Download or read book Daniel Fran ois Esprit Auber written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2010-10-12 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: Daniel-François-Esprit Auber (1782-1871), the composer of La Muette de Portici (1828) and Fra Diavolo (1830), was once regarded as one of the great figures of music, a staple of the operatic repertoire in France, and indeed around the world. It is now almost impossible to understand the extent of his once universal fame, his influence on contemporary composers. His operas were in the theatre repertories of the world until the 1920s, and innumerable arrangements of them were published and sold everywhere. The ubiquity of his overtures—Masaniello, Fra Diavolo, The Bronze Horse, The Black Domino, The Crown Diamonds—once as popular as those of Rossini and Suppé, and the influence of his melodies and dance rhythms on piano and instrumental music, and on Romantic comic opera, was overwhelming. In his operas Auber avoided any excess in dramatic expression; all emotion and expressiveness, any vivid depiction of local milieu, were realized within his discreetly nuanced tones, always stamped with a Parisian elegance. His operas were loved in his native France until the years before the First World War, with Fra Diavolo and Le Domino noir last performed at the Opéra-Comique in 1909. Auber’s career was a record of this success and appreciation. His appointment to the Institute (1829) was followed by other prestigious posts: as Director of Concerts at Court (1839), director of the Paris Conservatoire (1842), Musical Director of the Imperial Chapel (1852), and Grand Officer of the Légion d’Honneur (1861). During his lifetime, six biographies appeared contemporaneously, with another six appearing posthumously in the period up to 1914. In the late nineteenth and early twentieth centuries, however, reactions to Wagner, Impressionism and the Neo-Classicism of the Ballet Russe resulted in a growing lack of interest in the ancient traditions of opéra-comique, with its charming plots, melodic directness and rhythmic élan. Boieldieu, Hérold, Adam and Auber were relegated to the dustbin of history. Only in Germany did the genre continue to flourish; Auber’s most enduring work is still performed there. His death in pitiful conditions during the Siege of Paris (1871), in the city he always loved, marked the end of an era. Auber now occupies a shadowy niche in the general consciousness as the name of the metro station nearest the Palais Garnier, and remains unknown and neglected (apart of course from Fra Diavolo), although his impact on the nineteenth-century operatic theatre was just as great as Rossini’s. The time has surely come for Auber’s life and work, especially in association with his life-long collaborator Eugène Scribe (1791-1861)—master dramatist and supreme librettist, a determining force in the history of opera—to be reassessed. Perhaps then the world will begin to hear more of Auber’s elegant gracious, life-affirming music, written to Scribe’s words. The aim of the present study is to offer an overview of the life and work of Auber by close examination of his forty operas, with consideration of origins, casting, plot, analysis of dramaturgy and musical style, and reception history. This is presented in the context of Auber's relationship to the dominant genres of early nineteenth century French culture, opéra comique and grand opéra. The three evolving periods of Auber's unique involvement with opéra comique are of principal concern. This analysis of the operas is made in the context of Auber's crucial working relationship with Scribe, who provided 38 of his libretti. Their cooperation is unique and of great importance on several literary, musical and cultural levels. The nature of their interaction and personal friendship is assessed by a translation of the extant correspondence between them, some 80 letters that have not appeared in English before. The presentation of each opera is illustrated by musical examples from all the scores, prints from the complete works of Scribe and other theatrical memorabilia. The study also contains bibliographies of Auber’s works and their contemporary arrangements, studies of Auber’s and Scribe’s life and work, their artistic and historical milieux, and a discography.
Download or read book Catalogue of the Allen A Brown Collection of Music in the Public Library of the City of Boston written by Boston Public Library. Allen A. Brown Collection of Music and published by . This book was released on 1915 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book D F E Auber written by B. Jouvin and published by . This book was released on 2009-01 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Download or read book Opera written by Guy A. Marco and published by Routledge. This book was released on 2002-05-03 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: Opera is the only guide to the research writings on all aspects of opera. This second edition presents 2,833 titles--over 2,000 more than the first edition--of books, parts of books, articles and dissertations with full bibliographic descriptions and critical annotations. Users will find the core literature on the operas of 320 individual composers and details of operatic life in 43 countries. All relevant works through to November 1999 have been considered, covering more than fifteen years of literature since the first edition was published.
Download or read book Daniel Fran ois Esprit Auber s Les Chaperons blancs written by Robert Ignatius Letellier and published by Cambridge Scholars Publishing. This book was released on 2019-06-10 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Daniel-François-Esprit Auber (1782-1871), the most amiable French composer of the nineteenth century, came to his abilities late in life. After a stalled commercial career, he studied with Cherubini. His first works were not a success, but La Bergère Châteleine (1820), written at the age of 38, established him as an operatic composer. He then met the librettist Eugène Scribe (1791-1861), with whom he developed a working partnership, one of the most successful in musical history, that lasted until Scribe’s death. After Le Maçon (1825) and La Muette de Portici (1828), Auber’s life was filled with success. In 1829 he was appointed a member of the Institut, in 1839 Director of Concerts at Court, in 1842 Director of the Conservatoire, in 1852 Musical Director of the Imperial Chapel, and in 1861 Grand Officer of the Légion d’Honneur. Les Chaperons blancs is one of Auber’s least known operas, falling between Le Cheval de bronze (1835) and Le Domino noir (1837), two of his most famous works. The première also took place only five weeks after that of Meyerbeer’s celebrated Les Huguenots (29 February 1836) had carried all before it. Like the latter, Auber’s opera is centred around a theme of political conspiracy, although obviously observed through the lighter lens of the comique style. The tradition of the rescue opera, popular since the French Revolution, also features in the storyline, as does the motif of apparent death through soporifics so memorably used by Shakespeare in Romeo and Juliet (c. 1594). The leading characters were created by two great stars of the Opéra-Comique, Jean-Baptiste-Marie Chollet and Geneviève-Aimeé-Zoé Prévost, both of whom had brought to life the leading roles in Auber’s most famous comic creation, Fra Diavolo (1830). This book presents an insight into the life and work of Auber by close examination of this little-known opera, with consideration of origins, casting, and plot, and analysis of dramaturgy, musical style, and reception history. This volume provides the vocal/piano score of Les Chaperons blancs, preceded by an introduction to the life and work of Auber, and a reading of the opera. There are examples from the score, prints from contemporary sources and other theatrical memorabilia, adding an important iconographical aspect to the general place and relevance of this work in nineteenth-century French operatic culture.
Download or read book Co operative Bulletin written by Pratt Institute. Free Library and published by . This book was released on 1899 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Co operative Bulletin written by Pratt Institute. Library and published by . This book was released on 1901 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book America in Italy written by Axel Körner and published by Princeton University Press. This book was released on 2017-06-13 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: America in Italy examines the influence of the American political experience on the imagination of Italian political thinkers between the late eighteenth century and the unification of Italy in the 1860s. Axel Körner shows how Italian political thought was shaped by debates about the American Revolution and the U.S. Constitution, but he focuses on the important distinction that while European interest in developments across the Atlantic was keen, this attention was not blind admiration. Rather, America became a sounding board for the critical assessment of societal changes at home. Many Italians did not think the United States had lessons to teach them and often concluded that life across the Atlantic was not just different but in many respects also objectionable. In America, utopia and dystopia seemed to live side by side, and Italian references to the United States were frequently in support of progressive or reactionary causes. Political thinkers including Cesare Balbo, Carlo Cattaneo, Giuseppe Mazzini, and Antonio Rosmini used the United States to shed light on the course of their nation's political resurgence. Concepts from Montesquieu, Rousseau, and Vico served to evaluate what Italians discovered about America. Ideas about American "domestic manners" were reflected and conveyed through works of ballet, literature, opera, and satire. Transcending boundaries between intellectual and cultural history, America in Italy is the first book-length examination of the influence of America's political formation on modern Italian political thought.
Download or read book A Short History of Opera written by Donald J. Grout and published by Columbia University Press. This book was released on 2003-07-18 with total page 1047 pages. Available in PDF, EPUB and Kindle. Book excerpt: When first published in 1947, A Short History of Opera immediately achieved international status as a classic in the field. Now, more than five decades later, this thoroughly revised and expanded fourth edition informs and entertains opera lovers just as its predecessors have. The fourth edition incorporates new scholarship that traces the most important developments in the evolution of musical drama. After surveying anticipations of the operatic form in the lyric theater of the Greeks, medieval dramatic music, and other forerunners, the book reveals the genre's beginnings in the seventeenth century and follows its progress to the present day. A Short History of Opera examines not only the standard performance repertoire, but also works considered important for the genre's development. Its expanded scope investigates opera from Eastern European countries and Finland. The section on twentieth-century opera has been reorganized around national operatic traditions including a chapter devoted solely to opera in the United States, which incorporates material on the American musical and ties between classical opera and popular musical theater. A separate section on Chinese opera is also included. With an extensive multilanguage bibliography, more than one hundred musical examples, and stage illustrations, this authoritative one-volume survey will be invaluable to students and serious opera buffs. New fans will also find it highly accessible and informative. Extremely thorough in its coverage, A Short History of Opera is now more than ever the book to turn to for anyone who wants to know about the history of this art form.
Download or read book Co operative Bulletin written by Brooklyn Public Library and published by . This book was released on 1901 with total page 750 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book D F E Auber Sa Vie Et Ses uvres With a Portrait and Facsimiles of Music and Letters written by Benoît Jean Baptiste JOUVIN and published by . This book was released on 1864 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Classified List written by Princeton University. Library and published by . This book was released on 1920 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Finding List for the Music Library 1909 written by Princeton University. Library and published by . This book was released on 1909 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Musical World written by and published by . This book was released on 1861 with total page 846 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Liszt and His World written by Michael Saffle and published by Pendragon Press. This book was released on 1998 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first volume of proceedings from the International Liszt Conference.
