Download or read book Counterpoint Applied in the Invention Fugue Canon and Other Polyphonic Forms written by Percy Goetschius and published by . This book was released on 1902 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Counterpoint Applied in the Invention Fugue Canon and Other Polyphonic Forms written by Percy Goetschius and published by Franklin Classics. This book was released on 2018-10-10 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Download or read book Counterpoint Applied in the Invention Fugue Canon and Other Polyphonic Forms written by Percy Goetschius and published by . This book was released on 2015-07-21 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Counterpoint Applied in the Invention, Fugue, Canon and Other Polyphonic Forms: An Exhaustive Treatise on the Structural and Formal Details of the Polyphonic or Contrafuntal Forms or Music, for the Use of General and Special Students of Music This book is a sequel to the Homophonic Forms, and the system pursued in its preparation corresponds in every detail to that of the latter. Experience in practical teaching has confirmed the author's belief that no further preparation for the exercise of contrapuntal writing is necessary than the course of harmony given in the Material used in Musical Composition (or any equally exhaustive treatise), together with the course of study prescribed in the Homophonic Forms. But these courses, especially that in harmony, must be exceedingly thorough; two years of diligent application to Material is by no means too much, possibly not enough, for the acquirement of the only basis upon which practical contrapuntal facility can rest, naturally and securely. Nevertheless, the first Division of the present book is devoted to the specific details of contrapuntal discipline, partly because of their inseparable bearing upon polyphonic form, and partly as a concession, - for the benefit of students not familiar with the method of harmonic discipline peculiar to the Material. The other Divisions owe their design to the author's conviction that the quickest and surest means of acquiring contrapuntal skill consists in the practical application of the contrapuntal method to the composition of polyphonic forms. Hence the title of the book. Therefore, this volume, like the preceding, "undertakes no more than the systematic enumeration and exhaustive explanation of all the formal designs and methods of structural treatment in the polyphonic domain of music composition, as revealed in classic or standard writings." Further, "the student must regard the conscientious analysis of all the carefully collected references, as a very significant and distinctly essential part of his study." On the other hand, it will probably not be necessary for every student to do all of each Exercise. The tasks have been made extremely comprehensive, not because they are indispensable, but rather in order to meet the wants of every class of students. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Download or read book Counterpoint Applied written by Percy Goetschius and published by . This book was released on 1983 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Counterpoint Applied in the Invention Fugue Canon and Other Polyphonic Forms written by Percy Goetschius and published by . This book was released on 1902 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Counterpoint Applied in the Invention Fugue Canon and Other Polyphonic Forms an Exhaustive Treatise on the Structural and Formal Details of the Polyphonic Or Contrapuntal Forms of Music for the Use of General and Special Students of Music written by Percy Goetschius and published by . This book was released on 1915 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Counterpoint Applied in the Invention Fugue Canon and Other Polyphonic Forms an Exhaustive Treatise on the Structural and Formal Details of the Pol written by Percy Goetschius and published by Rarebooksclub.com. This book was released on 2013-09 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1902 edition. Excerpt: ...is largely 3-voice; there is a strong Dominant cadence in measure 14, which probably resolves the structure into a 2-Part Song-form (primary grade). The manipulation of this M. is extremely ingenious and instructive; unique rhythmic modifications, and the shifted rhythm, occur frequently; analyze carefully. Bach, Toccata for Clavichord in d minor, measures 15-32; M. 3 beats, in Alto. Bach, Fantasia con Imitazione, Peters ed. No. 216, Section II ( time); M. undergoes several modifications. Bach, Fantasia, Peters ed. 215, bottom of page 7 to page 10. Same volume, page 22, --first 4 measures introductory; M. in Alto, one measure. Bach, Fantasia, Peters ed. 1959, pages 94 to 97, --first 14 measures introductory. Same volume, pages 99-100 (C time). Mendelssohn, Var. sirieuses, op. 54, Var. 10. Bach, Organ Comp. (Peters compl. ed.), Vol. VIII, No. 8; independent Bass (par. 73). EXERCISE 23. A. Write a 4-voice Invention, in brief sectional form, in minor; with an original Motive, patterned after those shown in Ex. 121. Especial reference must be made to par. 64 (Leading part); Ex. 122, Note 4) (sustained parts); par. 6d (Ties); par. 63 b, c (Rests). The Imitation in Augmentation, and also in Diminution (par. 31 a, i), are both available in 4-voice texture, and must not be neglected. B. A 4-voice Invention, sectional form, in major. Other Structural Designs. 79. Besides those in sectional form, occasional examples of the 4voice Invention are found in the 2-Part or 3-Part Song-form. For example, see--Bach, Air with 30 Variations (Clav.), Var. 4; M. of 3 notes, Soprano part; first Imitations in alternate original and contrary motion (compare par. 73a); definite 2Part Song-form. Same work, Var. 22; M. of 2 measures, first announced in Tenor, after 1.

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