Download or read book Corneille and Racine written by Gordon Pocock and published by CUP Archive. This book was released on 1973-10-18 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study highlights that both Corneille and Racine were living writers, struggling to create developing forms within the strait-jacket of neo-classical decorum.
Download or read book In the Grip of Minos written by Matthew Senior and published by . This book was released on 1994 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following Trent, a new mode of confession makes its appearance, a baroque discourse in which "the heart speaks to the heart." Senior argues that Corneille similarly creates a new kind of hero who distinguishes himself as much by the confessional trial of self-statement as by his military exploits. In the work of Racine, Senior notes, Minos appears again, tormenting the conscience of Phedre.
Download or read book Four French Plays written by Jean Racine and published by Penguin UK. This book was released on 2013-07-04 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'greatest hits' of French classical theatre, in vivid and acclaimed new Penguin translations by John Edmunds and with editorial apparatus by Joseph Harris. The plays in this volume - Cinna, The Misanthrope, Andromache and Phaedra - span only thirty-seven years, but make up the defining period of French theatre. In Corneille's Cinna (1640), absolute power is explored in ancient Rome, while Molière's The Misanthrope (1666), the only comedy in this collection, sees its anti-hero outcast for his refusal to conform to social conventions. Here also are two key plays by Racine: Andromache (1667), recounting the tragedy of Hector's widow after the Trojan War, and Phaedre (1677), showing a mother crossing the bounds of love with her son. This translation of Phaedra was originally broadcast on Radio Three with a cast including Prunella Scales and Timothy West, and was praised by playwright Harold Pinter. This is the first time it has been published. The edition also includes an introduction by Joseph Harris, genealogical tables, pronunciation guides, critiques and prefaces, as well as a chronology and suggested further reading. After a varied career as an actor, teacher, and BBC TV national newsreader, John Edmunds became the founder-director of Aberystwyth University's department of Theatre, Film and Television Studies. Joseph Harris is Senior Lecturer at Royal Holloway, University of London and author of Hidden Agendas: Cross-Dressing in Seventeenth-Century France (2005).
Download or read book The Theatre of Illusion written by Pierre Corneille and published by Dramatists Play Service Inc. This book was released on 2012 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: THE STORY: THE THEATRE OF ILLUSION is a tale of magic, love, revenge, mistaken identity, and mistaken perspective. Described by the author as a comedy, a caprice and an extravagance, it is widely considered to be Pierre Corneille's masterpiece.
Download or read book Racine s Roman Tragedies written by and published by BRILL. This book was released on 2022-01-17 with total page 409 pages. Available in PDF, EPUB and Kindle. Book excerpt: In two of his most celebrated plays, Britannicus and Bérénice, Racine depicts the tragedies of characters trapped by the ideals, desires, and cruelties of ancient Rome. This international collection of essays deploys cutting-edge research to illuminate the plays and their contexts.
Download or read book Le Cid And The Liar written by Pierre Corneille and published by Houghton Mifflin Harcourt. This book was released on 2009 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Richard Wilbur's translations of the great French dramas have been a boon to acting troupes, students of French literature and history, and theater lovers. He continues this wonderful work with two plays from Pierre Corneille: Le Cid is Corneille's most famous play, a tragedy set in Seville that illuminates the dangers of being bound by honor and the limits of romantic love; The Liar is a farce, set in France and dealing with love, misperceptions, and downright falsifications, which ends, of course, happily ever after. These two plays, together in one volume, work in perfect tandem to showcase the breadth of Corneille's abilities. Taking us back to the time he portrays as well as the time of his greatest success as a playwright, they remind us that the delights to be found on the French stage are truly ageless.
Download or read book Racine and Seneca written by Ronald W. Tobin and published by Chapel Hill : University of North Carolina Press. This book was released on 1971 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study brings to light the significant and long-obscured influence of the Roman dramatist and philosopher, Seneca, on the works of Racine. After describing the positive characteristics of Senecan tragedy and the crucial role it played in French drama from Jodelle through Corneille, Ronald W. Tobin analyzes Racine's unique adoption and absorption of Senecan material into his own plays, thereby extending the dimensions of his dramatic art. In the book's Conclusion, some theories are advanced for Racine's well-known silence about his debt to Seneca.
Download or read book Tragic Agency in Classical Drama from Aeschylus to Voltaire written by Paul Hammond and published by BRILL. This book was released on 2021-10-18 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Are we free agents? This perennial question is addressed by tragedy when it dramatizes the struggle of individuals with supernatural forces, or maps the inner conflict of a mind divided against itself. The first part of this book follows the adaptations of four myths as they migrate from classical Greek tragedy to Seneca and on to seventeenth-century France: the stories of Agamemnon, Oedipus, Medea, and Phaedra. Detailed linguistic analysis charts the playwrights’ contrasting assumptions about agency and autonomy. In the second part, six plays by Corneille and Racine are discussed to show how the problem of agency and free will is explored in scenarios which show protagonists who are in thrall to their past, to their rulers, or to their own ideals.
Download or read book Racine and English Classicism written by Katherine E. Wheatley and published by University of Texas Press. This book was released on 2015-01-30 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: Literary historians and critics who have written on the influence of Racine in England during the neoclassical period apparently have assumed that the English translators and adapters of Racine’s plays in general succeeded in presenting the real Racine to the English public. Katherine Wheatley here reveals the wide discrepancy between avowed intentions and actual results. Among the English plays she compares with their French originals are Otway’s Titus and Berenice, Congreve’s The Mourning Bride, and Philips’s The Distrest Mother. These comparisons, fully supported by quoted passages, reveal that those among the English public and contemporary critics who could not themselves read French had no chance whatever to know the real Racine: “The adapters and translators, so-called, had eliminated Racine from his tragedies before presenting them to the public.” Unacknowledged excisions and additions, shifts in plot, changes in dénouement, and frequent mistranslation turned Racine’s plays into “wretched travesties.” Two translations of Britannicus, intended for reading rather than for acting, are especially revealing in that they show which Racinian qualities eluded the British translators even when they were not trying to please an English theatergoing audience. Why it is, asks the author, that no English dramatist could or would present Racine as he is to the English public of the neoclassical period? To answer this question she traces the development of Aristotelian formalism in England, showing the relation of the English theory of tragedy to French classical doctrine and the relation of the English adaptations of Racine to the English neoclassical theory of tragedy. She concludes that “deliberate alterations made by the English, far from violating classical tenets, bring Racine’s tragedies closer to the English neoclassical ideal than they were to begin with, and this despite the fact that some tenets of English doctrine came from parallel tenets widely accepted in France.” She finds that “in the last analysis, French classical doctrine was itself a barrier to the understanding of Racinian tragedy in England and an incentive to the sort of change English translators and adapters made in Racine.” This paradox she explains by the fact that Racine himself had broken with the classical tradition as represented by Corneille.
Download or read book Corneille and Racine written by Henry Merivale Trollope and published by . This book was released on 1881 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Queer Velocities written by Jennifer Eun-Jung Row and published by Northwestern University Press. This book was released on 2022-04-15 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Queer Velocities: Time, Sex, and Biopower on the Early Modern Stage explores how seventeenth-century French theater represents queer desire. In this book, the first queer theoretical treatment of canonical French theater, Jennifer Eun-Jung Row proposes that these velocities, moments of unseemly haste or strategic delay, sparked new kinds of attachments, intimacies, and erotics. Rather than rely on fixed identities or analog categories, we might turn to these affectively saturated moments of temporal sensation to analyze queerness in the premodern world. The twin innovations of precise, portable timepieces and the development of the theater as a state institution together ignited new types of embodiments, orderly and disorderly pleasures, and normative and wayward rhythms of life. Row leverages a painstakingly formalist and rhetorical analysis of tragedies by Jean Racine and Pierre Corneille to show how the staging of delay or haste can critically interrupt the normative temporalities of marriage, motherhood, mourning, or sovereignty—the quotidian rhythms and paradigms so necessary for the biopolitical management of life. Row’s approach builds on the queer turn to temporality and Elizabeth Freeman’s notion of the chronobiopolitical to wager that queerness can also be fostered by the sensations of disruptive speed and slowness. Ultimately, Row suggests that the theater not only contributed to the glitter of Louis XIV’s absolutist spectacle but also ignited new forms of knowing and feeling time, as well as new modes of loving, living, and being together.
Download or read book Melite a Comedy written by Pierre Corneille and published by . This book was released on 1776 with total page 70 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Orientalism in French Classical Drama written by Michèle Longino and published by Cambridge University Press. This book was released on 2002 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Michèle Longino examines the ways in which Mediterranean exoticism inflects the themes represented in French classical drama. Longino explores plays by Corneille, Molière and Racine; Le Cid, Médée, and Le bourgeois gentilhomme among others. She offers a consideration of the role the staging of the near Orient played in shaping a sense of French colonial identity. Drawing on histories, travel journals, memoirs and correspondence, and bringing together literary and historical concerns, Longino considers these dramatisations in the context of French-Ottoman relations at the time of their production.
Download or read book French Tragic Drama in the Sixteenth and Seventeenth Centuries written by Geoffrey Brereton and published by Routledge. This book was released on 2022-04-24 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV’s reign is here surveyed in a single volume. Beginning with a brief account of the development of drama from the Middle Ages to the Renaissance, Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries. The traditionally great figures of Corneille and Racine are treated at some length, but their work is seen in perspective against the plays of their predecessors and of their own time. Garnier and Montchrestien are discussed, among others, as notable writers of Renaissance humanist tragedy. Sections are devoted to secondary but still important dramatists such as Mairet, Rotrou, Du Ryer, Tristan L’Hermite, Thomas Corneille and Quinault. A long chapter on Alexandre Hardy reviews the work of this neglected author and stresses his interest as a transitional link between the two centuries and as a vigorous pioneer of a type of drama which flourished for several decades after him concurrently with French ‘classical’ tragedy. The main currents of critical theory, social attitudes and stage history are described in their relation to the development of the drama. Well over a hundred plays are discussed or summarized; and the author has constantly referred back to the original material and has avoided an over-simplification of a vast subject which contains more exceptions and anomalies than has generally been recognized in the past. Chronological tables of the works of major dramatists, summaries of numerous plays and a bibliography containing modern editions of plays are included.
Download or read book Self Commentary in Early Modern European Literature 1400 1700 written by Francesco Venturi and published by BRILL. This book was released on 2019-05-15 with total page 445 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume investigates the various ways in which writers comment on, present, and defend their own works, and at the same time themselves, across early modern Europe. A multiplicity of self-commenting modes, ranging from annotations to explicatory prose to prefaces to separate critical texts and exemplifying a variety of literary genres, are subjected to analysis. Self-commentaries are more than just an external apparatus: they direct and control reception of the primary text, thus affecting notions of authorship and readership. With the writer understood as a potentially very influential and often tendentious interpreter of their own work, the essays in this collection offer new perspectives on pre-modern and modern forms of critical self-consciousness, self-representation, and self-validation. Contributors are Harriet Archer, Gilles Bertheau, Carlo Caruso, Jeroen De Keyser, Russell Ganim, Joseph Harris, Ian Johnson, Richard Maber, Martin McLaughlin, John O’Brien, Magdalena Ożarska, Federica Pich, Brian Richardson, Els Stronks, and Colin Thompson.
Download or read book The Tragedy of Origins written by John D. Lyons and published by . This book was released on 1996 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: Studying the relationship between tragedy and history in early modern France, this book focuses on the work of Pierre Corneille, who was more insistent on the importance of this relationship than any of the other playwrights of the period. The writing of a tragedy takes place within a social context that deeply influences what constitutes "history", "tragedy", "authority", and "poetics". Yet such concepts are also practices that in turn shape the society in which they occur. We cannot look to drama for a kind of fossilized footprint or photographic plate of the period in which a play was written, nor can we assume that a playwright's images are simple escapes from a reality outside the theater. What is the relationship, in early seventeenth-century France, between tragedy and history as ways of telling about human experience? The author's readings of five Cornelian tragedies - Horace, Cinna, Polyeucte, Sertorius, and Attila - lead to a sustained reflection on the tragic structure as a confrontation between the present and the past. The "present" in question is the present of the world of the tragic story, not the present of the play's audience. In this sense, the present of Horace or Cinna is the same now as it was for the French of the 1630's and 1640's. Within these plays a present, a moment of Roman history, is confronted with its past. The author argues that this confrontation, which requires the recognition of an irreversible transformation, founds a new political and social order. The experience of this transformation is, for the protagonists, wrenching dislocation - in historical terms, an origin, and in dramatic terms, a tragedy.
Download or read book Jean Racine written by John Sayer and published by Peter Lang. This book was released on 2006 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: This first biography of Racine in over half a century for an English-language readership also traces the impact of Racine over three centuries in England as well as France. The plays and their reception are reviewed, using contextual approaches as part of each phase of Racine's life-story, with excerpts and quotations translated. Racine's upbringing and work as poet and historiographer are related to the France of Louis XIV, to audiences and to advancement for this 'man from nowhere', with parallels in Britain and elsewhere. Changing attitudes to Racine are traced across the centuries, across literary movements and on stage, including recent productions. The book provides insights in the specialist field of Racine studies and seventeenth-century French literature and theatre, in comparative literary studies, particularly between France and Restoration England, and to the interaction of Racine and European cultural movements to the present day.
