Download or read book Constructed Abstract Art in England After the Second World War written by Alastair Ian Grieve and published by Paul Mellon Ctr for Studies. This book was released on 2005 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Much admired as a realist painter, English artist Victor Pasmore surprised the art world in 1948 by suddenly directing his efforts toward the making of constructed abstract art. Pasmore was followed by Kenneth and Mary Martin, Adrian Heath, and the sculptor Robert Adams, and the group was later joined by John Ernest and Gillian Wise. This book follows the development of this major avant garde group and explores why they have received so little attention until now. Alastair Grieve draws on personal discussions with these artists over many years and on extensive archival materials, including ephemeral catalogues which are difficult to find today. He offers much new information about the group and their theories, the Continental roots of their constructed abstract art, and their links with such contemporaries as American relief artist Charles Biederman and English constructivist Stephen Gilbert. The book features over 300 illustrations, many in color, and a full chronology and bibliography.
Download or read book From Space in Modern Art to a Spatial Art History written by Jutta Vinzent and published by Walter de Gruyter GmbH & Co KG. This book was released on 2019-12-02 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces artists’ theories of constructive space in the first half of the twentieth century. Drawing on these concepts and recent theories on space, it develops a methodology termed ‘Spatial Art History’ that conceives of artworks as physical spatio-temporal things, which produce the social, to overcome the reductive understanding of art as a mere mirror or facilitator of society.
Download or read book A Dictionary of Modern and Contemporary Art written by Ian Chilvers and published by Oxford University Press, USA. This book was released on 2009 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.
Download or read book Make it Modern written by Brandon Taylor and published by Yale University Press. This book was released on 2022 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fascinating journey through Western art from the 1910s to the 1960s, charting how artists wrestled with the headlong changes of a turbulent and conflict-ridden world From the chaos of the First World War to the ravages of the Second, from the Great Depression to the rise of consumer culture, artists we call "modern" faced the challenge of responding imaginatively to utterly new circumstances of life. Original thought, startling artistic techniques, and new attitudes to experimentation were required to produce exceptional and timely work. Make It Modern guides the reader through the art of the modern world. Works of celebrated artists, from Pablo Picasso and Wassily Kandinsky to Frida Kahlo, Jackson Pollock, and Yayoi Kusama, alongside a panoply of undervalued or less-known figures, populate this decade-by-decade narrative. Make It Modern tells an unforgettable story of how art was changed forever.
Download or read book Art and Masculinity in Post War Britain written by Gregory Salter and published by Routledge. This book was released on 2020-05-18 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Gregory Salter traces how artists represented home and masculinities in the period of social and personal reconstruction after the Second World War in Britain. Salter considers home as an unstable entity at this historical moment, imbued with the optimism and hopes of post-war recovery while continuing to resonate with the memories and traumas of wartime. Artists examined in the book include John Bratby, Francis Bacon, Keith Vaughan, Francis Newton Souza and Victor Pasmore. Case studies featured range from the nuclear family and the body, to the nation. Combined, they present an argument that art enables an understanding of post-war reconstruction as a temporally unstable, long-term phenomenon which placed conceptions of home and masculinity at the heart of its aims. Art and Masculinity in Post-War Britain sheds new light on how the fluid concepts of society, nation, masculinity and home interacted and influenced each other at this critical period in history and will be of interest to anyone studying art history, anthropology, sociology, history and cultural and heritage studies.
Download or read book British Musical Modernism written by Philip Rupprecht and published by Cambridge University Press. This book was released on 2015-07-09 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Musical Modernism explores the works of eleven key composers to reveal the rapid shifts of expression and technique that transformed British art music in the post-war period. Responding to radical avant-garde developments in post-war Europe, the Manchester Group composers - Alexander Goehr, Peter Maxwell Davies, and Harrison Birtwistle - and their contemporaries assimilated the serial-structuralist preoccupations of mid-century internationalism to an art grounded in resurgent local traditions. In close readings of some thirty-five scores, Philip Rupprecht traces a modernism suffused with the formal elegance of the 1950s, the exuberant theatricality of the 1960s, and - in the works of David Bedford and Tim Souster - the pop, minimalist, and live-electronic directions of the early 1970s. Setting music-analytic insights against a broader social-historical backdrop, Rupprecht traces a British musical modernism that was at once a collective artistic endeavor, and a sounding myth of national identity.
Download or read book Constructing Modernity written by Martin Hammer and published by Yale University Press. This book was released on 2000-01-01 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt: Naum Gabo (1890-1977), whose eventful life took him from his native Russia to Berlin, Paris, London, and finally the United States, achieved renown as one of the most inventive and controversial figures in twentieth-century sculpture. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. The authors also examine his response to the scientific and political revolutions of his age and trace the origins and development of Gabo's utopian conviction that Constructivist art was profoundly in tune with modernity, social progress, and advances in science and technology. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, Hammer and Lodder discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner. They also situate his aesthetic theory and practice within the Constructi
Download or read book Anglo American Exchange in Postwar Sculpture 1945 1975 written by Rebecca Peabody and published by Getty Publications. This book was released on 2011-12-31 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: Anglo-American Exchange in Postwar Sculpture, 1945-1975 redresses an important art historical oversight. Histories of American and British sculpture are usually told separately, with artists and their work divided by nationality; yet such boundaries obscure a vibrant exchange of ideas, individuals, and aesthetic influences. In reality, the postwar art world saw dynamic interactions between British and American sculptors, critics, curators, teachers, and institutions. Using works of art as points of departure, this book explores the international movement of people, objects, and ideas, demonstrating the importance of Anglo-American exchange to the history of postwar sculpture.
Download or read book London Art Worlds written by Jo Applin and published by Penn State Press. This book was released on 2017-12-14 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: The essays in this collection explore the extraordinarily rich networks of international artists and art practices that emerged in and around London during the 1960s and ’70s, a period that saw an explosion of new media and fresh attitudes and approaches to making and thinking about art. The contributors to London Art Worlds examine the many activities and movements that existed alongside more established institutions in this period, from the rise of cybernetics and the founding of alternative publications to the public protests and new pedagogical models in London’s art schools. The essays explore how international artists and the rise of alternative venues, publications, and exhibitions, along with a growing mobilization of artists around political and cultural issues ranging from feminism to democracy, pushed the boundaries of the London art scene beyond the West End’s familiar galleries and posed a radical challenge to established modes of making and understanding art. Engaging, wide-ranging, and original, London Art Worlds provides a necessary perspective on the visual culture of the London art scene in the 1960s and ’70s. Art historians and scholars of the era will find these essays especially valuable and thought provoking. In addition to the editors, contributors to this volume are Elena Crippa, Antony Hudek, Dominic Johnson, Carmen Juliá, Courtney J. Martin, Lucy Reynolds, Joy Sleeman, Isobel Whitelegg, and Andrew Wilson.
Download or read book Concerning Stephen Willats and the Social Function of Art written by Sharon Irish and published by Bloomsbury Publishing. This book was released on 2020-12-10 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book on Stephen Willats pulls together key strands of his practice and threads them through histories of British cybernetics, experimental art, and urban design. For Willats, a cluster of concepts about control and feedback within living and machine systems (cybernetics) offered a new means to make art relevant. For decades, Willats has built relationships through art with people in tower blocks, underground clubs, middle-class enclaves, and warehouses on the Isle of Dogs, to investigate their current conditions and future possibilities. Sharon Irish's study demonstrates the power of Willats's multi-media art to catalyze communication among participants and to upend ideas about “audience” and “art.” Here, Irish argues that it is artists like Willats who are now the instigators of social transformation.
Download or read book Computer Architectures written by Theodora Vardouli and published by Routledge. This book was released on 2019-11-19 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: Computer Architectures is a collection of multidisciplinary historical works unearthing sites, concepts, and concerns that catalyzed the cross-contamination of computers and architecture in the mid-20th century. Weaving together intellectual, social, cultural, and material histories, this book paints the landscape that brought computing into the imagination, production, and management of the built environment, whilst foregrounding the impact of architecture in shaping technological development. The book is organized into sections corresponding to the classic von Neumann diagram for computer architecture: program (control unit), storage (memory), input/output and computation (arithmetic/logic unit), each acting as a quasi-material category for parsing debates among architects, engineers, mathematicians, and technologists. Collectively, authors bring forth the striking homologies between a computer program and an architectural program, a wall and an interface, computer memory and storage architectures, structures of mathematics and structures of things. The collection initiates new histories of knowledge and technology production that turn an eye toward disciplinary fusions and their institutional and intellectual drives. Constructing the common ground between design and computing, this collection addresses audiences working at the nexus of design, technology, and society, including historians and practitioners of design and architecture, science and technology scholars, and media studies scholars.
Download or read book British Sculpture in the Twentieth Century written by Whitechapel Art Gallery and published by Conran Octopus. This book was released on 1981 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt: Catalogue of an exhibition organized by the Whitechapel Art Gallery.
Download or read book Obsolescence written by Daniel M. Abramson and published by University of Chicago Press. This book was released on 2016-02-12 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: In our architectural pursuits, we often seem to be in search of something newer, grander, or more efficient—and this phenomenon is not novel. In the spring of 1910 hundreds of workers labored day and night to demolish the Gillender Building in New York, once the loftiest office tower in the world, in order to make way for a taller skyscraper. The New York Times puzzled over those who would sacrifice the thirteen-year-old structure, “as ruthlessly as though it were some ancient shack.” In New York alone, the Gillender joined the original Grand Central Terminal, the Plaza Hotel, the Western Union Building, and the Tower Building on the list of just one generation’s razed metropolitan monuments. In the innovative and wide-ranging Obsolescence, Daniel M. Abramson investigates this notion of architectural expendability and the logic by which buildings lose their value and utility. The idea that the new necessarily outperforms and makes superfluous the old, Abramson argues, helps people come to terms with modernity and capitalism’s fast-paced change. Obsolescence, then, gives an unsettling experience purpose and meaning. Belief in obsolescence, as Abramson shows, also profoundly affects architectural design. In the 1960s, many architects worldwide accepted the inevitability of obsolescence, experimenting with flexible, modular designs, from open-plan schools, offices, labs, and museums to vast megastructural frames and indeterminate building complexes. Some architects went so far as to embrace obsolescence’s liberating promise to cast aside convention and habit, envisioning expendable short-life buildings that embodied human choice and freedom. Others, we learn, were horrified by the implications of this ephemerality and waste, and their resistance eventually set the stage for our turn to sustainability—the conservation rather than disposal of resources. Abramson’s fascinating tour of our idea of obsolescence culminates in an assessment of recent manifestations of sustainability, from adaptive reuse and historic preservation to postmodernism and green design, which all struggle to comprehend and manage the changes that challenge us on all sides.
Download or read book The British Art Journal written by and published by . This book was released on 2005 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Structurist written by Eli Bornstein and published by . This book was released on 2007 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book British Art written by Julian Freeman and published by No Exit Press. This book was released on 2006 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: Julian Freeman's 16 essays on British art turn the subject on its heads, its side and - without pretending to formally reassess it - give it a good shaking. Deliberately provocative and affectionate by turns, he moves from discursive commentaries on the art of the home counties of the British Isles to consider some of the ways in which Brits of all colours and persuasions have handled the practice of art - from inspiration and inception through creation in its countless modes to the testy business of exhibiting. Deliberately opinionated and stupendously accurate.
Download or read book New Art New World written by Margaret Garlake and published by Yale University Press. This book was released on 1998 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the years following World War II, Britain was plagued by privation, xenophobia, and humiliation from the loss of colonial territories and political power. At the same time, the country was in the midst of a dawning triumphalism, seen first in the Festival of Britain, then in the new Coventry Cathedral, and finally in the international status accorded to British art by the early 1960s. This book sets the visual arts in the social and political context of these complex years. Margaret Garlake establishes the intellectual, historical, and organizational frameworks within which art was made and received by critics and the public. She discusses problems raised by abstract art, links between art and politics (culminating in the Unknown Political Prisoner competition), and misapprehensions concerning art from the colonial territories. She describes such new institutions as the Arts and British Councils, the Institute of Contemporary Arts, and commercial galleries, all of which played crucial roles in sustaining artists and promoting their work. She examines the perception of a national tradition, grounded visually in landscape and place but heavily influenced by politics. And she investigates the negotiations undertaken by artists and critics sensitive to the nuances of tradition to respond to the impact of an international, American- oriented art. Finally, Garlake focuses on the broad themes within which many artists worked, including public art, landscape, the city, and the human body as mother, sex object, survivor, or worker.
