Download or read book Cuban Flute Style written by Sue Miller and published by Scarecrow Press. This book was released on 2013-10-30 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Egües and José Fajardo are universally regarded as the leading exponents of charanga flute playing, an improvisatory style that crystallized in 1950s Cuba with the rise of the mambo and the chachachá. Despite the commercial success of their recordings with Orquesta Aragón and Fajardo y sus Estrellas and their influence not only on Cuban flute players but also on other Latin dance musicians, no in-depth analytical study of their flute solos exists. In Cuban Flute Style: Interpretation and Improvisation, Sue Miller—music historian, charanga flute player, and former student of Richard Egües—examines the early-twentieth-century decorative style of flute playing in the Cuban danzón and its links with the later soloistic style of the 1950s as exemplified by Fajardo and Egües. Transcriptions and analyses of recorded performances demonstrate the characteristic elements of the style as well as the styles of individual players. A combination of musicological analysis and ethnomusicological fieldwork reveals the polyrhythmic and melodic aspects of the Cuban flute style, with commentary from flutists Richard Egües, Joaquín Oliveros, Polo Tamayo, Eddy Zervigón, and other renowned players. Miller also covers techniques for flutists seeking to learn the style—including altissimo fingerings for the Boehm flute and fingerings for the five-key charanga flute—as well as guidance on articulation, phrasing, repertoire, practicing improvisation, and working with recordings. Cuban Flute Style will appeal to those working in the fields of Cuban music, improvisation, music analysis, ethnomusicology, performance and performance practice, popular music, and cultural theory.
Download or read book Improvising Sabor written by Sue Miller and published by Univ. Press of Mississippi. This book was released on 2021-02-01 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvising Sabor: Cuban Dance Music in New York begins in 1960s New York and examines in rich detail the playing styles and international influence of important figures in US Latin music. Such innovators as José Fajardo, Johnny Pacheco, George Castro, and Eddy Zervigón dazzled the Palladium ballroom and other Latin music venues in those crucible years. Author Sue Miller focuses on the Cuban flute style in light of its transformations in the US after the 1959 revolution and within the vibrant context of 1960s New York. While much about Latin jazz and salsa has been written, this book focuses on the relatively unexplored New York charangas that were performing during the chachachá and pachanga craze of the early sixties. Indeed, many accounts cut straight from the 1950s and the mambo to the bugalú’s development in the late 1960s with little mention of the chachachá and pachanga’s popularity in the mid-twentieth century. Improvising Sabor addresses not only this lost and ignored history, but contends with issues of race, class, and identity while evaluating differences in style between players from prerevolution Cuban charangas and those of 1960s New York. Through comprehensive explorations and transcriptions of numerous musical examples as well as interviews with and commentary from Latin musicians, Improvising Sabor highlights a specific sabor that is rooted in both Cuban dance music forms and the rich performance culture of Latin New York. The distinctive styles generated by these musicians sparked compelling points of departure and influence.
Download or read book From the Five Key Flute to the Boehm Flute written by Ernesto Fernandez and published by . This book was released on 2016 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: A historical background of the Cuban charanga dance genres and the Cuban flute tradition of the wooden five-key flute are explored, including musical terminology, instrumentation, and prominent charanga flutists. The structural differences between the nineteenth-century wooden five-key flute and the Boehm metal system flute are examined using specific measurements and diagrams. The stylistic and idiomatic consequences of these structural differences were considered. It was considered that the Boehm system flute provides more musical resources through its ease of use and mechanical facility. Professional flutists from different generations with years of experience in the style were consulted; multiple recordings were analyzed, and the author's experience performing the style also influenced this writing. A methodology for learning to play in the charanga style was provided with specific exercises and musical examples. It was concluded that the musical possibilities in charanga are similar with either flute, and that the flutist's abilities make a bigger impact in the style than the instrument used. A recommendation for further study is enclosed.
Download or read book A Dictionary for the Modern Flutist written by Susan J. Maclagan and published by Rowman & Littlefield. This book was released on 2019-05-15 with total page 435 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second edition of Susan J. Maclagan’s A Dictionary for the Modern Flutist presents clear and concise definitions of more than 1,600 common flute-related terms that a player of the Boehm-system or Baroque flute may encounter. Fully illustrated with more than 150 images, the entries describe flute types, flute parts; playing techniques; acoustics; articulations; intonation; common ornaments; flute-making and repairs; flute history; flute music books, and many more topics. Unique to the second edition are entries on beatbox techniques and muscles of the face and throat. Entries now also feature bibliographic cross-references for further research. Carefully labeled illustrations for many flute types, parts, mechanisms, and accessories help make definitions easier to visualize. Appendixes provide further information on such subjects as flute classifications, types of flutes and their parts, key and tone hole names, head joint options, orchestra and opera audition excerpts, and biographies of people mentioned in the definitions. Contributed articles include “An Easy Guide to Checking Your Flute Tuning and Scale” by Trevor Wye; “Flute Clutches” by David Shorey; "Early Music on Modern Flute” by Barthold Kuijken; and “Crowns and Stoppers” and “Boehm Flute Scales from 1847 to the Present:The Short Story” by Gary Lewis. Maclagan’s A Dictionary for the Modern Flutist, second edition is an essential reference volume for flutists of all levels and for libraries supporting student, professional, and amateur musicians.
Download or read book Cuban Dances for Guitar and Flute written by IGNACIO CERVANTES and published by Mel Bay Publications. This book was released on 2010-10-07 with total page 44 pages. Available in PDF, EPUB and Kindle. Book excerpt: Select Cuban Dances by 19th century Cuban composer Ignacio Cervantes (1847-1905). Although Cervantes respected the binary form established by his predecessor Manuel Saumell, it was the romanticism of Cervantes' dances which distinguished the final evolutionary phase of the contradanza. They were conceived by Cervantes as a page in the album of the Romantic Century. This group of Cuban Dances were originally written for the piano and arranged here for flute and guitar in standard notation only with separate pull-out sections for guitar and flute.
Download or read book Encyclopedia of Latin American Popular Music written by George Torres and published by Bloomsbury Publishing USA. This book was released on 2013-03-27 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive survey examines Latin American music, focusing on popular—as opposed to folk or art—music and containing more than 200 entries on the concepts and terminology, ensembles, and instruments that the genre comprises. The rich and soulful character of Latin American culture is expressed most vividly in the sounds and expressions of its musical heritage. While other scholars have attempted to define and interpret this body of work, no other resource has provided such a detailed view of the topic, covering everything from the mambo and unique music instruments to the biographies of famous Latino musicians. Encyclopedia of Latin American Popular Music delivers scholarly, authoritative, and accessible information on the subject, and is the only single-volume reference in English that is devoted to an encyclopedic study of the popular music in this genre. This comprehensive text—organized alphabetically—contains roughly 200 entries and includes a chronology, discussion of themes in Latin American music, and 37 biographical sidebars of significant musicians and performers. The depth and scope of the book's coverage will benefit music courses, as well as studies in Latin American history, multicultural perspectives, and popular culture.
Download or read book Funkifying the Cl ve written by Lincoln Goines and published by Alfred Music Publishing. This book was released on 1990 with total page 82 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Guantanamera Flute Quartet score parts written by Francesco Leone and published by Glissato Edizioni Musicali. This book was released on 2020-09-09 with total page 27 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Guantanamera" (Girl from Guantanamo), a beloved Cuban traditional song, is elegantly arranged for Flute Quartet at an intermediate level by Francesco Leone. This arrangement captures the song's heartfelt melody and rhythmic charm, offering flute players a unique opportunity to delve into the vibrant world of Cuban music. The arrangement consists of a SCORE and PARTS for C Flutes 1-4, allowing a traditional flute quartet to fully explore the nuances and beauty of this iconic piece. Additionally, an alternative part for G Alto Flute is provided to replace Flute 4, offering ensembles the option to enrich their performance with the deeper, resonant tones of the alto flute. This versatility enhances the arrangement's texture and provides a wider range of sonic possibilities. To further embody the authentic Cuban spirit of "Guantanamera," an optional Conga part is included. This addition brings a layer of rhythmic complexity and energy, perfectly complementing the flutes and inviting musicians to engage more deeply with the cultural essence of the piece. An audio demo of this arrangement is accessible at www.glissato.it, serving as a valuable reference for ensembles. This demo showcases the arrangement's potential, providing clear guidance on tempo, dynamics, and stylistic interpretation, which is invaluable for practice and performance preparation. Francesco Leone's arrangement of "Guantanamera" for Flute Quartet and optional Conga is an intermediate-level piece that beautifully bridges the gap between traditional Cuban music and the classical flute repertoire. Ideal for recitals, educational settings, and cultural celebrations, this arrangement promises to captivate audiences and provide a rewarding experience for musicians eager to explore the richness of Cuban musical heritage.
Download or read book Musica written by Sue Steward and published by Chronicle Books. This book was released on 1999-10 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Salsa, the irresistible dance music of the Spanish-speaking world, has made its way into the lives of millions around the globe. But salsa is only one of many popular Latin rhythms. The first comprehensive guide to the music, its history, and its legends, Musica! charts the vast territory of this lively Latin heritage, which began in Cuba and spread throughout the Caribbean and into North and South America. Illustrated with contemporary and vintage photos, Musica! features a gallery of legendary musical performers, plus sections on the musical styles and dances including the rumba, mambo, cha-cha, and merengue. A discography and bibliography complete this comprehensive story of Latin America's extraordinary rhythmic tradition.
Download or read book Flute Improvisation in Cuban Charanga Performance with a Specific Focus on the Work of Richard Eg es and Orquesta Arag n written by Susan Margaret Miller and published by . This book was released on 2010 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Activating Diverse Musical Creativities written by Pamela Burnard and published by Bloomsbury Publishing. This book was released on 2015-01-29 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: Activating Diverse Musical Creativities analyses the ways in which music programmes in higher education can activate and foster diverse musical creativities. It also demonstrates the relationship between musical creativities and entrepreneurship in higher education teaching and learning. These issues are of vital significance to contemporary educational practice and training in both university and conservatoire contexts, particularly when considered alongside the growing importance of entrepreneurship, defined here as a type of creativity, for successful musicians working in the 21st century creative and cultural industries. International contributors address a broad spectrum of musical creativities in higher education, such as improvisational creativity, empathic creativity and leadership creativity, demonstrating the transformative possibilities of embedding these within higher music education teaching and learning. The chapters explore the active practice of musical creativities in teaching and learning and recognize their mutual dependency. The contributors consider philosophical and practical concerns in their work on teaching for creativity in higher music education and focus on practices using imaginative approaches in order to make learning more interesting, effective and relevant.
Download or read book The Latin Tinge written by John Storm Roberts and published by Oxford University Press, USA. This book was released on 1999 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this revised second edition, Roberts updates the history of Latin American influences on the American music scene over the last 20 years. 50 halftones.
Download or read book Recorded Music in Creative Practices written by Georgia Volioti and published by Taylor & Francis. This book was released on 2024-07-09 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recorded Music in Creative Practices: Mediation, Performance, Education brings new critical perspectives on recorded music research, artistic practice, and education into an active dialogue. Although scholars continue to engage keenly in the study of recordings and studio practices, less attention has been devoted to integrating these newer developments into music curricula. The fourteen chapters in this book bring fresh insight to the art and craft of recording music and offer readers ways to bridge research and pedagogy in diverse educational, academic, and music industry contexts. By exploring a wide range of genres, methods, and practices, this book aims to demonstrate how engaging with recordings, recording processes, material artefacts, studio spaces, and revised music history narratives means we can promote new understandings of the past, more creative performance in the present, and freer collaboration and experimentation inside and outside of the recording studio; enhance creative teaching and learning; inform and stimulate reform of the institutional processes and structures that frame musical training; and ultimately promote more diverse music curricula and communities of practice. This book will be of value to educators, researchers, practitioners (performers, composers, recordists), students in music and music-related fields, recording enthusiasts, and readers with a keen interest in the subject.
Download or read book Popular Music Matters written by Lee Marshall and published by Routledge. This book was released on 2016-03-23 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Simon Frith has been one of the most important figures in the emergence and subsequent development of popular music studies. From his earliest academic publication, The Sociology of Rock (1978), through to his recent work on the live music industry in the UK, in his desire to ’take popular music seriously’ he has probably been cited more than any other author in the field. Uniquely, he has combined this work with a lengthy career as a music critic for leading publications on both sides of the Atlantic. The contributions to this volume of essays and memoirs seek to honour Frith’s achievements, but they are not merely ’about Frith’. Rather, they are important interventions by leading scholars in the field, including Robert Christgau, Antoine Hennion, Peter J. Martin and Philip Tagg. The focus on ’sociology and industry’ and ’aesthetics and values’ reflect major themes in Frith’s own work, which can also be found within popular music studies more generally. As such the volume will become an essential resource for those working in popular music studies, as well as in musicology, sociology and cultural and media studies.
Download or read book The Salsa Guidebook written by Rebeca Mauleon and published by "O'Reilly Media, Inc.". This book was released on 2011-01-12 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: The only complete method book on Salsa ever published. Numerous musical examples of how different Afro-Cuban styles are created, what each instrument does, text explaining the history and structure of the music, etc. "This will be the Salsa Bible for years to come." Sonny Bravo, Tito-Puente's pianist.
Download or read book Cuban Masters Series written by Jon Griffin and published by Salsa Blanca Publishing. This book was released on 2012-01-06 with total page 54 pages. Available in PDF, EPUB and Kindle. Book excerpt: Learn to play the Cuban tres from a true master. In this book, you will learn about the Cuban tres and how to play it correctly. Your guide is Leonel "Guajiro" Gonzalez, who has played in many Cuban bands including Elito Reve and many sessions in studios around Havana. Leonel will open your eyes as to the possibilities of using the Cuban tres in, not just a traditional context, but also to play timba, danzon, mambo and other styles. This is an intermediate to advanced series, but even a beginner could learn from this, albeit slower. We suggest you have some familiarity with the Cuban tres, but arrangers and composers will get valuable insight into this instrument and also Cuban music in general. The book covers: Introduction Tuning Traditional Son Modern Tumbao Roots of the Cuban Tres Picking Styles Mambo Bolero Son Section of Cha-cha-chá Timba and Modern Son Montuno Examples Guaijra Clave Danzón Secret Weapon (Fretboard) Harmony and Chords Basic Tumbaos for Traditional Son Progressions Punto Guajiro Resources
Download or read book The Evolution of Mann written by Cary Ginell and published by Hal Leonard Corporation. This book was released on 2014-03-01 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). More than any other musician, Herbie Mann was responsible for establishing the flute as an accepted jazz instrument. Prior to his arrival, the flute was a secondary instrument for saxophonists, but Mann found a unique voice for the flute, presenting it in different musical contexts, beginning with Afro-Cuban, and then continuing with music from Brazil, the Middle East, the Caribbean, Japan, and Eastern Europe. As Mann once said, "People would say to me, 'I don't know where you are right now,' and I would respond, 'And you're not going to know where I'm going to be tomorrow.'" A self-described restless spirit, Herbie Mann also was a master at marketing himself. His insatiable curiosity about the world led him to experiment with different kinds of sounds, becoming a virtual Pied Piper of jazz. He attracted thousands to his concerts while alienating purists and critics alike. His career lasted for five decades, from his beginnings in a tiny Brooklyn nightclub to appearances on international stages. "I want to be as synonymous with the flute as Benny Goodman is for the clarinet," he was fond of saying. By the time he died of prostate cancer in 2003, he had fulfilled his desire.
