Download or read book Contemporary theater in Puerto Rico written by J. A. Collins and published by . This book was released on 1979 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Contemporary Theater in Puerto Rico written by J. A. Collins and published by Río Piedras, P.R. : Editorial Universitaria, Universidad de Puerto Rico. This book was released on 1982 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Family and Identity in Contemporary Cuban and Puerto Rican Drama written by Camilla Stevens and published by . This book was released on 2004 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt: Stevens illuminates the link between the pervasive image of the family in the theater and the struggle for national and cultural identity in Cuba and Puerto Rico. By focusing on two key periods of family drama productions - the mid-1950s to the mid-1960s and the mid-1980s to the mid-1990s - she traces the historical articulation of the concepts of family and nation in the theater. Through the close readings of 16 plays, Stevens demonstrates how onstage family quarrels between husbands and wives, parents and children, and siblings allegorize divergent views of national experience and provide insight into how and by whom communities are defined, as well as how visions of national culture change over time. America and the Hispanic Caribbean to identify the role of writing in the project of constructing and defining nationhood, the place of performance in the cultural politics of representing the nation has been less rigorously investigated. Stevens's genealogy of modern Cuban and Puerto Rican drama reveals theater and performance to be a special site and activity for imagining communities.
Download or read book World Encyclopedia of Contemporary Theatre written by Arthur Holmberg and published by Routledge. This book was released on 2014-06-03 with total page 1199 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
Download or read book World Encyclopedia of Contemporary Theatre written by Irving Brown (Consulting Bibliographer) and published by Routledge. This book was released on 2013-10-11 with total page 1344 pages. Available in PDF, EPUB and Kindle. Book excerpt: An annotated world theatre bibliography documenting significant theatre materials published world wide since 1945, plus an index to key names throughout the six volumes of the series.
Download or read book The World Encyclopedia of Contemporary Theatre written by Don Rubin and published by Taylor & Francis. This book was released on 2000-09-21 with total page 644 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now available in paperback for the first time this volume covers the Americas from Canada to Argentina, including the United States. An indispensible tool for anyone interested in the cultures of the Americas or in modern theatre.
Download or read book World Encyclopedia of Contemporary Theatre written by Arthur Holmberg and published by Routledge. This book was released on 2014-06-03 with total page 640 pages. Available in PDF, EPUB and Kindle. Book excerpt: The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
Download or read book Recent Puerto Rican Theater written by John V. Antush and published by . This book was released on 1991 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of contemporary drama written by Puerto Ricans, the plays included in the collection are: Bodega, by Federico Fraguada; Family Scenes, by Ivette M. Ramirez; Midnight Blues, by Juan Shamsul Alam; Ariano, by Richard V. Irizarry; and First Class, by Candido Tirado. All of the plays are in English, and they have all been successfully produced on stage.
Download or read book Theater and Community written by Ernesto F. Rodríguez and published by . This book was released on 1996 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: The experimentation with an alternative form of theater, which questioned the tradition dramatic heritage, emerged in Puerto Rico during the second half of the 1960's. This new form of theater, known as Experimental Theater, searched for a new aesthetic language rooted in the use of the human body as an instrument of expression. At the same time, the companies and groups - composed mostly of college students - working with this kind of theater had a well-defined social, cultural and political agenda, which was clearly reflected in the nature of their performances. The tradition of the Puerto Rican Experimental Theater has survived until today. It has experienced a change in its social and political approaches, which now are focused in the reinforcement of the Puerto Rican culture and the searching for the definition of a contemporary national identity . This idea of contemporary national identity presumes the breaking with the traditional system of dramatic representation used in the classical theater as well as in the early models of theatrical experimentation. New groups work with new codes of national representation detached from convention al cannon, creating a vibrant and contested imagery. In this line of work, the Puerto Rican group Teatreros de Cayey, directed by the theater professor Rosa Luisa Marquez and the Puerto Rican artist Antonio Martorell present a paradigm in and of themselves. Marquez and Martorell propose a work based on a theatrical dialogue between dramatic text and pictorial image. At the same time their work has focused on its interaction with low income communities as well as with school and elderly hospitals and institutions. Their work is based in the assumption that people don't have to be actors to make theater and that theater can be used as a community tool in order to produce social transformations. My thesis proposes a design for a new performing space in the metropolitan area of San Juan, Puerto Rico. The space will be conceived as a structure shared by the existing low-income community of Pinones and Marquez and Martorell's theater company. This marriage seeks to break the wall that exist between the theater community and the low-income communities that these companies work with. The selection of appropriate building systems and their deployment within the landscape will respond to the different aspects that define Marquez and Martorell's theater company. At the same time the design will stimulate interaction between outside professional theater groups and inside community theater.
Download or read book The State of Latino Theater in the United States written by Luis Ramos-García and published by Psychology Press. This book was released on 2002 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Contemporary Puerto Rican Drama written by Jordan Blake Phillips and published by New York : Plaza Mayor Ediciones. This book was released on 1973 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performing the Alternative written by Jade Y. Power and published by . This book was released on 2006 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Nuestro New York written by John V. Antush and published by Signet Book. This book was released on 1994 with total page 616 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anthology of Puerto-Rican drama includes contributions by Ruben Gonzalez, Eva Lopez, and other writers.
Download or read book The Promise written by Jose Rivera and published by . This book was released on 2016-11-08 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: "An evening of considerable heat and no little roughshod beauty. The work, poetic in concept and symbolism, is set in the back yard of a Puerto Rican enclave in Patchogue, L I, but also in the recent mystic past of blood rivalries and macho Montague/Capulet feuds..." Jerry Tallmer, New York Post "JosE Rivera's provocative, intriguing THE PROMISE... But what's most impressive about THE PROMISE is its brazen insistence that theater can dare to be great in the old-fashioned meaning of the word. This play makes no apologies for the theater, never tries to imitate film or television conventions. It restores the stage to its transformative, religious, spiritual origins. It believes in the theater as the one, true sanctuary for our communal dreams, our social nightmares, our superstitious secrets. It keeps theater's promise to raise forbidden issues and explore taboo topics... THE PROMISE makes a vow in the first scene--to offer an exotic, lush weave of the surreal and the real--which it never betrays." Richard Stayton, Los Angeles Herald Examiner "JosE Rivera is out of the kitchen sink and into magical realism--that's the term the playwright uses to describe THE PROMISE, a modern-day tale of love, death--and love beyond it... THE PROMISE is about maturation, growth, about leaving superstition behind. It's also very concerned with the cultural genocide that's happening in Puerto Rico... They learn English in school, and the indigenous folklore is not taught..." Janice Arkatov, Los Angeles Times
Download or read book Performance Trauma and Puerto Rico in Musical Theatre written by Colleen Rua and published by Taylor & Francis. This book was released on 2023-08-11 with total page 130 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study positions four musicals and their associated artists as mobilizers of defiant joy in relation to trauma and healing in Puerto Rico. This book argues that the historical trajectory of these musicals has formed a canon of works that have reiterated, resisted or transformed experiences of trauma through linguistic, ritual, and geographic interventions. These traumas may be disaster-related, migrant-related, colonial or patriarchal. Bilingualism and translation, ritual action, and geographic space engage moments of trauma (natural disaster, incarceration, death) and healing (community celebration, grieving, emancipation) in these works. The musicals considered are West Side Story (1957, 2009, 2019), The Capeman (1998), In the Heights (2008), and Hamilton (2015). Central to this argument is that each of the musicals discussed is tied to Puerto Rico, either through the representation of Puerto Rican characters and stories, or through the Puerto Rican positionality of its creators. The author moves beyond the musicals to consider Lin-Manuel Miranda as an embodied site of healing, that has been met with controversy, as well as post-Hurricane Maria relief efforts led by Miranda on the island and from a distance. In each of the works discussed, acts of belonging shape notions of survivorship and witness. This book also opens a dialogue between these musicals and the work of island-based artists Y no había luz, that has served as sites of first response to disaster. This book will be of interest to students and scholars in Latinx Theatre, Musical Theatre and Translation studies.
Download or read book The Cambridge Guide to African and Caribbean Theatre written by Martin Banham and published by Cambridge University Press. This book was released on 1994-08-04 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive alphabetical guide to theatre in Africa and the Caribbean: national essays and entries on countries and performers.
Download or read book Teatro Hispano written by Elisa De la Roche and published by Taylor & Francis. This book was released on 1995 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
