Download or read book Contemporary Art and Unforgetting in Colonial Landscapes written by Kate McMillan and published by Springer. This book was released on 2019-07-22 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the work of artists based in the global south whose practices and methods interrogate and explore the residue of Empire. In doing so, it highlights the way that contemporary art can assist in the un-forgetting of colonial violence and oppression that has been systemically minimized. The research draws from various fields including memory studies; postcolonial and decolonial strategies of resistance; activism; theories of the global south; the intersection between colonialism and the Anthropocene, as well as practice-led research methodologies in the visual arts. Told through the author’s own perspective as an artist and examining the work of Julie Gough, Yuki Kihara, Megan Cope, Yhonnie Scarce, Lisa Reihana and Karla Dickens, the book develops a number of unique theories for configuring the relationship between art and a troubled past.
Download or read book The Politics of Artists in War Zones written by Kit Messham-Muir and published by Bloomsbury Publishing. This book was released on 2023-12-14 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: What exactly is contemporary war art in the West today? This book considers the place of contemporary war art in the 2020s, a whole generation after 9/11 and long past the 'War on Terror'. Exploring the role contemporary art plays within conversations around war and imperialism, the book brings together chapters from international contemporary artists, theorists and curators, alongside the voices of contemporary war artists through original edited interviews. It addresses newly emerged contexts in which war is found: not only sites of contemporary conflicts such as Ukraine, Yemen and Syria, but everywhere in western culture, from social media to 'culture' wars. With interviews from official war artists working in the UK, the US, and Australia, such as eX de Medici (Australia) and David Cotterrell (UK), as well as those working in post-colonial contexts, such as Baptist Coelho (India), the editors reflect on contemporary processes of memorialisation and the impact of British colonisation in Australia, India and its relation to historical conflicts. It focuses on three overlapping themes: firstly, the role of memory and amnesia in colonial contexts; secondly, the complex role of 'official' war art; and thirdly, questions of testimony and knowing in relation to alleged war crimes, torture and genocide. Richly illustrated, and featuring three substantial interview chapters, The Politics of Artists in War Zones is a hands-on exploration of the complexities and challenges faced by war artists that contextualises the tensions between the contemporary art world and the portrayal of war. It is essential reading for researchers of fine art, curatorial studies, museum studies, conflict studies and photojournalism.
Download or read book Unsettling Colonial Automobilities written by Thalia Anthony and published by Emerald Group Publishing. This book was released on 2023-12-14 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring the vehicle's role in imposing colonialism on Indigenous people, this book proposes an Indigenous automobility that reclaims sovereignty over place and centricity.
Download or read book Framing the Penal Colony written by Sophie Fuggle and published by Springer Nature. This book was released on 2023-02-20 with total page 339 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the representation of penal colonies both historically and in contemporary culture, across an array of media. Exploring a range of geographies and historical instances of the penal colony, it seeks to identify how the ‘penal colony’ as a widespread phenomenon is as much ‘imagined’ and creatively instrumentalized as it pertains to real sites and populations. It concentrates on the range of ‘media’ produced in and around penal colonies both during their operation and following their closures. This approach emphasizes the role of cross-disciplinary methods and approaches to examining the history and legacy of convict transportation, prison islands and other sites of exile. It develops a range of methodological tools for engaging with cultures and representations of incarceration, detention and transportation. The chapters draw on media discourse analysis, critical cartography, museum and heritage studies, ethnography, architectural history, visual culture including film and comics studies and gaming studies. It aims to disrupt the idea of adopting linear histories or isolated geographies in order to understand the impact and legacy of penal colonies. The overall claim made by the collection is that understanding the cultural production associated with this global phenomenon is a necessary part of a wider examination of carceral imaginaries or ‘penal spectatorship’ (Brown, 2009) past, present and future. It brings together historiography, criminology, media and cultural studies.
Download or read book Natural Perception written by Alice Palmer and published by Cambridge University Press. This book was released on 2023-08-31 with total page 333 pages. Available in PDF, EPUB and Kindle. Book excerpt: Images of nature abound in the practice of international environmental law but their significance in law is unclear. Drawing on visual jurisprudence, and interpretative methods for visual art, this book analyses photographs for their representations of nature's aesthetic value in treaty processes that concern world heritage, whales and biodiversity. It argues that visual images should be embraced in the prosaic practice of international law, particularly for treaties that demand judgements of nature's aesthetic value. This environmental value is in practice conflated with natural beauty, ethical and cultural values, and displaced by economic and scientific values. Interpretations of visual images can serve instead to critique and conceive sensory, imaginative and emotional appreciations of nature from different cultural perspectives as proposed by philosophers of environmental aesthetics. Addressing questions of value and the visual, this landmark book shows how images can be engaged by nations to better protect the environment under international law.
Download or read book A Map of the Body a Map of the Mind Visualising Geographical Knowledge in the Roman World written by Iain Ferris and published by Archaeopress Publishing Ltd. This book was released on 2024-06-20 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study considers the relationship between geography and power in the Roman world, most particularly the visualisation of geographical knowledge in myriad forms of geography products: geographical treatises, histories, poems, personifications, landscape representations, images of barbarian peoples, maps, itineraries, and imported foodstuffs.
Download or read book Handbook of Migration and Global Justice written by Weber, Leanne and published by Edward Elgar Publishing. This book was released on 2021-08-27 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This timely Handbook brings together leading international scholars from a range of disciplinary backgrounds and geopolitical perspectives to interrogate the intersections between migration and global justice. It explores how cross-border mobility and migration have been affected by rapid economic, cultural and technological globalisation, addressing the pressing questions of global justice that arise as governments respond to unprecedented levels of global migration.
Download or read book Rethinking Island Methodologies written by Elaine Stratford and published by Rowman & Littlefield. This book was released on 2023-01-17 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rounding off the “Rethinking the Island” series, this book shares critical and creative insights on the methodologies and associated practices, protocols, and techniques used by those in island studies and allied fields. It explores why and how islands serve powerful analytical ends. Authored by three scholars who work in and across geography, sociology, and literary studies and incorporating conversations with colleagues from around the world, the work considers significant, interdisciplinary questions shaping the field, including on belonging, boundedness, decolonization, governance, indigeneity, migration, sustainability, and the consequences of climate change. In the process, the authors model what it means to think about and rethink island and archipelagic methodologies and point to emergent innovations in the field.
Download or read book English and Colonial Landscapes 18th and 19th Centuries Permanent Collection written by Agnes Etherington Art Centre and published by . This book was released on with total page 1 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Islands and the British Empire in the Age of Sail written by Douglas Hamilton and published by Oxford University Press. This book was released on 2021 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the various ways in which islands (and groups of islands) contributed to the establishment, extension, and maintenance of the British Empire in the age of sail.
Download or read book The Post Colonial Landscape written by Bruce Grenville and published by Saskatoon : Mendel Art Gallery. This book was released on 1997-01-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Possessions written by Nicholas Thomas and published by National Geographic Books. This book was released on 2022-09-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A timely reexamination of European engagements with Indigenous art—and the presence of Indigenous art in the contemporary art world. The arts of Africa, Oceania, and Native America famously inspired twentieth-century modernist artists such as Pablo Picasso, Henri Matisse, and Max Ernst. Was this a cross-cultural discovery to be celebrated? Or just one more example of Western colonial appropriation? What might a “decolonized” art history look like? Over the last half- century, scholarship emerged that gave the arts of Africa, Oceania, and Native America dedicated attention—though often in terms associated with tribal art connoisseurship, without acknowledgment of the colonial contexts of Indigenous art traditions or histories of appropriation and violence, and often stopped short of engaging with Indigenous visions or voices. “Decolonization” refers to an event, a liberation. In one sense, decolonization has happened: it was the moment of national independence for formerly colonized nations across Africa, Asia, and Oceania. But from another perspective, more prominent in current debate, decolonization is ongoing. What work does art do now, toward decolonization? And how can we, the audience, be active agents in redefining these histories? Possessions, first published in 1999, offered a dynamic and genuinely cross-cultural art history, focused on the encounter, or the confrontation, in Australasia between the visual cultures of European colonization and Indigenous expressions. This new edition of Possessions contributes to today’s debates on diversity and race, giving voice to Indigenous artists and their continued presence in contemporary art today. A new introduction and concluding chapter frame the book in the present day, with recent studies, catalogs, and updated references.
Download or read book Creative Presence written by Emily Hannah Merson and published by Kilombo: International Relatio. This book was released on 2020-08-16 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contributes a transnational feminist intersectional analysis of artwork as a powerful force in world politics and argues that contemporary artwork is a site of knowledge production that provides vital insights for scholars of world politics.
Download or read book Some Otherwhere written by Kate Keohane and published by . This book was released on 2020 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Landscapes written by and published by . This book was released on 1990 with total page 25 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Museum as a Mirror written by Blythe C. Romano and published by . This book was released on 2021 with total page 134 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art museums have recently been looking at their existing collections with heightened scrutiny, revisiting their decision to display colonial works uncritically in their gallery spaces, and reconsidering the idea that there is such a thing as a unified art historical canon. These conversations regarding reinterpretation are necessary for all museums that choose to display art with problematic histories, as this information is owed to visitors -- especially within the settler colonial context. The Colby College Museum of Art in Waterville, Maine is one site where such collection and gallery "reinterpretation" has begun to be implemented and discussed. For example, in the museum's Osher Gallery of the American West, there have been attempts to address American colonialism and its modern legacy. However, other galleries that perpetuate harmful ideologies, such as the Arthur Vining Davis Foundations Gallery and its focus on landscapes of the American East (which were widely used as imperial tools) have undergone virtually no reintepretive work. Although the Colby College Museum of Art presents itself as an educational institution which seeks to expand the canon of American art, its reinterpretive efforts have fallen flat as they promote the harmful dissonance/resolution model of gallery construction and the unrealistic neutrality of settler-colonialism. In my paper, I argue that the Colby College Museum of Art must abandon these gallery models in favor of promoting community collaboration and shared authority with Indigenous communities, and embracing a more intentionally disruptive organization of the gallery space. I interrogate specific works of art and their placement in the Colby Museum to call attention to areas that must be readdressed. I then assert that reinterpretation is the first step in a necessary decolonial process that will lead to the dissolution of the settler state.
