Download or read book Cultural Identity in Hindi Plays written by Diana Dimitrova and published by Oxford University Press. This book was released on 2022-10-15 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deals with the interface between identity, culture and literature. It aims at studying questions of cultural identity and gender in Hindi plays of the 19th- and 20th- centuries and the interplay of poetics and politics, as revealed in the work of several influential playwrights. The book explores questions related to the ways in which seven representative playwrights imagine India and its identity and the ways, in which this concept is revealed in the "narratives of the nation", its postcolonial contentions and the politics of identity, as revealed in the production of various cultural discourses. The chapters explore various aspects of the ongoing process of constructing and narrating culture, gender, the nation and identity. There has been no monograph on the questions of cultural identity in Hindi drama. This is a pioneering project and a desideratum in the field of Hindi literature, South Asian Studies, and broadly, in the study of theatre of India and of South Asian cultures and literatures.
Download or read book Cultural Identity in Hindy Plays written by Diana Dimitrova and published by . This book was released on 2022 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book deals with the interface between identity, culture and literature. It studies questions of cultural identity and gender in Hindi plays of the 19th- and 20th- centuries and the interplay of poetics and politics, as revealed in the work of several influential playwrights.
Download or read book Imagining Indianness written by Diana Dimitrova and published by Springer. This book was released on 2017-02-08 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.
Download or read book Hinduism and Hindi Theater written by Diana Dimitrova and published by Springer. This book was released on 2016-08-18 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova’a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly ‘Hindu-Hindi’ theatre.
Download or read book The Search for a Cultural Identity written by Muthal Naidoo and published by . This book was released on 1992 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Poetics Plays and Performances written by Vasudha Dalmia and published by Oxford University Press. This book was released on 2008-01-09 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the political and aesthetic concerns of modern Indian theatre, tracing its genealogies, and looking in particular at its appropriation of 'folk' theatre. Starting with the plays of Bharatendu Harishchandra in 1870s Banaras, the book moves forward to Jayshankar Prasad and Mohan Rakesh, landmark figures in the history of modern Indian drama. Dalmia then focuses on the intense urban interaction with folk theatre forms, their politicization in the 1940s and later again in the 1970s. Finally the book maps some of the routes taken by avant-garde women directors since the last decades of the twentieth century. Theatre students, critics, cultural historians, scholars of South Asian theatre, as well as general readers will find the book inspiring.
Download or read book Asian Theatre Journal written by and published by . This book was released on 2008 with total page 852 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Cultural Interactions written by Ulla Haselstein and published by Universitatsverlag Winter. This book was released on 2005 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: International conference proceedings of the 50th Annual Meeting of the German Association for American Studies, held June 10-13, 2003, Munich.
Download or read book The East Indian Odyssey written by Mahin Gosine and published by . This book was released on 1994 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Indian Sound Cultures Indian Sound Citizenship written by Laura Brueck and published by University of Michigan Press. This book was released on 2020-05-14 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the cinema to the recording studio to public festival grounds, the range and sonic richness of Indian cultures can be heard across the subcontinent. Sound articulates communal difference and embodies specific identities for multiple publics. This diversity of sounds has been and continues to be crucial to the ideological construction of a unifying postcolonial Indian nation-state. Indian Sound Cultures, Indian Sound Citizenship addresses the multifaceted roles sound plays in Indian cultures and media, and enacts a sonic turn in South Asian Studies by understanding sound in its own social and cultural contexts. “Scapes, Sites, and Circulations” considers the spatial and circulatory ways in which sound “happens” in and around Indian sound cultures, including diasporic cultures. “Voice” emphasizes voices that embody a variety of struggles and ambiguities, particularly around gender and performance. Finally, “Cinema Sound” make specific arguments about film sound in the Indian context, from the earliest days of talkie technology to contemporary Hindi films and experimental art installations. Integrating interdisciplinary scholarship at the nexus of sound studies and South Asian Studies by questions of nation/nationalism, postcolonialism, cinema, and popular culture in India, Indian Sound Cultures, Indian Sound Citizenship offers fresh and sophisticated approaches to the sonic world of the subcontinent.
Download or read book Theatre and the World written by Rustom Bharucha and published by Routledge. This book was released on 2003-09-02 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this passionate and controversial work, director and critic Rustom Bharucha presents the first major critique of intercultural theatre from a 'Third World' perspective. Bharucha questions the assumptions underlying the theatrical visions of some of the twentieth century's most prominent theatre practitioners and theorists, including Antonin Artaud, Jerzsy Grotowski, and Peter Brook. He contends that Indian theatre has been grossly mythologised and taken out of context by Western directors and critics. And he presents a detailed dramaturgical analysis of what he describes as an intracultural theatre project, providing an alternative vision of the possibilities of true cultural pluralism. Theatre and the World bravely challenges much of today's 'multicultural' theatre movement. It will be vital reading for anyone interested in the creation or discussion of a truly non-Eurocentric world theatre.
Download or read book National Identity in Indian Popular Cinema 1947 1987 written by Sumita S. Chakravarty and published by University of Texas Press. This book was released on 2011-05-18 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Indian popular cinema has a long history and is familiar to audiences around the world, it has rarely been systematically studied. This book offers the first detailed account of the popular film as it has grown and changed during the tumultuous decades of Indian nationhood. The study focuses on the cinema’s characteristic forms, its range of meanings and pleasures, and, above all, its ideological construction of Indian national identity. Informed by theoretical developments in film theory, cultural studies, postcolonial discourse, and “Third World” cinema, the book identifies the major genres and movements within Bombay cinema since Independence and uses them to enter larger cultural debates about questions of identity, authenticity, citizenship, and collectivity. Chakravarty examines numerous films of the period, including Guide (Vijay Anand, 1965), Shri 420 [The gentleman cheat] (Raj Kapoor, 1955), and Bhumika [The role] (Shyam Benegal, 1977). She shows how “imperso-nation,” played out in masquerade and disguise, has characterized the representation of national identity in popular films, so that concerns and conflicts over class, communal, and regional differences are obsessively evoked, explored, and neutralized. These findings will be of interest to film and area specialists, as well as general readers in film studies.
Download or read book Cultural Identity in Kindergarten written by Susan Laird Mody and published by Psychology Press. This book was released on 2005 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Handbook of Twentieth Century Literatures of India written by Nalini Natarajan and published by Greenwood. This book was released on 1996-09-09 with total page 458 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes essays on twentieth-century literature in Assamese, Bengali, Gujarati, Hindi, Kannada, Malayalam, Marathi, Panjabi, Tamil, Telugu, and Urdu as well as Indian literature in English.
Download or read book Re presenting Woman written by Pankaj K. Singh and published by . This book was released on 2000 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Book Is A Pioneering Work On Panjabi Legends And Drama From Gender Perspective. It Examines Women`S Construction In The Context Of Patriarchal Paradigms, Particularly In The Context Of Love, Sexuality And Marriage.
Download or read book Pratibha India written by and published by . This book was released on 1994 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Contemporary Theatre of India written by Chaman Ahuja and published by . This book was released on 2012 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The present book seeks to provide a generic introduction to the contemporary theatre scenario in different parts of India. Researched and written over a period of nearly a decade, it adopts an approach that may be best termed as quasi-academic and quasi-journalistic. Primarily, it affords understanding as well as interpretation of the trends, experiments and major works; but, in the process, it takes up serious issues for closer scrutiny. Nevertheless, the overall tone and tenor continue to be rather informal throughout. the book was born of interaction with both established and uprising exponents of the theatre arts -- playwrights, directors, performers, designers, critics, etc.; but it purposefully eschews critical or technical jargon. Ultimately, what we get is a phenomenal attempt to build a comprehensive as well as a perceptive overview of the complex and ever-growing dynamics of the contemporary theatres of India as practised in various regions, languages, cultures." -- Back cover.
