Download or read book Performance and Cultural Politics written by Elin Diamond and published by Routledge. This book was released on 2015-04-15 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance and Cultural Politics is a groundbreaking collection of essays which explore the historical and cultural territories of performance, written by the foremost scholars in the field. The essays, exploring performance art, theatre, music and dance, range from Oscar Wilde to Eric Clapton; from the Rose Theatre to U.S. Holocaust museums. The topic includes: * Sex Play: Stereotype, Pose and Dildo * Grave Performances: The Cultural Politics of Memory * Genealogies: Critical Performances * Identity Politics: Passing, Carnival and the Law In the concluding section, `Performer's Performance', performance artist Robbie McCauley offers the practitioner's perspective on performance studies. Interdisciplinary, thought-provoking and rich in new ideas, Performance and Cultural Politics is a landmark in the emerging field of performance studies.
Download or read book Victor Turner and Contemporary Cultural Performance written by Graham St. John and published by Berghahn Books. This book was released on 2008 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the twenty years following Victor Turner's death, interventions on the interconnected performance modes of play, drama, and community (dimensions of which Turner deemed the limen), and experimental and analytical forays into the anthropologies of experience and consciousness, have complemented and extended Turnerian readings on the moments and sites of culture's becoming. Examining Turner's continued relevance in performance and popular culture, pilgrimage and communitas, as well as Edith Turner's role, the contributors reflect on the wide application of Victor Turner's thought to cultural performance in the early twenty-first century and explore how Turner's ideas have been re-engaged, renovated, and repurposed in studies of contemporary cultural performance.
Download or read book Folklore Cultural Performances and Popular Entertainments written by Richard Bauman and published by Oxford University Press. This book was released on 1992-05-14 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of thirty-seven entries selected from the more than 550 that make up the International Encyclopedia of Communications focuses on expressive forms and practices that are popular and participatory in nature: folklore forms such as folktale and riddle; cultural performances such as ritual and festival; and popular entertainments such as puppetry and mime. Cross-references within each individual entry facilitate exploration within the volume, while bibliographies appended to each entry direct the reader to related literature. Covering basic concepts, analytical perspectives, communicative media, expressive genres, and complex performance events, this concise yet comprehensive book is a handy reference for those interested in folklore and its growing role in drama, anthropology, and cultural studies.
Download or read book Cultural Struggles written by Dwight Conquergood and published by University of Michigan Press. This book was released on 2013-05-22 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: The late Dwight Conquergood’s research has inspired an entire generation of scholars invested in performance as a meaningful paradigm to understand human interaction, especially between structures of power and the disenfranchised. Conquergood’s research laid the groundwork for others to engage issues of ethics in ethnographic research, performance as a meaningful paradigm for ethnography, and case studies that demonstrated the dissolution of theory/practice binaries. Cultural Struggles is the first gathering of Conquergood’s work in a single volume, tracing the evolution of one scholar’s thinking across a career of scholarship, teaching, and activism, and also the first collection of its kind to bring together theory, method, and complete case studies. The collection begins with an illuminating introduction by E. Patrick Johnson and ends with commentary by other scholars (Micaela di Leonardo, Judith Hamera, Shannon Jackson, D. Soyini Madison, Lisa Merrill, Della Pollock, and Joseph Roach), engaging aspects of Conquergood’s work and providing insight into how that work has withstood the test of time, as scholars still draw on his research to inform their current interests and methods.
Download or read book The Cambridge Introduction to Performance Theory written by Simon Shepherd and published by Cambridge University Press. This book was released on 2016-03-15 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: What does 'performance theory' really mean and why has it become so important across such a large number of disciplines, from art history to religious studies and architecture to geography? In this introduction Simon Shepherd explains the origins of performance theory, defines the terms and practices within the field and provides new insights into performance's wide range of definitions and uses. Offering an overview of the key figures, their theories and their impact, Shepherd provides a fresh approach to figures including Erving Goffman and Richard Schechner and ideas such as radical art practice, performance studies, radical scenarism and performativity. Essential reading for students, scholars and enthusiasts, this engaging account travels from universities into the streets and back again to examine performance in the context of political activists and teachers, countercultural experiments and feminist challenges, and ceremonies and demonstrations.
Download or read book Cultural Performance written by Kevin Landis and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This engaging text introduces the burgeoning and interdisciplinary field of cultural performance, offering ethnographic approaches to performance as well as looking at the aesthetics of experience and performance theory. Examining cultural performance from anthropological, geographical and corporeal standpoints, this book offers many examples of the ways in which performance art and entertainment utilize cultural methods to deepen and enrich the practice. Featuring case studies from a rich cross-section of academics, chapters explore performances from regions as far flung as Bhutan, Ethiopia, Ghana, Indonesia, Ireland, New Zealand and the USA. With cultural performances as varied as Catholic rituals, Maori ceremonies, Monster Truck rallies, musicals, theatre and singing performances, this fascinating text compares performance as art and performance as cultural expression. Core reading for introductory and interdisciplinary modules on performance, this is also an ideal text for upper undergraduate and postgraduate students of performance, visual arts, cultural studies or ethnography.
Download or read book The Tuesday Club of Annapolis 1745 1756 as Cultural Performance written by and published by University of Georgia Press. This book was released on 1996 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: To be associated with the Tuesday Club of Annapolis was to reach the apogee of mid-eighteenth-century, upper Chesapeake male society. Founded by Dr. Alexander Hamilton, the club engaged in a range of self-conscious, stylized activities that, when viewed as "social performance," says Wilson Somerville, sharpen our understanding of the flux of cultural forces within British America and the place of such colonial groups in an emergent, transatlantic "bourgeois public sphere." Using a combination of literary, historical, and sociological approaches, Somerville first examines the aesthetic dimensions of club performance and then its social and political aspects as he places the club in five major contexts: as a group with a self-consciously dramatic deportment, as a literary guild that regulated themes and rhetorical forms, as a media station in an international knowledge network, as an institution that defined an ideal of sociability in relation to the Chesapeake household, and as a mock state within which members wielded authority. The club, says Somerville, provided a semi-private sphere of interaction that was distinct from members' daily social order. Through the club, members tried to understand, negotiate, and mitigate the tensions of their lives arising from contradictions between brotherhood and empire, autonomy and sociability, the provincial and the metropolitan, the public and the private, and the solemn and the frivolous. To appreciate the extent to which members made sense of their world through the club, says Somerville, one must attend not only to the various modes of written, oral, and musical expression members employed, but also to the pageantry and theatrics, the self mockery and role-playing that marked their activities, and even to club regalia and its seating arrangements. Drawing on a wide range of period resources, The Tuesday Club of Annapolis will diversify our approaches to the literature and culture of the colonies and further reveal the limits of nationalist and regionalist outlooks to their study.
Download or read book Music Talent Performance written by Henry Kingsbury and published by Temple University Press. This book was released on 2010-06-17 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anthropologist's unusual ethnography of an American conservatory.
Download or read book Black Movements written by Soyica Diggs Colbert and published by Rutgers University Press. This book was released on 2017-04-28 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Black Movements analyzes how artists and activists of recent decades reference earlier freedom movements in order to imagine and produce a more expansive and inclusive democracy. The post–Jim Crow, post–apartheid, postcolonial era has ushered in a purportedly color blind society and along with it an assault on race-based forms of knowledge production and coalition formation. Soyica Diggs Colbert argues that in the late twentieth century race went “underground,” and by the twenty-first century race no longer functioned as an explicit marker of second-class citizenship. The subterranean nature of race manifests itself in discussions of the Trayvon Martin shooting that focus on his hoodie, an object of clothing that anyone can choose to wear, rather than focusing on structural racism; in discussions of the epidemic proportions of incarcerated black and brown people that highlight the individual’s poor decision making rather than the criminalization of blackness; in evaluations of black independence struggles in the Caribbean and Africa that allege these movements have accomplished little more than creating a black ruling class that mirrors the politics of its former white counterpart. Black Movements intervenes in these discussions by highlighting the ways in which artists draw from the past to create coherence about blackness in present and future worlds. Through an exploration of the way that black movements create circuits connecting people across space and time, Black Movements offers important interventions into performance, literary, diaspora, and African American studies.
Download or read book The Politics of Performance written by Baz Kershaw and published by Routledge. This book was released on 2002-09-11 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Addresses fundamental questions about the social and political purposes of performance through an investigation of post-war alternative and community theatre. A detailed analysis of oppositional theatre as radical cultural practice.
Download or read book Black Cultural Traffic written by Harry Justin Elam and published by University of Michigan Press. This book was released on 2005-12-02 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fresh takes on key questions in black performance and black popular culture, by leading artists, academics, and critics
Download or read book Immersions in Cultural Difference written by Natalie Alvarez and published by University of Michigan Press. This book was released on 2018-02-06 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: How immersive simulations--from a fictional border-crossing site to a mock terrorist training camp--attempt to foster understanding across cultures
Download or read book The Archive and the Repertoire written by Diana Taylor and published by Duke University Press. This book was released on 2003-09-12 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Archive and the Repertoire preeminent performance studies scholar Diana Taylor provides a new understanding of the vital role of performance in the Americas. From plays to official events to grassroots protests, performance, she argues, must be taken seriously as a means of storing and transmitting knowledge. Taylor reveals how the repertoire of embodied memory—conveyed in gestures, the spoken word, movement, dance, song, and other performances—offers alternative perspectives to those derived from the written archive and is particularly useful to a reconsideration of historical processes of transnational contact. The Archive and the Repertoire invites a remapping of the Americas based on traditions of embodied practice. Examining various genres of performance including demonstrations by the children of the disappeared in Argentina, the Peruvian theatre group Yuyachkani, and televised astrological readings by Univision personality Walter Mercado, Taylor explores how the archive and the repertoire work together to make political claims, transmit traumatic memory, and forge a new sense of cultural identity. Through her consideration of performances such as Coco Fusco and Guillermo Gómez-Peña’s show Two Undiscovered Amerindians Visit . . . , Taylor illuminates how scenarios of discovery and conquest haunt the Americas, trapping even those who attempt to dismantle them. Meditating on events like those of September 11, 2001 and media representations of them, she examines both the crucial role of performance in contemporary culture and her own role as witness to and participant in hemispheric dramas. The Archive and the Repertoire is a compelling demonstration of the many ways that the study of performance enables a deeper understanding of the past and present, of ourselves and others.
Download or read book The Politics of Cultural Performance written by David J. Parkin and published by Berghahn Books. This book was released on 1996 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: For beginning students and lay readers, introduces the basics of psychoanalytic and behaviorist psychology by examining the systems of eight major practitioners and theorists. Highlights how the psychodynamic and behavioristic schools complement each other in psychological paradigms, experimental perspectives, and mental structures. The last, posthumously published, book by Keehn (psychology, York University, Canada). Annotation copyright by Book News, Inc., Portland, OR
Download or read book Shifting Cultural Power written by Hope Mohr and published by . This book was released on 2021 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shifting Cultural Power is a reckoning with white cultural power and a call to action. The book locates the work of curating performance in conversations about social change, with a special focus on advancing racial equity in the live arts. Based on the author's journey as a dancer, choreographer, and activist, Shifting Cultural Power invites us to imagine new models of relationship among artists and within arts organizations--models that transform our approach, rather than simply re-cast who holds power. Mohr covers such subjects as transitioning a hierarchical nonprofit to a model of distributed leadership; expanding the canon; having difficult conversations about race; and reckoning with aesthetic bias.
Download or read book Cross cultural Skills for Deployed Air Force Personnel written by Chaitra M. Hardison and published by Rand Corporation. This book was released on 2009 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Because of its strong interest in providing airmen with the cross-cultural skills that have grown ever more essential to successful mission accomplishment in foreign environments, the Air Force asked RAND to provide a foundation for the design of a comprehensive Air Force program of cross-cultural training and education. RAND researchers responded by first creating a taxonomy covering all behaviors relevant to cross-cultural performance after the need for such a taxonomy became evident from a review of the literature on cross-cultural performance and discussions with Air Force personnel. From this taxonomy, the researchers developed a framework of 14 categories of cross-cultural behaviors--nine categories of enabling behaviors and five of goal-oriented behaviors. This framework was then used in designing a survey for 21,000 recently deployed airmen that asked them to rate the importance of the behaviors to their deployed performance and the helpfulness of training they had received in the behaviors (both over their careers and just prior to deployment). Respondents were also asked to indicate how much training they had received. Recommendations and suggestions for the design of a comprehensive program of cross-cultural training and education and for further research steps were made based on extensive analyses of the results, which included determining whether training needs differed by AFSC, grade (enlisted/officer), and deployment location.
Download or read book Performing Silat in Australia A Cultural Heritage Approach UUM Press written by Amirul Husni Affifudin and published by UUM Press. This book was released on 2021-11-21 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Have you ever dreamed of living in foreign and faraway places? Have you ever wondered how, in such places, your cultural identity and your sense of self would endure? Malaysian students have been organising cultural festivals in the land, Down Under for more than 20 years. These festivals play host to cultural heritage performances that represent the various ethnicities found in the Malaysian homeland. However, very little is known about the way these diasporic performances differ from those in the homeland, and whether these differences can adversely affect the Malaysian identity they are intended to represent. This book presents the role of intangible cultural heritage performances in developing a sense of identity amongst diasporic communities by focusing on the martial art performance of Silat at three Malaysian festivals in Australia. The martial art of Silat is acknowledged in Malaysia as a Malay cultural heritage and a Malaysian national heritage. Silat contains the typical fighting skills and strategies that can be found in other martial arts. However, the culture of Silat also has the element of performance. In Malaysia, Silat is traditionally performed either in private or public contexts. As a Silat practitioner, I have personally experienced performing Silat in my Malaysian homeland and in the diasporic environment of Australia. Using participant observation in Melbourne, my own participation as a Silat performer in Sydney and Brisbane, together with numerous interviews with other performers, members of the audience, festival attendees and festival organisers, this book reveals how the performance of Silat in Malaysian festivals reflects the diasporic and multicultural identities of Malaysian communities in Australia. The information in this book provides refreshing insights into the martial art of Silat from a personal as well as diasporic perspective.
