Download or read book Dance and the Body in Western Theatre written by Sabine Sörgel and published by Bloomsbury Publishing. This book was released on 2015-09-10 with total page 233 pages. Available in PDF, EPUB and Kindle. Book excerpt: While the body appears in almost all cultural discourses, it is nowhere as visible as in dance. This book captures the resurgence of the dancing body in the second half of the twentieth century by introducing students to the key phenomenological, kinaesthetic and psychological concepts relevant to both theatre and dance studies.
Download or read book Dance as a Theatre Art written by Selma Jeanne Cohen and published by Dance Horizons. This book was released on 1992 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A 'living history' of dance through the writings of its greatest innovators.
Download or read book The Dancing Body in Renaissance Choreography written by Mark Franko and published by Anthem Studies in Theatre and. This book was released on 2021-11-02 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Dancing Body in Renaissance Choreography is a study of the theory of kinetic theatricality in the western European context. The dancing body of courtly social dance is analyzed in French and Italian dance treatises of the Renaissance through the intertexts of oratorical action, pedagogical discourses of civility and conceptions of value emanating from descriptions of social interaction in courtesy books.
Download or read book Contemporary African Dance Theatre written by Sabine Sörgel and published by Springer Nature. This book was released on 2020-03-30 with total page 174 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first to consider contemporary African dance theatre aesthetics in the context of phenomenology, whiteness, and the gaze. Rather than a discussion of African dance per se, the author challenges hegemonic perceptions of contemporary African dance theatre to interrogate the extent to which white supremacy and privilege weave through capitalist necropolitics and determine our perception of contemporary African dance theatre today. Multiple aesthetic strategies are discussed throughout the book to account for the affective experience of ‘un-suturing’ that touches white spectatorship and colonial guilt at their core. The critical analysis covers a broad range of dance choreography by artists from the Democratic Republic of Congo, Ivory Coast, South Africa, Canada, Europe, and the US as they travel, create, and show their works internationally to global audiences to contest racial divides and white supremacist politics.
Download or read book The Body Dance and Cultural Theory written by Helen Thomas and published by Bloomsbury Publishing. This book was released on 2017-03-14 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book takes its point of departure from the overwhelming interest in theories of the body and performativity in sociology and cultural studies in recent years. It explores a variety of ways of looking at dance as a social and artistic (bodily) practice as a means of generating insights into the politics of identity and difference as they are situated and traced through representations of the body and bodily practices. These issues are addressed through a series of case studies.
Download or read book The Natyasastra and the Body in Performance written by Sreenath Nair and published by McFarland. This book was released on 2014-12-24 with total page 467 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Natyasastra is the deep repository of Indian performance studies. It embodies centuries of performance knowledge developed in South Asia on a range of conceptual issues and practical methodologies of the body. The composition of the Natyasastra is attributed to Sage Bharatha, and dates back to between 200 BC and AD 200. Written in Sanskrit, the text contains 6000 verse stanzas integrated in 36 chapters discussing a wide range of issues in theatre arts, including dramatic composition; construction of the playhouse; detailed analysis of the musical scales; body movements; various types of acting; directing; division of stage space; costumes; make-up; properties and musical instruments. As a discourse on performance, the Natyasastra is an extensive documentation of terminologies, concepts and methodologies. This book presents 14 scholarly essays exploring the Natyasastra from the multiple perspectives of Indian performance studies--epistemological, aesthetic, scientific, religious, ethnological and practical.
Download or read book The Oxford Handbook of Dance and Theater written by Nadine George-Graves and published by Oxford University Press. This book was released on 2015-07-13 with total page 1056 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.
Download or read book The Oxford Handbook of Shakespeare and Dance written by Lynsey McCulloch and published by Oxford University Press. This book was released on 2019-01-28 with total page 904 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare's texts have a long and close relationship with many different types of dance, from dance forms referenced in the plays to adaptations across many genres today. With contributions from experienced and emerging scholars, this handbook provides a concise reference on dance as both an integral feature of sixteenth- and seventeenth-century culture and as a means of translating Shakespearean text into movement - a process that raises questions of authorship and authority, cross-cultural communication, semantics, embodiment, and the relationship between word and image. Motivated by growing interest in movement, materiality, and the body, The Oxford Handbook of Shakespeare and Dance is the first collection to examine the relationship between William Shakespeare - his life, works, and afterlife - and dance. In the handbook's first section - Shakespeare and Dance - authors consider dance within the context of early modern life and culture and investigate Shakespeare's use of dance forms within his writing. The latter half of the handbook - Shakespeare as Dance - explores the ways that choreographers have adapted Shakespeare's work. Chapters address everything from narrative ballet adaptations to dance in musicals, physical theater adaptations, and interpretations using non-Western dance forms such as Cambodian traditional dance or igal, an indigenous dance form from the southern Philippines. With a truly interdisciplinary approach, The Oxford Handbook of Shakespeare and Dance provides an indispensable resource for considerations of dance and corporeality on Shakespeare's stage and the early modern era.
Download or read book Dance in Musical Theatre written by Phoebe Rumsey and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "From Oklahoma! to West Side Story, Once to Hamilton, dance remains one of the most important and key factors in musical theatre. Through the invention of integrated song and dance in the 'dream ballets' of Agnes De Mille through to the contemporary movement of John Tiffany, via the roles of Jerome Robbins and Bob Fosse, the history of the body in movement is one that demands study and appreciation. Dance in Musical Theatre offers guidelines in how to read this movement by analysing it in terms of composition and movement vocabulary whilst simultaneously situating it both historically and critically. Bringing together musical theatre and dance scholars, choreographers and practitioners, this edited collection highlights musical theatre case studies that employ dance in a dramaturgically essential manner, tracking the emergence of the dancer as a key figure in the genre, and connecting past and present choreographers. Through an organised selection of essays, divided by concept, this book conceptualizes the function of dance in musical theatre in multiple ways: how it functions diegetically as a part of the story or non-diegetically as an amplification of emotion, as well as how the dancing body works to reveal character psychology by expressing an unspoken aspect of the libretto, embodying emotions or ideas through metaphor or abstraction. This book makes dance language accessible for instructors, students, and musical theatre enthusiasts, providing the tools to critically engage with the work of important choreographers from the beginning of the twentieth century to today. It acknowledges milestones of musical theatre dance history, whilst also explaining in clear, yet critical terms, how the legacies of previous choreographers are saluted in homage today, while also problematizing the genre in terms of current social, cultural, and political issues."--
Download or read book Democracy s Body written by Sally Banes and published by Duke University Press. This book was released on 1993 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Judson Dance Theater involved such collaborators as Merce Cunningham, Yvonne Rainer, Steve Paxton, Carolee Schneemann, Trisha Brown, Robert Rauschenberg, David Tudor, et al.
Download or read book Disability and Social Theory written by D. Goodley and published by Springer. This book was released on 2012-06-01 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive, interdisciplinary collection, examines disability from a theoretical perspective, challenging views of disability that dominate mainstream thinking. Throughout, social theories of disability intersect with ideas associated with sex/gender, race/ethnicity, class and nation.
Download or read book The Body is a Clear Place and Other Statements on Dance written by Erick Hawkins and published by Princeton Book Company Publishers. This book was released on 1992 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Body is a Clear Place is a collection of ten intelligent, lyrical essays that serve as a testament to Erick Hawkins' long career in dance. The last two essays were written especially for this volume while the first eight essays were collected from speeches, statements and articles Hawkins has written. The essays are framed by a foreword written by Alan Kriegsman.Essay titles are: The Rite in Theatre; Theatre Structure for a New Dance Poetry; Modern Dance as a Voyage of Discovery; Questions and Answers; The Body is a Clear Place; My Love Affair with Music; Inmost Heaven,
Download or read book Kinaesthesia and Visual Self Reflection in Contemporary Dance written by Shantel Ehrenberg and published by Springer Nature. This book was released on 2021-08-16 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kinaesthesia and Visual Self-reflection in Contemporary Dance features interviews with UK-based professional-level contemporary, ballet, hip hop, and breaking dancers and cross-disciplinary explication of kinaesthesia and visual self-reflection discourses. Expanding on the concept of a ‘kinaesthetic mode of attention’ leads to discussion of some of the key values and practices which nurture and develop this mode in contemporary dance. Zooming in on entanglements with video self-images in dance practice provides further insights regarding kinaesthesia’s historicised polarisation with the visual. It thus provides opportunities to dwell on and reconsider reflections, opening up to a set of playful yet disruptive diffractions inherent in the process of becoming a contemporary dancer, particularly amongst an increasingly complex landscape of visual and theoretical technologies.
Download or read book Performing the Body in Irish Theatre written by B. Sweeney and published by Springer. This book was released on 2008-02-14 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This title examines the representation of the body in Irish theatre alongside the specific circumstances within which Irish theatre is performed, incorporating issues of gender and embodiment, and the performance of Irishness and tradition. The author contextualizes the body in Irish theatre, and includes in-depth analysis of five key productions.
Download or read book A Dictionary of Theatre Anthropology written by Eugenio Barba and published by Routledge. This book was released on 2011-03-18 with total page 1235 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2005. A Dictionary of Theatre Anthropology subtly juxtaposes visual demonstrations of the performer’s craft, from a wealth of Eastern and Western sources. More than just a dictionary, this is a handbook for theatre practitioners and a guide for students and scholars of transcultural performance. It is the result of many years of research conducted by Eugenio Barba and the International School of Theatre Anthropology (ISTA) based in Denmark, and is now a classic foundational text. Whereas most Western research is concerned with naturalism and psychological realism in acting, the Dictionary focuses on the actor’s arduous and eclectic craft. The Dictionary aims to expand our knowledge of the possibilities of the scenic body, and of the spectator’s response to the dynamics of performance. The Dictionary has practical sections on balance, opposition and montage among other techniques, and discusses issues including The Text and the Stage, The Dilated Body and Energetic Language. This revised edition includes: three new chapters on Eurasian Theatre, Exercises and Organicity; 50 new photographs showing the performer’s craft in black and white and colour; and, for the first time, a useful bibliography and index.
Download or read book The Viewpoints Book written by Anne Bogart and published by Theatre Communications Group. This book was released on 2004-08-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: First major exploration of a ground-breaking new technique for actors and theatre artists.
Download or read book Art and Dance in Dialogue written by Sarah Whatley and published by Springer Nature. This book was released on 2020-11-07 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This interdisciplinary book brings together essays that consider how the body enacts social and cultural rituals in relation to objects, spaces, and the everyday, and how these are questioned, explored, and problematised through, and translated into dance, art, and performance. The chapters are written by significant artists and scholars and consider practices from various locations, including Central and Western Europe, Mexico, and the United States. The authors build on dialogues between, for example, philosophy and museum studies, and memory studies and post-humanism, and engage with a wide range of theory from phenomenology to relational aesthetics to New Materialism. Thus this book represents a unique collection that together considers the continuum between everyday and cultural life, and how rituals and memories are inscribed onto our being. It will be of interest to scholars and practitioners, students and teachers, and particularly those who are curious about the intersections between arts disciplines.
