in both its organization and its subject matter, by the events of 1789 and the succeeding decade. The essays in this book, written by specialists in the period, deal with all these aspects of music in Revolutionary France, highlighting the composers and writers who played a major role in the changes that took place there. They also identify some of the traditions and genres that survived the Revolution, and look at the effects on music of Napoleon's invasion of Italy.
Download or read book Beating Time Measuring Music in the Early Modern Era written by Roger Mathew Grant and published by . This book was released on 2014 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beating Time & Measuring Music in the Early Modern Era chronicles the shifting relationships between ideas about time in music and science from the sixteenth through the early nineteenth centuries. Centered on theories of musical meter, the book investigates the interdependence between theories of meter and conceptualizations of time from the age of Zarlino to the invention of the metronome. These formulations have evolved throughout the history of Western music, reflecting fundamental reevaluations not only of music but also of time itself. Drawing on paradigms from the history of science and technology and the history of philosophy, author Roger Mathew Grant illustrates ways in which theories of meter and time, informed by one another, have manifested themselves in the field of music. During the long eighteenth century, treatises on subjects such as aesthetics, music theory, mathematics, and natural philosophy began to reflect an understanding of time as an absolute quantity, independent of events. This gradual but conclusive change had a profound impact on the network of ideas connecting time, meter, character, and tempo. Investigating the impacts of this change, Grant explores the timekeeping techniques - musical and otherwise - that implemented this conceptual shift, both technologically and materially. Bringing together diverse strands of thought in a broader intellectual history of temporality, Grant's study fills an unexpected yet conspicuous gap in the history of music theory, and is essential reading for music theorists and composers as well as historical musicologists and practitioners of historically informed performance.
Download or read book The Invention of Folk Music and Art Music written by Matthew Gelbart and published by Cambridge University Press. This book was released on 2007-10-11 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: We tend to take for granted the labels we put to different forms of music. This study considers the origins and implications of the way in which we categorize music. Whereas earlier ways of classifying music were based on its different functions, for the past two hundred years we have been obsessed with creativity and musical origins, and classify music along these lines. Matthew Gelbart argues that folk music and art music became meaningful concepts only in the late eighteenth and early nineteenth centuries, and only in relation to each other. He examines how cultural nationalism served as the earliest impetus in classifying music by origins, and how the notions of folk music and art music followed - in conjunction with changing conceptions of nature, and changing ideas about human creativity. Through tracing the history of these musical categories, the book confronts our assumptions about different kinds of music.
Download or read book Catalogue of Printed Music Published Between 1487 and 1800 Now in the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1912 with total page 764 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Keys to French Opera in the Nineteenth Century written by Hervé Lacombe and published by Univ of California Press. This book was released on 2001-01-12 with total page 440 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively history of French opera in its cultural and historical context by one of France's leading musicologists.
Download or read book Violin Technique and Performance Practice in the Late Eighteenth and Early Nineteenth Centuries written by Robin Stowell and published by Cambridge University Press. This book was released on 1990-07-27 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines in detail the numerous violin treatises of the late- 18th and early-19th centuries. It provides an historical and technical guide to violin pedagogical method, technique and performance practice during this period.
Download or read book Music Theater and Cultural Transfer written by Annegret Fauser and published by University of Chicago Press. This book was released on 2009-12-15 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera and musical theater dominated French culture in the 1800s, and the influential stage music that emerged from this period helped make Paris, as Walter Benjamin put it, the “capital of the nineteenth century.” The fullest account available of this artistic ferment and its international impact, Music, Theater, and Cultural Transfer explores the diverse institutions that shaped Parisian music and extended its influence across Europe, the Americas, and Australia. The contributors to this volume, who work in fields ranging from literature to theater to musicology, focus on the city’s musical theater scene as a whole rather than on individual theaters or repertories. Their broad range enables their collective examination of the ways in which all aspects of performance and reception were affected by the transfer of works, performers, and management models from one environment to another. By focusing on this interplay between institutions and individuals, the authors illuminate the tension between institutional conventions and artistic creation during the heady period when Parisian stage music reached its zenith.
