Download or read book Consort music of four parts written by John Ward and published by Stainer & Bell, Limited. This book was released on 2005 with total page 152 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Consort Music of Four Parts written by John Jenkins and published by London : Published for the Royal Musical Association. This book was released on 1975 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contains 32 "airs," 8 suites, 5 fantasias, and 12 assorted dances.
Download or read book Four part consort music written by William Byrd and published by . This book was released on 1990 with total page 58 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The four part consort music written by Thomas Lupo and published by Fretwork Publishing. This book was released on 2003 with total page 132 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Lupo (1571-1627): The Four-Part Consort Music. Fantasia 1-4, Fantasia [Air] 5-7, Fantasia 8-10, Fantasia [Air] 11-13. Introduction, Critical Commentary and scores. Performing parts available direct from the publishers.
Download or read book The Consort Music of William Lawes 1602 1645 written by John Patrick Cunningham and published by Boydell & Brewer. This book was released on 2010 with total page 378 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book looks at the work of one of England's finest composers, William Lawes. It provides a contextual examination of music at the court of Charles I, a detailed study of Lawes's autograph sources and an examination of his consort music.
Download or read book The two three and four part consort music written by John Coperario and published by Fretwork Publishing. This book was released on 1991 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Coprario (c. 1575-1626): the complete consort music in two, three and four parts. Introduction, critical commentaries and full scores. Performing parts available direct from the publisher. Published in 1993.
Download or read book Musical Creativity in Restoration England written by Rebecca Herissone and published by Cambridge University Press. This book was released on 2013 with total page 568 pages. Available in PDF, EPUB and Kindle. Book excerpt: Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.
Download or read book Writing and Religion in England 1558 1689 written by Anthony W. Johnson and published by Routledge. This book was released on 2016-02-17 with total page 572 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fruit of intensive collaboration among leading international specialists on the literature, religion and culture of early modern England, this volume examines the relationship between writing and religion in England from 1558, the year of the Elizabethan Settlement, up until the Act of Toleration of 1689. Throughout these studies, religious writing is broadly taken as being 'communicational' in the etymological sense: that is, as a medium which played a significant role in the creation or consolidation of communities. Some texts shaped or reinforced one particular kind of religious identity, whereas others fostered communities which cut across the religious borderlines which prevailed in other areas of social interaction. For a number of the scholars writing here, such communal differences correlate with different ways of drawing on the resources of cultural memory. The denominational spectrum covered ranges from several varieties of Dissent, through via media Anglicanism, to Laudianism and Roman Catholicism, and there are also glances towards heresy and the mid-seventeenth century's new atheism. With respect to the range of different genres examined, the volume spans the gamut from poetry, fictional prose, drama, court masque, sermons, devotional works, theological treatises, confessions of faith, church constitutions, tracts, and letters, to history-writing and translation. Arranged in roughly chronological order, Writing and Religion in England, 1558-1689 presents chapters which explore religious writing within the wider contexts of culture, ideas, attitudes, and law, as well as studies which concentrate more on the texts and readerships of particular writers. Several contributors embrace an inter-arts orientation, relating writing to liturgical ceremony, painting, music and architecture, while others opt for a stronger sociological slant, explicitly emphasizing the role of women writers and of writers from different sub-cultural backgrounds.
Download or read book The lyra viol consorts written by John Jenkins and published by A-R Editions, Inc.. This book was released on 1992-01-01 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Orlando Gibbons and the Gibbons Family of Musicians written by John Harley and published by Routledge. This book was released on 2018-12-21 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1999, this volume is the first full-length study to deal with the life and music of Orlando Gibbons since E.H. Fellowes’s short book, originally published in 1923. John Harley investigates in detail the family and musical background from which Orlando Gibbons emerged, and gives a fascinating account of the activities of his father, William Gibbons, as a wait in Oxford and Cambridge. He traces, too, the activities of Orlando’s brothers – Edward, who was the master of the choristers at King’s College, Cambridge and later at Exeter Cathedral; Ferdinando, who may have taken over from his father as head of the Cambridge waits, and who became a wait in Lincoln; and Ellis, who contributed two madrigals to Thomas Morley’s collection of 1601, The Triumphs of Oriana. Attention naturally focuses principally on Orlando Gibbons. A full record is given of his remarkably youthful appointment as an organist of the Chapel Royal (he was probably less than twenty at the time) and of his life at court. His additional appointments as one of Prince Charles’s musicians and as organist of Westminster Abbey are also described, as is his sudden and premature death in his early forties. Gibbons’s music is carefully examined in a series of chapters dealing with his pieces for keyboard and for viols, his songs, his full and verse anthems, and his works for the Anglican liturgy. His development as a composer within these genres is followed, and the character of particular pieces is considered. John Harley concludes that whereas, at one time, Gibbons ‘tended to be admired as a successor to Tallis and Byrd, working in a style not essentially different from theirs’, it is now ‘easier to view him as a pioneer, whose work was cut short by his untimely death’. Orlando Gibbons’s son Christopher was only a child when his father died, but he became one of the foremost composers and keyboard players of his generation, writing and performing chamber works and music for the stage during the Commonwealth. Following the Restoration of King Charles II, Christopher Gibbons gained his father’s former posts at the Chapel Royal and Westminster Abbey, for which establishments he wrote a number of anthems. His importance is recognized by the inclusion of a long chapter on his life and works.
Download or read book Byrd Studies in the Twenty First Century written by Samantha Bassler and published by Liverpool University Press. This book was released on 2023-11-15 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: 2023 marks 400 years since the death of English renaissance composer, William Byrd. Byrd's rich musical oeuvre and storied career has long captured the attention of audiences and scholars alike. This all-new collected edition marks his anniversary with thirteen brand-new essays from leading scholars on Byrd's musical life and legacy.
Download or read book A Performer s Guide to Seventeenth Century Music written by Stewart Carter and published by Indiana University Press. This book was released on 2012-03-21 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: Revised and expanded, A Performer's Guide to Seventeenth Century Music is a comprehensive reference guide for students and professional musicians. The book contains useful material on vocal and choral music and style; instrumentation; performance practice; ornamentation, tuning, temperament; meter and tempo; basso continuo; dance; theatrical production; and much more. The volume includes new chapters on the violin, the violoncello and violone, and the trombone—as well as updated and expanded reference materials, internet resources, and other newly available material. This highly accessible handbook will prove a welcome reference for any musician or singer interested in historically informed performance.
Download or read book A Performer s Guide to Renaissance Music Second Edition written by Jeffery Kite-Powell and published by Indiana University Press. This book was released on 2007-08-02 with total page 498 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vocal/choral issues. The solo voice in the Renaissance / Ellen Hargis ; On singing and the vocal ensemble I / Alexander Blachly ; On singing and the vocal ensemble II / Alejandro Planchart ; Practical matters of vocal performance / Anthony Rooley -- Wind, string, and percussion instruments. Recorder ; Renaissance flute / Herbert Myers ; Capped double reeds : crumhorn--Kortholt--Schreierpfeif / Jeffery Kite-Powell ; Shawm and curtal / Ross Duffin ; Racket : rackett, Rankett (Ger.), cervelas (Fr.), cervello (It.) / Jeffery Kite-Powell ; Bagpipe / Adam Knight Gilbert ; Cornett / Douglas Kirk ; Sackbut / Stewart Carter -- Bowed instruments / Wendy Gillespie -- The violin / David Douglass -- Plucked instruments / Paul O'Dette -- The harp / Herbert Myers -- Early percussion / Benjamin Harms -- Keyboard instruments / Jack Ashworth -- Practical considerations/instrumentation. Proto-continuo / Jack Ashworth and Paul O'Dette ; Mixed ensembles / James Tyler ; Large ensembles / Jeffery Kite-Powell ; Rehearsal tips for directors / Adam Knight Gilbert ; Performance editions / Frederick Gable -- Performance practice. Tuning and temperament / Ross Duffin ; Pitch and transposition / Herbert Myers ; Ornamentation in sixteenth-century music / Bruce Dickey ; Pronunciation guides / Ross Duffin -- Aspects of theory. Eight brief rules for composing a si placet altus, ca. 1470-1510 / Adam Knight Gilbert ; Renaissance theory / Sarah Mead -- Introduction to Renaissance dance. Early Renaissance dance, 1450-1520 / Yvonne Kendall -- For the early music director. Starting from scratch / Jeffery Kite-Powell.
Download or read book The Ashgate Research Companion to Henry Purcell written by Rebecca Herissone and published by Routledge. This book was released on 2016-04-01 with total page 558 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Ashgate Research Companion to Henry Purcell provides a comprehensive and authoritative review of current research into Purcell and the environment of Restoration music, with contributions from leading experts in the field. Seen from the perspective of modern, interdisciplinary approaches to scholarship, the companion allows the reader to develop a rounded view of the environment in which Purcell lived, the people with whom he worked, the social conditions that influenced his activities, and the ways in which the modern perception of him has been affected by reception of his music after his death. In this sense the contributions do not privilege the individual over the environment: rather, they use the modern reader's familiarity with Purcell's music as a gateway into the broader Restoration world. Topics include a reassessment of our understanding of Purcell's sources and the transmission of his music; new ways of approaching the study of his creative methods; performance practice; the multi-faceted theatre environment in which his work was focused in the last five years of his life; the importance of the political and social contexts of late seventeenth-century England; and the ways in which the performance history and reception of his music have influenced modern appreciation of the composer. The book will be essential reading for anyone studying the music and culture of the seventeenth century.
Download or read book Concepts of Creativity in Seventeenth century England written by Rebecca Herissone and published by Boydell & Brewer Ltd. This book was released on 2013 with total page 374 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.
Download or read book Thomas Tallis written by Mr John Harley and published by Ashgate Publishing, Ltd.. This book was released on 2015-12-28 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Harley’s Thomas Tallis is the first full-length book to deal comprehensively with the composer’s life and works. Tallis entered the Chapel Royal in the middle of a long life, and remained there for over 40 years. During a colourful period of English history he famously served King Henry VIII and the three of Henry’s children who followed him to the throne. His importance for English music during the second half of the sixteenth century is equalled only by that of his pupil, colleague and friend William Byrd. In a series of chronological chapters, Harley describes Tallis’s career before and after he entered the Chapel. The fully considered biography is placed in the context of larger political and cultural changes of the period. Each monarch’s reign is treated with an examination of the ways in which Tallis met its particular musical needs. Consideration is given to all of Tallis’s surviving compositions, including those probably intended for patrons and amateurs beyond the court, and attention is paid to the context within which they were written. Tallis emerges as a composer whose music displays his special ability in setting words and creating ingenious musical patterns. A table places most of Tallis’s compositions in a broad chronological order.
Download or read book The five part consort music written by Thomas Lupo and published by Fretwork Publishing. This book was released on 1997 with total page 90 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thomas Lupo (1571-1627). The complete five-part consort music volume 2. Fantasias 19-35, for viol consort, edited by Richard Charteris. Parts available direct from the publisher. Published in 1998.
