Download or read book Crist bal de Morales written by Owen Rees and published by Boydell Press. This book was released on 2007 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive survey of the music of Cristóbal de Morales, the leading Spanish composer of his time.
Download or read book Crist bal de Morales ca 1500 53 written by Robert Stevenson and published by . This book was released on 1953 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Crist bal de Morales and the Spanish Motet in the First Half of the Sixteenth Century written by Wolfgang Freis and published by . This book was released on 2001 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Spanish Cathedral Music in the Golden Age written by Robert Stevenson and published by Univ of California Press. This book was released on with total page 544 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Liber magnificarum 1607 written by Sebastián de Vivanco and published by A-R Editions, Inc.. This book was released on 2020-01-01 with total page 303 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Spanish composer Sebastián de Vivanco (ca. 1551–1622) was born, like his revered contemporary Tomás Luis de Victoria, in Avila. Having secured prestigious cathedral and university posts at Salamanca, Vivanco saw through the press, between 1607 and 1614, three luxury choirbooks containing 18 Magnificats, 10 masses, and 72 motets, spread over a total of more than 900 printed pages. The first of these choirbooks, all of which were printed by the Fleming Artus Taberniel and his wife Susana Muñoz, is a cycle of Magnificats providing polyphony for the odd- and even-numbered verses in all eight tones, plus one extra Magnificat in each of the much-used first and eighth tones. If Vivanco has been eclipsed for too long by his great contemporary and compatriot, it is in the complexity and ingenuity of the many canons to be found in these Magnificats that Vivanco outshines even Victoria.
Download or read book No Limits to Their Sway written by Edgardo Perez Morales and published by Vanderbilt University Press. This book was released on 2018-04-10 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the 1808 French invasion of the Iberian Peninsula, an unprecedented political crisis threw the Spanish Monarchy into turmoil. On the Caribbean coast of modern-day Colombia, the important port town of Cartagena rejected Spanish authority, finally declaring independence in 1811. With new leadership that included free people of color, Cartagena welcomed merchants, revolutionaries, and adventurers from Venezuela, the Antilles, the United States, and Europe. Most importantly, independent Cartagena opened its doors to privateers of color from the French Caribbean. Hired mercenaries of the sea, privateers defended Cartagena's claim to sovereignty, attacking Spanish ships and seizing Spanish property, especially near Cuba, and establishing vibrant maritime connections with Haiti. Most of Cartagena's privateers were people of color and descendants of slaves who benefited from the relative freedom and flexibility of life at sea, but also faced kidnapping, enslavement, and brutality. Many came from Haiti and Guadeloupe; some had been directly involved in the Haitian Revolution. While their manpower proved crucial in the early Anti-Spanish struggles, Afro-Caribbean privateers were also perceived as a threat, suspected of holding questionable loyalties, disorderly tendencies, and too strong a commitment to political and social privileges for people of color. Based on handwritten and printed sources in Spanish, English, and French, this book tells the story of Cartagena's multinational and multicultural seafarers, revealing the Trans-Atlantic and maritime dimensions of South American independence.
Download or read book Music and Musicians in the Escorial Liturgy Under the Habsburgs 1563 1700 written by Michael John Noone and published by University Rochester Press. This book was released on 1998 with total page 430 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study explores the composition and performance of liturgical music in El Escorial, from its founding by Philip II in 1563 to the death of Charles II in 1700. Philip II promoted within his monastery-palace a musical foundation whose dual function as royal chapel and as monastery in the service of a Counter-Reformation monarch was unique. The study traces the ways in which music styles and practices responded to the changing functions of the institution. Perceived notions about Spanish royal musical patronage are challenged, musical manuscripts are scrutinized, biographical details of hundreds of musicians are uncovered, and musical practices are examined. Additionally, two important choral pieces are printed here for the first time.
Download or read book Iberian Books Volumes II III Libros Ib ricos Vol menes II y III 2 vols written by Alexander Samuel Wilkinson and published by BRILL. This book was released on 2015-10-05 with total page 2646 pages. Available in PDF, EPUB and Kindle. Book excerpt: Iberian Books II & III presents an indispensable foundational listing of everything known to have been published in Spain, Portugal and the New World, or of items printed in Spanish or Portuguese elsewhere, during the first half of the seventeenth century. Drawing on library catalogues, specialist bibliographies and studies, as well as auction catalogue records, Iberian Books lists 45,000 items, and the locations of some 215,000 copies surviving in 1,800 collections worldwide. These volumes offer a powerful research tool which will appeal to researchers, librarians and to the book selling and collecting communities. They will prove invaluable to anyone with a research interest in the literature, history and culture of the Iberian Peninsula in the early modern age. This set supplements Iberian Books, which logs the Iberian print production up to 1601. Los dos volúmenes de Iberian Books II & III ofrecen un registro pionero de todos los impresos publicados en España, Portugal y el Nuevo Mundo, o en español o portugués en otros lugares, entre 1601 y 1650. A partir del trabajo realizado en bibliotecas, la revisión de bibliografías especializadas y de catálogos de casas de subastas, Iberian Books recoge 45.000 impresos conservados en 215.000 ejemplares preservados en 1.800 colecciones de todo el mundo. Estos volúmenes ofrecen una herramienta de investigación de gran utilidad para investigadores, bibliotecarios, libreros y coleccionistas. Los dos volúmenes resultarán de enorme valor a todo aquel investigador interesado en la literatura, la historia y la cultura de la Península Ibérica de la Edad Moderna.
Download or read book Printing Music in Renaissance Rome written by Jane A. Bernstein and published by Oxford University Press. This book was released on 2024-02-16 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In sixteenth-century Italy, Rome ranked second only to Venice as an important center for music book production. Throughout the century, printers in the Eternal City experimented more readily and more consistently with the materiality of the book than their Venetian counterparts, who, by standardizing their printing methods, came to dominate the international marketplace. The Romans' ingenuity and willingness to meet individual clients' needs resulted in music editions in a broader array of shapes and sizes, employing a wider range of printing techniques. They became "boutique" printers, eschewing the run-of-the-mill in favor of tailoring production to varied market demands. Accommodating the diverse requirements of their clientele, they supplied customized volumes, which Venetian presses either could not--or would not--produce. In Printing Music in Renaissance Rome, author Jane A. Bernstein offers a panoramic view of the cultures of music and the book in Rome from the beginning of printing in 1476 through the early seventeenth century. Emphasizing the exceptionalism of Roman music publishing, she highlights the innovative printing technologies and book forms devised by Roman bookmen. She also analyzes the Church's predominant influence on the book industry and, in turn, the Roman press's impact on such important composers as Palestrina, Marenzio, Victoria, and Cavalieri. Drawing on innovative publications, Bernstein reveals a synergistic relationship between music repertories and the materiality of the book. In particular, she focuses on the post-Tridentine period, when musical idioms, both new and old, challenged printers to employ alternative printing methods and modes of book presentation in the creation of their music editions. Of interest to musicologists, art historians, and book historians alike, this book builds on Bernstein's previous work as she continues to chart the course of music and the book in Renaissance Italy.
Download or read book Early Music History written by Iain Fenlon and published by Cambridge University Press. This book was released on 2009-03-19 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. It demands the highest standards of scholarship from its contributors, all of whom are leading academics in their fields. It gives preference to studies pursuing interdisciplinary approaches and to those developing novel methodological ideas. The scope is exceptionally broad and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music and the relationship between music and society. Articles in volume six include: On the question of psalmody in the ancient synagogue; Music and grammar: imitation and analogy in Morales and the Spanish humanists; and a Florentine chansonnier of the early sixteenth century.
Download or read book Cosmopolitanism in the Portuguese Speaking World written by and published by BRILL. This book was released on 2017-09-25 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses different dimensions of cosmopolitanism in the Portuguese-speaking world which have caused much debate, such as migration and globalisation. The volume includes contributions from leading specialists in History, Musicology, Literary Studies, Anthropology and Political Sciences. It focuses on specific processes in Brazil, Portugal, West Africa, Angola, and other parts of the world, from the sixteenth century to the present. Central topics are intercontinental trading elites, the cultural impact of forced and voluntary migration, the republic of letters, the possibilities created by freemasonry and liberalism, the adaptation of the Azorean Holy Ghost Feast to the United States, international links of conservative politicians, the international projection of the new Angolan elite, architecture and urban planning. Contributors are: Vanda Anastácio, Cátia Antunes, Paulo Arruda, Francisco Bethencourt, Toby Green, Philip J. Havik, David R. M. Irving, João Leal, Giovanni Leoni, Ricardo Soares de Oliveira, António Costa Pinto, and Phillip Rothwell.
Download or read book The Requiem of Tom s Luis de Victoria 1603 written by Owen Rees and published by Cambridge University Press. This book was released on 2019-03-28 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first substantial study of Victoria's Requiem, among the most prominent Renaissance musical works, encompassing its genesis, style, and impact.
Download or read book Early Music History Volume 12 written by Iain Fenlon and published by Cambridge University Press. This book was released on 1994-02-24 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes contributions on European knowledge of Arabic texts referring to music and the motets of Philippe de Vitry and the fourteenth-century renaissance
Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1964 with total page 1208 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Musical Offering written by Martin Bernstein and published by Pendragon Press. This book was released on 1977 with total page 784 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the great tradition of the German Festschrift, this book brings together articles by Professor Bernstein's colleagues, friends and students to honor him on his 70th birthday. Ranging in subject from the trouv e song through esoteric aspects of Renaissance studies and authenticity in 18th-century musical sources to a lively and irreverent attack on performance practices today, the twenty essays by many of America's most distinguished scholars reflect the breadth and variety of Martin Bernstein's far-reaching interests and demonstrates the vitality and relevance of what is best in musicology today.
Download or read book Music and Ceremony at the Court of Charles V written by Mary Tiffany Ferer and published by Boydell Press. This book was released on 2012 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Music and Ceremony' reconstructs musical life at the court of Charles V, examining the compositions which emanated from the court, the ordinances which prescribed ritual and ceremony, and the Emperor's prestigious chapel which reflected his power and influence.
Download or read book The Monteverdi Vespers of 1610 Music Context Performance written by Jeffrey Kurtzman and published by Clarendon Press. This book was released on 2000-01-06 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a thorough-going study of Monteverdi's Vespers, the single most significant and most widely known musical print from before the time of J.S. Bach. The author examines Monteverdi's Vespers from multiple perspectives, combining his own research with all that is known and thought of the Vespers by other scholars. The historical origin as well as the musical and liturgical context of the Vespers are surveyed; similarly the controversial historiography of the Vespers in the nineteenth and twentieth centuries is scrutinized and evaluated. A series of analytical chapters attempt to clarify Monteverdi's compositional process and the relationship between music and text in the light of recent research on modal and tonal aspects of early seventeenth century music. The final section is devoted to thirteen chapters investigating performance practice issues of the early seventeenth century and their application to the Vespers, including general and specific recommendations for performance where appropriate. The book concludes with a series of informational appendices, including the psalm cursus for Vespers of all major feasts in the liturgical calendar, texts, and structural outlines for the Vespers compositions based on a cantus firmus, an analytical discography, and bibliographies of seventeenth-century musical and theoretical sources.