Download or read book Crosby s Irish Musical Repository written by and published by . This book was released on 1811 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Crosby s Irish Musical Repository written by and published by . This book was released on 1810 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Crosby s Irish Musical Repository written by Crosby Publishers and published by . This book was released on 1815* with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Crosby s Musical Repository written by and published by . This book was released on with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Caledonian Musical Repository written by and published by . This book was released on 1811 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Bunting collection of Irish folk music and songs written by Donal Joseph O'Sullivan and published by . This book was released on 1927 with total page 168 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Irish Musical Repository written by and published by . This book was released on 1808 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Journal of the Irish Folk Song Society London written by Irish Folk Song Society and published by . This book was released on 1927 with total page 760 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Irish Folk Music written by Francis O'Neill and published by . This book was released on 1910 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Sources of Irish Traditional Music c 1600 1855 written by Aloys Fleischman and published by Routledge. This book was released on 2016-12-05 with total page 710 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1998. Irish traditional music is one of the richest treasuries of folk music in the world. Being an oral tradition, much of it has already been lost, and what has been recorded is only partially available in isolated collections. Until now, no composite picture has yet been presented, showing its remarkable range and diversity over four centuries. This volume covers Irish materials in general collections up to 1800 and in Irish collections up to and including Petrie's Ancient Music of Ireland (1855).The purposes of the project are to identify Irish dance tunes and songs; to present the scholar with a mass of material showing the evolution of the Irish vocal and instrumental folk style, period by period, from the earliest recorded tune up to the middle of the last century; to put into circulation many of the splendid airs which were lost but have now been located. Some 6,000 songs and dance tunes are presented, also including Scottish and English tunes. Included are Scottish tunes that were used by 18th-century Irish poets for their verses, and both English and Scottish tunes that are still current among Irish traditional musicians. Tunes of present-day currency which do not seem to be included may still be located by comparing their first 12 notes in the thematic index at the end of the volume.To make the vast array of material readily available, an index allows readers to locate a tune by its melodic incipit, by any of its titles, or by the first line of its text. Unfortunately, the vast majority of Irish songs noted up to the end of the last century lack texts, since the collectors were ignorant of the Irish language. But almost every other facet is covered-provenance, tonality structure, and variants.

Download or read book Subject index of the London Library St James s Square London written by London Library and published by . This book was released on 1923 with total page 1112 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Scottish and Irish Romanticism written by Murray Pittock and published by OUP Oxford. This book was released on 2011-05-19 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scottish and Irish Romanticism is the first single-author book to address the main non-English Romanticisms of the British Isles. Murray Pittock begins by questioning the terms of his chosen title as he searches for a definition of Romanticism and for the meaning of 'national literature'. He proposes certain determining 'triggers' for the recognition of the presence of a national literature, and also deals with two major problems which are holding back the development of a new and broader understanding of British Isles Romanticisms: the survival of outdated assumptions in ostensibly more modern paradigms, and a lack of understanding of the full range of dialogues and relationships across the literatures of these islands. The theorists whose works chiefly inform the book are Bakhtin, Fanon and Habermas, although they do not define its arguments, and an alertness to the ways in which other literary theories inform each other is present throughout the book. Pittock examines in turn the historiography, prejudices, and assumptions of Romantic criticism to date, and how our unexamined prejudices still stand in the way of our understanding of individual traditions and the dialogues between them. He then considers Allan Ramsay's role in song-collecting, hybridizing high cultural genres with broadside forms, creating in synthetic Scots a 'language really used by men', and promoting a domestic public sphere. Chapters 3 and 4 discuss the Scottish and Irish public spheres in the later eighteenth century, together with the struggle for control over national pasts, and the development of the cults of Romance, the Picturesque and Sentiment: Macpherson, Thomson, Owenson and Moore are among the writers discussed. Chapter 5 explores the work of Robert Fergusson and his contemporaries in both Scotland and Ireland, examining questions of literary hybridity across not only national but also linguistic borders, while Chapter 6 provides a brief literary history of Burns' descent into critical neglect combined with a revaluation of his poetry in the light of the general argument of the book. Chapter 7 analyzes the complexities of the linguistic and cultural politics of the national tale in Ireland through the work of Maria Edgeworth, while the following chapter considers of Scott in relation to the national tale, Enlightenment historiography, and the European nationalities question. Chapter 9 looks at the importance of the Gothic in Scottish and Irish Romanticism, particularly in the work of James Hogg and Charles Maturin, while Chapter 10, 'Fratriotism', explores a new concept in the manner in which Scottish and Irish literary, political and military figures of the period related to Empire.

Download or read book Grove s Dictionary of Music and Musicians written by Sir George Grove and published by . This book was released on 1911 with total page 876 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Quarterly Review written by and published by . This book was released on 1818 with total page 860 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Life of Abraham Newland Esq Late Principal Cashier at the Bank of England written by John Dyer Collier and published by London, B. Crosby. This book was released on 1808 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of English Song Books Forming a Portion of the Library of Sir John Stainer written by John Stainer and published by . This book was released on 1891 with total page 116 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Celtic Harp Anthology written by Star Edwards and published by Mel Bay Publications. This book was released on 2016-10-11 with total page 65 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before the 1700s, Celtic music enjoyed a long oral music tradition of learning and memorizing tunes without the aid of pen and paper. The pages of this anthology are filled with the rich heritage of Celtic music tucked away in historical collections from the late 1700s and 1800s. It is a treasure trove of fresh vibrant melodies that connect us to our ancestors' desire to capture the distinctive qualities of native traditional music. These collections are but a thread in a colorful tapestry that continues today, weaved by the hearts of passionate music enthusiasts. The Celtic Harp Anthology: Music from Historical Collections is a compilation from twenty one collections that were the proud work of spirited countrymen and women. In this compilation, you will touch the strains of music that filled gleaming white-thatched homes with joy and boundless energy. Connect with the heart and soul of a timeless culture and experience the music that eased the hardships of living. This book is designed for advanced beginners to intermediate harp players with lever folk harps (or pedal harps) that have thirty-three strings or less with G (one and a half octaves below middle C) as their lowest note, in the keys of F, C, G, D and A. The tunes are appropriate for nylon or wire-strung harps. Two songs require lever flips