Download or read book Studi sul barocco romano written by Maria Grazia Bernardini and published by . This book was released on 2004 with total page 560 pages. Available in PDF, EPUB and Kindle. Book excerpt: Questa raccolta di scritti di storia dell'arte, promossa dalla Direzione Generale per il Patrimonio Storico Artistico e Demoetnoantropologico del Ministero per i Beni e le Attività Culturali, vuole essere un omaggio a un grande e appassionato storico dell'arte, Maurizio Fagiolo Dell'Arco. In considerazione dei suoi specifici interessi sull'arte barocca, cui Maurizio ha dedicato gran parte della sua attività di studioso, numerosi colleghi e amici, italiani e stranieri, hanno voluto ricordarlo con contributi sul barocco romano. Così i saggi spaziano da Caravaggio, con interventi di Marini e Curzietti, alla scuola bolognese, con testi di Montanari, Carloni, Guarino, Loire, Schleier, all'amatissimo Giovan Lorenzo Bernini, con saggi di Lavin e di Del Pesco; e ancora saggi su Cortona e cortoneschi, oggetto di uno dei suoi ultimi libri (saggi di Lo Bianco e Fisher Pace), su Pierre Lemaire, (Brejon de Lavergnée), sul Gaulli, di cui Maurizio Fagiolo ha curato una magnifica mostra ad Ariccia (Debenedetti, Graf, Vodret). Altri contributi hanno affrontato temi sull'architettura (Marconi), sulla scultura (Cipriani, Pampalone), sull'arte decorativa e sugli apparati effimeri (González Palacios, Bilancia, Marcello Fagiolo, Franchi). A questi si aggiungono gli studi di Röttgen, Tiberia, Corradini, Rosenberg, Pantanella, Griseri, Guerrieri Borsoi, Sestieri, Petrucci, Negro, Prosperi Valenti Rodinò, Bernardini, Spinosa, Barbiellini Amidei, Boccardo, Barbera, Herrmann Fiore, Morello. Il volume, ricco di nuovi dati documentari, di nuove riflessioni critiche sull'arte seicentesca a Roma, di spunti per ulteriori indagini, costituisce uno strumento importantissimo di lavoro, proprio in sintonia con il pensiero di Maurizio Fagiolo Dell'Arco, sempre disponibile a confronti e consigli, che nel lontano 1967 aveva scritto (insieme con il fratello Marcello) il primo e l'unico catalogo dell'opera di Giovan Lorenzo Bernini, strumento ancora oggi validissimo e imprescindibile per chi voglia avvicinarsi allo studio del "regista del barocco".
Download or read book When All of Rome was Under Construction written by Dorothy Metzger Habel and published by Penn State Press. This book was released on 2013 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Analyzes the politics and economics of architecture and the building process in seventeenth-century Rome. Explores topics ranging from the financing of construction to the availability of materials and personnel"--Provided by publisher.
Download or read book Handbook of Research on Visual Computing and Emerging Geometrical Design Tools written by Amoruso, Giuseppe and published by IGI Global. This book was released on 2016-04-11 with total page 1035 pages. Available in PDF, EPUB and Kindle. Book excerpt: Visual computing and descriptive geometry are multidisciplinary fields addressing the handling of images, 3D models, and other computer graphics. These ideas are experiencing a revival due to emergent technologies and applications available to developers. Based in traditional forms of design and architecture, these fields are currently experiencing a bounty of new research based on old principles. The Handbook of Research on Visual Computing and Emerging Geometrical Design Tools seeks to add to this knowledge base by considering these technologies from a designer’s perspective rather than reiterating the principles of computer science. It combines aspects of geometry and representation with emerging tools for CAD, generation, and visualization while addressing the digital heritage of such fields. This book is an invaluable resource for developers, students of both graphic and computer-generated design, researchers, and designers.
Download or read book ICGG 2018 Proceedings of the 18th International Conference on Geometry and Graphics written by Luigi Cocchiarella and published by Springer. This book was released on 2018-07-06 with total page 2334 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gathers peer-reviewed papers presented at the 18th International Conference on Geometry and Graphics (ICGG), held in Milan, Italy, on August 3-7, 2018. The spectrum of papers ranges from theoretical research to applications, including education, in several fields of science, technology and the arts. The ICGG 2018 mainly focused on the following topics and subtopics: Theoretical Graphics and Geometry (Geometry of Curves and Surfaces, Kinematic and Descriptive Geometry, Computer Aided Geometric Design), Applied Geometry and Graphics (Modeling of Objects, Phenomena and Processes, Applications of Geometry in Engineering, Art and Architecture, Computer Animation and Games, Graphic Simulation in Urban and Territorial Studies), Engineering Computer Graphics (Computer Aided Design and Drafting, Computational Geometry, Geometric and Solid Modeling, Image Synthesis, Pattern Recognition, Digital Image Processing) and Graphics Education (Education Technology Research, Multimedia Educational Software Development, E-learning, Virtual Reality, Educational Systems, Educational Software Development Tools, MOOCs). Given its breadth of coverage, the book introduces engineers, architects and designers interested in computer applications, graphics and geometry to the latest advances in the field, with a particular focus on science, the arts and mathematics education.
Download or read book The Marqu s the Divas and the Castrati written by Louise K. Stein and published by Oxford University Press. This book was released on 2024-06-14 with total page 793 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read on the Oxford Academic platform and offered as a free PDF download from OUP and selected open access locations. During a crucial period in opera's development as a genre and as a business, the flamboyantly libertine Spanish aristocrat Gaspar de Haro y Guzm?n (1629-87), Marqu?s de Heliche and del Carpio, influenced operatic practices and productions for both Italian and Hispanic operas. A voracious collector of books and antiquities and famed connoisseur of visual art, the marqu?s financed operas in both Spain and Italy and further shaped them through his ideas, energy, and politics. His legacy also brought forth the first operas of the Americas, as posthumous revivals of the operatic genres he nurtured appeared in the Americas less than fifteen years after his death. In this book, author Louise K. Stein follows the trajectory of this first operatic producer to have shaped opera in two different worlds--Europe and the Americas--and in doing so, advances our musical and historical understanding of seventeenth- and early eighteenth-century opera and cultural encounter. Each chapter focuses on different productions spearheaded by the Marqu?s in Madrid, Rome, and Naples during his lifetime, with the final chapter considering how his influence continued in operatic productions in Lima, Mexico City, and other regions of New Spain after his death. Alongside this portrait of the distinguish patron of the arts, Stein shows how conventions of musical dramaturgy for both private and commercial opera were developed within a consistent politics of production across the far-flung administrative centers of the Spanish empire in the years 1650-1730. She reveals the place of opera within the siglo de oro (Golden Age) of Hispanic theatre and delves deeply into how the Marqu?s became the principal patron of Alessandro Scarlatti in Italy after his time in Rome, sparking a reliable production system for Italian opera in Naples. Stein also addresses gendered performance--how beliefs about female fertility conditioned listeners and shaped the operatic genre--and advances the concept of the "womanly voice" in the first extant Hispanic operas, the Italian operas produced in Naples between 1683 and 1687, and the first operas of the Americas from 1701 to 1730.
Download or read book Festival Culture in the World of the Spanish Habsburgs written by Professor Fernando Checa Cremades and published by Ashgate Publishing, Ltd.. This book was released on 2015-11-28 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Festivals and ceremonials played a major role in the Spanish world; through them local identities as well as a common Spanish culture made their presence manifest within and beyond the peninsula through ephemeral displays, music and print. This book explores Habsburg Visual culture at court and its connection with the creation of a language of triumph, the relationship between religion and the empire, and examines cultural, artistic and musical exchange in Naples and Rome. Taken together these essays contribute further to our growing appreciation of the importance of early-modern festival culture in general, and their significance in the world of the Spanish Habsburgs in particular.
Download or read book Artemisia Gentileschi and the Business of Art written by Christopher R. Marshall and published by Princeton University Press. This book was released on 2024-06-11 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new account of the renowned Baroque painter, revealing how her astute professional decisions shaped her career, style, and legacy Art has long been viewed as a calling—a quasi-religious vocation that drives artists to seek answers to humanity’s deepest questions. Yet the art world is a risky, competitive business that requires artists to make strategic decisions, especially if the artist is a woman. In Artemisia Gentileschi and the Business of Art, Christopher Marshall presents a new account of the life, work, and legacy of the Italian Baroque painter, revealing how she built a successful four-decade career in a male-dominated field—and how her business acumen has even influenced the resurrection of her reputation today, when she has been transformed from a footnote of art history to a globally famous artist and feminist icon. Combining the most recent research with detailed analyses of newly attributed paintings, the book highlights the business considerations behind Gentileschi’s development of a trademark style as she marketed herself to the public across a range of Italian artistic centers. The disguised self-portraits in her early Florentine paintings are reevaluated as an effort to make a celebrity brand of her own image. And, challenging the common perception that Gentileschi’s only masterpieces are her early Caravaggesque paintings, the book emphasizes the importance of her neglected late Neapolitan works, which are reinterpreted as innovative responses to the conventional practices of Baroque workshops. Artemisia Gentileschi and the Business of Art shows that Gentileschi’s remarkable success as a painter was due not only to her enormous talent but also to her ability to respond creatively to the continuously evolving trends and challenges of the Italian Baroque art world.
Download or read book Papi in Posa written by Aa.Vv. and published by Gangemi Editore Spa. This book was released on 2013-09-21T00:00:00+02:00 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The exhibition entitled “Papi in Posa,” i.e., “Papal Portraiture,” with the highly refined and historically significant Braschi Palace – home of the Museum of Rome – in 2004, and now in Washington, The John Paul II Center, is not offered only as an excellent exposition of masterpieces from major international museums – such as the Vatican Museums – and prestigious private collections, but stands out in particular because it is one of the most important expositions of portrait painting ever because of both the outstanding quality and the considerable number of paintings and sculptures offered – executed by Europe's leading artists from the last five centuries – and the great spiritual and social significance of the personages portrayed: the greatest Pontiffs who from the 16th century to the present have sat in the Chair of Saint Peter. It is suggestive to observe, as we scan the unique artistic itinerary offered by the curators of the exhibition, how through the succession of historical periods and particularly by virtue of the esthetic verve and inner sensitivity of the artists, the description of the human person was oriented, with extreme plastic ductility and acuity in their perception of their subjects' physiognomy, to represent not only the body lines of the subject being depicted but, in particular, the most intimate traits of the heart, the lively mobility of their thought, the innermost lines of the subject's character, in an intense dialogue of chiaroscuro observations from which the characterizing notes of complex personages are evinced – persons who appear completely clear and evident only to those who are capable of sublimating their outward appearance into an acute observation. From this prestigious gallery of portraits it emerges unmistakably how the anthropocentric path of human thought has manifestly reverberated within the bounds of the figurative arts through a progressive contextualization, which sees the subject represented unbound through a metatemporal aura of rarefied abstraction and placed, naturalistically, in a precise and well defined spatiotemporal sphere. At the same time, we witness a gradual definition of the personage portrayed as the bearer of a clear personal connotation – the self and the identity, which seem to be invisible and thus impossible to represent – no longer, hortatively, as an idealized and metaphoric emblem of absolute values in deference to a markedly ethical and pedagogical conception. The exhibited works, which rightfully range themselves among the most outstanding expressions of portraiture, reveal a deep spiritual harmony evocative of beauty and unleash a lively dialogue with the onlooker based on a real and inherent economy of the act of viewing, albeit freed from the exercise of a psychologism oriented toward uncontrollable wanderings. The reception of the meaning of the formal systems – thoughtful poses and attitudes – involves, to be sure, the active presence of the spectator in a sort of visual dialogue with the portrait that is not considered exclusively as a fixed commemorative system but rather as an interactive structure. In the perspective of the reception, the observer becomes a fundamental element for the construction of the meaning of the image that, from this very private perspective, undergoes obvious momentous transformations. Observer and image thus become integral parts of a fascinating system of visual exchange not unlike the mechanisms of verbal dialogue: both members of the “pair” take on contemporaneously the dual role of subject/object, restructuring the complex relational web established in a rapport between an “I” and a “you.” Beyond the temporal contingencies, each portrait is recounted and seduces us through the universal language of fame: this incarnates, deeply, the artist's attempt to describe the personality of the subjects portrayed, consigning the multiform essence of their nature to one attitude or to a single expression by resorting to a refined psychological introspection in an attempt to render visually the subject's inner world. It is owing to the above considerations that, while I applaud the felicitous initiative of giving life to such a culturally transcendent exhibition, I would wish that all those who will have the pleasure of visiting it or at least of perusing the pages of this catalogue will be able to perceive the portraits of the individual popes not as so many freestanding elements, but rather as integrated parts of a related set of men who, albeit struggling with the many and varied anxieties of everyday life, endeavored to serve Christ among their brothers, each one with a clear perception of himself as servo servorum Dei – the servant of God's servants! Through looks, attitudes and symbols committed by the artist in a well-constructed iconographic code to the pictorial or sculptural page, the discerning observer cannot help but grasp a veiled spiritual harmony that reflects the profound mystery of faith and propagates an echo of the ineffable beauty of God, revealing how, through art, man – pulled between the eternal and the transient – strives to draw close to his Creator. Francesco Cardinal Marchisano Vicar General of the Pope for the State of Vatican City
Download or read book Bollettino dei monumenti musei e gallerie pontificie written by Vatican City. Direzione generale dei musei and published by . This book was released on 2013 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Practice and Science in Early Modern Italian Building written by Hermann Schlimme and published by Mondadori Electa. This book was released on 2006 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Architectural Drawings from the Cronstedt Collection in the Nationalmuseum Stockholm written by Anna Bortolozzi and published by Hatje Cantz Verlag. This book was released on 2021-01-05 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dieser Band stellt die erste umfassende Untersuchung italienischer Architekturzeichnungen aus der Sammlung Cronstedt im Nationalmuseum Stockholm vor. Besprochen werden rund 180 Zeichnungen aus der Zeit zwischen 1570 und 1620. Darunter befinden sich Werke von Francesco da Capriani daVolterra, Carlo Maderno und anderen in Rom ansässigen Architekten, die für Kirchen, Kapellen, Paläste, Gärten und Brunnen angefertigt wurden – viele von ihnen stellen die wichtigsten und doch kaum bekannten Quellen für die Architektur des Spätmanierismus und Frühbarock dar. Ebenfalls enthalten sind Pläne und Detailzeichnungen französischer Künstler, die viele antike Monumente ebenso akribisch dokumentierten wie die Bauten der Renaissancebaumeister Bramante, Antonio da Sangallo, Michelangelo und Vignola. Italian Architectural Drawings kommt aufgrund aktueller Forschungsergebnisse zu ganz neuen Zuschreibungen, die auf einer genauen Analyse der Zeichnungen (Papier, Medium, Technik, Montage) beruhen. Ergänzende Vergleichsabbildungen und eine fotografische Bestandsaufnahme der Wasserzeichen runden diesen Band ab.
Download or read book Art and Architecture in Italy 1600 1750 written by Rudolf Wittkower and published by Yale University Press. This book was released on 1999-01-01 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: This classic survey of Italian Baroque art and architecture focuses on the arts in every center between Venice and Sicily in the early, high, and late Baroque periods. The heart of the study, however, lies in the architecture and sculpture of the exhilarating years of Roman High Baroque, when Bernini, Borromini, and Cortona were all at work under a series of enlightened popes. Wittkower's text is now accompanied by a critical introduction and substantial new bibliography. This edition-now published in three volumes-will also include color illustrations for the first time.
Download or read book Francesco Robba and the Venetian Sculpture of the Eighteenth Century written by Matej Klemenčič and published by . This book was released on 2000 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Caravaggio written by Howard Hibbard and published by Routledge. This book was released on 2018-05-04 with total page 1096 pages. Available in PDF, EPUB and Kindle. Book excerpt: Caravaggio was one of the most important Italian painters of the 17th century. He was, in fact, the wellspring of Baroque painting. In Hibbard's words, Caravaggio's paintings "speak to us more personally and more poignantly than any others of the time". In this study, Howard Hibbard evaluates the work of Caravaggio: notorious as a painter-assassin, hailed by many as an original interpreter of the scriptures, a man whose exploration of nature has been likened to that of Galileo.
Download or read book Annali di architettura written by and published by . This book was released on 2001 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Barocco europeo barocco italiano barocco salentino written by Pier Fausto Palumbo and published by . This book was released on 1971 with total page 752 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Visible Spirit written by Irving Lavin and published by Pindar Press. This book was released on 2006-12-31 with total page 655 pages. Available in PDF, EPUB and Kindle. Book excerpt: As early as the 1950s, Professor Irving Lavin was recognized as a major voice in American art history. His sustained production of seminal scholarly contributions have left their mark on an astonishingly wide range of -subjects and fields. Bringing these far-reaching publications together will not only provide a valuable resource to scholars and -students, but will also underscore fundamental themes in the history of art - historicism, the art of commemoration, the relationship between style and meaning, the -intelligence of artists - themes that define the role of the visual arts in human communication. Irving Lavin is best known for his array of fundamental publications on the Baroque artist Gian Lorenzo Bernini (1598-1680). These include new discoveries and studies on the master's prodigious childhood, his architecture and -portraiture, his invention of caricature, his depictions of religious faith and political leadership, his work in the -theatre, his attitude toward death and the role of the artist in the creation of a modern sense of social responsibility. All of Professor Lavin's papers on Bernini are here brought together in three volumes. The studies have been reset and in many cases up-dated, and there is a comprehensive index.
